Good Monday morning! I’ve been having cold weather internet issues so if you get to read this we’ll all consider ourselves lucky. If you stay up on my blogs weekly you know exactly why this blog is coming on Monday versus Sunday. Which we’ll address and that will put ROM COMS MUST DIE (RCMD) at the top of our update list. This weekend we filmed the most difficult portions of the production with most of the scenes being outdoors in the freezing cold. To get you up to speed if this is your first read this project (RCMD) is the result of a writers frustration with distribution development talks whereas a much more elegant film script was liked…but- what is trending is mindless horror and romantic comedies. The distributor asked if we could consider something like that which immediately brought a sarcastic story pitch out of me. And they liked it. Sometimes I feel like I’m living a movie. So I decided to channel this frustration into a comedic and seemingly simple story but is it? What RCMD actually depicts is the many frustrations of being an artist. Of being an actor, writer and filmmaker in a world being dumbed down by social media. Social media can be a great tool or a great time waste. It has made many people worse in their attentions spans and their cravings to be noticed. Internet Trolls are just attention craving people speaking against the grain seeking attention. Lonely, bored people who waste time scrolling through what has become what the trash tabloids of the past once were. They are not living they are just being fed, scrolling garbage.

Okay, back on track. We shot the first of two blocks over the weekend which was an amazing amount of footage. It takes efficient planning and cast and crew on point and focused. We had limos, drones, classic cars and more with one day having almost the full cast. Parking was one of the biggest issues which we managed. This is the first feature length directorial endeavor for Travis Hayward. I’m proud to say CDI has given many artists their first. Adam Towner, well loved by many for his comedic self brought to life his first co-starring role. Some featured actors from CDI got their fist major supporting role. A few others made their first on-camera film debut. Our set ran very smooth with politely interaction everyone happy to be doing our first major creative project of the year.

I was beyond happy to have McGraw Multimedia co-owned by CDI’s own alumni John McGraw. I owned an editing/commercial studio back in the day where he was the main editor/camera man. He edited several of the classic CDI films back in the day. He was in VA with us filming WICKED SPRING. So many adventures and now we get to collaborate again. He and his brother (Eldon) have a commercial studio and they want to expand into features with CDI. So this is our first one up with John McGraw being the DP and editor. I supervised and because of the limited budget I took on the production design. Much of the exterior look is supplied by the wacky, wonderful, wintery Michigan. It gave a great look that is both beautiful and harsh. My chapped upper lip can attest to the harsh part. But I gathered up the props with some help and next week we’ll shoot our studio stuff along with our few pick up locations. It took weeks of planning and prep as a producer but thankfully the cold outside made the days chained to the desk seem not too bad.

So we have a week to reset for the next block. Many things to do including finalizing the catering and having our dir/DP scout the final needed location. I’ll brush up on my lines which as a co-star have been considerable. But I have a great team of people helping and now that everyone is establishing their characters the final block will be made much easier. Plus the next block is in a HUGE, comfortable, climate-controlled studio. I’m thrilled to have a first feature shot so early in the year. We want to get to 2-3 films a year and being ready this early is a step in the right direction. Today after this will be unpacking and stowing the props we are done with. I’ve already been on accounting this morning and other assorting paperwork while waiting for the internet to return. I have several business calls on other projects today. Like what you say?

Harsens Island Revenge – we found one last set of names in the final credits listed in the wrong place so we’ll be re-rendering. But we are going to watch a 2k version that is what theatrical files are made from, on a big studio screen. And when I say big I mean BIG:) Once we are good we’ll re-render with those names in the proper order and any issues noticed corrected. I have our home video deal in front of me for a final review. I’m going to talk with our proposed theatrical rep. And we’ll be rolling either with the rep or with CDI taking point like we did with SILENT NIGHT IN ALGONA. SNIA (Which just played theatrically in Forest City last week!) But the next step after the final large screen watch is making our theatrical film and prep for a 4k home video delivery. Additionally to get some “outside our group” feedback on the film I sent it to the Red Letter Awards.

