Wrapping up the 2018 Year – Looking Ahead to 2019
New readers from Samoa and China joined us last week. I know that the filmmaking experience (resources, distribution, audiences) changes slightly from culture to culture. But at the heart of it we are passionate beings who love engaging in the storytelling experience either as listener/watcher or teller. I love being a creator and being an audience member. So yesterday basically two years to the day we finished the final elements to THE CHRIST SLAYER. Our director Nathaniel Nose came in and we polished the final mix/design with our incredible Dennis Therrian. His musical score is absolutely one of his best. The complexities and grandiose arrangements take you back to the classic days of Hollywood. We worked with Mr. Sundberg on our color correction, conforming and final composition. Last night at the office we shared a few beers and looked at the wide-screen, color corrected final master. A few of the final VFX shots have to be rendered into the timeline but I was blown away. Jesse Aragon, our DP did a wonderful job. This was the final film in The Quest Trilogy and is likely the largest scale production to date. CHASING THE STAR had more animals but the VFX in THE CHRIST SLAYER makes it the largest scope to date. Both the director and I liked the epic inspiration of Lawrence of Arabia and that soundtrack was with me in Yuma, AZ when we filmed.
The previous day we tweaked a few Mother Mary lines. This film has some powerful female characters in it. Especially the roles played by Melissa Anschutz and Christine Marie, who appear as they’ll be co-starring in a CDI film this spring. Brittney Risner and Carl Weyant give a classic Hollywood love relationship. And Josh Perry, will simply steal hearts. Amazing supporting performances across the board by Dean Teaster, David Gries, Bob Shepherd and more. Taymour Ghazi, Shane Hagedorn and my departed mentor Rance Howard brought the power one last time. Rance’s performance might be his last feature film role he ever performed. The final scene we share together in the film was our swan song to working together. I’m very proud of it. We talked for hours about that final scene. He made notes and adjustments – just two costars working out our motivations. I recall being so proud of Rance and feeling how special it was, never guessing it would be our last story together. Now all the elements will start to be pulled together for an upcoming delivery to our distributor. We’ll soon get to see how audiences enjoy this film as it travels to theaters and to home video. Stay tuned for CDI’s most epic adventure yet this Easter season.
I’m excited for everyone to get back to the office in 2019. I will be ready for a slight rest from the intensity of final post. You work end credits so hard knowing that by Murphy’s Law some misspelling or missed ‘thank you’ or name will take place. If your ever on the receiving end of that – know the filmmakers likely did not intend that. I had one situation that was suspect only because the misspelling came after working on a project whereas one producer on that project was NOT brought back on a film CDI was hired to reshoot. Either way, it showed a disregard for my brand ability to draw my audience to that film. No business reason why, so perhaps it was a true mistake or maybe it was personal. I don’t hold a grudge, but it makes me less likely to work with that company again. I passed the second time I was invited but it was partially timing, pay rate and the role also.
Integrity matters.
When in post this week, I was sent a news story that a Detroit-based – I struggle for the right word. I will use filmmaker, because he has made films. But in a promotional news story for FOX he claimed to be a producer on our CDI Ghost Town movie, our 2006 Lionsgate film. SMALL ISSUE – he wasn’t. He did not exist in pre, prod, or post production and was caught trying to do some head shaking actions in conjunction with this film. I didn’t really like, nor trust this person from day 1 and tolerated him out of respect for one of my producers until that head-shaking point. After that, I was done with him. Easy enough. These people burn themselves out as their true nature is revealed. But I would never go on a TV interview and openly lie and use it to promote myself. I was questioned if I should have legal bring it down. I might. But the justice in all this is I get calls on people about their character, integrity and true place in the film community as I see it. Yes. My opinions and sometimes my direct knowledge of someone’s actions. I’m always honest. I warn or endorse people simply by saying if I would work with this person or not. I’ve been contacted often. It’s a small film community and I do know many people who trust me to shoot them the straight skinny. And I have.
