Happy Easter Updates 2019
I decided to type this the night before since tomorrow will be a day full of family. I’ve had three pork shoulders in a smoker pretty much most of the day. A mustard and applewood rub – it smells wonderful. While preparing for company I’ve enjoyed the slew of biblical films playing on TV in the background. It was a nice surprise to be reminded that we’re participating when I woke to a sent promo clip showcasing “The Christ Slayer” from https://my.upfaithandfamily.com/the-christ-slayer . It was sent by a friend/associate with some kind words.
Today I also noted “The Book of Ruth” was still selling strong at Meijer. Furthermore I was unexpectedly stopped by a fan of the CDI films. It’s nice when you occasionally can meet the good folks watching and supporting your films. “The Christ Slayer” is about to finish up a run in El Paso, Texas. It was great to play a few cities in the great state of Texas. I hope you Texans enjoyed the film and go back to watch part 1 “Forty Nights,” and part 2 “Chasing the Star” on home video. Part 3 is also available on digital and DVD now if the film isn’t playing near you. I know Yuma, AZ is working hard to get a showing there. I’m not sure what Harkins has been so stubborn but we are exploring a few other avenues. So, big screen or small screen (Not so small these days) please do make THE QUEST TRILOGY part of your viewing tradition. I think as more people realize that the three films interconnect that a few questions will be answered. There is a bit of a puzzle/mystery woven into the three films.
“Wild Faith” – Wild West Michigan style
A series of theatrical showings will continue but the home video release will be upon us. Here are some dates concerning the upcoming “Wild Faith” home video release.
Sprouting Seeds and Getting Rid Of Weeds (Although some weeds are very useful) – Film Updates
Doing some spring clean up with my buddy Finn
Good morning from Michigan, USA! While this past week has been a good introduction into spring with lots of yard clean up and arrangement, today we have icy rain and snow. It will disappear fast but I’m just getting use to the coffee and phone calls on the patio deck listening to the birds and watching the squirrels retrieve their winter stash of acorns. I’ve been doing a lot of wood cutting and it looks like the office wood stove will get a work out today. I was going to attend a first flea market of the season but with the snow I might have to pass. I’m sip my Michigan Cherry coffee and type with all of you.
My brother had a birthday and we got to spend time with family yesterday and a few days before that my niece’s birthday. My nephew Wes has the same bday month as myself. He is the 21st and I’m the 23rd so we’ll have that ahead. Aside from the family gatherings and the homestead clean up I’ve had lots of entertainment business abound. Let’s discuss a few.
I made my yearly visit down to the opening of the Capital City Film Festival happening now in Lansing, MI. In my early years I spent a good amount of time and energy working with the East Lansing Film Festival centering on the Michigan’s Own portion of the festival. It awarded films with awards and cash prizes. It took hours of watching films, meeting with judges and other planning so I know what goes into it. These days my schedule allows me to buy a ticket to spend a few hours supporting upcoming filmmakers in our area. The opening night was at Impression 5 museum which has been a favorite since I was knee-high to a grasshopper:) I had a lilac drink that intrigued me because we made lilac wine once. It was great but very labor intensive. I also enjoyed a local hard cider. I got to see a few friends I only see yearly at this event. I attended with fellow filmmaker Shane Hagedorn and had a good time. We did at least one red carpet photo but I did not see it so once of us broke the camera with our mug. He we are with a young actor/filmmaker who just happens to be the son of Mr. Craig Jones whom I’ve known since high school. How cool that they get to do film work as father and son.
