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Irish Love and a Few Life Lessons

The corn-beef and cabbage cooking and coffee is flowing and today is a good day to be Celtic. Yes. Scottish/Irish on one side and German/English on the other I believe. The St. Patty’s Day has fallen on a Sat. and with the summer-like weather in Michigan we’re having an outside day of it. Bon-Fire, beer and burgers and later the corn-beef. It has been fun getting the yard and garden ready for the new planting. Bottling of the “Green Goblin” (Read earlier posts) will happen soon. I have a beer batch to try following that. The month was one of promotion and looking at projects both in development and   submitted to me to act in. I cut about 5 inches from my hair in prep of soccer season and the coming heat. I’m excited about the projects ahead and development has also been moving steadily ahead. Let me see if I can give a few good updates but 1st let’s talk about – WORK!

Many people on the outside view our industry as fluff not realizing the intense work of developing, funding, executing and finishing film projects. I understand but still feel slightly put off when people just throw out the “Hey put me in a movie”.  Yeah, because it takes no real skill or development to do what we do. BullSHI*! I would say that I work very intensely to get done what I must. I wouldn’t say “Hey how about you let me weld that ship panel in place” or “I’ve never coached but I can take over team for a week or so”… – you get my point. Ship may sink and team will lose but then again many folks think that TV/Film is done in a matter of hours or days. People are still surprised when I say a 12 hour day might get 3-5 minutes of a film done – rough footage only. Let me remind you that this is with new tech equipment unlike the old days and earlier. Have you ever spliced film together?

I’ve found some people want to say “I’m a filmmaker. I’m a director.” but don’t like to do the work. They are often quick to schedule showings and set unreasonable deadlines and act surprised when they fail to meet them. It does happens BUT this is something that must be corrected in good time or they will not last. It is like an actor that is often late. They won’t be around long because at the end of the day it is work and the weakest link can hurt the whole. Also a recent example which I will not highlight with a name but includes finger-pointing at the artists under them and FIBS. First if you are in a position of power it is your responsibility to motivate, manage and make sure things move along. If not it is YOUR fault. Sure you might have less dedicated artists and they should not be hired again. That said, if you hired/brought them onboard that = your responsibility. Also with filmmaking and other folks $ the executive team must deal in truth. The good, the bad and the ugly. If someone drops the ball you are the bigger person by admitting that. I’m still surprised at the people who would rather blame someone else than accept responsibility. And if they will fib on something small they will easily fib on something larger. It is a major issue with me and speaks volumes about character. My advice is be organized and focused – do your work and motivate/manage positively. A good leader will cover honest mistakes by accepting responsibility for the team, apologize and work twice as hard to remedy the situation. Some people do not know this lesson and will struggle in life because of it. Enough of the behind the curtains of the Great and Powerful Oz – onto updates on projects that have made strides. Just try to recognize how much work actually goes into your favorite film or TV program.

Updates -

- A “Donors” trailer will be forthcoming likely at month’s end or start of next month.

- I’m hearing Hollywood showings of “Darkest Night” will be in May so marketing materials can all be put together upon the completion of the film.

- The followup CDI/GPI film will be “The Beast” and a Philippine director has been chosen by Russ Williams – I need to read new draft of script this week.

- More “Secondary Heroes” location photos are being taken in Ohio & Michigan

- Waiting on some $ word on both “Soul Eater” and a reborn “Wild Michigan”

- “Race to Judgment” revised script complete and more packaging underway including the addition of Lana Wood, Roger Collard & Delvon Roe

- “Dean Teaster’s Long Road Home” packaging our distributor interest for a possible fall Michigan shoot

- “Locked in a Room” will have a Michigan premiere on May 3rd 7:00 and I’m told cast and crew will be free and guests and public will be a paid admission. Additional theatrical showings are also being set up by director Larry Simmons.

I might have a few updates on CDI TV division and our commercial division will soon be announcing a large “Making of” project for a large studio project I’m involved with. With the sunshine comes a new energy to work hard and tell some great stories. BUT today is going to be a day of friendship, family and enjoying the day!

