Thinking of this fine man on this snowy Michigan morning – Mr. Rance Howard. I’m sipping at the hazelnut coffee and reflecting upon the past week and what lies ahead. I’m also very excited about the present day which is starting with spending time with all of you. I want to thank you all for joining us all. We have several new readers from all over the world. Okay I know what I can speak on that maybe some of you can apply.
For fear of sounding like the old man talking of walking to school with no shoes, read me there was not a known “industry” in Michigan when I started out. There was a handful of crazy artists scrapping together money for “short end” film stock. Pulling favors to allow one to edit or make analog transfers at TV stations in the dead of night. In 1989 to tell your parents you wanted to be a filmmaker you might as well been telling them you wanted to walk on the moon. Tax incentives come in and business media announce Michigan’s best incentive and suddenly people saw a new word – filmmaker.
Many people look for short cuts but I would suggest rather than short cuts (which only short cut your education) * THROW BACK LESSON – Senior year in high school I learned the REPEAT function in typing class. Using the free time to work on scripts and storyboards, I got away with it until just before final exams. I think my grades in that class were like A, A, A, C. Enter my life where I type all the time on contracts, scripts, proposals, pitches and so on. I would have more time to put elsewhere if I had been a faster typer. So don’t look to get around certain hardships. Change the way you look at it. A teachable moments for yourself. An opportunity to learn.
OK. So seek to waste less time and/or spend time wiser, not seeking short cuts. It’s that smarter versus harder approach. So where is this smarter attitude leading us you might ask? Smarter might be faster but faster is not always better. It’s the toxic variable or strings attached that come with certain choices. I had another week of developing opportunities and options. Some are for the company and some were on a personal business level. They are intertwined like quantum pairing:) But I have to remind myself and honestly it is not hard at this point in my life – to walk not run. If an opportunity is not a fluke it will not be there and gone. It strengthens and grows with each steady step.
I’m working out an agreement with a management company. I’ve desired for a long time someone who appreciated the art individually (me) and collectively (Tribe CDI) and works to the best interest of these endeavors. I’ve had many agents from a collection of smaller agents to one from a big 3 agency in Hollywood. It’s HARD to find representation that fits. Many have a hard time finding a rep at all but the right fit is RARE. I have many celebrity friends with long careers and they are still seeking that right fit. But, I think I’ve found a company/people I like and could be a good fit. Now, even without this new opportunity things are progressing strong in an upward direction. What is offered in part by this proposed arrangement is SPEED and SIZE.
SPEED: I recall a Hollywood lunch meeting with an arrogant agent from a major agency years ago. Without rehashing the whole story – maybe this person landed in a blessed place where they could with a phone call do what might take me months to do. But their power came from an appointment of position not an earned stake in creating motion picture. They were selling speed but at what price?
SIZE: I have been asked in a few high end meetings about my business goals? I answered, to do exactly what I’m doing now but for myself and my people to be better compensated for it. Can this new opportunity perhaps put our showcased projects even higher? I know that if we had strong P&A many of the CDI films would have soared to some decent box office receipts. But our films were built on a limited theatrical- home video model. Even that money was work to gather. That is the key for all filmmakers. The ONLY thing that makes it easier is your REPUTATION.
People have tried to figure out THE SECRET OF CDI. The answer is reputation. I/We’ve become known for 3 things. 1) On budget. 2) On schedule 3) Ability to assemble the right team behind a project * The last thing I have been doing since high school when I had tricked that old type writer to ‘repeat’ while I assembled the after school cast and crew for our silly videos.
Become known for these things and an abundance of opportunities may follow. That is why accountability is so very important and many artists avoid that. Talking accountability I recently had a non-film discussion with a young family friend. I asked him a question about how he had left a job. He prepared to give me a lie? An excuse? Justification? Instead he just took accountability for it because I think he knew he couldn’t get one by me.
* I think that is why many don’t engage me at functions or meetings…if you’re selling BS I will likely call you on that – maybe privately, maybe not.
My point was, I saw the relief in his eyes. I saw the power that washed over him by taking accountability. He had just up and quit this job by not showing up. He had later apologized and expressed a desire to return to work. His former employer was not prepared to forgive but he will remember the apology and who knows. And by taking accountability this young man took on a new strength and insight that he could possibly use in the future. This accountability leads to wisdom.