I recently had a great discussion about what another peer filmmaker is developing. All of it was heavily tainted in my mind all because one of his close partners. I’ve had first hand experience with that person and actually let them go. Not a bad person at all. I just would not risk any further capital on his efforts. Would you re-enter a situation with negative elements/variables? This fellow filmmaker lamented the often true statement of how every set he’s worked on has had the cancer of negativity. I’ve had a few “negative” situations like this over the years but those elements were isolated and corrected or dismissed.
Bottom line. This is not some vanity game for me but a noble tradition of storytelling. I’ve been blessed to have several great crews working with us but that all starts at the top. That means conducting good business, constantly streamlining your communication and having a solid battle plan. I believe in our artists and I’ve grown as an artist with many of them. We don’t participate in these popular film challenges, although they teach new crews excellent finishing skills. One friend, had his possible award-winning short disqualified because run time ran over by seconds. He could have either A) Organized a social media gripe that his team was treated unfairly for petty seconds of overrun or B) Accept responsibility that as team leader it was a costly mistake made by their team or him. In football they say it’s a game of inches. So start taking accountability as a new year’s resolution and watch the new growth happen.
I’m in hopes to discover a few good projects, properly funded to come act on this year. I also have to connect with the script/role as you always should. Aside from that, I plan to produce 2-3 features with CDI this year. I’ve had many new folks reach out about financial involvement and we’ll entertain those interested parties once I’ve addressed my current backers with opportunities. Beware of any investors that also bring too many strings attached. Sometimes those strings can be the downfall of a project. I’ve seen it happen.
Other Films-
We’re around the 1.3 hour mark on MBF and should have first cut in a few weeks. I would love to lock a cut by the end of Jan. we will see where we sit very soon. I think many of you enjoyed the behind the scenes MBF short we released on Christmas Eve.
WILD FAITH new art, theatrical dates and more should be announced soon. It’s heading back to big screens in March across the country. Home Video dates follow close behind. Those dates can be found on the FB, official Wild Faith or IMDB sites.
I’ve been in the trenches hard-working on these new films to bring them out of post. Once I get a few days rest here while our tech guru’s assemble and deliver – development will continue full ahead. I also plan to set my goals in writing for the new year and see how close I came to last year’s goals. Have a great wrap up to your year. Be safe and plan your 2019 approach. If you would be so kind you can take a watch on our past and forthcoming films. Handcrafted from our family to yours.
Have a great Sunday!
DJ
Discussions on Compensation and Advanced Release Dates
Good morning and welcome including our new readers from Bahrain. It is a peaceful morning with hazelnut coffee and a sleeping puppy. Michigan is foggy but without snow currently. I’ve been balancing all my post work, development work and family activities. First I will comment on a request for insight on a work question in-state (Michigan) in regards to compensation.
The symbol of the KNIGHT CHILLS franchise.
The first film CDI did KNIGHT CHILLS was unpaid cast and crew with us spending money on gear, food, props, FX (we crashed and blew up a car). Everyone was in the same boat. We were not even sure if we could shoot a feature film but intended to give our best effort. In the beginning a group of people with little or no resume experience may group together to take that first step.
On our second film we started paying cast and crew. Not extras and not PA’s but everyone else was paid what the budget could support. I will tell you that paying artists cast and crew is one of my favorite things to do. I remember an actor crying in a van when I handed out the first week paychecks. For this person and many it was the first paycheck these people had every received for their art. The act of paying was more important than the numbers scribbled on it. It was giving artists hope, pride and dignity after countless rejections in our business. In 1999 the film scene (Ha!) was much different. The opportunities many have now just did not exist. The only benefit I saw from the tax incentives was the acceptance of the “Film Business” in Michigan as a legit careeer path.
To this day we pay all our cast and crew but not PA’s and Extras. We feed and take great care with the extras and that’s where we meet many future cast mates. We create tiers for keys and department crew. We also have a two tier pay for union and non-union talent. Our feature rates are lower versus commercial rates. As I noted last week I believe one is an investment and one is a service. We’ve had a few outspoken crew people spoiled on a few good commercial payouts complain about rates. To these people – just pass. Don’t torpedo your ship because you can’t make a rate work for you. These people might have debt, high cost of living (beyond your means) or any other reason why they need to say no. But that’s not everyone. Also the positions on feature film sets are earned early on and crews often grow with the company. Those people who say “I’ll catch up later when you have larger budgets” often won’t. Because loyalty does mean something. If you’ve been the Director of Photography when they had nothing they will likely want to keep that DP as they move into larger budgets. Often if a crew gets out of line there are hundreds that would jump at the opportunity. But you have to be a company that finishes and releases films. People grow tired of putting blood, sweat and tears into a project that never finishes. I’ve got a couple of films I’ve been paid for but they never finished. A waste.
