“Strategy without tactics is the slowest route to victory. Tactics without strategy is the noise before defeat.” ― Sun Tzu

Posts tagged “Fox

COLLECTIVE JOY – Merry Christmas and Cheers to a Better 2021!

Good morning. Coffee cheers. Well, today would have been one of the first holiday family get-togethers but alas we are not due to the lock down in Michigan. I have a good amount on my mind this week plus several good film updates on several of the projects.

I’m beyond happy that the stories we tell are being seen by millions and I’m receiving such uplifting fan mail that tells me what we do has a positive purpose. What WE do. That is an important word WE. We’ll address that more soon. The new CDI release is LOST HEART which is truly a ray of light filled with laughter and tenderness gifted to whomever takes a watch. I believe that the lessons inside our stories can be taken to heart for ALL people. From the negativity I’ve seen fly, EVERYONE can use a little story to remind us of the goodness in us all.

Lost Heart has 3 leads in it. Melissa Anschutz, to know her is to respect her dedication and love to the character’s she becomes. This film is a crown gem in her growing list of roles and stories. It is also deeply personal because of losing her husband to cancer and her own personal struggle with the disease, all while putting this movie together. Victoria Jackson who is a true comedic genius and is a tad outspoken in her political lean has drawn some praise and fire. Now add Don Most, who recently was heavily criticized by some and applauded by others for attending a ‘Happy Days‘ fundraiser for Biden. FOX took a PR piece on Lost Heart and really played the political slant almost like a TMZ piece. While it has added thousands of views it has angered some and so the days after the FOX story posted anger responses erupted from a few and the VOTE score on the film 1-10 dropped from mid 8’s to 3-4 over politics.

Political or not, it happens to all the children (movies) and while I wanted this child to be safe from bullies/trolls – people will vent their frustrations before taking accountability or accepting differences. Conservative MAGA or Cancel Culture Liberals – EVERYONE can use a good story with lessons about being good to one another and the value of kindness. I’ve been around long enough to know the drill. Friends, family, peers drive the score UP and the haters arrive and it goes down and fans start to bring the score back up and it will settle into a final score in a few years. Older audiences, myself included are not as savvy with computer reviewing so that is often not reflected. CDI works with respectful artists period from across the spectrum. I personally don’t ride the rollercoaster of hi’s and low’s. I try to live each film as a “drop the mic” moment and enjoy each day.

BEST YEARS GONE – The edit is coming along great with over 40 scenes cut. We’ll have a first edit in a couple weeks and the goal is to lock picture end of Jan. 2021. Let’s talk about that film in light of what we just discussed above.

Our motion picture has been adapted from a self-published book entitle “Hope from Heaven” by author and small-town barber Karl Manke, who by challenging state law during the Covid lock down earned himself the moniker of ‘America’s Barber’ whatever good or bad that name might bring. One man’s personal actions put him in line with the theme or agenda of others and against state law, an outlaw or patriot was born unto the media depending on the opinion piece. But I can say that Karl did not ask for the media circus and was not trying to be a flag bearer for anyone.

(One of several projects I was honored to work on with Dan Haggerty)

Enter our CDI (www.cdiproductions.com) a Michigan-based motion picture company since 1996 that has produced various films over the years and has found a niche of positive, well-told stories that often include a few life lessons woven within. CEO DJ Perry, often the screenwriter these days, gives credit to the early TV shows like The Waltons, The Life & Times of Grizzly Adams and Little House on the Prairie. These were shows strong in character development and story. Often with a treasure of a lesson buried at the heart of the story for the audience to dig up, leaving them with something to ponder beyond the screen. 

We believe that our stories speak to the entire spectrum of audiences – it doesn’t matter where you stand politically, our stories are for everyone.” – DJ Perry 

The story seems simple enough, a young woman raising twin teen daughters as a single parent falls in love with a less than perfect man and conflict ensues. Also said, less than perfect man is an ex-race car driver who had a team and a dream with his cousin. This relationship ends due to the poor decisions whereas the thin threads of family are broken. These characters while extreme, are still relatable to most either in shared qualities or as the worst versions of ourselves in some alternate universe.