Throwing some support at the Capital City Film Festival
Aside from supporting the local fest we’ve been very hard at work here at Collective Development and on a personal level. I started looking at literary representation mid last year talking with various agents and management companies. You want to get the right relationship as they will be dealing with people who value your art. I’ve had an agent at one of the largest agencies in Hollywood and it wasn’t a great experience. A few big deals were lost and while the agency inclusion did help with a few doors, the cons started to outweigh the pros. I’ve been riding with legal at my side making my own deals. Legal is good at dotting I’s and crossing T’s but they are not seeking new opportunities. But I finally had a conversation with an international agent that I find promising. They discovered my work via another studio executive and reached out. They are doing some additional reviewing of my work but I think I’ll be having a go at working with a new literary and talent agent. I’ll be putting a large focus on foreign projects as well as domestic USA films. Many of you know I’ve done films in other countries and that is always a great experience.
I’m excited to see what films we do over the next 10 years
I’m also in development talks on several projects with a few new collaborators. We have some great projects developing both in the family/faith market and outside that target market. It is an exciting time but don’t get me wrong, it is still HARD WORK. When people occasionally look at what we’ve accomplished or are accomplishing it occasionally sets off feelings of envy. You/they might be a better artist even though that is subjective but overall I just outwork people. Part of that is learning where not to waste your energy. Look for red flags and know when to say NO THANK YOU. Many do not realize that and spends lots of energy where their only reward is frustration.
Beautiful Northern Michigan
LOST HEART – This is what is front and center in development and fighting to move into pre-production. We have enough to make the journey but we are fighting to be able to add a few days of shooting ultimately creating a better product. We only have a few more pieces of this investment puzzle to remedy and move forward. A lot of development work is getting done now and so I believe strongly we will be rolling cameras in July!
Hester and Ben in ‘Wild Faith’
WILD FAITH – We just finished runs in Grand Rapids, MI and Biloxi, Mississippi and I’m trying to confirm West Virginia and other venues. The DVD will be rolling out next month and so all of you wanting to see this fine adventure tale will soon be able to. I will be checking on Amazon pre-booking which should start soon.
I will note that the TV series is one of the things being discussed in some of my development talks. I would love to play Ben Lily again and bring a series of stories to all of you.
Just in time for Easter
THE CHRIST SLAYER
The Christ Slayer just announced its first theatrical dates in Amarillo, Texas. We hope that myCinema will continue to book to the big screen. Those who want to watch in the privacy of their own home can watch it streaming or on DVD on Amazon Prime or other fine platforms. Thank you for all the fine fan(e)mail I’ve gotten. It warms my heart to see so many enjoying our stories. I know myCinema is working hard to get it in AZ but is having issue at Harkins because of Studio Commitments but call the theater and let them know. Yuma, AZ deserves to see it on the big screen.
HELLO Texas!
The film really goes perfect with the Easter season but perhaps you might enjoy watching the entire trilogy of Forty Nights, Chasing the Star and The Christ Slayer. The ending of part 2 makes more sense if you know about part 3. I think that is going to be a PR release on the lead up to Easter. Also I might discuss more about the trilogy as a whole.
CDI OG Mister Dean Teaster
MBF: Man’s Best Friend
In my post meeting last week it was noted that sound quality was really good and the dialog clean up was not as extensive as in the past. To be fair the locations were much more controlled versus being out in the desert like with our trilogy. Sound Design is happening at the same time and so once we get all this laid in MUSIC TIME. I will also be touching base with the visual team about VFX, Color Correction and a new trailer. Exciting times.
The Week Ahead…
This next week will be working towards disbursement of funds back at investors. Seeking a few new partners so we can move into official pre-production on LOST HEART. We are close and we could do the film with what we have now but I want to have the extra breathing room. It is easier on the cast and crew and ultimately might yield a better final product. Businesses wanting to talk sponsorship or product placement please do reach out.
Treat yourself to the book and movie
I’m going to go refill the coffee cup and organize for my forthcoming week. I have a friend coming in from Texas for a few days on family business so it will be nice to catch up with him. He was involved with the original KNIGHT CHILLS, CDI’s 1st feature film. KNIGHT CHILLS 2? You never know:)
Have a great Sunday and week ahead!
DJ
Persistence eventually wears down failure.