I like to say we will be defined by what we say NO to. I say NO a lot but politely as some people are just not where I would like them to be creatively. I know other companies and producers who do things very differently. Attacking them isn’t going to help and until you’ve raised funds and been responsible for millions of dollars – your opinion is pretty weak. That said, if you want to make your projects better, paying experience up front will keep you from paying for mistakes. Experienced actor means more options in editing versus that’s our one good take. Out of focus camera. Things left on set because art department last looks didn’t see something. Lack of hair or clothes continuity – all lack of experience.
My goals aside from making our days and getting our puzzle pieces (scenes) – I want every artists to 1) Have a lifetime experience that they will fondly recall like going to Summer Camp. 2) Become more effective in their craft and/or communication 3) Have pride in the final art
I’m not following anyone else’s business model but what we’ve developed over two decades seems to work well. I do think that audition notices should discuss compensation up front. Artists should not waste valuable time reading scripts, memorizing lines and putting down reads for something they will not participate in because of no pay. I will not work for free. I have a few times in the beginning because I wanted to get the experience and I wasn’t bringing the experience. But now I bring experience and distribution opportunities for any film I’m in. Like many of us I have life bills so I no longer work without compensation. I also like when a project is compensating everyone because the quality is almost always higher. I don’t really want to act with someone’s Uncle Phil that they threw in because he had the day off.
Like many in today’s society it’s easier to cast stones. I often see condescending messages back and forth that really is just strutting for an audience. If you don’t like the way things are done be the change. Raise the funds and do it right. Lead by example not by running your social media mouth. Bad producers will quickly get a bad reputation and when nobody wants to work with them, they disappear. I know many in this state that if they disappeared from the scene things might be better. Some bad eggs have already left the state because they burnt all their bridges and need new grounds to BS. If your experience is beyond a production not paying, just give a PASS. This allows a new talent/crew an opportunity to step up and learn. But people do pay dues. No certificate from a film school or program is going to automatically get you in a key position. Doing a great job will certificate or not. Now they have many great programs so the students come out with experience. But they too might have to work free or discounted to get the experience needed to move forward. OK. Enough on that subject.
BULLET POINT UPDATES AT COLLECTIVE DEVELOPMENT INC.
- Visit us at http://www.cdiproductions.com
- MBF: Man’s Best Friend is closing in on a 1st rough cut of the film. The first trailer was well received and the distributor is already talking theatrical.
- We are planning to release a BTS for MBF on Christmas Eve or Christmas Day as a thank you to our cast and crew.
- WILD FAITH will have a PR announcement later this week. We will be announcing a new wider theatrical release – they’ve been working on creating the short marketing trailers. The film will release into theater’s starting March 1st I’m told. More info here soon.
- WILD FAITH poster art is being worked on by the distributor. TV/Broadcast release will start 4/1/19
- WILD FAITH digital purchase 5/6/19 on Amazon and other platforms
- WILD FAITH DVD sales will be 5/27/19
- WILD FAITH digital rental with be 6/24/19 * day after my bday:)
- Streaming Networks SVOD (Netflix) and AVOD (Hulu) in early 2020
Part 3 of The Quest Trilogy – THE CHRIST SLAYER was announced with release dates. Here is the PR release from this past week. Read about it here.
https://www.prlog.org/12744411-the-christ-slayer-poster-and-release-dates-announced.html
Our distributor also released the poster art.
The film is looking and sounding amazing. It is one of the largest production value films we’ve tackled. The music honestly is some of the very best I’ve heard in our projects. But Dennis Therrian our long time composer is growing like all of us at CDI. We’ve just about got all the dialog and sound design completed. Here is me in the studio fixing a few lines.