I think this conversation leads in nicely to the crew and cast talks we’ve been having on the new CDI film. A dramatic comedy with strong messages of hope, entitled BEST YEARS GONE. It’s an adaptation from a book that will be released in advance of the film. When I was approached with this opportunity I was prepared to say no if it wasn’t up to snuff. I can promise that even with money attached if a project is too outside my interest or the branding of CDI, a pass might happen. But CDI is a big garden that can accommodate many ventures of various genres. We’ve had several meetings to debrief and discuss cast and crew from previous projects. We’re always seeking the most artistically gifted with a positive “can do” attitude to develop.
Some of the past CDI directors…
* Side Note – I had a wonderful catch up conversation with an old school friend who has gone on to many great things including several government endeavors. We talked about people management. He spoke about the one person on a team often highly gifted but with a bad attitude. I said, I would not rehire the #1 guy and focus on the gifted #2 and #3 with good attitudes. Easier to inspire the best out of them. versus changing negative hard wiring. So now I work for the government. Just kidding. Wait! Do I? Like Elvis working with the CIA:) Hmmm…
My point – it’s about the journey not just the destination. As a former coach, sensei and camp counselor – I take even the few shortcomings personal. I’m about developing people where many are about using people. I see the potential to fail or succeed in a person. You try to inspire them to be the best version of themselves. A chaotic, disorganized environment would bring out the worst in some. We’re just about to build the new team and so you again you take accountability of past sets and look at all the variables. Also because of our budgets and just the scope of the story we can’t always work with everyone on every endeavor. That said, I’m excited to be working again soon with many of the ole TRIBE CDI this April/May. We’ll start making some announcements this week on BEST YEARS GONE.
LOST HEART – I’m looking forward to a sit-down with composer/sound designer Dennis Therrian this week. I’m excited to add all the audio layers to this charming and touching story of dreams. I’ll be following up to see what is also going on with our Nashville recordings. Poster art and trailer are being worked on and I hope to have something to share soon.
MBF: MAN’S BEST FRIEND – HELLO TEXAS!
MBF: Man’s Best Friend will also be playing Bedias, Texas Feb 9 at the Christian Film Festival. I’m excited for a new audience to experience our story. We’ll keep expanding the showings at events and platforms. If you enjoyed this film and think someone else will also – please do share it.
THE QUEST TRILOGY
This Easter help me make a tradition of watching the three films in the trilogy. FORTY NIGHTS focuses on the little known time Jesus spent in the wilderness. CHASING THE STAR presents a ‘what if’ you got to know the wise men magi. THE CHRIST SLAYER follows the Roman centurion who put the spear to Jesus on the cross. I can promise you that these films are unlike any other you have watched. We also see from the perspective of the angels both the fallen and faithful. They are a unique thread through all three films. RIP to Kirk Douglas who like Chuck Heston was an inspiration to me with their epic historic dramas. Please take a watch or re-watch and encourage some friends and/or family to watch. I watched them around Christmas and I’m very proud of what we created, collectively:)
WILD FAITH – Soon we’ll be entering into discussions over financing and distribution of a TV series spin off of WILD FAITH. If the time table works out I would love to roll cameras first part of 2021. Phase 1 – make our deal. Phase 2 – lock scripts/hires Phase 3 – shoot! If you have not seen this film treat you and your family to a watch. I’m happy to say just like several of the films I get weekly fan mail on this film. I’m passing on your howdy doo’s to Ben Lily. I am looking forward to having Ben and Hester return to the world of Wild Faith.
To wrap this up – I’ve got many people that I care and look out for as we journey. I’m excited about the prospect of SPEED and SIZE of the deals increasing to meet our needs better. But I also cannot tie my entire operations up. Blanket deals with no performance or exit clauses are often issue prone. I have meetings with my legal next week but I think slow and steady is better. I also think a trial period is helpful for both parties. My solution might just be to allow representation on a writer/actor level and production by a -la-carte not an overall. Also I always try same side of the table negotiations always. But sometimes when you receive harsh one-sided agreements it is from the scars of previous burns. We all have them. The secret is not to carry that over into your new relationships. If something or nothing happens on this front stuff is moving forward. The new screenplay I wrote will be produced this May and I’ve got a new character to become.
CDI in the Hollywood
Enjoy the day and the week that lies ahead. My congrats to all the Oscar nominations. I use to attend a yearly Oscar event “Norby Walters Night of 100 Stars” and might return at some point. I think we’ll be out in Hollywood next to show MBF.
