“Strategy without tactics is the slowest route to victory. Tactics without strategy is the noise before defeat.” ― Sun Tzu

Posts tagged “crewing

Rolling Forward with Films

It has been bitter cold this weekend and I’ve been trying to keep a small cold at bay. At least we’ve had a few days of sun which is a good change from the dark clouds over Michigan. This past week was our first week of official pre-production on “The Christ Slayer” so.. busy, busy – let’s take a look back at our week. (Coffee sip)

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Teaser poster for “The Christ Slayer”

The Christ Slayer

We’re moving forward with shooting our third and final installment of The Quest Trilogy – entitled The Christ Slayer. I’ve been ignoring lots of the angry noise flying about around us in the news and just focusing on the load of work before me. That in itself has been quite consuming and refreshing. Friday we opened our new bank account and we’ve started to fuel up the ship. It was a two-hour bank trip dotting the I’s and crossing the T’s but now that’s set. Casting and crewing is about 80% complete since we’ve had the pleasure of team building over several films now. We’ve got many returning faces and a few new ones and in a few weeks we’ll again be in Yuma, AZ filming.

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Casting – I’m very excited about several of our new casting choices. Christine Solomon and Carl Weyant will be wonderful to work with. This week we’re announcing a few new supporting actors via PR but I will let you faithful readers know in advance. Ms. Lana Wood and Mr. David Gries will be joining our cast. I’ve worked with both of them and I’m excited to have them onboard. We’ve also been reviewing reels and reads and feel very close to making a few additional casting decisions.

Crewing – we’re still in talks on a few crew positions but those cards are falling quickly into place. I’m excited to have our chef Eddie back on board. Great food goes a long way with people working away from home.

Stay tuned for more updates!

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Chasing the Star – we’re getting to the last VFX shots and the mixing of the final film. We’re also about to go over end credits which is painful because almost always you end up with a misspelled name or worse yet, miss someone completely. I’m excited that we’re so close to being done. I am going to try to set up a screening of the film for our Yuma folks prior to filming the third. We’ll also be doing a premiere in Michigan before moving into certain theatre chains. Our deal with Bridgestone Multimedia is complete and we’ll be getting the home video street dates very soon.

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DJ Perry and Jesse Low (Director) on set of “Forty Nights” – the camp of John the Baptist

Forty Nights

We should have some new artwork to review in the coming weeks. The release date for the remastered “Forty Nights: film will be 4/4/17 and we’re also exploring some in-store signings. This film was beautiful before but we had such a tight release schedule last year with Wal-Mart that the film wasn’t as polished as we wanted. That said, people enjoyed the beauty previously but now we’ve got a film that’s a bit closer to our director’s vision. I’m also excited about foreign sales to start rolling on this first film.

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Wild Faith 

As of Friday our director/editor was working the last scene of the film. After that we’ll review, polish and lock it up. From there we’ll move it into post sound/music as “Chasing the Star” is moving out. I’m going to start looking at trailer and teaser poster work on the film. We’ve had LOTS of interest in this movie and so I do want to explore the possibility of the tv series.

FUTURE DEVELOPMENT 

As mentioned above, the tv series could put our teams to work for several months. We’ve also got a few feature films in development. I also had an update on C.U.J.O. which is moving a bit slower but larger budget studio films tend to follow that pattern. The dog trainer may come visit us while in AZ. Aside from those developments I’m focused on the role at hand. I’ll have a clear head on what I want to pursue once “The Christ Slayer” is behind me.

Have a great weekend.

DJ

 

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WINS Of the Week

Ahhhh…coffee. Awoke to a beautiful light snow that adds brightness to what has been a dark week. Drizzle and dark clouds made the week drag a touch but I had much to do. I had lots of busy work with doing end-of-year taxes on our businesses. It’s surely the “unsexy” side of the business but it’s what keeps the machine working. We continue to refine our process and I appreciate everyone that works that end of the process. I want to welcome the additional countries reading the blog. Denmark is one of the new ones and I’m sure I have my host family and friends from my soccer days to thank. The week also had both post and development work grinding hard. Let’s look at a few of these updates.

WILD FAITH

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We’re sitting at about the 70 minute mark with editing. I’ve seen early snippets and continue to release stills and behind the scenes to our website and social media sites. I’m excited about the themes we get to bring to light in this powerful action drama set in post Civil War Michigan. Once I get the business at hand underway I want to return my attention back to the series. I know that I’ve got a few business calls to return this week showing me that we have good buzz.

THE QUEST TRILOGY

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DJ Perry as Jesus in FORTY NIGHTS

Forty Nights

The film is almost delivered both digital and paperwork. Again why so many filmmakers fail is because you must have all your process documented. Releases and agreements allow your film product to be taken to market. I know many films stumbled because of not having the required releases. It can hurt the film but also a distributor if it gets released and trouble arises. Years ago we had a film released by one of Hollywood’s top distributors and they insisted on using some box art that wasn’t cleared. We had communications against the art because it wasn’t our artwork, which made no sense. Long short, lawsuit. We were released because of our written objections. They had to yank the title. Our film sued, won and they had to pay a nice sum. But the film could have done more perhaps if someone would have made sure releases were in order. So while a pain in the ass it is a much-needed process. But when the filmmakers are at fault that can kill a film and bring unneeded legal issues so stay on top of your business unless you are just doing it as a hobby, not for profit.