Good morning! Usually in the morning I’m treated to sunshine but with the rain/wind storm rolling through and the time change, springing ahead, it is darker. I’m sipping my (enter sponsor coffee here) * yes I’m still looking:) and I’m going to share some of the updates from a very busy week. But before that let’s see if I can pull any lessons from the past week to share with you all.
CASTING
(Talented artists – surround your pictures with them)
I will comment on something that I’ve commented on before – casting. I’m reviewing close to our final cut of MBF: Man’s Best Friend and I’m just so damn proud of all the actors. It takes good words, scenes, story and interweaving to allow such performance. I do want to work in other people’s worlds and stories. But it is always a task because a good strong blueprint/script is required. I’ve noted before of hearing filmmakers brag about ‘no script’ or ‘winging it’ and it always SHOWS. I recently read a script that I was considering involvement with and I asked about the campy humor. I was embarrassed slightly when the response was that it wasn’t humorous it was 100% straight and meant to be intense and gritty. Um…okay. It was a pass on my part. I’ve been there. Done that. Got the tee-shirt. Spend 99 cents and watch it on Amazon Prime with my 1st starring role in a feature film. IN THE WOODS is a fun film and cult junkies love it even playing drinking games to it. But it was meant to be like ALIEN and the monsters when shown in the light, we thought a novel idea, come off…watch it:)
(Note my costar Jim G who can also be seen in upcoming ‘MBF’ )
IN THE WOODS link
Back to casting. I’m reviewing MBF and so proud of the performances by so many of my peers are excellent. And to the crew who worked so hard and harmoniously, you will be proud to be associated with this Collective Development Inc. film. I’ve been enjoying watching new reels. We consider all our past performers who brought great performances and were not any sort of issue. You cannot tolerate nonsense when doing something as hard as making a feature and trying to keep quality at a certain level. But every film only allows us a few players.
(Greg Mason on set MBF with Duncan from Animal Planet)
To finish the MBF update, this week dialog work will begin once the picture is officially locked.
THE CHRIST SLAYER – The DVD is becoming available at more places. Amazon had some glitch for a few days. It seems like that happens quite often. I saw that we were moving units nicely. I still like the DVD/Blu-Ray format. Digital can disappear, it happens. The April 19th Easter event screenings in theaters will be exciting.
Speaking on that as we start the run up to myCinema‘s WILD FAITH theatrical. I’ve fielded hundreds of requests for what states? What theaters? I hope to have answers soon. This is my first run with these films and this theatrical outfit. I see others who like to overstate news but with so many set backs over the decades I almost always take the modest path. If we show in more than 2 states and 8-10 screens I will see it as progress. Now the myCinema is in 1000+ screens but I don’t want to get myself too excited or disappointed. It is a beautiful story as many of our story’s are and we just want to entertain. So I hope we do capture a large audience with these releases. I do hope to have info for everyone this coming week.
Also some of you were treated to a DOVE family review and some new artwork. You can read about it here.
PR RELEASE WITH DOVE REVIEW:
https://www.prlog.org/12758326-wild-faith-reveals-new-artwork-for-theatrical-and-dvd-release.html
If you have enjoyed any of these films please do leave a review on amazon, imdb or any social media sites that would apply. I know a few reviews that are in the works as we speak.
(Mr. Robert Bradley on set ‘MBF’ with our Brown Boy)
LOST HEART
We’ve been moving right along on bringing on investors, scouting locations, finalizing the shoot script and such. We’ve been announcing some of the players and this week we’ll announce a few more. Mr. Robert Bradley and Mr. Anthony Hornus will be playing roles and assisting with production.
This week we’ll be sending the new script around to some of the team. We’re also talking to many sponsors to participate in our Northern Michigan telling. If your company service or goods wants to consider sponsorship with us please reach out to perrydj@aol.com and I’ll discuss with you. We’ve had many companies participate and love adding to that family.