Chatting it up with the vets of our industry like Martin Landau.
I’ve have had an opportunity to watch many of the films this year. What a great line up! They are all winners in my book. I could post my reviews but I have things to do today. Maybe next week we’ll compare my thoughts versus the actual outcome.
Oscar Night – going to Norby Walters ‘Night of a 100 Stars”
Good morning my friends from around the world, coffee cheers. I want to welcome our new readers and followers. This blog started as a way for me to discuss film updates so that at family and friend get-togethers, I didn’t have to sit around and re-tell stories. People could read something and ask questions if they really wanted to know something. I do feel extremely blessed to be able to do what I love, which is writing, producing and performing in motion picture. I also use this blog to help other artists remain inspired and to give insights into my journey, that you can apply to your own journey.
This past week has been extremely busy. Let’s look at a few of the exciting things from the week. OR, let’s start with the not so exciting:) BIZ tax season – I’ve worked hard this past week to get expense reports and such around on the films for our accountants. The 1099’s are being generated and K1’s will be put together for investors. I want to thank a “Unicorn” for all the help in pulling this together. I have a few more things to submit this week but a big chunk was accomplished.
BEST YEARS GONE, is the current name of the new CDI film. This past week I finished the first draft and now I’m on my deep polish. Again, I always stress this and so I will yet again. SCRIPT is the blue print for all the artists to work off of. As artists we can all easily go off on our own tangents. A script/blue print keeps everyone in step – art teams, locations, camera set ups, lighting schemes, just everything.
I cringe at the stories of no script on a project. I’ve had a few outside CDI projects/directors try to sell me on the fact we don’t need one. It was a polite pass from me. I believe in improve and being open to inspired added dialog but you need a story line to touch back to. I’m beyond excited by this next script which will be the #1 film up for CDI, likely shooting in May. We will be having meetings on this in the coming weeks. Location scouting and some prep work will begin in the coming weeks also. We’ll start to put all the paperwork together and get things moving in February towards production. Now, I want to draw attention to the DEVELOPMENT time that is spent by the producer team before we hit on-set pre-production. If people wonder how our CDI projects achieve these bumps in production value and process it is by the hard work of the producers. We have an incredible team that grows as we take in new apprentices that share the same mind set of art within business.
About the story – it’s a drama, off-beat love story that is more relatable than the RomComs. This is the blue-collar, everyman’s story, and much like other CDI films it has some great messages woven into the fabric of the story. Our CDI stories are general market stories for everyone. Now you can still tell a clean story that children may enjoy, within the show we can see consequences and actions in motion. This in turn teaches by illustration of actions and outcome. I try to write realistic scenero with people from all walks of life. I’m happy that the “faith-film” market has accepted us into their audience but our films play great to everyone. Maybe a majority of the faith-films are cautionary tales or reinforcement of some aspect of belief. On a whole, early faith films were not good quality and were likely merely a fun medium to explore with your youth group. I agree with this and better yet, an audience united in a positive belief system rallied to support these endeavors.
Now, I have heard the knocks against taking an award at a faith film but let me present something I’ve observed. Many young artists fought hard often, not always against restrictive parents who maybe did not get their love of these outside films that illustrated action, sex and violence. Yes. That sounds like the Bible too. But they left their small towns for mighty cities of high art. To do their film but it’s not that easy. Any aspiring filmmaker will tell you funds is the key. Now the faith-film market started a small boom like the 80’s horror market. All these filmmakers struggling in the pits of the mainstream started looking to re-tool old scripts or create new ones. So the production circles of these faith-films have seen a surge of the prodigal sons and daughters returning to their organized church beginnings. I’m not judging anything that pointing out that the faith market is growing stronger as many “come home” to tell a story.
My writing always had that old 70’s/80’s style of writing. Things like “The Waltons” influenced my writing. JAWS. THE APPLE DUMPLING GANG. E.T. and in the 90’s my writing was liked but called too old fashion. Now I’ve continued to evolve as a writer, I believe I’ve taken on a COEN BROTHERS humor vibe adding that to the other nostalgic influences. Either way, I feel blessed to be using my gifts. When I first saw cut one of LOST HEART, it left me teary-eyed hearing lines I’ve written performed so powerful. And set in a world that our artists worked many hours to create. It was beautiful.
