Stoke the Inner Fire, the Art of Patience, the Circle of Producers
Coffee Cheers. I’m sipping a steaming cup of coffee and sitting here pondering the business from the past week. I’m a person who attacks things in private. You don’t or won’t find my nose stuck in a video game for hours. A five minute time out to play ROBOTRON or JOUST is an occasional occurrence. I fight everyday to gather the funds for new endeavors and to keep the business of all the other films moving forward. I’m feeling good about everything and had a few things happen this week that could be good lessons for whomever reads this.
First – CDI is not a company that pays just a few and seeks out free help in places that require highly skilled individuals. We hire as wide as we can afford which has been limited in the past few years. Increase in days expands costs across the board. We do things that others do not like lodging. Commuting when reasonable is okay but long trips on each side of a shoot day can burn someone out quick. Actors in the day before helps them to settle and focus before entering the ‘world’ we’ve created to film in. These are all costs. Over the years I’ve learned to simplify my life so that I could focus on the stories. Our money negotiated to the max with the help of many who love stories, including our sponsors, makes this possible.
Along these lines, we only can hire so many people. The producing staff often works much harder for less when and if hours are broken down. Often the effort is not worth it if the accumulation of shells and beads is the only measuring stick one has. Producers sport a point of two from the back end which is like a lottery ticket bought just in case the universe wants to reach out. It also is a badge of honor that they were part of a the “officers” who made the film happen. At CDI even an “associate producer” title is honored. Other outfits may throw around titles but at CDI is means something. For us at CDI is means representing the company. Attitude. Motivated. Experienced. As one who has coached here in the USA and overseas and as a martial arts sensei and still always a student – when someone is deemed ready they are approached. Filmmaking with tribeCDI is just that- a team, a community and a group of film warriors ready to problem solve daily to win the pieces of the puzzle.
My budgets restrict how many artists I can develop with a paycheck. Even the ones who would PA (Production assistant) free the costs are still additional with each person. We like to try and really feed people. I recall one set in Nashville in the 90’s that had a few loaves of white bread, a pack of lunch meat, mayo, mustard, ketchup and a stack of paper plates. This was for a large cast and crew. I ate it without any issues but I could see what certain actions did for a project. That one 15 min producer call that gets a sponsored meal from some great establishment is so worth it. My mind often is filled with ways to give our cast and crew a better experience. In return I just ask for their very best at their task on either side of the camera. The cast and crew can see the care and work we’ve put into our productions. Bottom line is we do care.
So in summary -I never once could demand to be on a team. I had to show my skills, develop my mind to the game and make them want me to start by my performance. In martial arts I focused on my skills and tried to effectively communicate to students below me. In time you become so valuable that they want you representing their tradition or organization. I see many lack the patience for many things of worth. It is a hard skill and one that I deal with still daily. Don’t let past failings or short-comings hold you back. That is your earned experience. Don’t be looking ahead too soon in hopes of being seen as more important. Be in the present. Be excited to learn the new lessons. Get to know yourself, your strengths and weaknesses. 2020 was a year to test that discipline and practice what I preach. Be present. Be patient. Become the best version of you.
Another example that provides me with a nice lesson to share is – When life gets you frustrated with all the external issues turn within. If I’m out-of-tune inside, everything I try to do fumbles. I don’t see the pokey dog bone which I kick. I can’t get a software to work right (I can’t get me to work right)…you all know what I mean. Meditation. Prayer. A nature walk. Thirty minutes on a heavy bag. Tai Chi – tend your inner fire. I DON’T HAVE TIME, some will scream. But you must or time will be wasted. Like in healing there is treating the symptoms and treating the source. Focus on that inner-fire and watch how everything starts to turn around. BALANCE is achieved and by stoking the fire of the internal the external starts to change. I’ve used all this solo time to really increase that fire stoking. Take 15 or 30 minutes to change your frequency and watch what happens.
FILM UPDATES
BEST YEARS GONE – The second pass now with director Shane Hagedorn‘s refining is underway. A few notes we’re passed from the circle of co-producers to our director. I’m more inclined that maybe the first look should have came after the second pass where the director is now engaged. A rough cut is built from director notes and editor’s eye. Now a large % of my notes would be stuff that our director will address. After the director and editor do their cut I will give it another look. I look for mistakes but recognize subjective versus a mistake. I have to have confidence in my directors. Their own subjective choices play strongest – the too many cooks in the kitchen issue can exist. I’ve seen it happen but if I respect the boundaries, it sets a standard. Sometimes the closer the role is the farther I might want to be from nuisance choices in editing. That is why you take the time to match the right script to the right director. The writer and the director work through the story fully. Do not underestimate the pairing of the right story and the right director. It is a skill unto itself.