This political year combined with the Covid situation made filming plans even worse. CDI had originally planned to begin filming in April 2020 on ‘Best Years Gone’ the adapted film name. The well-written book was full of colorful characters and a nice blend of realism and mystery. The book and script both speak to imperfect relationships and the importance of forgiveness to the self. In the public arguments the means by which many communicate shows no desire to really be heard, understood or to find common ground. Most remarks are inflammatory and meant to injure the other party by slandering things they hold dear and sometimes sacred. This story had greater messages that can be applied to anyone.

CDI has a strong reputation for staying on schedule, on budget and creating exceptional quality stories within business guidelines. This quality is by gathering talented artists and uniting them behind a story. UNIFIED BY A STORY! So is the way of the TRIBECDI. What is the tribe you say? The creation of a sacred artist space whereas the art of storytelling can be told unhindered by differences and distractions.  A philosophy that demands respect towards one another as artists and only asks for your best efforts to be put forth without any added drama. 

CDI has diverse, artistic individuals from all over the spectrum of beliefs and affiliations. In some those beliefs can be polar opposite and in other examples just differing priorities on taxation, spending or any of the various topics debated around dinner tables. The issue is that in a growing culture that becomes more inclined to try and gather to only like-minded groups finding that singular group at the larger level of inclusion is near impossible – you WILL end up working with diverse people and that is a good thing. At CDI we don’t endorse or support any one life path save the path of telling a good story.  I think that many could learn from the environment we work to nurture and grow. We continue to refine and grow ourselves and the key is to keep the story in sight. While others flounder due to poor communication we are still able to speak to the audience as a whole. We create great little stories with powerful topics- often softened slightly by humor. The story a gentle reminder not to take life too serious as we only go around once and life is too short a ride to do it mad or with a chip on your shoulder.      

Okay now my Top UPDATES

  1. According to our distributor Wild Faith is still growing an audience with the film ranking in BMG’s Top 5 on most platforms. We had HASTINGS talks and progress is being made.
  2. I’ve started doing the writer/director polishing passes on SILENT NIGHT IN ALGONA. We are close to a full green light. We just have a few units to still assign in the project. Once we do expect some big PR announcements.
  3. I’ve been doing some writing on the new updated draft of the SMOKE & MIRRORS featured script. CODE NAME: ASH – I’ve had a wonderful time researching and writing and the short film will be done and released in 2021.
  4. The Quest Trilogy is being licensed for the season and I’ll notify as I find network and such featuring it. If any of you see it playing let me know.
  5. MBF: MAN’S BEST FRIENDIf you enjoyed this film the dog who played Brown Boy is named Big Papa and he needs surgery. It is the same kind that a few of our own furry family had to have. If you enjoyed the film and want to help out a great guy Robert Ash, is needing help with the costs so if able think of donating at the link provided. https://www.gofundme.com/f/big-papas-surgery?fbclid=IwAR1g6JR1Kz8lDcM7laYtwgXU_Oz5N4EAAyhDlJQtJxGlhuMnQQWIXFrc7VA
  6. The doc “For the Love of Catch” will start rolling cameras again start of the new year!
  7. NEW merchandise is coming so that is quite exciting to me.

SPOILERS SO IF YOU HAVE NOT SEEN THE FINAL ‘THE MANDALORIAN” SEASON 2 FINALE STOP READING

(My bro and I are intergalactic bounty hunters in our spare time)

