ARTISTS Around the World, Updates and Award Nominations
Good morning my friends – coffee cheers. (Above: Movie lunch pails – one day:) I loved seeing all the readers that dropped by last week and from so many different countries. Interesting talk recently that the artists in all countries likely exist in an alike mind space. This started from watching the live action Mulan. I really enjoyed it. Of course I’m a martial artists and I also love the history and traditions of the asian countries. The media backlash was over some of the film being filmed in areas of China where the treatment of some people there has been in question. My point is that I can assure that most of the artists in China are not the ones committing these actions. Politicians and corporations are where the differences often lie. Again I think that art is one of the best forms of communication still working. I think it is through storytelling and art that people try to change things by changing the hearts of the people. Iran. That was brought up and I am sure that there are many wonderful Iranian artists and many are likely not in step with their government. Artists have been persecuted in many places over the corse of history for illuminating people in a way that often goes against the agenda of politics. Don’t get me wrong, artists have their issues and running a country of diverse people is never easy. But the film Mulan had beautiful locations and maybe that is why certain things were filmed at certain locations. Story-first we call it. In telling our story we try to do what is best for the story not politically motivated. Also I do understand financial reasons for location choice. I just like to look at the sum of the parts. In any endeavor using many people – having a story to focus upon brings out the best in each person. Their best artistic qualities end up showcased. Again that’s why we embrace the ‘collective development’ of individuals versus a ‘cancel’ mentality. On our sets a respectful attitude is required and any course corrections to transgressions would be attempted and often the flow is resumed. In a few situations we’ve let people go but when that has happened I’ve owned that as a miss or a loss. A kid who had to be sent home from summer camp because a staff couldn’t nurture the good kid within. A student who quits never to return to the dojo is on the sensei – he failed to nurture the student properly. An athlete who has to be removed from a team shares that failure with his coaches. Just a few thoughts. I’ve had beautiful fan mail and invites to visit their countries from people all over the world. Those places I would be honored to visit but being honest, some places have me nervous. The nervous apprehension is not stemming from the artists. So in conclusion, if a group of people geographically create something in an area where some in power have misstepped should all the people, all the artists be held accountable? And yes. I’m sure the artists in some of these places object to things they don’t agree with, much like here in the USA. But many elsewhere are met with bullets in response to their objections. So let us praise positivity in story wherever it’s told.
Onto some film updates. First this week we starting to announce some of the ICFF 2021 Nominations which is for films of faith, family and inspiration. Positive stories:) We were fortunate enough to again be chosen for several nominations with LOST HEART. First is my favorite award nomination next to ‘Most Inspirational’ which THE QUEST TRILOGY garnished. BEST FILM – I love this because again as mentioned earlier it represents the collective artistry of the tribe.
On a personal level I’m enjoying the collecting of these screenwriter nods. When acting was my main push and I guess I would say it still is. I use to downplay the screenwriting not wanting to be seen as a screenwriter who acts. But these days I’m 100% confident is just being the artist I am with multiple avenues to create. As an actor, I’ve had the pleasure of trying to utter some pretty bad dialog in some questionably written scripts. Often by some good directors who’s art of screenplay wasn’t on the same level. But that means a director directing and actors acting with a poor blue print. To have a chance at executing a good story you need a strong blue print. This is why I’ve done less and less outside work. I KNOW great material is out there and good teams to execute production but getting those circles to all align can be difficult. There is so much that can hinder a film production the script should not be one of them. So I’ve been poking about and having a few discussions on literary representation. I would like to see a few stories go be created by others. To have other artists and tribes make a go at telling a great story because of a solid blue print. We can only create so many stories as a company. So I look forward to creating a few wonderful vehicles for actors and teams out there in the world.
Congrats to Jesse Low. One of the other instinctual things a producer(s) have to do is try to marry the right story to the right director. It is an art. Just like management. Casting. Crewing. If working as many with a zero budget it’s making the best hand with what you have. On the low budget you do have choices. In a way the best choices, because you will only attract artists who love the story and/or filmmakers. Also development – after several features – the relationship flow with Jesse Low has become tight. Coffee Cheers to many more!