As the edit moves along we’ve made progress on upcoming merchandise and the Battle of the Bands! Exciting stuff. More stills are being batched to release. Our own Dan Chipman is working a BTS so our cast and crew can remember the crazy year of 2020. Our fellow producer and AD Nate Robertson also has a special video being worked on. We’ll be having a story/interview coming out on all that very soon. This movie is heartfelt and extremely funny. In my talks this week with our distributor I was told how much they all enjoy the humorous offsets CDI scripts have gotten known for. Meaning serious topics are discussed and when it gets a little uncomfortable it gives us humor. They used the end of the Wild Faith trailer with Ben Lily and Hester hoping they don’t need God’s help today. I was happy to report that BEST YEARS GONE will have humorous moments. Yeah. maybe a couple;)
MBF: MAN’S BEST FRIEND I’m told has a new marketing campaign they are discussing. They want to get this film more into the mainstream. They feel it’s a great film that has a lot of play in it. The release was going to include theatrical and fest events but the Covid mucked that up a tad. But the film is being well received and has been seen by maybe a million of so people. It will find a much larger audience it just needs a bit more time.
THE QUEST TRILOGY is being treated as a series as it readies its run at Pureflix. I’m so proud of these films and I think general audiences will enjoy them. It’s a distilled down parable trying to remove all the white-noise and paint something where the dots are actually connected. Whatever your walk of life take a watch and I think you will find them vastly different from anything else you’ve watched/heard on this subject.
LOST HEART – If you want to read more on the actors from Lost Heart, see some BTS and read a few PR links please visit the new pages on http://www.cdiproductions.com – thank you David Gries. And if you still haven’t seen this film do yourself a favor. Have a laugh. Have a cry. It is truly a ray of light. Light? Strange lights in the sky? Watch the film and it will all make sense.
In wrapping this up – my week was spent doing end-of-he-year tax stuff for CDI and the films. Thank you to Dean Teaster, Melissa Anschutz, John Mashni and all the good folks at Davison & Associates. We also are working development hard. We only have a few final funding pieces to arrange on the WW2 film before full green light. We also have had more great talks on the Wild Faith spin off HASTINGS. Again it is not IF it is WHEN. We’ve been doing casting for our SILENT NIGHT IN ALGONA German’s and our young lead. Are you 8-12 who plays young shoot me a reel it will get looked at. Speak fluent German? Send me a reel. We’ve been having internal casting talks and we’ll be announcing as soon as we move into pre-production. I’m also looking at portfolios for paint on glass or digital matte artists. Fun, fun stuff! Beautiful falling snow. Time for some more coffee. Have a great week.
Be good to one another!
DJ
Next CDI Film, TV series – Action vs Talk
Fellow filmmaker friend Nate Quinn put this pic together after a recent hang.
NEW JOURNEY AHEAD
Happy Sunday my dear friends from around the world. I’m sipping my hazelnut coffee from my Double JJ mug and thinking about spring. I’ve just finished last week the next CDI script. I was engaged to translate a book to script and we’ll film it this May. With on-set pre-prod we’re looking at April 26-May 21st in Michigan. I’ll be doing some final edits this week before sending the script to others on the producer team and a few keys. We’re in talks on a director so we’ll see how that unfolds. This week I’ll be working the numbers and getting our battle plan together. We had a good meeting a week ago with our 1st AD Nate and we did some crew reviews. We hope to get most of the crew back together but we’ll have to make a few adjustments I’m sure either due to schedule conflicts or from our producer review, we’ll have a few changes to the team. We’ve got many who have expressed their interest should we need to bring new folks on board. It is hard as our budget only allows X amount of crew and our cast is limited to our story. But this film has committed funding, distribution interest and now we have our blue-print (script). I’m excited that we’ll be able to put so much in place in advance of our shoot. It will allow us to make this journey even more smooth.