DJ

May the blessing of light be on you—
light without and light within.
May the blessed sunlight shine on you
and warm your heart
till it glows like a great peat fire

Actors – Doors Open & Doors Close

Welcome one and all to the Sat. ramblings of “Clawing my Way to the Middle”!!! All of us here in the Michigan are ready for Spring to come and despite the chill it is starting to look like Spring is coming. I have been looking at acting projects while we continue to develop new CDI projects. I will speak on ACTORS and try to give a few new updates.

Actors – for some production companies/producers/directors the talent is not given the respect it is due. This is the other-side of the coin from whereas I came down hard on Diva-like attitudes with actors. Many actors are artists willing to fully commit and bring a character from the page. I’ve seen lately whereas many production teams focus on all the other elements of the film and lastly – Oh! Yeah! The talent. I’ve seen where productions are more than willing to spend a few extra dollars on production costs but will skimp on talent needs or basics. I work both sides of the fence and I know about costs but if the performances are bad the film is bad no matter how well it is lit, edited or shot. The other factor that plays in is distribution. If a production would spend that extra to get names that are of appeal and interest to distribution that is a responsible choice for investors and at least gets the film into the market. I can name a dozen films off the top of my head that were made and never got distribution. You can collect festival cheers but that doesn’t assure distribution. I just think when choices are being made on where to cut cost it should not always come from talent. As for talent – don’t accept scraps. Sometimes it is best just to say no to such offers that really just press upon the talent. I had a deal that was in talks not long ago and the artist and businessman were in conflict with one another. The artists wants to wear the role and bring it to life and the businessman pays the bills. On this one deal we were coming from two different places and after the plug was pulled – a new script/offer came in two hours later. Sometimes you have to let it go despite what the artist says. Sometimes this door close is what will allow that new door to open. You can than move on to a project where you are appreciated and never look back. It just might be meant to be.

This week had many good meetings on projects of ours that are developing. Feel free to look at www.cdiproductions.com and look at the new updates that took place last week. I’ve been reading scripts and I’m still not caught up yet. I’ve been reading projects shooting in the April-May time frame. This month I’m not sure if I’ll go back in front of the camera but I will say I’ve got the itch. I’m looking for that exciting script, perfect character that just speaks to me and comes with the right deal.

I want to give a shout to friend Amy Poggi who started an essential oil line called Aziza World Fragrances – another sponsor to CDI. Next week more press releases will come out on “Deadly Renovations” which is primed and ready for its debut at the Hong Kong film market. Russ Williams is overseeing the final stages of “Darkest Night”. Same situation with “7 Stones” and I’ve seen a peek at the “Donors” film site that will launch soon. It looks great! I’m still waiting on details for the May Michigan “Locked in a Room” screening(s).

I hope you all have a great day.

DJ

Mother Nature and a Week in Review

WOW! Mother Nature is showing who the boss is and it is not the tiny ants fondly known as human beings. I was having a great conversation yesterday with a friend of mine who is Native American. The topic was about taking environmental issues serious. Now global warming scientists may not have it all correct but certain actions won’t help the issues. Many choices are all about financial and lower EPA rulings to better exploit valuable resources. When out of the norm storms wipe out the child home homes of some of these lawmakers maybe they will look at things differently. You can’t lobby mother nature or buy your way out of the path of a storm. Again it brings me back to what I use to teach at the Ebersole Center (A nature camp for city kids) about Chief Seattle and the web of life. Basically it talks of how everything is interconnected and the balance is vital to our continued existence. Well I feel very bad for all the folks out there dealing with such destruction.

Today I want to try to oversee some changes to the CDI company site. We’ve got so many good things moving and grooving and I’ll try to hit on a few major updates here.

- “Ghost Town in the Sky” the location of our “Ghost Town” western is set to re-open after a mudslide caused issues a year or so ago. So go check out the locations and get your special edition release.