Misc Final Biz
I had a few great meetings with filmmakers this past week. We discussed some collaborations on a few films. If you are bringing something from the outside in most likely you will also have to bring the money. Our CDI funds are being directed at in-house projects that have distribution blessings. The idea of not spending the time, energy and money shopping is really nice. I’ve had other interested studios discussing possible production/distribution of non-family/faith material. As I noted to a friend recently the secret is ‘One step in front of the other. Balance. Focus. Persistence eventually wears down failure.’ Choose your associates and collaborators carefully or you’ll always be off-balance and having your focus pulled away from you. And the final product will reflect all those issues.
Have a great Sunday!
DJ
‘Lost Heart’ Casting Posts, Project Updates and Just General Thoughts
I’m sitting here sipping coffee and watching my squirrel buddy Gordy prepping for the high winds we are going to have. The last week was a combination of busy business and family business. I’ve been out of grandparents for a while but have enjoyed the company of my significant other’s grandparents. We lost one – a grandmother who was the center of the family. She had a long 89 years and her service was really nice. The family all came together and now they will have to re-adjust. We all have to keep doing that as we move forward. It once again made me see how special the work we do actually is. And the journey is also just as important as the destination. Let’s look at a few updates from the week.
LOST HEART – This is the film being pulled together to shoot in late April/May time frame. This past week we announced the addition of Mr. David Gries and Dean Teaster playing a major character at two different ages. We welcome them aboard.
Also this week we’ll be announcing the 1st casting call notice for this role. It will be posted on http://www.cdiproductions.com
We are looking for someone who resembles this picture. It is playing our main character at a younger age. It is a paid role and we’ll accept both union and non-union submissions. So you heard it here first. More casting calls will follow.
This week we’ll be announcing two new actresses joining LOST HEART. Both have worked with CDI on different films. We’ve also began some TOP SECRET model work:) We had one of our producers up North starting some initial talks. I, as the writer started by dialog and script note review with our director Jesse Low.
A learning note on this point – When I work with a director it is line by line, page by page because I want the director to REALLY understand the characters. Once they are fully understood we can change certain locations or interactions but they will respond in character. As a producer you want less page count. As a writer – the colorful descriptions might help cast and crew immerse themselves into the world. It is a balancing act whereas a director can strip it down to bar bones because they have shots and such in mind. But for landing quality talent it helps to paint the world. As I stated last week, I would not sign onto a film without reading the script. Maybe a Star Wars flick would be the first but the project I backed off from was not a Star Wars flick. When it has inexperience involved the need for a GREAT blueprint (script) becomes even more important. Also once I sign off the script to the director the writer goes on vacation. Even when actors ask me questions I try to redirect them to the director. Writers need to let go at a point. Many have issues doing just that and that causes problems on projects. So in development get all that solidified with your director. That is what we’ll continue to do next week. Here is Jesse Low working on WILD FAITH with DP Jesse Aragon.
Let’s MOVE to the WILD FAITH movie. This week was working with the distributor as they prepare for the theatrical release and the DVD/streaming to follow. This coming week we’ll announce and release the new poster art for WILD FAITH. I’ve been holding my breath waiting for the artwork. Once I saw it my first two impressions were – 1) Classically Beautiful 2) Lauren LaStrada is going to LOVE this cover:) There is my tease. Coming (back) to theaters this March! Remastered. Enhanced. Ready to Rock!