We’re deeply evaluating CDI film #2 which will shoot fall/winter timeframe. It would likely be a fall shoot if in the Michigan and maybe winter if we go out west to shoot in AZ or Nevada. Slot 3 the 1st half of 2021 is being currently held as a possible WILD FAITH (Hastings) tv show. We would be working to finalize the season 1 scripts. The idea of revisiting the Wild Faith world is very exciting. Giddy up! If you have not watched WILD FAITH please do take a watch on Amazon Prime. It is a wonderful film for children also so I hope we reach more kids.
Ole Ben Lily might be back in action in ‘Hastings’ – coming soon?
MBF: Man’s Best Friend is now out in the marketplace and we’re starting to see that wheel turn. We’ve had lots more retailers and platforms pick up this title. We’ve got many events and showcases lined up this year with MBF. You can watch this film in your own home now on Amazon Prime. If you take a watch much like all the others, we encourage you to leave a review on our Amazon and IMDB.com page. I appreciate all the great feedback on the fight scene. I credit John Lennox for working with me on the fight arrangement. I also credit Graham Turner my practice partner and my co-stars in that bar scene. I’ve hurt an actor on set who would not focus and follow instructions during an action scene rehearsal. He was clowning with some actresses when we were going over a fight scene. On ACTION I pulled his shoulder out of socket because he turned the wrong way. So I was extremely happy and impressed by the focus of all those actors we worked with. John Lennox got them up to speed and we made a good sequence. I might consider a project with more action but that is not what I’m looking for. I seek strong stories to tell. Anyway, take a watch and if you like it, tell a friend.
Wrangler Robert Bradley faced a hard job with those dogs:)
LOST HEART is now in post audio with the amazing Dennis Therrian. He will be composing the score and sound design. The new locked edit is strong and I’m proud of Jesse Low and Scott Magie for their masterful work. The film will be delivered in June to BMG for distribution. I’m anticipating a premiere in the Whitehall area where we filmed. We’re now working on DVD art work with the distributor and the first trailer. Soon we’ll be able to give audiences a first look. I’m so proud of all our cast and crew for telling a beautiful story.
Who’s is this knucklehead? Niles Cass:) I really enjoyed this film because many of my scenes are with my brother from another mother Josh Perry. This film will start a slow build of PR towards a fall release.
EASTER season is upon us following a great Christmas with THE QUEST TRILOGY. I’ve had lots of great conversations over the three films. These biblical adventures create lots of good conversation. I’m excited how they are making their way around the world. These three films FORTY NIGHTS, CHASING THE STAR and THE CHRIST SLAYER should be watched together. Amazon Prime search these films and take a journey full of adventure.
WRAP UP THOUGHTS
Last week while enjoying a visit with an old friend and his son, I took a call. It was an FYI that someone in our local market was speaking ill of CDI and a few folks, myself included. Oh, I’m not perfect, never claimed to be, but we work very hard at what we do. I take our storytelling very serious and I’m doing it for what I feel are the right reasons. It seems, one of the talented people that we’ve worked with several times was approached and during conversation with this person, several negative things were apparently said about our organization. The issue is that the person being spoken to, knew the truth having worked with CDI many times.
Had their experience been truly negative it would have ended at one film but this person has worked with us multiple times. So my reaction to all this was a shrug.
“ACTIONS speak louder than any words.”
Find me a group that works as hard as we do and creates on our level or beyond and that is someone I or CDI might work with one day. RESPECT. But, while others talk toxic wasting breath and time, we’re creating and constantly moving forward. So decide to be a person of ACTION, not just talk. To know the truth of a matter look at the ACTIONS not the talk. So, keep the drama on the screen and sail forth telling the world stories and leaving a legacy for your artists. We’re prepping another ship (Film) for another great CDI journey so casting and crewing will be in the weeks ahead. We’ll be making announcements soon but you got the news here first.
Have a great Sunday and a productive week ahead.
DJ
RESPECT, ORGANIZATION and RESPONSIBILITY
I’m once again sipping the hazelnut coffee and feeling good about the week’s accomplishments. It has been a hard week in some ways simply because for me it is A) Keep business as usual moving, which is on many fronts with our library of films B) Promote the most recent releases C) Prep the new projects about to launch

1st teaser poster for “Chasing the Star”
It has been trying in some ways because I’m dealing with the pre-hiring practice of discussing deal points. Here is that point where after explaining the business model of three nearly identical films in a series – people want to try and go outside that model. You have to have people who really believe in a project and want to put forth their very best. Some people got the call to see if they wanted to return and work on the second film. Some are returning and others are being replaced. In this industry people wait for that opportunity to step UP because someone else stepped DOWN. That is often the way. Are you going UP or DOWN?