The POWER of storytelling. I’ve been a lifelong Star Wars fan and give much credit to A NEW HOPE for me wanting to be an actor/storyteller. I was and still am a big Han Solo fan. Luke was always somewhat secondary for me. But in this time of hardship, stress and frustration for many Luke Skywalker is just what the world needed. The odds look to be just too much. The battle appears to be a losing one when “one X wing” how is that going to…wait a minute. Was that R2D2? Is that? Glove? Green lightsaber! I like millions had imagined scenes like what we saw unfold in our childhood imaginations. I loved seeing the JOY that overcame so many watching this unfold. I cried and I’m not even sure why. The need to through back to another time. To truly escape back to a Far, Far Away Galaxy. To have Luke Skywalker come and save the day – to save 2020. It again showed me the power that can come from storytelling. Now to bring it all full circle the haters will come for this show also. Maybe Mark Hamill will say something that offends someone or just going against the grain is what some need to do to get noticed. But for me it was collective joy. Seek a Collective Joy in 2021 and by our individual actions lets make 2021 the year we all want. Appreciate people as you get to spend time in 2021 even if they have different priorities versus yourself. Communicate respectfully and as if that person were in the room with you. If you want a better 2021 you need to do your part – actions. We will circle back and talk next Sunday for the last time before 2021. Be good to one another and have a Merry Christmas!

Last Note: These films are made with collective love by diverse artists who share the sincere hope each of our stories will bring you some amount of joy. A person drowning in negative filters will not ever see joy in anything and will actually want to destroy the experience of joy others may experience. But those icy haters should know we don’t EVER give up on you. We create and await that one day that our one story made you crack a smile, laugh aloud or shed a tear. We immerse ourselves in a made-up world and tell a story. All while giving up precious time with families and friends. As artists, we’re called to reach out with a story and try to melt the icy negativity that stretches across the hearts and minds of so many. To give them a chance to find some joy. To feel a story of Collective Joy. Here’s wishing JOY to you.

DJ


Wrapping up the 2018 Year – Looking Ahead to 2019

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New readers from Samoa and China joined us last week. I know that the filmmaking experience (resources, distribution, audiences) changes slightly from culture to culture. But at the heart of it we are passionate beings who love engaging in the storytelling experience either as listener/watcher or teller. I love being a creator and being an audience member. So yesterday basically two years to the day we finished the final elements to THE CHRIST SLAYER. Our director Nathaniel Nose came in and we polished the final mix/design with our incredible Dennis Therrian. His musical score is absolutely one of his best. The complexities and grandiose arrangements take you back to the classic days of Hollywood. We worked with Mr. Sundberg on our color correction, conforming and final composition. Last night at the office we shared a few beers and looked at the wide-screen, color corrected final master. A few of the final VFX shots have to be rendered into the timeline but I was blown away. Jesse Aragon, our DP did a wonderful job. This was the final film in The Quest Trilogy and is likely the largest scale production to date. CHASING THE STAR had more animals but the VFX in THE CHRIST SLAYER makes it the largest scope to date. Both the director and I liked the epic inspiration of Lawrence of Arabia and that soundtrack was with me in Yuma, AZ when we filmed.

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The previous day we tweaked a few Mother Mary lines. This film has some powerful female characters in it. Especially the roles played by Melissa Anschutz and Christine Marie, who appear as they’ll be co-starring in a CDI film this spring. Brittney Risner and Carl Weyant give a classic Hollywood love relationship. And Josh Perry, will simply steal hearts. Amazing supporting performances across the board by Dean Teaster, David Gries, Bob Shepherd and more.  Taymour Ghazi, Shane Hagedorn and my departed mentor Rance Howard brought the power one last time. Rance’s performance might be his last feature film role he ever performed. The final scene we share together in the film was our swan song to working together. I’m very proud of it. We talked for hours about that final scene. He made notes and adjustments – just two costars working out our motivations. I recall being so proud of Rance and feeling how special it was, never guessing it would be our last story together. Now all the elements will start to be pulled together for an upcoming delivery to our distributor. We’ll soon get to see how audiences enjoy this film as it travels to theaters and to home video. Stay tuned for CDI’s most epic adventure yet this Easter season.