This past week has also been development. We’ve got a few 2019 projects coming together. LOST HEART is being prepped for a Spring shoot. Talks on finally shooting KNIGHT CHILLS 2 have advanced. Also a few other exciting scripts that are being polished to possibly be put in the production line. Some exciting news about all this in the new year.
I’m going to go make some breakfast and go explore a bit with the new furry son Finn. Luke would have been very proud of this little gremlin:)
Have a great Sunday and a productive week ahead.
DJ
Balance, Building and New Beginnings
(Daphne and Lulu)
I’m sitting back in my chair sipping a touch of coffee on a Monday morning. I first want to thank all our military vets for their service. It was a busy past week and this weekend was made even busier with travel. We went down south to visit a few elderly family members. They are down south in really nice assisted living homes. We got to visit, have an early Christmas for one who is doing really quite well even though they are in hospice. The other we celebrated an early birthday and what we made was some really happy memories. We stayed at the house of family in a basement full of beautiful antiques. The owner is a woodworker and so I got to see many great pieces including model cars and tractors all made of wood. We took our only dog Daphne with us on her final solo trip. She is not always the best car rider but had lots of fun once we were there. She is now sound asleep with her Lulu (our cat) who obviously missed her fierce. At the week’s end we’ll be bringing our new pack member home. We want to get a new puppy up to speed before I have to go off and film in the spring. The holidays allow us time to really bond and train a new puppy so this Friday a new little boy will be running about. He has had a few play dates to make sure the chemistry was good between the animals. While the cat Lulu might be a but stand-off at first, she was really into him.
“Hello, let me speak to Steven Spielberg, yes, I’ll hold”
This week we’re aggressively back into post and moving deals along. We did have a bit of a logjam threaten our work flow. It’s important to prioritize work flow properly. With Easter just around the corner we’re working full steam ahead to finish THE CHRIST SLAYER film. The color correction is underway. End credit works will continue. Sound design and music is being built each day. I plan to go out there for a few days to assist and give feedback. I hope to have theatrical roll out info this week to join the streaming, broadcast and DVD release. We’ll be doing a big PR release once I can confirm everything. The DVD artwork that the distributor is doing is just beautiful. I think I might be able to release a sneak peek here next week before revealing it in the PR release.
WILD FAITH – I’m waiting on some returned paperwork so I cannot announce our celebrity narrator but we recorded it last week. We’ll be announcing all the updates on this film in a PR release. Friday it went into evaluation with our theatrical partners to look at number of screens and regions. Our domestic deal is in the works and it’s really quite exciting. We’ll be delivering the film in Nov/Dec to BMG who will be distributing the film worldwide.
MBF: Man’s Best Friend has editing work being done on both the first trailer and the feature. It is looking great. I cannot wait for everyone to see the first look at our story of injured Marine Paul Landings.
(Above – DJ Perry as Paul Landings)
THE QUEST TRILOGY – We spoke early in this post about our third film THE CHRIST SLAYER that will be coming to audiences during the first of the year on the run up to Easter 2019. I do invite all of you to explore part 1 FORTY NIGHTS and part 2 CHASING THE STAR. Enjoy these two films with your family.
Our Spring film LOST HEART is being looked over by select talent. As any writer/producer a few of the roles were written with a talent in mind. So far the response has been strong. More on this as we travel down the development road towards production. I’m going to unpack from our trip and get after some of this work. I’ll leave you with a picture of our forthcoming new member of the pack.
Have a great week. Be good to one another.
DJ
7 Updates – The Harvest of Hard Work
So last week was productive but also a week of dealing with the major absence of one personality from our furry pack Luke. I had fires burning both outside and in the office via the wood-burning stove. With Daphne and Lulu close by I swept leaves and organized the packing of yard items. Luke use to love to lay in leaves and patches of sun moving several times during the day. Daphne and Lulu did this with a few random tossing of the little ball for a chase. I also this week got a few supplies for my next batch of wine using our wild grapes, hops, some mulberries and a touch of rhubarb. I also got the materials for making dark ale for the winter months. I want to thank you all for letting me talk on the personal last week. Those personal issues all play into our art and our motivation. This week I’m going to do a “Just the facts” post because I’m going to do more yard work later on this beautiful fall day. MSU pulled out a win yesterday but the Lions have a week off. Let’s look at some updates…
- I signed contracts on two stories I wrote for inclusion in an upcoming book on horses called THE HORSE OF MY DREAMS, by Revell Books. I want to thank Callie Smith Grant for inviting and accepting my two stories. It’s showing me another way to use my imagination and storytelling beyond just screenplay. It will be a print and electronic book releasing this fall and it might make an excellent Christmas gift.
