A light dusting of snow covers the ground and I’m sipping at the hazelnut coffee (not sponsored yet) and reflecting back on my busy week. I want to welcome our Romanian and Indian readers to the blog. On the Indian front we’re having some great conversations about getting some of the CDI films there and also about a few collaborations on scripts we have.
Speaking of sponsors – Maple Holistics approached me about possible endorsement. I have a select list of products that I’ve got deals with. These often are passed down to our cast and crew in the form of gifts such as our awesome product from The Candleberry Company. I used the tea tree shampoo for this past week and I have to say I like it. I liked the texture, the tingle and it left my hair feeling very clean. You too can try for yourself and they’ve provided me a link below. Enjoy. Tell them DJ Perry sent you:)
Ah! Nothing like a good steaming cup of coffee on a snowy Saturday. I think I’ve been good at trailblazing ahead in filmmaking and not sweating the nay sayers. I DO care about our audiences and I DO care about the artists I work with. I want them to be proud to be part of a Collective Development project. The films have always been made with passion from the very beginning. So last night on the big screen, we did our first showing for our Michigan-based cast and crew of “40 Nights” that traveled to Yuma. A few significant other and special guests attended but I wanted to keep it intimate and low key. The theatrical version will be a more powerful 7.1 mix but even stereo, the film played powerful. What it will mean to each of you – that is what peaks my curiosity.
I wanted to share that screening with some good people – and we did. Thank you so much to the Lansing Media Center for hosting our cast and crew showing last night. It was great to see it on the big screen. Yuma, AZ-area cast and crew get ready. I’m very excited to show everyone there VERY soon.
Also we’re entering another phase in the filmmaking journey. I compare finishing a feature film to dropping a kid off at the bus stop, ready for their first day of school. At home, you can feed the child all the encouragement, love and preparation before the harsh world has contact. Our child is now on the bus. Creatively, what is – IS. Now the debates can rage – love it, hate it – why didn’t someone fund my film versus this…like I said in a post, “stepping out of the darkness where the masses wait with rocks or roses”-
Audiences will decide. I shift to business mode arranging things that will assist exposure of this film. My biggest regret on “40 Nights” after watching in studio was that it lacked P&A to show in theaters around the world. I thought it would play epic – last night at our first private viewing – it did. Much is credited to the capture of beautiful locations and the skilled hard work of our production team. A special credit to the vision of our director who translated the story from page to screen.
Feel free to sign up your local theater, church or venue for a screening opportunity. The page is on the http://www.40nightsthemovie.com website.
My upcoming director and editor on the second film got to attend the showing. I wanted to show them for weeks the cut of “40 Nights” as we prepped for part 2 “Chasing the Star” BUT I wanted them to see it EPIC. I wanted them to get to experience the world and I think they did just that. This second adventure will also be one for the books. Getting ready to chase the star:) Building the team.
I’ve talked about this before. I’m blessed with having played team sports from a young age. My father was big into sports and so that was part of my life. You rise and fall together and you participate in witnessing what can be done with proper COMMUNICATION and COLLABORATION. Coordination is that synergy between it all and the lines run on professional respect. That is, respect for the story, that will all bear their names. As stated, my goal is to have my cast and crews be proud of the participating. These teams can develop over time but I’ve realized, some don’t really know what a team truly is. I am going to give an example and perhaps it will help someone, somewhere.
Three films with fixed budgets are contracted. A team is hired for project one. Project done. Proposed hirings again for project two from project one – A few want more compensation. (Who doesn’t) But the trilogy was outlined – it is a business plan. Now the end game goal, is to take the three completed films to sell NEW development at a studio or TV network. Or just raise budgets to reflect ROI from the trilogy films and move forward with a new slate. Budget increase will equal pay increase. Okay, everyone should be with me.
As a producer,I HIRE, yet as a writer or actor I’m often, THE HIRED. If you made an offer for a short time commit at lower rates (I did not say FREE nor for IMDB credit). These are rates with transportation, lodging, food and such. Now as an actor, would working under your assumed rate, on a short term project, by a company that hires repeatedly or on a regular basis. That sounds good.
To me, the quality has to be at a certain level for acting consideration, but I think when possible that quality should also be looked at by crews. I know many do pick and choose very carefully where to put their artistic heart. I understand schedule conflicts – why work always wants to land on one another versus nose to tail? It just does. But doing a project, that I believe in for a smaller rate. I’ve done it. And it won’t kill my yearly income by working a few days under rate. I have often nurtured relationships that would grow and expand in scope and budget over the years. The movie BOTTLE ROCKET shot immediately to mind. Several creative individuals that collaborated and still collaborate.
Back to the job offers, I watch people work on a series of free projects and turn around to tell me a rate offered is too low. Do I carry the burden that this person chose to play versus work? Other client(s) that did not pay? Whatever the case, now someone behind in bills, pushes to get more $$. Now, I’ve been successful as an actor because I respect the long game. A career of building respectful relationships that when the large paycheck opportunity comes along that person is happy to give it, because you gave so much when they had so little. Respect is real power. I give people a clean slate to make their own respect. Together I invite people to travel on a journey of storytelling. I’ve dedicated my life to following this path. I will be direct and people understand, I’m looking at the end game. A finished film. A story made by a team of artists. One that I can only hope everyone is proud to have worked on. Enough of this ramble.
