Good Monday morning! I’ve been having cold weather internet issues so if you get to read this we’ll all consider ourselves lucky. If you stay up on my blogs weekly you know exactly why this blog is coming on Monday versus Sunday. Which we’ll address and that will put ROM COMS MUST DIE (RCMD) at the top of our update list. This weekend we filmed the most difficult portions of the production with most of the scenes being outdoors in the freezing cold. To get you up to speed if this is your first read this project (RCMD) is the result of a writers frustration with distribution development talks whereas a much more elegant film script was liked…but- what is trending is mindless horror and romantic comedies. The distributor asked if we could consider something like that which immediately brought a sarcastic story pitch out of me. And they liked it. Sometimes I feel like I’m living a movie. So I decided to channel this frustration into a comedic and seemingly simple story but is it? What RCMD actually depicts is the many frustrations of being an artist. Of being an actor, writer and filmmaker in a world being dumbed down by social media. Social media can be a great tool or a great time waste. It has made many people worse in their attentions spans and their cravings to be noticed. Internet Trolls are just attention craving people speaking against the grain seeking attention. Lonely, bored people who waste time scrolling through what has become what the trash tabloids of the past once were. They are not living they are just being fed, scrolling garbage.
Okay, back on track. We shot the first of two blocks over the weekend which was an amazing amount of footage. It takes efficient planning and cast and crew on point and focused. We had limos, drones, classic cars and more with one day having almost the full cast. Parking was one of the biggest issues which we managed. This is the first feature length directorial endeavor for Travis Hayward. I’m proud to say CDI has given many artists their first. Adam Towner, well loved by many for his comedic self brought to life his first co-starring role. Some featured actors from CDI got their fist major supporting role. A few others made their first on-camera film debut. Our set ran very smooth with politely interaction everyone happy to be doing our first major creative project of the year.
I was beyond happy to have McGraw Multimedia co-owned by CDI’s own alumni John McGraw. I owned an editing/commercial studio back in the day where he was the main editor/camera man. He edited several of the classic CDI films back in the day. He was in VA with us filming WICKED SPRING. So many adventures and now we get to collaborate again. He and his brother (Eldon) have a commercial studio and they want to expand into features with CDI. So this is our first one up with John McGraw being the DP and editor. I supervised and because of the limited budget I took on the production design. Much of the exterior look is supplied by the wacky, wonderful, wintery Michigan. It gave a great look that is both beautiful and harsh. My chapped upper lip can attest to the harsh part. But I gathered up the props with some help and next week we’ll shoot our studio stuff along with our few pick up locations. It took weeks of planning and prep as a producer but thankfully the cold outside made the days chained to the desk seem not too bad.
So we have a week to reset for the next block. Many things to do including finalizing the catering and having our dir/DP scout the final needed location. I’ll brush up on my lines which as a co-star have been considerable. But I have a great team of people helping and now that everyone is establishing their characters the final block will be made much easier. Plus the next block is in a HUGE, comfortable, climate-controlled studio. I’m thrilled to have a first feature shot so early in the year. We want to get to 2-3 films a year and being ready this early is a step in the right direction. Today after this will be unpacking and stowing the props we are done with. I’ve already been on accounting this morning and other assorting paperwork while waiting for the internet to return. I have several business calls on other projects today. Like what you say?
Harsens Island Revenge – we found one last set of names in the final credits listed in the wrong place so we’ll be re-rendering. But we are going to watch a 2k version that is what theatrical files are made from, on a big studio screen. And when I say big I mean BIG:) Once we are good we’ll re-render with those names in the proper order and any issues noticed corrected. I have our home video deal in front of me for a final review. I’m going to talk with our proposed theatrical rep. And we’ll be rolling either with the rep or with CDI taking point like we did with SILENT NIGHT IN ALGONA. SNIA (Which just played theatrically in Forest City last week!) But the next step after the final large screen watch is making our theatrical film and prep for a 4k home video delivery. Additionally to get some “outside our group” feedback on the film I sent it to the Red Letter Awards.