- CDI Co-Production “Deadly Renovations” will be heading to the Hong Kong film market this month and we are awaiting a new sales trailer from our international distributor.

- CDI Co-Production “Donors” is now in post and has been getting some good PR buzz out there including distributors coming at us early.

- I’ve been working on a few Corporate programs for CDI product one with a major beer company.

- We know that New Video is releasing some of our titles (Figure in the Forest, Heaven’s Neighbors, An Ordinary Killer) late 2nd quarter and I’m working on hard dates now.

- The sequel to “An Ordinary Killer” is packaging with an updated “Race to Judgment” formerly known as “A State of Hate”.

- CDI The highly anticipated Co-Production “Darkest Night” is getting a lot of press and fellow producer Russ Williams is now in the Philippines overseeing the final post for the theatrical cut. Screening for distributors in LA will likely happen in April.

- Development on “Secondary Heroes,” “Soul Eater,” and “Long Road Home” continue as well as a handful of associated CDI projects

- CDI Co-Production “Locked in a Room” has announced a May 3rd Michigan showing.

- CDI Co-Production “7 Stones” is in final post polish and is slated to be done this month and several festivals are targeted.

On a personal acting level I’m waiting to see if a deal happens this weekend on a film in NYC. I also am waiting on a 2nd project that if we agree would film in Texas in April. I also have a project in June that I’m awaiting my deal memo on as well. The snow is starting to fall here and I’ve been a hint under the weather. I will likely do some reading and perhaps bottle the “Green Goblin” our batch of Green Tomato wine.

That is enough of an update for today. I wish safety to all those in the path of these great storms. Have a great Saturday.

DJ

Film Updates and Winter Fun!

A beautiful white snow is spread across the landscape. The steamy coffee tastes good on a morning such as this. I did a special mid-week blog based on a fan email I received earlier in the week. It was one of those emails that just deserved a response. I’m happy to see how woven our Civil War film “Wicked Spring” is into the fabric of films in that genre. How schools are using the film to stimulate discussions among the students. I encourage my weekly readers to go back and read the previous blog.

Our 1st look at the “Donors” teaser poster was released this week. We also announced the addition of more cast onto the project such as the beautiful Anne Gauthier whom I shared the screen with in “Darkest Night” and Lana Wood, a legend. Post work is underway and I think a 1st trailer will be following soon.

“Deadly Renovations” is being prepped for Hong Kong film market in March and our DVD/Blu-Ray extras are being delivered this week. I’m excited to see what countries are interested in our thriller.

I’m still trying to get exact street dates on our New Video titles. I’m told that the Michigan showing of “Locked in a Room” will be in May. I also hear that “7 Stones” will be polished up and submitted for showing at the Waterfront Film Festival in Saugatuck, Michigan. I still have no dates on “Benjamin” showings yet. “Darkest Night” will be ready to shop at its theatrical run-time in April. Development continues and progress is being made on the various films.

Verbal talks are underway and I soon may announce my involvement in a film next month. I will hint by saying that it would be the 1st sports film I’ve ever done. I’m also close to closing a deal on a film in April. There is a chance that one of our films may go up in that month if I don’t do the April project. I’m also close to signing a deal memo on a June/July film that shoots in 3 states including Michigan so that would be great.

I’m also waiting on news on “Supermodel Showdown” the TV show I worked on in Costa Rica. Creator Joe Murphy was supposed to take a look at it and get back with me. I think it is coming out on Telemundo/NBC here soon. We use to roll with Big Cat to Night of a 100 Stars on Oscar night and perhaps I will attend again soon but not this year. I’m sure Hollywood is buzzing with excitement and I know the artists there will party hard.

Well I’m going to do some work this morning followed by some domestic activities. The dogs love the snow so that might be in the future. Also might run to go get bottles for the next batch of wine that is to be bottled.

Have a great Sat!

DJ

This is the 1st teaser poster on "Donors"

“Wicked Spring” A Classic in the Classroom?