- I finished my 1stofficial draft of LOST HEART. This screenplay will be our Spring 2018 film and the 1stof a new deal with BMG.
- I also had a meeting over CDI non-family/faith content that went good. They have interest in a Sci Fi script I’m working on and a few other properties. It is great when you have a good meeting. I’ve had a few go South because of people looking for leverage by kicking at the production value or looking for an angle. But this company is producing and releasing for some great A list production companies. I was treated as an equal and that is a good start.
- I also might be digging into writing on another biblical adventure this winter. I’m going to be having some discussions on that this week. I have been actively talking with literary representation because I would like to have a more streamlined process. I have screenplays I don’t plan to produce so I should sell them off. Many talent and their production companies are looking for strong content. I have to do a new literary resume as an intro to the work.
- There is interest in both WILD FAITH and THE CHRIST SLAYER for a studio backed limited theatrical release. Wild Faith will most likely get that on the way to our home video. We have a wonderful deal underway that includes an additional of a celebrity narrator to our film. The narrator is our “Henry” grown into a man, thinking back on this and perhaps many forthcoming tales. The TV series is a real possibility and if so I’m excited by the Michigan work.
- The Christ Slayer is in process of color correction set up. Also sound and music work progresses along with a little dialogue clean up. I hope we can get the studio-backed theatrical. It ‘s depending upon if the excusing of a HOLD BACK clause can happen. What that means is that our digital and on-demand is set up along with DVD release. There is usually a window of time given between theatrical and streaming. With the target holiday being Easter all these targeted release dates are being pushed together. The film is epic and emotional and I sincerely hope it gets the larger theatrical with the home video release.
- To tie into the above topic – our MBF: Man’s Best Friend film also has the early interest and I see this film also rolling into the theatrical deal. All these films were built upon a home video deal but now as our distributor rides into theatrical – we do also. It will be a true blessing to have these films brought to theatres all over the USA/world. We’ll just keep focusing on telling the stories. But I did see a rough 20 plus minutes of the film and it left me with a big smile. The final three scenes I watched included Greg Mason, Tim Abell and Jim Gruelich. I cannot say enough how thankful I am to be surrounded by such great artists. The movie is nowhere near the climax and the power in the scenes is just popping.
In summary – we’re also exploring other expansion with our website and merchandise. It is a time of wrapping up business and developing new business. Thank you for spending a few moments of your time here. Keep plugging away at your personal goals. Every step is a bit closer to your dreams. Have a great week ahead and don’t forget to enjoy the season!
DJ
Schedules – Finishing – Starting Productions – Hello Autumn!
First I want to welcome the new readers from Hong Kong and Singapore. It is a wonderful Sunday and I’m sipping coffee on this chilly morning. Yesterday I did a one-armed mow for the second time. The wrist in a splint and getting stronger each day. The flexibility will take a bit to return but happy it is healing well.
This week I’ll be watching a new visual work link of THE CHRIST SLAYER with most of the VFX inside. Sound design passes are done and we’ll keep refining plus ADR were required. We’ve been releasing new promo as we head into fall here getting prepared for a premiere, theatrical and home video release. Broadcast and digital will be 2/4/18 and DVD 3/4/18. Who is excited to see part 3 of THE QUEST TRILOGY? See part 1 FORTY NIGHTS and part 2 CHASING THE STAR to catch up.
FORTY NIGHTS
CHASING THE STAR
Each one is a stand alone adventure but they also have parts that tie into an overall story. It will be fun to see who gets the stories that unfold throughout the three films.