WHO ARE THEY? They are a group committed to movies with a message amongst many things. But we won last year’s BEST PICTURE with SNIA up against films with budgets as high as 90 million. So curiosity and a deadline had me submit Harsens Island Revenge and we were notified we are up for BEST PICTURE again. The awards director’s comments were as such (paraphrased) – CDI always brings the acting and production value around a story that is powerful and with a message but not blatant and forced. They don’t jump on any bandwagons or try to ride any trends. (Wonder how I got frustrated and wrote Rom Coms Must Die?) While (A popular pair of filmmakers) make quality good films they are not great like CDI films. (END) Okay, so I felt pretty good having my first ever communication with this woman. I have not attended the awards even though many CDI folks have on our film’s behalf. I don’t always need to be the guy handed the trophy and speaking my mind.
I like to have the spotlight often fall upon our hard working artists who deserve some shine. I’ve been blessed to be nominated and sometimes be handed a nice award. When doing so, I love talking about the TRIBE (WE) because no one person can do what we collectively do. But, I am that same young kid in the small neighborhood organizing the BB gun wars, playing capture the flag, building haunted houses and gathering warriors for snow fort building and snowball fights. I dream and believe deeply and when I do, I think that attracts the other like-minded artists. Often they just need that one other delusional persons who doesn’t laugh and shoot down an idea. You want to write a book? Make music? Weld metal? You just need one person to say need a pen? Rock on! And Like the heavy metal and suggest doing an art show. Lynn Drzick (In the Woods my 1st starring role) and after Jeff Kennedy (Who I formed CDI with) were those people. Together Jeff and I build a foundation where we value both sides of the camera equally as a family coming together to create. And working with a plan we have a flow we get into where attitude is valued over experience.
What do you mean DJ?:) If you have a negative mind set and work daily from that place you won’t last long inside the tribe. But if you are a positive, respectful person happy to be drawing breath and making some fun collective art, giving your very best, we’ll ride together until the end. We have employees in their 80’s and some tribal members have passed on to the great here after. But we also have young college folks working with us and everyone in between. We all at CALL TIME bow (Not really) like we do before entering a dojo. (Martial arts practice) Leave all your individuals save your creative spirit and plug into being 10 years old again collectively with your friends. The only time I can recall feeling injured (Not really) is when folks don’t see the whole game. By that I mean that while we (CDI and the films) are Incorporate we are a small business. It is a band of artists many whom are actor/producers who just want to work on quality projects without jumping through unreasonable hoops just to earn opportunity. CDI has the feel of what I imagine an old vaudeville troupe of talent might have been like or during the Golden Age of Studios. We have a focused group of artists who park their differences so we can align to tell a unified story. It’s a beautiful thing to watch. This last shoot weekend was all positive and it leaves one with a glow.
WILD FAITH CHRISTMAS – Last week I got to watch the first really strong cut of the film! From the opening moments of having three of our principal actors back on the screen in our fictional town- I had goosebumps. The story flows both with nostalgic tingles and new fresh faces. We will look to polish the edit before we move to music and sound design. I’m happy to report that a first look trailer is well underway. I’m very proud of all the performances. I think fans of the first movie WILD FAITH will love returning to these characters and their new adventures. All this could lead to the Wild Faith Hastings TV series. One can only hope!
KNIGHT CHILLS will release on 1/31/25 on several platforms and I’m excited to see what the new generation has to say about CDI’s first feature film shot in the 90’s and remastered. Blu Ray is still my favorite way to enjoy the film. It has all the extras and BTS which is just as fun as the movie itself.
WRAP UP: I have boxes full of pro – I lost my wrap up writing when trying to add photos. Let’s just say my lost words were wise and profound. I have much work to get to today and this was suppose to be my simple morning coffee writings and rambles. But with the internet being on and off it has caused me many tech issues including not able to add any pics. If you want to see pics from ROM COMS MUST DIE you’ll have to seek out the Facebook site. Okay, stay warm and we’ll have a little more chit-chat next week!
Good morning. Coffee cheers. Well, today would have been one of the first holiday family get-togethers but alas we are not due to the lock down in Michigan. I have a good amount on my mind this week plus several good film updates on several of the projects.