LOST HEART – Let’s talk about this film since I already started. I watched the proposed lock cut yesterday. I saw 2-3 places to just check an edit but it was so good. I dislike when people over-hype stuff. Don’t call something fire when maybe it’s just coals or smoke. Hey, it’s a game of getting eyes but you want the eyes you do get to feel satisfied. We all know that feeling after watching a good movie. Now I will say that there exists people that can’t turn off their critical IQ brain and enjoy a story. They have limited imaginations because they don’t work that “muscle” yet they crave it. We all do, hence why we have an audience. We supply imaginative get-away for others doing other jobs. But after that rant, the film is really strong and if it gets the right eyes, it could be the break through film for many to that next level.
INSERT: I see many people think that one film is going to put them over and in a few cases it has. But to think of that as the plan is not wise, in my opinion. You don’t know which one will be your defining one. Now ask an actor defined by a role, one role. Maybe not what you want. It’s why Jeff Daniels has had conflict over DUMB & DUMBER. But I will say, with that movie, he accomplished with Jim, what every comedic actor wants. Home run and after home run – so many funny scenes that made people laugh and feel good. I get it. There are PROS and CONS to both. I don’t think I’ve ever had that one film that everyone knows but several pockets of people worldwide know me for this project or that project. One of my goals in the next ten years is to unify my fanbase. Not sure how that is done exactly save maybe getting one big hit. But I’m sincerely happy to stay the course. I think I’m creating some of the best work of my career. I know with writing I surely am. As an actor, I’m pretty fearless. As a producer I seek to be fair, keep people safe and make something we will all be proud of. I also always want someone to leave a CDI set a better person than when they arrived. I’ve only failed there on a few occasions. I believe in the no bad student, bad teachers. Some of these crew people learned how to set up this or that but need teachers in process, protocol and respect. I value those leaders greatly and so should you.
So LOST HEART will be traveling to the sound studio this week. Music and sound design will start in full. We also have some recording going on in Nashville for the film. I’m excited to have audiences enjoy this film at the end of the year. We deliver in June to our distributor and the film should roll out soon after. Follow us on Facebook or http://www.cdiproductions.com COMING SOON – Poster art and we’ll start working on the trailer.
WILD FAITH has been growing an audience especially since it started playing free for those with Amazon Prime. Also, we’ve had a good quarter with DVD sales, thank you Walmart. I hope we continue to expand into more retailers and platforms and to our foreign friends.
The most exciting news is that we are making a real go at launching ‘Hastings’ the “Wild Faith” TV series. We’re exploring a few possibly interested funding prospects. That would put an 1800’s TV series right here in Michigan. Tribe CDI could welcome weekly “guest stars” and I would look forward to working with more of our Michigan talent. What do I always say, GET THOSE REELS READY.
I’ve been doing that myself. My MBF: MAN’S BEST FRIEND reel is together and I hope it inspires more people to find and watch the feature film. Thank you to all those that have reached out. I will consider more action roles, nothing like starting that at almost 50:) Funny I feel like I’m maybe 25 and my maturity might run lower at times due to my Peter Pan syndrome:) 2020 will have more showings and events starting with one in Feb. in Bedias, Texas. Seek out the MBF facebook site and follow along. If you have not watched this movie, take a chance.
THE QUEST TRILOGY
EASTER will be upon us in no time so maybe you can do me a favor and take a watch on the three biblical adventures. Bible not your thing? Cool. Just watch it has a fantasy tale. The beauty is that everyone can and will get something different from the films. It is like what you bring in is what you get out. There is a lot of depth and a true attempt to entertain the possibility of divine ‘probe’ self-weakened and sent to experience the human condition of weakness. By LOGIC, can all-powerful be all knowing? Like a great riddle, what is the one thing that could elude all powerful? Weakness. This trilogy looks at small moments overlooked in the greater story. But I also think the three films capture the spirit of truth. I claim to be an expect of nothing. I don’t harshly judge any save those who judge others. Exploring the great mysteries of the universe is a wonderful thing. It should bring daily joy in the exploration. People organize together out of fear and this is true with religion also. The truth is that you can share your stories and beliefs with others but your relationship is always one on one, intimate, no intermediate organizations required. That said, fellowship and community can be good for some but isn’t best for all. Follow your heart. Be still and listen.