WHO ARE THEY? They are a group committed to movies with a message amongst many things. But we won last year’s BEST PICTURE with SNIA up against films with budgets as high as 90 million. So curiosity and a deadline had me submit Harsens Island Revenge and we were notified we are up for BEST PICTURE again. The awards director’s comments were as such (paraphrased) – CDI always brings the acting and production value around a story that is powerful and with a message but not blatant and forced. They don’t jump on any bandwagons or try to ride any trends. (Wonder how I got frustrated and wrote Rom Coms Must Die?) While (A popular pair of filmmakers) make quality good films they are not great like CDI films. (END) Okay, so I felt pretty good having my first ever communication with this woman. I have not attended the awards even though many CDI folks have on our film’s behalf. I don’t always need to be the guy handed the trophy and speaking my mind.

I like to have the spotlight often fall upon our hard working artists who deserve some shine. I’ve been blessed to be nominated and sometimes be handed a nice award. When doing so, I love talking about the TRIBE (WE) because no one person can do what we collectively do. But, I am that same young kid in the small neighborhood organizing the BB gun wars, playing capture the flag, building haunted houses and gathering warriors for snow fort building and snowball fights. I dream and believe deeply and when I do, I think that attracts the other like-minded artists. Often they just need that one other delusional persons who doesn’t laugh and shoot down an idea. You want to write a book? Make music? Weld metal? You just need one person to say need a pen? Rock on! And Like the heavy metal and suggest doing an art show. Lynn Drzick (In the Woods my 1st starring role) and after Jeff Kennedy (Who I formed CDI with) were those people. Together Jeff and I build a foundation where we value both sides of the camera equally as a family coming together to create. And working with a plan we have a flow we get into where attitude is valued over experience.

What do you mean DJ?:) If you have a negative mind set and work daily from that place you won’t last long inside the tribe. But if you are a positive, respectful person happy to be drawing breath and making some fun collective art, giving your very best, we’ll ride together until the end. We have employees in their 80’s and some tribal members have passed on to the great here after. But we also have young college folks working with us and everyone in between. We all at CALL TIME bow (Not really) like we do before entering a dojo. (Martial arts practice) Leave all your individuals save your creative spirit and plug into being 10 years old again collectively with your friends. The only time I can recall feeling injured (Not really) is when folks don’t see the whole game. By that I mean that while we (CDI and the films) are Incorporate we are a small business. It is a band of artists many whom are actor/producers who just want to work on quality projects without jumping through unreasonable hoops just to earn opportunity. CDI has the feel of what I imagine an old vaudeville troupe of talent might have been like or during the Golden Age of Studios. We have a focused group of artists who park their differences so we can align to tell a unified story. It’s a beautiful thing to watch. This last shoot weekend was all positive and it leaves one with a glow.

WILD FAITH CHRISTMAS – Last week I got to watch the first really strong cut of the film! From the opening moments of having three of our principal actors back on the screen in our fictional town- I had goosebumps. The story flows both with nostalgic tingles and new fresh faces. We will look to polish the edit before we move to music and sound design. I’m happy to report that a first look trailer is well underway. I’m very proud of all the performances. I think fans of the first movie WILD FAITH will love returning to these characters and their new adventures. All this could lead to the Wild Faith Hastings TV series. One can only hope!

KNIGHT CHILLS will release on 1/31/25 on several platforms and I’m excited to see what the new generation has to say about CDI’s first feature film shot in the 90’s and remastered. Blu Ray is still my favorite way to enjoy the film. It has all the extras and BTS which is just as fun as the movie itself.

WRAP UP: I have boxes full of pro – I lost my wrap up writing when trying to add photos. Let’s just say my lost words were wise and profound. I have much work to get to today and this was suppose to be my simple morning coffee writings and rambles. But with the internet being on and off it has caused me many tech issues including not able to add any pics. If you want to see pics from ROM COMS MUST DIE you’ll have to seek out the Facebook site. Okay, stay warm and we’ll have a little more chit-chat next week!

Cheers!

DJ