I’m going to cut this short as I have some work to attend to and I want to finish a polish on a script. I’m almost there. That script is the 3rd film in the QUEST TRILOGY, “The Christ Slayer”…
Have a great Saturday! Keep clawing!
So literally I just came back from watching STAR WARS The Force Awakens – I will not give any spoilers here, I promise.
I will talk about how at 7 years old I was changed by what I saw on screen with the original STAR WARS. I’ve never had any lack of imagination and that film set a generation soaring. It had that cathartic effect they talk about with the ancient Greek drama plays. It was almost an enlightening of sorts and I was thankful to be part of that. I wanted to be Han Solo when I was seven and Han was likely one of my 1st “roles” played in basements and backyards with couch cushions formed into our own “Falcon” spaceship.
At about the same time we – me and all my friends also got into DUNGEONS & DRAGONS. Epic tales, heroics and overcoming trials and tribulations – it all fed into what would push me into my career. I feel blessed to be a storyteller. I spent the back end of this week watching actors speak words I had scripted. It’s always magic to see artists of all ages from many places perform/pretend/be – doing what you also love to do.
Today with STAR WARS, I got to go back and be inspired – to drink at the creative fountain that started me down this path. It was a different experience today – I am also a storyteller. I work with artists who gather footage the same way by overcoming issues and gathering pieces of a cinematic puzzle. That will be edited into a final story. Blending it with sound and music and mixing into a final product that will hopefully move and inspire others.
It is no secret – the QUEST TRILOGY that we’re currently producing is directly stylistically based on Star Wars. That was part of the original pitch – the stories of that time period easily lend themselves to the heroes journey as Joseph Campbell would say. Our 1st in the series “40 Nights” is almost done. It was one of the most challenging roles for me and it wasn’t. Once there in the moment it was easy to be where I needed to be. But the meditations and self discovery of the man was complicated. I’m so proud of everyone involved. We have a large retail order awaiting us and so we were asked to move up our time table on finishing the film.
We’re prepping the ship to shoot the second film “Chasing the Star” which centers on the quest of the magi. I was feeling pressure finishing “40 Nights” and prepping “Chasing the Star” but why exactly? I meditated on that quite a bit as of late. Here is what I learned about myself.
- Every time you declare to make a film you have a chance to fail. I’ve succeeded more times than failed but those occasional failed projects do haunt you.
- The more success you have the more that pressure to not fail haunts you. When you have nothing to lose it is easy to be brash.
- Every film has so many moving parts and seldom do they all happen in perfect sequence.
- Scripts that require a near perfect sequence can be frightening
We require shooting when the desert is not at peak. “40 Nights” had some hot days and the final day hit 100 degrees. I’m trying to shoot earlier to make things easier. But can individuals do what they need to do in a given time? My job is to make sound choices that will result in success. We had a western nearly ready to shoot this fall with 75% of the funds. With winter and the holidays looming we pushed likely to a fall shoot. Now all these things have to fall into place to shoot BEFORE it becomes hell on earth in the Yuma desert. I was concerned about any bumps that result in a push because the desert heat doesn’t care. We need to let go of what we can’t control and work with what is before us. So we’re trying to get us prepped for late Feb/early March 2016. We will see if we can do that. I put so much pressure on myself because of how many artists are helped when we succeed. I don’t like to let people down more especially – our people. But I thought there had to be something even greater. What is that pressure, urgency and such? More meditation. The answer
- Every project pushed, delayed, stumbled is one film less that I’ll produce in my lifetime …and I may mourn that one day. I could have done one more.
I can say that casting on “Chasing the Star” has been full speed ahead. We’ve gotten many, many reels and our director asked for several reads. We’re focusing on our three magi leads right now. Soon we’ll begin working on our supporting cast. We might have found 2 of our 3 main leads. That is exciting for anyone who has been involved with casting. Not finding the right cast has shelved many films. So we’ll see if those attachments become solid in the next couple weeks.
(Russ Clark in “DONORS”)
We had to correct something on “Donors” that caused our distributor to push that release from Feb. to April 2016. For artists waiting on that film to release two months can feel like another two years. Patience is a big thing in this business.
“Ashes of Eden” TV and national release will also be in April 2016.
“Bestseller” and “40 Nights” both seem to be releasing in March 2016.
I’m closing in on a first draft of the third film in our QUEST TRILOGY. I almost typed the name – but I think we need to wait. Did I mention PATIENCE:) But I’ve had some exciting talks with cast on that third film. I even released the rough first 36 pages and that gripped the actors. It ties all three together nicely.
I’m also planning to finish the KNIGHT CHILLS 2 script here soon. I’ve just been beyond busy. I had word that things are moving along strong on C.U.J.O. and I’m reading a few possible scripts. (For acting not producing)
It’s bitter cold here in Michigan after some unnatural warmth. Stay warm. Stay safe. Happy Holidays! Go see STAR WARS The Force Awakens and dare to dream!