And enjoy a thoughtful watch of our trilogy. A FB page exists for THE QUEST TRILOGY and each of the films. FORTY NIGHTS. CHASING THE STAR. THE CHRIST SLAYER. I’m just happy that Tribe CDI is part of the rich tradition of holiday films. I love that we’ve done these Chuck Heston inspired films vs Hallmark status quo. I talked to Chuck Heston, years ago (Thank you Myke Michaels) and I had always wanted to work with him. He unfortunately, had a hip replaced and moved more into voice over work in his later years. I hope he is smiling looking down upon our CDI work. Also Rance Howard, friend, mentor, co-star who passed before seeing the final part 3 of THE Christ Slayer. He loved the boat scene in TCS with the Devil and Jesus, sitting and talking. This has happened after he has returned and he has the Ferrari mentality. Arnold Schwarzenegger once said, if you drive a BMW it’s a good car not a great car, so you go around racing everyone to prove how fast you are. Once you drive a Ferrari, you don’t race anymore. You know you’re a great car and you have nothing to prove. It is just one of those special scenes that will stay with me forever. Take a watch and tell me/us what you think. You can comment on here and I will give the approve:)
I’m sure I might have missed a few things but I have to get cleaned up. I am playing one of my favorite roles today. UNCLE:) We’re having a family get-together to eat and catch up. Enjoy the journey by working hard when required and making the time to relax and talk- face to face. We have several informal meetings that are different from pre-prod meetings. Ideas and thoughts are proposed and formed when we’re together, but the real work is when we’re apart. In your alone time, you must learn to be motivated. Do this and great things will happen. Do not, and frustration and everything that comes with that will follow. This last process can be applied in any endeavor. Your own business.
Have a productive week.
New readers from Samoa and China joined us last week. I know that the filmmaking experience (resources, distribution, audiences) changes slightly from culture to culture. But at the heart of it we are passionate beings who love engaging in the storytelling experience either as listener/watcher or teller. I love being a creator and being an audience member. So yesterday basically two years to the day we finished the final elements to THE CHRIST SLAYER. Our director Nathaniel Nose came in and we polished the final mix/design with our incredible Dennis Therrian. His musical score is absolutely one of his best. The complexities and grandiose arrangements take you back to the classic days of Hollywood. We worked with Mr. Sundberg on our color correction, conforming and final composition. Last night at the office we shared a few beers and looked at the wide-screen, color corrected final master. A few of the final VFX shots have to be rendered into the timeline but I was blown away. Jesse Aragon, our DP did a wonderful job. This was the final film in The Quest Trilogy and is likely the largest scale production to date. CHASING THE STAR had more animals but the VFX in THE CHRIST SLAYER makes it the largest scope to date. Both the director and I liked the epic inspiration of Lawrence of Arabia and that soundtrack was with me in Yuma, AZ when we filmed.
The previous day we tweaked a few Mother Mary lines. This film has some powerful female characters in it. Especially the roles played by Melissa Anschutz and Christine Marie, who appear as they’ll be co-starring in a CDI film this spring. Brittney Risner and Carl Weyant give a classic Hollywood love relationship. And Josh Perry, will simply steal hearts. Amazing supporting performances across the board by Dean Teaster, David Gries, Bob Shepherd and more. Taymour Ghazi, Shane Hagedorn and my departed mentor Rance Howard brought the power one last time. Rance’s performance might be his last feature film role he ever performed. The final scene we share together in the film was our swan song to working together. I’m very proud of it. We talked for hours about that final scene. He made notes and adjustments – just two costars working out our motivations. I recall being so proud of Rance and feeling how special it was, never guessing it would be our last story together. Now all the elements will start to be pulled together for an upcoming delivery to our distributor. We’ll soon get to see how audiences enjoy this film as it travels to theaters and to home video. Stay tuned for CDI’s most epic adventure yet this Easter season.
I’m excited for everyone to get back to the office in 2019. I will be ready for a slight rest from the intensity of final post. You work end credits so hard knowing that by Murphy’s Law some misspelling or missed ‘thank you’ or name will take place. If your ever on the receiving end of that – know the filmmakers likely did not intend that. I had one situation that was suspect only because the misspelling came after working on a project whereas one producer on that project was NOT brought back on a film CDI was hired to reshoot. Either way, it showed a disregard for my brand ability to draw my audience to that film. No business reason why, so perhaps it was a true mistake or maybe it was personal. I don’t hold a grudge, but it makes me less likely to work with that company again. I passed the second time I was invited but it was partially timing, pay rate and the role also.