A film will LIVE or DIE but the leads. So many wish the opportunity but it is not easy. It is why I cringe when someone says, “I might try acting, sounds fun.” Acting is more a calling (or a disease) versus a fun thing to try. The medium of film requires even more focus as things are often in random order and the multiple takes can be draining. Many actors and actresses don’t have the endurance to do it. That is why shorts are a good build for cast and crews. Features are a longer journey and requires pacing, prep and hyper-focus.
Melissa Anschutz went above and beyond – allowing audiences via her national PR appearances to hear about her personal battles immediately following filming. This reached, touched and helped many people with alike tragedies in their lives. She is very deserving of both these awards so a big congrats to Melissa and thank you for all you do to help the tribe of artists. You’re an inspiration to many out there.
CDI has been blessed to have many very successful artists join our tribe and storytell with us. These folks have such great projects behind them that when they branch out to work with anyone they take a real chance. At CDI we don’t play ‘star’ that is for the red carpet for those who wanna play that – this is storytelling. I’m so appreciative of the artists who bring their very best. No phoning it in. They BRING IT. I do love how Tarantino brings great names from previous successful stories that maybe haven’t been seen in a while and showcased fresh, powerful new performances. We do that. We work hard to provide the most professional experience and to encourage the best set to create. I’m so happy for Victoria Jackson and Don Most for their nominations in the supporting roles. If you watch the film LOST HEART you will realize how deserving them are. Often a fest might give a nod because of the star power it brings but these nominations are right on. They both give performances that audiences will remember for years to come. It shows that Happy Days and SNL were just early stepping stones and they are still the artist they ever were and with experience, even more talented now. Congrats.
Now we come to this. I want to say that I have to get better about accepting such things. I truly enjoy other people getting recognition so that they will want to come out and play next time asked. Last year I was nominated for ‘Paul Landings’ as the Best Actor in MBF and took great pride in that since Paul represents our wounded military vets. Now ole ‘UFO Worldwide’ Reporter Niles Cass doesn’t seem as dramatic or deserving but I am still deeply honored. Two different tone films which is made more interesting since at ICVM at NBR (Crown Awards) in June (Texas) they have narrowed down to 5 top films nominated for Best Film and MBF and Lost Heart are going head-to-head because of the Covid lockdown last year. Proud of both stories just very different.
I wanted to share another special recognition that LOST HEART received. Congrats to my brother from another mother Ponceman. Working with Ponce a second time was just a pure joy. Might have to make it three times;)
I could do some additional updates but it is getting late and I need a shower after waking up and pushing myself in the strongman contest. This coop was MUCH heavier than I thought but the Amish don’t play. This is not like the previous coop which was nowhere as heavy duty. New chickens arrive next weekend.
Casting and crewing talks have been going great on the WW2 drama. This week we’ll announce two more leads in the main family joining actors Curran Jacobs and Cassie Dean. One is a beloved tribal member and the other a wonderful actor who will work with CDI for the first time. Our German reads have been exciting! We have other roles locking in and many to still explore.
BEST YEARS GONE is going to be traveling this week to our post studio with Dennis Therrian. Nathaniel Nose has done a wonderful job. We’ll know this week if he’ll be cutting the trailer. The Battle of the Bands runs until the end of April and we’ve had some great submissions. I plan to announce another judge this week joining Joe Pullin and John Two Hawks. I’m so excited to get onto this next phase. I look forward to spending some time at the studio in the pines. I think I might have to be on grill duty also.
I’m going to wrap it up here. I know I likely missed a few updates but I think we hit upon enough. I was a bit behind last week on emails, calls and even contract review (Monday:) But this week will be a good catch up. I hope each and everyone of you have a productive week. Be good to one another.
Star Wars: The Artist Awaken (No Spoilers)
So literally I just came back from watching STAR WARS The Force Awakens – I will not give any spoilers here, I promise.
I will talk about how at 7 years old I was changed by what I saw on screen with the original STAR WARS. I’ve never had any lack of imagination and that film set a generation soaring. It had that cathartic effect they talk about with the ancient Greek drama plays. It was almost an enlightening of sorts and I was thankful to be part of that. I wanted to be Han Solo when I was seven and Han was likely one of my 1st “roles” played in basements and backyards with couch cushions formed into our own “Falcon” spaceship.