I’m beyond happy that the stories we tell are being seen by millions and I’m receiving such uplifting fan mail that tells me what we do has a positive purpose. What WE do. That is an important word WE. We’ll address that more soon. The new CDI release is LOST HEART which is truly a ray of light filled with laughter and tenderness gifted to whomever takes a watch. I believe that the lessons inside our stories can be taken to heart for ALL people. From the negativity I’ve seen fly, EVERYONE can use a little story to remind us of the goodness in us all.
Lost Heart has 3 leads in it. Melissa Anschutz, to know her is to respect her dedication and love to the character’s she becomes. This film is a crown gem in her growing list of roles and stories. It is also deeply personal because of losing her husband to cancer and her own personal struggle with the disease, all while putting this movie together. Victoria Jackson who is a true comedic genius and is a tad outspoken in her political lean has drawn some praise and fire. Now add Don Most, who recently was heavily criticized by some and applauded by others for attending a ‘Happy Days‘ fundraiser for Biden. FOX took a PR piece on Lost Heart and really played the political slant almost like a TMZ piece. While it has added thousands of views it has angered some and so the days after the FOX story posted anger responses erupted from a few and the VOTE score on the film 1-10 dropped from mid 8’s to 3-4 over politics.
Political or not, it happens to all the children (movies) and while I wanted this child to be safe from bullies/trolls – people will vent their frustrations before taking accountability or accepting differences. Conservative MAGA or Cancel Culture Liberals – EVERYONE can use a good story with lessons about being good to one another and the value of kindness. I’ve been around long enough to know the drill. Friends, family, peers drive the score UP and the haters arrive and it goes down and fans start to bring the score back up and it will settle into a final score in a few years. Older audiences, myself included are not as savvy with computer reviewing so that is often not reflected. CDI works with respectful artists period from across the spectrum. I personally don’t ride the rollercoaster of hi’s and low’s. I try to live each film as a “drop the mic” moment and enjoy each day.
BEST YEARS GONE – The edit is coming along great with over 40 scenes cut. We’ll have a first edit in a couple weeks and the goal is to lock picture end of Jan. 2021. Let’s talk about that film in light of what we just discussed above.
Our motion picture has been adapted from a self-published book entitle “Hope from Heaven” by author and small-town barber Karl Manke, who by challenging state law during the Covid lock down earned himself the moniker of ‘America’s Barber’ whatever good or bad that name might bring. One man’s personal actions put him in line with the theme or agenda of others and against state law, an outlaw or patriot was born unto the media depending on the opinion piece. But I can say that Karl did not ask for the media circus and was not trying to be a flag bearer for anyone.
(One of several projects I was honored to work on with Dan Haggerty)
Enter our CDI (www.cdiproductions.com) a Michigan-based motion picture company since 1996 that has produced various films over the years and has found a niche of positive, well-told stories that often include a few life lessons woven within. CEO DJ Perry, often the screenwriter these days, gives credit to the early TV shows like The Waltons, The Life & Times of Grizzly Adams and Little House on the Prairie. These were shows strong in character development and story. Often with a treasure of a lesson buried at the heart of the story for the audience to dig up, leaving them with something to ponder beyond the screen.
“We believe that our stories speak to the entire spectrum of audiences – it doesn’t matter where you stand politically, our stories are for everyone.” – DJ Perry
The story seems simple enough, a young woman raising twin teen daughters as a single parent falls in love with a less than perfect man and conflict ensues. Also said, less than perfect man is an ex-race car driver who had a team and a dream with his cousin. This relationship ends due to the poor decisions whereas the thin threads of family are broken. These characters while extreme, are still relatable to most either in shared qualities or as the worst versions of ourselves in some alternate universe.
This political year combined with the Covid situation made filming plans even worse. CDI had originally planned to begin filming in April 2020 on ‘Best Years Gone’ the adapted film name. The well-written book was full of colorful characters and a nice blend of realism and mystery. The book and script both speak to imperfect relationships and the importance of forgiveness to the self. In the public arguments the means by which many communicate shows no desire to really be heard, understood or to find common ground. Most remarks are inflammatory and meant to injure the other party by slandering things they hold dear and sometimes sacred. This story had greater messages that can be applied to anyone.