The month after on April 19th THE CHRIST SLAYER will roll out into theaters. I’m trying to make sure that Harkins gets it in AZ. That way all our Yuma, AZ family can watch it on the big screen for Easter. For those that want to watch now it can be seen on Amazon Prime, Google Play, Christian Cinema (and the list will keep growing) DVD will release March 4th so add it to your collection. People who have been sending ‘fan mail’ I greatly appreciate it. I love how into the story they are. You can watch these films as a stand alone but they also tell a story as a trilogy. The Devil and Angels story runs through all three. As more people realize the thread between all three films it will become more interesting to read people’s thoughts on the trilogy. I’ve seen the same few type ‘hate’ posts. Usually at Jesus. OK. If you don’t believe in Jesus, just enjoy the story. ROCKY and APOLLO CREED did not exist as real people but they still inspired determination, self-belief and the power of love for generations of viewers. If you live for Jesus, I hope you enjoy the film. It is not a documentary or a bio-pic but a story. The issue I see that stems from pockets of religious denominations is that they fight over details (the devil is in the details) and miss the entire meaning of the story. I read someone lamenting the darkness in Chasing the Star. Um…King Herod’s rule was dark. That is what I liked about The Passion of the Christ. The reality of crucification was played out and it was much darker than the pageants plays of the day. Someone commented negatively on the Magi, obviously not knowing the actual history. That is why that film felt important. Everyone knows the statues out front of the nativity scene but few really knew anything about them. Our take is not 100% as history often exists in fragments. Anyway, I’m very proud of the three films. Those that let themselves enjoy the story will take something away, their path matters not. So watch FORTY NIGHTS and CHASING THE STAR and follow it up with THE CHRIST SLAYER.
MBF: Man’s Best Friend – I’ve been reviewing the first cut and making suggestions. The film is very good. I’m out on a limb playing a wounded Marine. I feel that gravity because I represent the actual wounded. I can say that so many of my peers gave incredible performances. Maybe one of the best from Dean Teaster (played the Preacher in Wild Faith), Anschutz, Abell, Gries, Hagedorn, Most, Nations…I could go on. I think people will be happy with their involvement. I did get emotionally hit at the end of the film so I know it works. But we’re just working the story for pace. A few scenes to cut into later or cut out early. We’ll work toward a lock at month’s end with dialog clean up being the first task up for post audio/music.
Aside from this list of things to do – I’ve been writing out checks to investors and residuals to talent on some of our films. I’ve been prepping to do some VO work on a commercial project. I’ve got a few meetings in the next few weeks to discuss possible collaborations. So, I’m just going to keep putting one foot in front of the other. Merchandise creation is under discussions. Sponsorship for the new film, the CDI website or even my blog. I’ve been trying to get that coffee sponsor. One big bag of coffee beans a month and I’ll put your company logo on here. And I’ll speak kind words about it weekly:) DING! Magnifico – only my Philippine DN cast/crew friends will understand that.
Pre-Order on Amazon now!
Have a great week ahead!
DJ
Getting Rolling in 2019!
Good morning. It is 2019 and we’ve started a new turning of the wheel. The holiday season was enjoyable spending time with family and friends. I want to welcome our new readers from Israel and France, we’re so happy to having you join us. Like everyone else I’ve been planning ahead to the new year and also working hard to finish our two films THE CHRIST SLAYER and WILD FAITH for their theatrical 2019 release with our new partners. Once these get off the desk so to speak we’ll focus on getting our locked cut of MBF and increase development work.
I hope to get theatrical locations and dates here soon but know that people are just getting back to work. The remastered WILD FAITH is having distributor poster art done and promotional trailers for social media. Same with THE CHRIST SLAYER with the promotional pieces and the poster art is already completed. This is an exciting time of what and see – but I can say, as we do final review on THE CHRIST SLAYER for credits, what an awesome job by all our CDI artists. Nathaniel Nose and Dennis Therrian really pulled it all together. I’m so very proud of our artists on all three films. As the last one readies to roll out, I only hope audiences are able to take something away from it. It is a beautiful story and everyone should be proud to have this one on their resume for a lifetime.
Outside of film direct, I spent a good part of three days prepping for the moving of a storage shed onto our property. As a company we’ve started to gather items that make production a lot easier. I’m going to use it for storage of items from 5 gal water containers to 100 cup coffee makers. A CDI trailer will likely be the next step to be used during productions. Maybe a craft service food truck, whoa…settle down there DJ:)
I’ve been working to help prep a friend for their first feature film directorial and of course LOST HEART development will start to pick up speed. Several discussions have taken place with this film and we have some good attachments. “Strong drama, good humor with a dash of suspense and action – just like a good trip up North in Michigan!” We’ll start making some PR announcements in a few weeks concerning this movie.