When in post this week, I was sent a news story that a Detroit-based – I struggle for the right word. I will use filmmaker, because he has made films. But in a promotional news story for FOX he claimed to be a producer on our CDI Ghost Town movie, our 2006 Lionsgate film. SMALL ISSUE – he wasn’t. He did not exist in pre, prod, or post production and was caught trying to do some head shaking actions in conjunction with this film. I didn’t really like, nor trust this person from day 1 and tolerated him out of respect for one of my producers until that head-shaking point. After that, I was done with him. Easy enough. These people burn themselves out as their true nature is revealed. But I would never go on a TV interview and openly lie and use it to promote myself. I was questioned if I should have legal bring it down. I might. But the justice in all this is I get calls on people about their character, integrity and true place in the film community as I see it. Yes. My opinions and sometimes my direct knowledge of someone’s actions. I’m always honest. I warn or endorse people simply by saying if I would work with this person or not. I’ve been contacted often. It’s a small film community and I do know many people who trust me to shoot them the straight skinny. And I have.
I recently had a great discussion about what another peer filmmaker is developing. All of it was heavily tainted in my mind all because one of his close partners. I’ve had first hand experience with that person and actually let them go. Not a bad person at all. I just would not risk any further capital on his efforts. Would you re-enter a situation with negative elements/variables? This fellow filmmaker lamented the often true statement of how every set he’s worked on has had the cancer of negativity. I’ve had a few “negative” situations like this over the years but those elements were isolated and corrected or dismissed.
Bottom line. This is not some vanity game for me but a noble tradition of storytelling. I’ve been blessed to have several great crews working with us but that all starts at the top. That means conducting good business, constantly streamlining your communication and having a solid battle plan. I believe in our artists and I’ve grown as an artist with many of them. We don’t participate in these popular film challenges, although they teach new crews excellent finishing skills. One friend, had his possible award-winning short disqualified because run time ran over by seconds. He could have either A) Organized a social media gripe that his team was treated unfairly for petty seconds of overrun or B) Accept responsibility that as team leader it was a costly mistake made by their team or him. In football they say it’s a game of inches. So start taking accountability as a new year’s resolution and watch the new growth happen.
I’m in hopes to discover a few good projects, properly funded to come act on this year. I also have to connect with the script/role as you always should. Aside from that, I plan to produce 2-3 features with CDI this year. I’ve had many new folks reach out about financial involvement and we’ll entertain those interested parties once I’ve addressed my current backers with opportunities. Beware of any investors that also bring too many strings attached. Sometimes those strings can be the downfall of a project. I’ve seen it happen.
We’re around the 1.3 hour mark on MBF and should have first cut in a few weeks. I would love to lock a cut by the end of Jan. we will see where we sit very soon. I think many of you enjoyed the behind the scenes MBF short we released on Christmas Eve.
WILD FAITH new art, theatrical dates and more should be announced soon. It’s heading back to big screens in March across the country. Home Video dates follow close behind. Those dates can be found on the FB, official Wild Faith or IMDB sites.
I’ve been in the trenches hard-working on these new films to bring them out of post. Once I get a few days rest here while our tech guru’s assemble and deliver – development will continue full ahead. I also plan to set my goals in writing for the new year and see how close I came to last year’s goals. Have a great wrap up to your year. Be safe and plan your 2019 approach. If you would be so kind you can take a watch on our past and forthcoming films. Handcrafted from our family to yours.
Have a great Sunday!
First I want to start out by raising a cup of coffee and toasting to all the father’s out there. I know my father was and continues to be a strong influence in my life. I laugh at my younger self who boldly told my father “I just want to be an artist, not a businessman like you!” – Well, that turned out different. This morning I was trying to organize my business TO DO for the week ahead. It’s always one foot in front of the other – steady as she goes.
My furry children get a lot of parental type love from me and I can only guess how complex it can get when you add in daycare, school, relationships, work…the worry of it all. I think my father can at least relax in the knowing that I’m doing something I truly love. When he can go to the cinema or turn on the TV and watch one of our films I think it gives him comfort. I still have strong memories of him at the kitchen table with his checkbook and all the bills laid out on the table. I do enjoy staying on top of my business. That gives me a good peace of mind. I look forward to a visit with dad later today. I get almost a weekly visit with him and that’s enjoyable. I can still get little nuggets of wisdom.