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CHASING THE STAR

Poster work for the theatrical is underway. The film is maybe two weeks from being done and we’ll mix and master everything. VFX is the final piece and once that is inserted we have a fully functional battle station. The paperwork with Bridgestone is signed and sent and I’m awaiting the countersigned agreements. Following that we should get our final street date for release. I’m looking forward to our review as a complete film. Success is when the audience can get lost in the story. I’m proud of everyone working so hard.

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THE CHRIST SLAYER

This last film has been the main thrust of development. If everything stays the course we’ll enter official pre-production this week. Casting, crewing, VFX tests, location scouting are all underway. We announced Christine Solomon who will play opposite one of our new leads Carl Weyant. We’re soon to announce a few more supporting roles this week. I’m personally excited to return to the role I started in FORTY NIGHTS. It will be my first time returning to a character although it has almost happened several times.  I’m excited to explore this other end of the spectrum. I think one of the best developments this week was the return of Chef Eddie. He’s a gourmet chef who spoiled our crew while shooting “Chasing the Star” – and I for one am happy to have him back.

FUTURE

We do have a few development projects starting to take shape that could be the projects we shoot following THE CHRIST SLAYER.

I have a few other thoughts I could ramble on but I refuse to add any negativity into the pot. I can say I’ve been extremely disappointed by several developments and happy that other neglected issues are finally being addressed. I have always had the goal to provide entertainment and to try to expand minds and hearts via storytelling. I will continue that journey and as always I invite you to join us.

Be good to one another. Talk at one another, don’t yell.

DJ


Secrets to Casting & Crewing at CDI

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The morning chill made it perfect to sip the hot coffee and talk about my past week. The week was busy with every source of communication jammed with “checking in,” “catching up,” and other “forget me not’s” that have become the pattern when we’re casting and crew a new film. Let’s talk on these two things – CASTING and CREWING.

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Casting – One thing I never understood when I did in-state castings. It was people always saying “They don’t want to see a reel(s)” to which I was always thinking WHAT? In football terms – what coach thinking of recruiting to his team would not want to see game footage? Performance when it is game time. Look at that production value and often an entire production trusting on this individuals performance. I said it before, so few people have their materials around and so agents don’t use them because it makes all the non-reel people look bad. So let’s ignore the most experienced talent because all these others don’t have a reel. We watch, identify and try to keep the hoop jumping to a minimum. I hate cattle calls like everyone else and luckily have not attended one in many years. But we try to focus on what we really need so not to waste anyones time. Make the most of every opportunity.

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Crewing – like acting – if you accept a job at that point the pay becomes non-important. If I’m paid $100 or $10,000 I will still give everything once I’ve committed. Don’t be one who notices problems but be one if offers solutions. Every crew member is a paid PROBLEM SOLVER. We pay for SOLUTIONS. Never QUIT. Quitting is a character flaw and that flaw will hinder you for a lifetime if you don’t outgrow it. All we ever ask is professional from call to wrap. If you’re being housed – professionalism is further required. I will note that because we try to do things right on our projects – it is much harder on staff. It’s harder to do things right. Understand and sympathize with your fellow crew and cast. Because at the end you’re working together on something that will stay with you for a lifetime. The friendships, the hardships and the final story. The best way for crew to find their way to a CDI project is to be introduced by an existing crew member who will vouch for your work. By work I mean not just what ends up on the screen but how that happened. Stressful, unorganized, behind schedule, attitude – you will not remain part of the crew long-term even if the work was acceptable on-screen. The journey is as important as the destination for the people on the journey.

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Casting is almost complete and we’ve already starting talking to targeted crew. Soon we ride!

OTHER DEVELOPMENT & POST

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Knight Chills 20th Anniversary

“Knight Chills 2” this project has some good business forming up behind it. We plan to do some camera rolling this winter. Also look for the 2017 release of the book and original film.

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“The Christ Slayer”

I’ve recently sat down with several key individuals that could help bring this trilogy to a conclusion. We’re about to start location scouting in AZ with our ground team. I’m very excited to be returning to this world one more time. I think this will be a great end piece to “Chasing the Star” now in post.

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My body has about repaired from a brutal soccer season. Now I’m enjoying watching the Lions and MSU Spartans beat themselves up for the victory. I’ve been doing my company and production work and getting prepared to bring a new character to life on-screen this October. Many of those that have been cast I’m proud to call friends. I also look forward to adding new friends to my circle. Today is more end of summer yard work getting all that ship-shape before I go playing cowboys with my friends. Spend some time with family and friends and enjoy the long weekend. Our staff continues to pass reels, reads and resumes between our team.

Keep clawing!

DJ