I’m going to finish this up and get on with a few things today. I’ve got a busy week ahead and hope the same for all of you.
Be good to one another in 2019!
DJ
Discussions on Compensation and Advanced Release Dates
Good morning and welcome including our new readers from Bahrain. It is a peaceful morning with hazelnut coffee and a sleeping puppy. Michigan is foggy but without snow currently. I’ve been balancing all my post work, development work and family activities. First I will comment on a request for insight on a work question in-state (Michigan) in regards to compensation.
The symbol of the KNIGHT CHILLS franchise.
The first film CDI did KNIGHT CHILLS was unpaid cast and crew with us spending money on gear, food, props, FX (we crashed and blew up a car). Everyone was in the same boat. We were not even sure if we could shoot a feature film but intended to give our best effort. In the beginning a group of people with little or no resume experience may group together to take that first step.
On our second film we started paying cast and crew. Not extras and not PA’s but everyone else was paid what the budget could support. I will tell you that paying artists cast and crew is one of my favorite things to do. I remember an actor crying in a van when I handed out the first week paychecks. For this person and many it was the first paycheck these people had every received for their art. The act of paying was more important than the numbers scribbled on it. It was giving artists hope, pride and dignity after countless rejections in our business. In 1999 the film scene (Ha!) was much different. The opportunities many have now just did not exist. The only benefit I saw from the tax incentives was the acceptance of the “Film Business” in Michigan as a legit careeer path.
To this day we pay all our cast and crew but not PA’s and Extras. We feed and take great care with the extras and that’s where we meet many future cast mates. We create tiers for keys and department crew. We also have a two tier pay for union and non-union talent. Our feature rates are lower versus commercial rates. As I noted last week I believe one is an investment and one is a service. We’ve had a few outspoken crew people spoiled on a few good commercial payouts complain about rates. To these people – just pass. Don’t torpedo your ship because you can’t make a rate work for you. These people might have debt, high cost of living (beyond your means) or any other reason why they need to say no. But that’s not everyone. Also the positions on feature film sets are earned early on and crews often grow with the company. Those people who say “I’ll catch up later when you have larger budgets” often won’t. Because loyalty does mean something. If you’ve been the Director of Photography when they had nothing they will likely want to keep that DP as they move into larger budgets. Often if a crew gets out of line there are hundreds that would jump at the opportunity. But you have to be a company that finishes and releases films. People grow tired of putting blood, sweat and tears into a project that never finishes. I’ve got a couple of films I’ve been paid for but they never finished. A waste.
I like to say we will be defined by what we say NO to. I say NO a lot but politely as some people are just not where I would like them to be creatively. I know other companies and producers who do things very differently. Attacking them isn’t going to help and until you’ve raised funds and been responsible for millions of dollars – your opinion is pretty weak. That said, if you want to make your projects better, paying experience up front will keep you from paying for mistakes. Experienced actor means more options in editing versus that’s our one good take. Out of focus camera. Things left on set because art department last looks didn’t see something. Lack of hair or clothes continuity – all lack of experience.
My goals aside from making our days and getting our puzzle pieces (scenes) – I want every artists to 1) Have a lifetime experience that they will fondly recall like going to Summer Camp. 2) Become more effective in their craft and/or communication 3) Have pride in the final art
I’m not following anyone else’s business model but what we’ve developed over two decades seems to work well. I do think that audition notices should discuss compensation up front. Artists should not waste valuable time reading scripts, memorizing lines and putting down reads for something they will not participate in because of no pay. I will not work for free. I have a few times in the beginning because I wanted to get the experience and I wasn’t bringing the experience. But now I bring experience and distribution opportunities for any film I’m in. Like many of us I have life bills so I no longer work without compensation. I also like when a project is compensating everyone because the quality is almost always higher. I don’t really want to act with someone’s Uncle Phil that they threw in because he had the day off.