WILD FAITH
This week had a good conversation with a prod/distribution studio over the series and we might be putting a few of the older titles down a new distribution channel. We’re working to put a narrator on the front and end of the film that would tie into the tv series. We’ve been working this hard so we can close this home video deal. But just like everywhere communication (or lack of) can slow things. But we’re close to wrapping this up and that will allow us to move forward. It will also move us as a company onto bigger and better things.
MBF: Man’s Best Friend
We’re still rolling out some official stills and this coming week our director and DP will be adding some pick up shots. The opening intro has been recorded and they’re working on that. We should have a first cut (edit) end of October and a locked picture in November. I’m excited that our film will be showcased on a new ANIMAL PLANET show called ‘Amanda to the Rescue’ this fall. Here is a story in PEOPLE magazine.
https://people.com/pets/animal-planet-show-amanda-to-the-rescue-amanda-giese/
We hope to have the first teaser for you before Christmas:) Ho! Ho! Ho!
NEW DEVELOPMENT
Development work is underway. If WILD FAITH had been all wrapped up with our narrator and to the distributor that would give some peace of mind. This deal is more complex because it sets the table for the TV series and more. I’ve been slowed in my personal life slightly with my wrist now out of the cast and in a splint for 3 more weeks. It is slowly getting stronger. Also our furry boy Luke has been undergoing cancer treatment since we were in pre-production on MBF. But I did use the time to prep one of the new scripts working with our distributor BMG. I finished the first draft and have been doing a fine polish. For me this is making it all flow – painting a picture in the mind of the readers. This helps when it comes to translating from page to screen. I’m still looking at a few other writing projects and talking with possible lit agents for a good fit.
I’ve been reading a few in-house scripts and looking at the options. If I can close up the WILD FAITH deal in good time I might look at a winter project but more likely will be spring project. LOST HEART – the script I’ve been polishing is looking like a fall 2019 project. I don’t want to rush it into production we know what happens when that happens. But with THE CHRIST SLAYER premiere and release and end-of-the-year business taxes, I will be busy. I like to take Thanksgiving through Jan. 1st for family activities. My goal is to have TCS ready to premiere by Thanksgiving.
Today I have family over for a cook out and a close friends Bday so I’m going to go get after a few things. I hope you all have a great finish to your weekend and a wonderful week ahead!
DJ
Finishing vs Starting – Biz Wrap Up
The hazelnut coffee sits beside me bringing my computer in my head online with each sip. I’ve been returning to action since returning from Burbank. So I’ve been trying to plan out my fall. I’ve been considering all options before us while moving ahead. We’ll be announcing a few exciting developments including a production deal.
Right now my focus is on finishing the distribution deal on WILD FAITH, which includes a developing TV series. As many of you know and we’ll expand upon in a PR release – we won ‘Best Faith Film’ at Burbank International Film Festival.
My next priority is the finishing and releasing of part 3 of THE QUEST TRILOGY entitled “The Christ Slayer”. This film is the final chapter in our biblical adventure series. I again play Jesus and this film has the most VFX to date. Bridgestone Multimedia Group has it marked as their flagship for Easter 2019. I’m very excited for audiences to experience this film. Director Nathaniel Nose has done a wonderful job with it and Dennis Therrian is composing an incredible score and doing sound design.
MBF: Man’s Best Friend is also in editing and will move into post music and sound design as The Christ Slayer exits post. We’ve been releasing official stills and a teaser will be released before Christmas.
I’ve also been writing a new script LOST HEART that I had intended to shoot this fall. But with the post schedule and my writing moving a tad slower because of the wrist (cast off now a splint for 30 days) – I think it may push to 2019. I want to do it right and that requires prep. But the script is still being worked and will likely be done this month. I just need to look at the entire slate and how we want to roll things out. Lots of moving pieces to consider. I think we might start doing a few table reads on possible scripts also.
Acting-wise I’m starting to feel the urge again to be in front of the camera. As always it has to be the right story. Outside the biz I’ve been enjoying the approaching fall. I’ve harvested hops and wild grapes for one of my new wines. We’ve got a few squash that will be a good addition to the dinner table. With no soccer today for me I’m going to try to put a one-handed mow on the yard. The wood stove might get a working tonight and so fire wood gathering and cutting will be more important in the coming weeks.
Enjoy the harvests in your life.
DJ