As many of you know we just wrapped MBF and I’m almost all caught up on that paperwork. We’re about to assemble a small skeleton crew for a one day pick up of flashback war footage. It is a different ‘Paul’ I’ll be playing. My wounded Paul was a great challenge as I’ve discussed prior. This is before all that – I recall actual wounded vet Bobby Henline telling me of the day he was injured only remembering having coffee that morning. Imagine waking up months later to gruesome injuries, unbearable pain and a lifetime of living vastly different. We all have those sudden changes in life we’re never quite ready for. One of our crew members lost her brother unexpectedly after our shoot. You cannot imagine such drastic changes in life. It is why you need to appreciate each and every day.
My furry child Luke has his last two radiation treatments this week. I do have to say it has made a big difference. We’ve also been using CBD dog treats from CA and alkaline water thanks to my buddy Nate. He has been enjoying life and aside from a few extra hours sleeping and some spotty times dealing with his med “high” he’s doing good. You hate to see anyone dealing with these kind of life issues but we all have them. Keep that in mind as you interact with people throughout your day. That caller on the frustrating phone tree could be also dealing with a dying parent or loss of a child. A touch more compassion never hurt anyone.
Back to films- I’ve had many of our new friends and associates ask about our other films. Please watch and leave a review if you feel entitled to.
- THE ACTOR – https://www.amazon.com/Actor-James-Russo/dp/B07D6Z6BCB/ref=sr_1_4?ie=UTF8&qid=1529241258&sr=8-4&keywords=The+actor – A struggle of LOVE by director Jon Osman – shot in NYC and starts our upcoming lead in THE CHRIST SLAYER. You will see me in there supporting as a funny FBI agent.
- ASHES OF EDEN – https://www.amazon.com/Ashes-Eden-Steven-Sutherland/dp/B07BLLJ6FN/ref=sr_1_1?s=instant-video&ie=UTF8&qid=1529241414&sr=1-1&keywords=ashes+of+eden – Directed by our own Shane Hagedorn it stars Melissa Anschutz and Steven Sutherland and yours truly plays an ex-military drug dealer.
- WICKED SPRING – https://www.amazon.com/Wicked-Spring-Brian-Merrick/dp/B079HN718V/ref=sr_1_1?s=instant-video&ie=UTF8&qid=1529241553&sr=1-1&keywords=Wicked+Spring – This classic film helped define my early career. I star with Brian Merrick in this Civil War tale that has been growing an audience since early 2000’s on TV and home video.
- FORTY NIGHTS – https://www.amazon.com/Forty-Nights-DJ-Perry/dp/B07555FR6R/ref=sr_1_1?s=instant-video&ie=UTF8&qid=1529241671&sr=1-1&keywords=Forty+Nights – I would say one of my biggest challenges playing a figure so shrouded in mystery. I give my everything in playing Jesus during this little understood time of his life. I co-star with my mentor and friend Rance Howard. It was also one of his favorites where he got to play THE bad guy.
- CHASING THE STAR – https://www.amazon.com/Chasing-Star-Yancy-Butler/dp/B074PWBBYP/ref=sr_1_1?s=instant-video&ie=UTF8&qid=1529241791&sr=1-1&keywords=Chasing+the+Star – I’m not acting in this second installment of THE QUEST TRILOGY but it sprang from my imagination and research. We’ve seen the statues of the wisemen every Christmas for many years but what is their story?
I thought these five films would give a nice start to people wanting to get to know Collective Development Inc.’s work.
WILD FAITH has a few more theatrical runs in it before it preps for home video. There are a few exciting things being worked on with this film but I will save that for another day.
THE CHRIST SLAYER – Part 3 in THE QUEST TRILOGY is in music and sound design. I got to watch the final cut with temp sound/music and I was blown away. Now that Dennis Therrian is adding yet another powerful score the film will truly soar. I am waiting on the final color corrected trailer to come over this weekend from our DP Jesse Aragon. Once that is ready we’ll prepare the PR and release the theatrical trailer. We plan to have it play select theaters in Oct-Jan and home video on the Easter 2019 lead up. This film will bring all three together and audiences can truly enjoy the weaving of the tale throughout three films. I’m excited for people to see the beautiful dynamic between Carl Weyant and Josh Ponceman Perry. Soon:)
I have started to look at development for the next CDI film in association with BMG. But for now… I’m going to get some breakfast and we’re going to go walk the flea market down the road. This afternoon will be some time spent with my dad followed by a soccer game in this heat. Daphne (our girl) got a new pool and so more swimming lies ahead for her. We also had a day of working on the office/fort and added some additional beams to help stabilize the second floor. I have quite a bit of stuff up there so it was a good call. I have ‘Dan the Druid’ to thank for that fine wood work along with his “Druid Jr.” helper. My brother Adam also came over and restructured the wood arch in the yard. The yard is back to its zen self with beans growing and berries ripening. I think more wine making lies ahead. With the amount of apples even a batch of hard cider could happen.