Welcome to a special mid-week edition of “Clawing My Way to the Middle”. Once in a while you get a great piece of feedback on a film project. Unlike stage performers (musicians and athletes included) that draw energy from a live audience film actors often have to draw from a personal well. Some of the films have been seen by hundreds of thousands to millions of people. Often we don’t get to confront feedback from our audiences but in this unique opportunity I wanted to respond.  Here is the email I was sent below

(Email)

Dear Mr. Perry,

My name is Angela Lucus and I am a Senior polisci and economics major at Valparaiso University. I am currently taking a graduate level class called: The Civil War and Reconstruction. The class is comprised of readings, lecture, and film lab. Our latest film lab tonight was actually a viewing of Wicked Spring. And let me tell you, it raised quite a bit of debate. I say that in a sense that, all our previous film labs included big named Hollywood Civil War films such as: The Birth of a Nation, Gone with the Wind, Ride with the Devil, Glory etc. Our professor gave us a lot of literature on these films, and we were able to search for film analysis online. However, with your film, there’s practically nothing online. Although this could be viewed as a good thing, which I suppose it is, because it made us really think about the film without bias, it also raised many points/opinions in class could neither be justified or confirmed by the creators or actors in the movie. This is why I am writing you. The film you starred in brought out such a great discussion in class, better than these million dollar hollywood films, and I would just like to understand the film better. I am attempting to contact both you and Kevin Hershberger (it seems nearly impossible to find him, but I emailed his company so hopefully that proves fruitful), and I chose you because lets face it, I thought your character was the most appealing to me. You felt authentic.

The questions I pose to you are, and I hope you can address these, but I understand if you are busy:

1)What do you think Wicked Spring is about?
2) What would you say the theme of the film is, for instance (reconciliation, no reason for war, humanizing both sides etc)
3) Does Harrison and John represent a reconciliation between the North and the South?
4) Why was the issue of slavery not brought up?

5) Also, why do you think there was not any politics? Most civil war movies bring in politics at some point, yet Wicked Spring barely raises the question as to why there was war.
6) What do you think the final death scene represents? i.e. yankees and confederates laying together dead

Well, as you can see, your film was slightly mind-blowing, especially after watching several Hollywood films on the same subject. I hope you can be of help. Thank you so much for your time.

Sincerely,
Angela

MY RESPONSE

I want to give a big “thank you” to Angela for the kind words and for taking the time to email. It is a unique time because we recently got back all the rights to the film after a great run with Illuminations Distribution which included 5 years of UK TV play and various US network showings usually late at night. We are prepping the film for a special edition release that will also have a 60 min making of doc, soundtrack and more. I hope that we can reach a new generation with this powerful film. Let’s look at these 6 questions.

1) What do you think Wicked Spring is about?

“Wicked Spring” is about the spirit of the common man pushed into the chaos of war. It is about two relationships – one a blooming new love and the other – a deep love of a family man. It’s about two men who both wanted to make the world a better place in their view. It is about the cost of war when virtue’s collide and lives are changed forever.

2) What would you say the theme of the film is, for instance (reconciliation, no reason for war, humanizing both sides etc)

The film has many themes that I love – Courage, Faith, Fear, Love, Hate – I mean the list could go on and on because I think war brings out the best and worst in human beings. I think the one MAJOR theme is CHANGE OFTEN COMES WITH  A COST.

EXAMPLE: We can easily dismiss the bodies here and there in the film. We also seem to easily ignore the nightly news that reports 6 dead in Afghanistan on any given day. The dead are just distant. We don’t KNOW their story. They all have a story, a life that was cut short by war.

3) Does Harrison and John represent a reconciliation between the North and the South?