Like many in today’s society it’s easier to cast stones. I often see condescending messages back and forth that really is just strutting for an audience. If you don’t like the way things are done be the change. Raise the funds and do it right. Lead by example not by running your social media mouth. Bad producers will quickly get a bad reputation and when nobody wants to work with them, they disappear. I know many in this state that if they disappeared from the scene things might be better. Some bad eggs have already left the state because they burnt all their bridges and need new grounds to BS. If your experience is beyond a production not paying, just give a PASS. This allows a new talent/crew an opportunity to step up and learn. But people do pay dues. No certificate from a film school or program is going to automatically get you in a key position. Doing a great job will certificate or not. Now they have many great programs so the students come out with experience. But they too might have to work free or discounted to get the experience needed to move forward. OK. Enough on that subject.
BULLET POINT UPDATES AT COLLECTIVE DEVELOPMENT INC.
- Visit us at http://www.cdiproductions.com
- MBF: Man’s Best Friend is closing in on a 1st rough cut of the film. The first trailer was well received and the distributor is already talking theatrical.
- We are planning to release a BTS for MBF on Christmas Eve or Christmas Day as a thank you to our cast and crew.
- WILD FAITH will have a PR announcement later this week. We will be announcing a new wider theatrical release – they’ve been working on creating the short marketing trailers. The film will release into theater’s starting March 1st I’m told. More info here soon.
- WILD FAITH poster art is being worked on by the distributor. TV/Broadcast release will start 4/1/19
- WILD FAITH digital purchase 5/6/19 on Amazon and other platforms
- WILD FAITH DVD sales will be 5/27/19
- WILD FAITH digital rental with be 6/24/19 * day after my bday:)
- Streaming Networks SVOD (Netflix) and AVOD (Hulu) in early 2020
Part 3 of The Quest Trilogy – THE CHRIST SLAYER was announced with release dates. Here is the PR release from this past week. Read about it here.
https://www.prlog.org/12744411-the-christ-slayer-poster-and-release-dates-announced.html
Our distributor also released the poster art.
The film is looking and sounding amazing. It is one of the largest production value films we’ve tackled. The music honestly is some of the very best I’ve heard in our projects. But Dennis Therrian our long time composer is growing like all of us at CDI. We’ve just about got all the dialog and sound design completed. Here is me in the studio fixing a few lines.
This past week has also been development. We’ve got a few 2019 projects coming together. LOST HEART is being prepped for a Spring shoot. Talks on finally shooting KNIGHT CHILLS 2 have advanced. Also a few other exciting scripts that are being polished to possibly be put in the production line. Some exciting news about all this in the new year.
I’m going to go make some breakfast and go explore a bit with the new furry son Finn. Luke would have been very proud of this little gremlin:)
Have a great Sunday and a productive week ahead.
DJ
Weighing In on Feature Film versus Commercial Production. Release Dates!!!
New York Time Square – I’ve had success and setbacks. But taking a group of sailors/artists out to sea is always an adventure. Every great thing ever done started as an idea. I’ll tell you something that I see around me that I really like. And this kudos centers on my state of Michigan but extends beyond that. I see DOERS. I see people finishing. I see people reaching. I’m not a better artist. We’re all artists who either create or derive some pleasure from the art of others. Active is always more conditioned than observer. The football player will always be in more condition versus the watcher of football. The artists who stretches his imagination, cooperation and does will always be more conditioned than he/she that watches.
