Private & Public BESTSELLER Showings & More…
The heat arrived in Michigan this week and I actually had the first mowing of the yard for the season. Also friend/associate Dean Teaster has been working his chain saw art so I have a nice pair of benches next to the outside fireplace and a tiki totem pole in one of the garden beds. The hops from last year have started growing and this week coming I need to prep the garden to plant. I had many great phone calls this past week including director friends like Larry Simmons (Locked in a Room), Jon Osman (The Terrorist), Shane Hagedorn (Ashes of Eden) to name a few. It’s exciting as everyone is starting to talk new film ventures. Planting seeds of creativity and growing new stories. I had many other business discussions and as many of you know we are in for many exciting updates in the weeks ahead.
Before we get into these exciting updates let’s take a moment to put something out there for thought, discussion, change?
I had an actor friend contact me and he has had some great work moving out into the market. As it is for many – he could still be ready for more and sooner vs later. This passion has to be controlled and not allowed to become desperation. It is sad because agency’s locally are not vetting projects hard enough. These crowd funded dreams are moving people into action well before they are possible. Casting calls, table reads and making people drive, spend gas and take time out of their life only to find they have a crowd fund with $25 bucks in it. That might buy pizza for a small table read. But why do agencies roll with these? To appear busy? To give their talent something to do? If you got a call once a month or every two months but it was real that seems better than a dozen BS auditions for pipe dreams. And I see self-proclaiming official film organizations promoting these social funding efforts. Why? It seems they should be hosting business workshops to educate filmmakers. Not promoting hobby handouts that almost never come to be. I know these are harsh words and only those engaging in this behavior will be angry with me BUT others of you know it to be true. I can scroll right past or unfollow something (true) but the content brands your organization. Your agency. I see people using a cause to try to get money from social funding but still no business accountability. You want to help? Do the work. Start a non-profit. So I had no answers for this friend – just “it is what it is…” I would have them contact your agent with a script and offer when fully funded. Stay home and eat pizza.
TODAY is a special invite showing for a few dozen people associated with the film BESTSELLER. The film is DONE:) That almost sounds odd to say. The project had a lot of issues prior to CDI getting involved but now that seems to melt away as the project is ready to show the public in two weeks (May 23rd). These two showings are being done in Christopher Knight aka Jonathan Rand’s home town and at a beautiful historic theater. We will be announcing some other play dates on the 23rd but also DVD’s will be for sale from Misery Bay starting on the 23rd of May. I’m happy that this film got the professional finish it deserved. We have long-term plans with Misery Bay and that is built on solid business. That is something I talk about here often. When good business is done it creates job opportunity for a lot of people. When bad business is done – just the opposite. Poison too many wells and you cannot support an industry. I will say it again here – We make errors in our business BUT we are sincerely trying 110% to do things the right way. And I see others that don’t even make the attempt – hard work will win the day over and over again. That is TRUTH. So a great heartfelt thank you to all the hard-working cast and crew of BESTSELLER. It is time to share your artistry with the world.
THE TERRORIST is a NYC based thriller that I co-starred in and helped produce. I got to watch the final film this week and it was great. It also has had quite the journey and is now ready to be seen by audiences worldwide. We are starting to show distributors who have been waiting – this month.
I actually have to turn quite a bit of attention back over to distributors – I’ve been focused on BESTSELLER in these final weeks. I also got a some feedback from a TV licensor and it looks like finally next week we will start to close on a few new TV deals.
“40 Nights” is creating lots of buzz. I released the 1st interview for the film here
the film is in editing and moving right along. I’ve also started releasing some stills as pencil drawings on the “40 Nights” Facebook site. I think it introduces several elements from the movie without giving you the full on epic look…YET:) I’ve also started my research on my next biblical that we have to do for Lightworx Entertainment and so that has been fun. I’ve also been finishing up a couple other scripts and in talks with some production groups on others. By this I mean, they work in association with CDI to produce a script from our vaults that has distribution.
I’m going to cut this short as I have to prepare to go up North today and share BESTSELLER. I just ask that the technology gremlins stay far away:) I’m looking forward to seeing some old friends and enjoying the show as an audience member. I hope to see some of you on the 23rd for the first public showing!
Have a great weekend and Happy Mother’s Day! (On Sunday)
This entry was posted on May 9, 2015 by DJ Perry. It was filed under Blogroll and was tagged with 40 Nights, agencies, artists, Ashes of Eden, auditions, biblical, business, casting calls, CDI, Christopher Knight, Dean Teaster, distributors, DVD, facebook, filmmakers, garden, gremlins, interview, Johnathan Rand, Jon Osman, Larry Simmons, licensor, Lightworx, Locked in a Room, Michigan, Misery Bay, Mother's Day, pizza, scripts, Shane Hagedorn, social crowdfunding, the terrorist, theatre, tiki, totem pole, TV, workshops.