Taking the torch from above – I think that Harrison and John are a focused look at the COST of war. I’m not anti-war because I’m not sure we can truly do away with ambitions and acquisition driven urges. Mankind has been fighting over mates and territories since the earliest conflicts. I think “peace” is realized only when those with fear of losing what they have gained cease – hence temporary peace. I think the film slows us down from our 4G instant download Blackberry haze. It puts us around the most primal of elements (fire) and we have two scared men who bare their souls. A war that was to last a season dragged into a several year war where hell on earth reigned. John and Harrison might have been an illustration of the weariness of the warriors on both sides pushed about like pawns on a chessboard. They perhaps did foreshadow the healing that would soon follow. But a COST is felt. From the chaos of war we learn to feel for these men and at the end – no fairy tale endings. No happily ever after or ending wrapped in a bow – Death! Real people DIE! Real people back home will CRY! The audience is made to swallow the bitter pill of reality. The Cost of War.

4) Why was the issue of slavery not brought up?

My studies revealed that slaves were expensive and mainly used by the wealthy estates. The common southerner likely did not own slaves. Many historians will point out slavery was only a single part of the conflict. In the brutal war of life and death I think that more devoted causes had to lie in the heart’s of the Southern soldier than just slavery. If you look at the film – those men were battered and at the edge of going AWOL. At that point many soldiers will tell you they fight for self-preservation and the lives of those men fighting beside them. It wasn’t about slavery at that point is was about survival.

5) Also, why do you think there was not any politics? Most civil war movies bring in politics at some point, yet Wicked Spring barely raises the question as to why there was war.

High ideals and differences in government screamed for diplomacy especially after someone witnesses a gruesome head or limb suddenly removed by cannon-shot. These men in our film were not freshly pressed uniforms given the hurrah speech before their 1st march to war. These were surviving soldiers in a living hell. I think they prayed daily for wiser men in government to make peace so that they could go home to a life. The world after just might be a tad bit improved for the blood spilled. I think these men were at the point of wanting/needing peace. All they wanted was the safe arms of their loved ones. I don’t think they much cared to stoke the fires of politics. This film is about the human soul not what color uniform they wore. The sacrifice was the same – the cost great.  At this point it is not about the chess players but the chess pieces.

6) What do you think the final death scene represents? i.e. yankees and confederates laying together dead

This is one of the most powerful parts of the film for me that you’ve focused upon. If you watch the film you will see groups of bodies here and there like cold sculptures of death. They pass by our eyes as the scenes unfold and we almost get so desensitized that we almost don’t take full notice. The point that is driven home for me is that EVERY dead group/man you see had a story. The audience gets to know our small group and in the end they too just become another name on a killed-in-action roll call. All those pictures of real dead reaching for some unseen loved one died with someone’s name on their lips. It takes on a heavy emotion weight when you think about family’s with no father or a lady in waiting denied a life of love. What side they fought on matters not they are all the same in death.
As a film producer and actor I’m very proud of that film. Out of 50 story ideas Kevin Hershberger had on a list I choose “Wicked Spring” because it spoke to me. I think we made a film that gives tribute to the actual men who fought, died and survived. I think if you want to see history on film many good films showcase General this-guy and Captain this-guy – but if you want to watch a film about the soul of a soldier than give ours a watch.
WICKED SPRING is consistently listed and ranked with the top Civil War films. Most of the lists are dominated by Hollywood budgeted giants.  I’m so proud of our artists who pulled together to tell this story. It was both of my Grandmother’s favorite film – followed close by “Dean Teaster’s Ghost Town” another beautiful western drama we released with Lionsgate a few years ago. I’ve always tried to tell a good story. I ask that you explore our films www.cdiproductions.com and feel free to continue and follow my artist’s blog. I usually publish on Saturdays each week but I made this a special blog.
Angela, I hope this write-up helps give you some insight to “Wicked Spring”. I’ve been blown away over the years by the reaction to the film and to my character John (Especially the letter scene). I’m very happy that teachers recognize the value of our film. I think that it is one of those films that will be reflected upon for years to come.
So thank you for listening to my ramble.
DJ Perry aka John “Wicked Spring”

www.cdiproductions.com

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