CDI has a strong reputation for staying on schedule, on budget and creating exceptional quality stories within business guidelines. This quality is by gathering talented artists and uniting them behind a story. UNIFIED BY A STORY! So is the way of the TRIBECDI. What is the tribe you say? The creation of a sacred artist space whereas the art of storytelling can be told unhindered by differences and distractions. A philosophy that demands respect towards one another as artists and only asks for your best efforts to be put forth without any added drama.
CDI has diverse, artistic individuals from all over the spectrum of beliefs and affiliations. In some those beliefs can be polar opposite and in other examples just differing priorities on taxation, spending or any of the various topics debated around dinner tables. The issue is that in a growing culture that becomes more inclined to try and gather to only like-minded groups finding that singular group at the larger level of inclusion is near impossible – you WILL end up working with diverse people and that is a good thing. At CDI we don’t endorse or support any one life path save the path of telling a good story. I think that many could learn from the environment we work to nurture and grow. We continue to refine and grow ourselves and the key is to keep the story in sight. While others flounder due to poor communication we are still able to speak to the audience as a whole. We create great little stories with powerful topics- often softened slightly by humor. The story a gentle reminder not to take life too serious as we only go around once and life is too short a ride to do it mad or with a chip on your shoulder.
Okay now my Top UPDATES
According to our distributor Wild Faith is still growing an audience with the film ranking in BMG’s Top 5 on most platforms. We had HASTINGS talks and progress is being made.
I’ve started doing the writer/director polishing passes on SILENT NIGHT IN ALGONA. We are close to a full green light. We just have a few units to still assign in the project. Once we do expect some big PR announcements.
I’ve been doing some writing on the new updated draft of the SMOKE & MIRRORS featured script. CODE NAME: ASH – I’ve had a wonderful time researching and writing and the short film will be done and released in 2021.
The Quest Trilogy is being licensed for the season and I’ll notify as I find network and such featuring it. If any of you see it playing let me know.
The doc “For the Love of Catch” will start rolling cameras again start of the new year!
NEW merchandise is coming so that is quite exciting to me.
SPOILERS SO IF YOU HAVE NOT SEEN THE FINAL ‘THE MANDALORIAN” SEASON 2 FINALE STOP READING
(My bro and I are intergalactic bounty hunters in our spare time)
The POWER of storytelling. I’ve been a lifelong Star Wars fan and give much credit to A NEW HOPE for me wanting to be an actor/storyteller. I was and still am a big Han Solo fan. Luke was always somewhat secondary for me. But in this time of hardship, stress and frustration for many Luke Skywalker is just what the world needed. The odds look to be just too much. The battle appears to be a losing one when “one X wing” how is that going to…wait a minute. Was that R2D2? Is that? Glove? Green lightsaber! I like millions had imagined scenes like what we saw unfold in our childhood imaginations. I loved seeing the JOY that overcame so many watching this unfold. I cried and I’m not even sure why. The need to through back to another time. To truly escape back to a Far, Far Away Galaxy. To have Luke Skywalker come and save the day – to save 2020. It again showed me the power that can come from storytelling. Now to bring it all full circle the haters will come for this show also. Maybe Mark Hamill will say something that offends someone or just going against the grain is what some need to do to get noticed. But for me it was collective joy. Seek a Collective Joy in 2021 and by our individual actions lets make 2021 the year we all want. Appreciate people as you get to spend time in 2021 even if they have different priorities versus yourself. Communicate respectfully and as if that person were in the room with you. If you want a better 2021 you need to do your part – actions. We will circle back and talk next Sunday for the last time before 2021. Be good to one another and have a Merry Christmas!
Last Note: These films are made with collective love by diverse artists who share the sincere hope each of our stories will bring you some amount of joy. A person drowning in negative filters will not ever see joy in anything and will actually want to destroy the experience of joy others may experience. But those icy haters should know we don’t EVER give up on you. We create and await that one day that our one story made you crack a smile, laugh aloud or shed a tear. We immerse ourselves in a made-up world and tell a story. All while giving up precious time with families and friends. As artists, we’re called to reach out with a story and try to melt the icy negativity that stretches across the hearts and minds of so many. To give them a chance to find some joy. To feel a story of Collective Joy. Here’s wishing JOY to you.
DJ Perry's Official Blog 'Clawing My Way to the Middle' 