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I’m excited for everyone to get back to the office in 2019. I will be ready for a slight rest from the intensity of final post. You work end credits so hard knowing that by Murphy’s Law some misspelling or missed ‘thank you’ or name will take place. If your ever on the receiving end of that – know the filmmakers likely did not intend that. I had one situation that was suspect only because the misspelling came after working on a project whereas one producer on that project was NOT brought back on a film CDI was hired to reshoot. Either way, it showed a disregard for my brand ability to draw my audience to that film. No business reason why, so perhaps it was a true mistake or maybe it was personal. I don’t hold a grudge, but it makes me less likely to work with that company again. I passed the second time I was invited but it was partially timing, pay rate and the role also.

NYC Time Square

Integrity matters.

When in post this week, I was sent a news story that a Detroit-based – I struggle for the right word. I will use filmmaker, because he has made films. But in a promotional news story for FOX he claimed to be a producer on our CDI Ghost Town movie, our 2006 Lionsgate film. SMALL ISSUE  – he wasn’t. He did not exist in pre, prod, or post production and was caught trying to do some head shaking actions in conjunction with this film. I didn’t really like, nor trust this person from day 1 and tolerated him out of respect for one of my producers until that head-shaking point. After that, I was done with him. Easy enough. These people burn themselves out as their true nature is revealed. But I would never go on a TV interview and openly lie and use it to promote myself. I was questioned if I should have legal bring it down. I might. But the justice in all this is I get calls on people about their character, integrity and true place in the film community as I see it. Yes. My opinions and sometimes my direct knowledge of someone’s actions. I’m always honest. I warn or endorse people simply by saying if I would work with this person or not. I’ve been contacted often. It’s a small film community and I do know many people who trust me to shoot them the straight skinny. And I have.

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I recently had a great discussion about what another peer filmmaker is developing. All of it was heavily tainted in my mind all because one of his close partners. I’ve had first hand experience with that person and actually let them go. Not a bad person at all. I just would not risk any further capital on his efforts. Would you re-enter a situation with negative elements/variables? This fellow filmmaker lamented the often true statement of how every set he’s worked on has had the cancer of negativity. I’ve had a few “negative” situations like this over the years but those elements were isolated and corrected or dismissed.

Bottom line. This is not some vanity game for me but a noble tradition of storytelling. I’ve been blessed to have several great crews working with us but that all starts at the top. That means conducting good business, constantly streamlining your communication and having a solid battle plan. I believe in our artists and I’ve grown as an artist with many of them. We don’t participate in these popular film challenges, although they teach new crews excellent finishing skills. One friend, had his possible award-winning short disqualified because run time ran over by seconds. He could have either A) Organized a social media gripe that his team was treated unfairly for petty seconds of overrun or B) Accept responsibility that as team leader it was a costly mistake made by their team or him. In football they say it’s a game of inches. So start taking accountability as a new year’s resolution and watch the new growth happen.

I’m in hopes to discover a few good projects, properly funded to come act on this year. I also have to connect with the script/role as you always should. Aside from that, I plan to produce 2-3 features with CDI this year. I’ve had many new folks reach out about financial involvement and we’ll entertain those interested parties once I’ve addressed my current backers with opportunities. Beware of any investors that also bring too many strings attached. Sometimes those strings can be the downfall of a project. I’ve seen it happen.

Other Films-

We’re around the 1.3 hour mark on MBF and should have first cut in a few weeks. I would love to lock a cut by the end of Jan. we will see where we sit very soon. I think many of you enjoyed the behind the scenes MBF short we released on Christmas Eve.

WILD FAITH new art, theatrical dates and more should be announced soon. It’s heading back to big screens in March across the country. Home Video dates follow close behind. Those dates can be found on the FB, official Wild Faith or IMDB sites.

I’ve been in the trenches hard-working on these new films to bring them out of post. Once I get a few days rest here while our tech guru’s assemble and deliver – development will continue full ahead. I also plan to set my goals in writing for the new year and see how close I came to last year’s goals. Have a great wrap up to your year. Be safe and plan your 2019 approach. If you would be so kind you can take a watch on our past and forthcoming films. Handcrafted from our family to yours.

Have a great Sunday!

DJ