So it’s quiet here on Saturday night and I’ll be releasing this in the wee hours of Sunday. We had a nice family gathering to celebrate several birthdays and we’ve got two more days of more such celebrations. Before we get in too deep – welcome readers from Uganda. It has been a whirlwind of business both development, promotion and post-production.
Grand Rapids, MI appearance with Shane Hagedorn and Melissa Anschutz
It’s been wonderful to first see all the cast and crew from “Wild Faith” and following that – to have audiences enter this world we’ve recreated on-screen. We had a solid run in both Grand Rapids and Lansing. Lansing, Lansing, Lansing… I’ve always been proud of being from Lansing and still call it home to this day. I’ve always felt somewhat that the saying you can’t be a prophet in your own town, applied to me. I understand it. I think it applies to many artists.
But, the power of a story is proving me wrong. We’ve been selling out “Wild Faith” all weekend and so tomorrow Celebration Cinema jumped us from one showing to four. This after several fine folks were unable to attend after the shows sold out in advance online. I went to run errands this morning and heard people talking about the film. Often we as the filmmakers can grow tired of the story after the long post production phase. But I’ve enjoyed the handful of theatrical showings I’ve attended. I’ve enjoyed the laughter most of all. To hear a full theater laugh together at certain moments is priceless.
I think with the last several films I’ve played emotionally heavy characters. It was a pure joy to be Ben Lily. A tribute to a character with more bravery than brains. With my trusty half-native sidekick, or am I the sidekick? Either way, creating with these two characters was special for me because of the humor intertwined in the performance. I also know that my old friend Dan “Grizzly Adams” Haggerty would have approved with a hearty laugh. I do wish old friend Rance Howard could have seen the final film. He loved the trailers and truly loved the genre. The film will continue to move and play. If you want the film call/email your local theater and request the film to play. We’re in talks with several new venues and may announce new screens as early as this week. But if you can – treat yourself tomorrow. 1875 Michigan.
SUNDAY ‘WILD FAITH” SHOWTIMES AT CELEBRATION CINEMA (LANSING)
10:45, 1:05, 6:00, 8:05
In other news, Collective Development Inc.‘s next film MBF/Man’s Best Friend has been given the green light. All funds are committed and being pulled in as we prep the ship to sail. We’re working on setting our schedule and I’m also proud to have ‘Paul’ front and center again. This script is another story I’m extremely proud of. I’m challenged greatly by this next role and I find that exciting. If we’ve spoken to you as cast and crew just be patient as we move down the TO DO lists. We’re working hard to create that environment to create within. I’m excited to share this film next year with audiences. In the meantime…
The Christ Slayer is now in color correction and audio with Nathaniel Nose, director and Dennis Therrian, composer. I like to use that example of kids who get together after school to play. They have ideas, they get excited and they play. Inside the imagination play is what drives the process forward. This film will be a gift to audiences at the Christmas season. Part 3 of The Quest Trilogy will pull it all together.
Working backwards – Chasing the Star is playing the big screen at the International Christian Film Festival up for five awards. It was nice to catch up with director Bret Miller at a “Wild Faith” screening in Grand Rapids. We got to toast a beer to the adventure in the desert we called “Chasing the Star” CTS. This film is moving into more foreign territories and platforms.
“Forty Nights” is being promoted heavily going into the Easter season by our distributor. It is such an inspiring story I can see why it was recently chosen to kick off their Easter promotions. I will admit here, of all the ICFF awards “Chasing the Star” is up for I hope we see another ‘2018 Most Inspirational‘ take home to honor our amazing cast and crew.
I can say I’ve been enjoying experiencing the reaction to this films. I’m appreciative that these stories are giving some entertainment and comfort to audiences. I’ve been writing weekly and plan to get even more focused. Wheels are in motion. Several scripts that have been waiting for their time just might find it. Some exciting developments underway that will lead to many more years of stories been told at CDI. The tribe is on the move to create and we appreciate all your support. We cannot thank you enough.
Be good to one another.