Mad Scientists, Holiday Miracles and Management

This week was wonderful with our first hints of spring and the sun bringing us our 1st 80 degree day. We got lots of yard work done getting the garden ready and such. We lost our 1st soccer match to the ex champs last Sunday but we played well and it was great to be out running full field. That was until Tuesday when the sore caught up to me but by Weds I was ready to go again. As the 80 degree heat was hitting I was lamenting the fact that my hair was heavy and long almost midway down my back. I was excited by a few upcoming projects because I would be trading the long hair for a short period haircut such as on the “The Mad Scientist” film about inventor N. Teslsa. That shoots in the early fall and so I was thinking I might be stuck for a bit looking like the missing member of ALABAMA. But maybe not…:) Read on.

Tuesday I had a great meeting with some other Michigan filmmakers at the new office. We shared a few bottles of home wine and had good discussions on the biz and I gave encouragement as these fine folks travel rocky roads I’ve been on before.  It’s hard to be a working artist especially at the start. It is where many die along the road way like a filmmakers own Trail of Tears or Oregon Trail. Anyway, when I came in for the night after our meeting I saw that another filmmaking buddy from Michigan had reached out about a role in a film he was directing. It  was a smaller role but upon reading it I liked the character and thought I could bring something special to it. It also would provide a first opportunity to come work with him versus just our informal meetings over hard cider. The best part – a haircut:) So tonight and Tuesday I will be participating in the storytelling of Holiday Miracle. I’m playing one of the child lead’s father. I almost did a role like this on the film, THE IRISHMAN playing the father who leaves the boy at the orphan’s home. The difference was some new casting director was trying to place a bunch of hoops for me to deliver just a handful of powerful lines. All I ask is for someone to look at my work and respect it. If you know I can do something just present the offer and if I connect with a character I may do it. But I will not be jerked around by casting folk on a power trip. Needless to say, The Irishman was a pass for me. That said, this opportunity reminded me of that but the director/producer friend knows my work and presented an opportunity professionally. No BS. No hoops. Just an offer. I’ve carried films as the star and I’ve also been a supporting spoke in a hub of artists working together to tell a story. As a producer I can tell you all roles are important. One bad casting can ruin a scene. A few bad scenes can ruin a movie.  So everyone is important right down to groups of extras. So I want to thank Joel Paul Reisig whom I’ve known for several years now for professionally offering an opportunity to work together. He is another one of the DOERS in our industry and for that he has my respect. Let’s tell a story. I’m looking forward to meeting his team.

On Other Fronts-

The national PR on “Darkest Night” is really heating up and will as we approach the July release. It is now for PRE-ORDER on amazon.com and other outlets.

We are doing some FX planning work on one upcoming western-era film. Also progress on “Soul Eater” the prequel to “The 8th Plague” as we are now gathering our foreign partners. I talked this week to actor amigo Terry Jernigan who plays Buck and I can officially say  he is on board. I also talked with Eric Williford who produced the original and is now directing his own material. It is great to re-circle the wagons and talk about future collaborations.

“Ashes of Eden” is closing in on the rough cut edit and again I’m amazed at the scenes. This film will surprise many in the range of the powerful performances. Great job Shane Hagedorn on the edit work.

“Supermodel Showdown” TV show and “Donors” are in post being assembled and scored under my supervisor Dennis Therrian.

I’ve also been in beginning discussions with a personal management company in Hollywood. My entertainment attorney is out there  and I’ve had agents out there and it looks like I may once again dive into that realm. Why? Basically many Hollywood’ers think I’m ready for prime time and keep wanting to know why I’m not working the larger studio films. I guess with my tolerance for bullshit being low that has kept me content with the independent scene  vs mainstream Hollywood. But with this powerhouse firm handling the BS I could start doing a big picture or two a year. The nice part is I don’t NEED the work. That keeps coming and as I’ve focused more on foreign productions the offers are just growing. But with 3 new Star Wars films and several great comic book films still to be made into blockbusters I just might have to throw my hat in the ring on a few of these. Is Hollywood’s studio system ready for DJ Perry? Maybe, I guess we will see.

Other Roles –

I will be filming with Larry Simmons on his follow-up film to our “Locked in a Room” that has been a steady best seller on Google Play via Echo Bridge Entertainment since the release. More on “Panic in 703” as we get closer into production.

Okay friends,  I’ve got a day full of stuff today to do before I go play on set with some fellow Michigan artists. Tomorrow I look forward to another battle on the soccer field and I’m feeling lean and mean. So once again I say, let’s get it on:)

Enjoy the day and thank you for stopping in for a read.

DJ