At about the same time we – me and all my friends also got into DUNGEONS & DRAGONS. Epic tales, heroics and overcoming trials and tribulations – it all fed into what would push me into my career. I feel blessed to be a storyteller. I spent the back end of this week watching actors speak words I had scripted. It’s always magic to see artists of all ages from many places perform/pretend/be – doing what you also love to do.
Today with STAR WARS, I got to go back and be inspired – to drink at the creative fountain that started me down this path. It was a different experience today – I am also a storyteller. I work with artists who gather footage the same way by overcoming issues and gathering pieces of a cinematic puzzle. That will be edited into a final story. Blending it with sound and music and mixing into a final product that will hopefully move and inspire others.
It is no secret – the QUEST TRILOGY that we’re currently producing is directly stylistically based on Star Wars. That was part of the original pitch – the stories of that time period easily lend themselves to the heroes journey as Joseph Campbell would say. Our 1st in the series “40 Nights” is almost done. It was one of the most challenging roles for me and it wasn’t. Once there in the moment it was easy to be where I needed to be. But the meditations and self discovery of the man was complicated. I’m so proud of everyone involved. We have a large retail order awaiting us and so we were asked to move up our time table on finishing the film.
We’re prepping the ship to shoot the second film “Chasing the Star” which centers on the quest of the magi. I was feeling pressure finishing “40 Nights” and prepping “Chasing the Star” but why exactly? I meditated on that quite a bit as of late. Here is what I learned about myself.
- Every time you declare to make a film you have a chance to fail. I’ve succeeded more times than failed but those occasional failed projects do haunt you.
- The more success you have the more that pressure to not fail haunts you. When you have nothing to lose it is easy to be brash.
- Every film has so many moving parts and seldom do they all happen in perfect sequence.
- Scripts that require a near perfect sequence can be frightening
We require shooting when the desert is not at peak. “40 Nights” had some hot days and the final day hit 100 degrees. I’m trying to shoot earlier to make things easier. But can individuals do what they need to do in a given time? My job is to make sound choices that will result in success. We had a western nearly ready to shoot this fall with 75% of the funds. With winter and the holidays looming we pushed likely to a fall shoot. Now all these things have to fall into place to shoot BEFORE it becomes hell on earth in the Yuma desert. I was concerned about any bumps that result in a push because the desert heat doesn’t care. We need to let go of what we can’t control and work with what is before us. So we’re trying to get us prepped for late Feb/early March 2016. We will see if we can do that. I put so much pressure on myself because of how many artists are helped when we succeed. I don’t like to let people down more especially – our people. But I thought there had to be something even greater. What is that pressure, urgency and such? More meditation. The answer
- Every project pushed, delayed, stumbled is one film less that I’ll produce in my lifetime …and I may mourn that one day. I could have done one more.
I can say that casting on “Chasing the Star” has been full speed ahead. We’ve gotten many, many reels and our director asked for several reads. We’re focusing on our three magi leads right now. Soon we’ll begin working on our supporting cast. We might have found 2 of our 3 main leads. That is exciting for anyone who has been involved with casting. Not finding the right cast has shelved many films. So we’ll see if those attachments become solid in the next couple weeks.
(Russ Clark in “DONORS”)
We had to correct something on “Donors” that caused our distributor to push that release from Feb. to April 2016. For artists waiting on that film to release two months can feel like another two years. Patience is a big thing in this business.
“Ashes of Eden” TV and national release will also be in April 2016.
“Bestseller” and “40 Nights” both seem to be releasing in March 2016.
I’m closing in on a first draft of the third film in our QUEST TRILOGY. I almost typed the name – but I think we need to wait. Did I mention PATIENCE:) But I’ve had some exciting talks with cast on that third film. I even released the rough first 36 pages and that gripped the actors. It ties all three together nicely.
I’m also planning to finish the KNIGHT CHILLS 2 script here soon. I’ve just been beyond busy. I had word that things are moving along strong on C.U.J.O. and I’m reading a few possible scripts. (For acting not producing)
It’s bitter cold here in Michigan after some unnatural warmth. Stay warm. Stay safe. Happy Holidays! Go see STAR WARS The Force Awakens and dare to dream!