It is hard to make any movie. A bad movie requires lots of work. Try organizing four of your family or friends to go bowling. Scheduling. This happens because of passion and compensation. Being compensated for something you would do for free is golden as a goal. When someone is required for a lengthy stretch of time/days/weeks compensation with agreement is better than free even when you can get it. Bad cold. Flu. Fever. I’ve had it on sets before. But everyone of those artists is working towards the common goal. You take a vitamin C packet. Rest, best you can and wait to be called to set. People not fully committed can and do flake. But I carry a zero tolerance for that. Too much benefitting too many artists at stake. I’ve missed a grandma’s funeral being on set. She encouraged me all through my career, she can and did understand. It is a total commitment to process. I hear horror stories of crew attitudes and walk off’s. I’ve only dealt with those issues in the easiest of days where the rigor of “war/filming” can test everyone’s limits. We at CDI try to be a fertile creative ground to grow within. Not perfect but we strive individually and collectively. Negative folks can allow the positive flow to align them or they are removed from the circuit of energy.
I’ve recently seen a few debates between film producers I know and commercial crew members who dog his hiring practices. Both tried to argue their points while the negative slings and arrows flew. Producing commercials (production service) is very different than film production (investment). Again with said producers, I disagree with his model of business creatively and otherwise BUT he might also disagree with mine. I’m okay with that. I think that producers who produce for profit – narrative story in a VERY competitive field, are entitled to set an offer however they wish. I think compensating will draw more experience to the project. That in turn effects the timeliness, quality or both. But getting that experience is the catch 22 for crew and talent. Who is going to trust a 500k film on the back on a first time actor? How hard is it to land in the director or DP chair of a financier feature film? Sometimes these smaller projects help develop people for the path ahead. You can star in a story without the stress. You get to shoot a film versus being the clap board 2nd AC.
BTS of “40 Nights” – the camp of John the Baptist
Some productions are in that middle ground because of budget. Yes. I’ve done 4 min automotive commercials with larger budgets than a feature film. Meetings, notes, tweaks…not as exciting as a narrative story. When you mix experience level the goal is to raise people up and not have it brought down. This requires the right leadership in the right place. All this? Maybe bowling would have been easier:) So if you’re making good money in commercial production don’t try to apply that to narrative filmmaking. LOYALTY is what brings crew into the bigger game. It is a two way street. They work to help tell a beautiful story with audience changing power. Those few filmmakers that grow are smart to take their team with them. Some producers do sell out and take this composer who did this or that…this designer is more…they worked on…TRUST ME on this one. Stay with the team that got you there. Now they might need to keep growing with the collective. Soldiers all gotta march. But if someone likes what you’ve built they should respect the builders.
I’ve had a strong week of film business mixed with good times with the new puppy Finn and family. I made beef jerky for the studio and worked on dehydrated apples now. This week I’m going to rack the GRAPE APE wine to the secondary. I put a deer worth of venison into the freezer. Wood cutting for the office stove will continue this week. Let’s do some bullet point film updates.
- The Christ Slayer artwork is just truly beautiful. We’ll be announcing Feb streaming purchase, March DVD, April EVENT SHOWINGS on the big screen across the country. Post work is full steam ahead for the next couple weeks.
- Wild Faith artwork for the theatrical and DVD has begun. Wild Faith will be hitting theaters across the US in 3/1/19, TV cable 4/1/19, digital purchase 5/6/19, DVD 5/27/19
- MBF is now re-focused on the film edit and we’re working to have a first cut by end of the year. The trailer has been getting a great response. Please follow our Facebook site and watch the trailer. https://www.facebook.com/pg/MBFthemovie/videos/
- Tis the season and feel free to take a watch on our other films. FORTY NIGHTS and CHASING THE STAR are the two previous films in The Quest Trilogy.
- LOST HEART is slowly moving down the tracks and will start to pick up steam 1st of the year. Stay tune for more opportunities. Also follow http://www.cdiproductions.com
Okay. It’s time to cap off the hot hazelnut coffee. Make some breakfast and get ready for a good day. Yesterday we went up North for a belated Thanksgiving fest and today is a family bday party. Go Lions!
Happy Sunday.
DJ