After this Quest Trilogy is complete we will be adjusting our slate to larger budgets. I had a few people say, maybe when you have more funds in the future, contact me again. I was just honest, No. I will likely be working with the team we develop during this “team building” phase. They must trust in our path and be willing to grow with us. I’m not asking for volunteers, free help or paid with credit – this is offered work. I’ve been doing this a long time and I firmly believe what is to be, will be. Casts in development may change but once a film is done you could never imagine anyone else in that role. Crews create the “perfect storm” with their collaboration and determination. They win those daily battles that give them the holy grail of movie puzzle pieces. Those battles are the tales of old men many days from now. I’ve looked back on battles fought 15-20 years ago. I’m damn proud of most of the artists I’ve ever worked with. We share history, life and collective art. Once done – you can’t take that away.
We had a great compliment while in a meeting this week. Someone in our circle had recently worked a larger million plus dollar film and it was hectic and chaotic. They said, they didn’t fully appreciate the experience of working with CDI until they worked on that film. I’ve heard that story from several people and I’m proud of that. We work to TRY and achieve that but you must go that extra mile. It shows that money will not buy RESPECT, ORGANIZATION or RESPONSIBILITY. How much money was thrown at problems that were emergency reactionary because proper planning was not done? Probably enough to make a movie:)
I’m also trying to develop the next group of artists who want to make a living at this. It isn’t about the short game I can tell you that. A recent conversation – on public relations. Early in my career I tried to promote our film endeavors more within the state (Thank you Michigan Vue – miss you) but back in the day, the feature filmmakers were few. Newspapers and magazine wanted to follow more theater and any number of silly trends but seldom gave filmmakers a serious spotlight. As our success grew elsewhere with newspapers, magazine, fanzines and such taking interest in our work (I have storage crates full of paper PR from around the world)- It also gave rise to some local Michigan dreamers unwilling to invest in the hard work. For many years, anywhere I would go for a drink or to socialize, everyone had a great idea for a movie. You got a script? No. Money? No. The story repeats itself.
These “ideas” came from all places including some family/friend connections. Filmmakers are seldom at a lack of “ideas” it is money they lack. My Uncle Bob was in the film business but due to trying to hide his actual age from some in-laws, he gave me the arms length treatment. I wasn’t asking for handouts, I was ready to work. Even some REAL advice would have been helpful. But years later the tables had turned – Any chance of hiring him? I guess, I didn’t really give it much thought.
Locally, I grew up in Lansing, Michigan. I went from Northwestern Elementary school to Michigan State University. I have friends from first grade on up and still play in a Men’s soccer league. Years ago when news would hit our local state media, my closest friends or associates would sometimes seem off around me. Maybe having your face in the video stores, posters or on TV makes some uncomfortable. I understand that.

Outside the Owosso theater before our premiere of “An Ordinary Killer” – NOTE the “yellow brick” my deal making cell phone. I was well known in Hollywood for that construction phone. I was always building.
But, actors are just people. But it was odd and annoying for some of those friends/family I’m sure. I was the guy with a beeper and agents calling. Talking about places, people and things my closest didn’t understand. You can explain co-starring in a film in India but unless you lived it…very hard to convey. Now, I enjoy my quiet in Lansing, Michigan. I would say I get much more done than most because of living here. In my many Hollywood business travels, they were always amazed because I was’t just talking, I was coming to them having done. I have many relationships in Hollywood and some still not mined. You want to come at a deal the right way. Many beg, plead, dance, ass kiss and such for an opportunity. My opportunities come on equal ground and where a mutual positive potential is present. The funny thing is for the appeasers in Hollywood and elsewhere, most of their hoop jumping doesn’t even promise results. It’s not a “this for that” deal. It’s “do this and this and this and this and maybe…maybe we can see if anything can be done” lure. Don’t take the bait. Don’t watch the flashy hook being pulled through the water.
And when these people get trampled and burned in our industry they became jaded and hateful. Sad people who live in sight of their dreams but never touch it. They have straight up actor ghettos in Hollywood. Bars that are filled with the failed and broken. Go off the strip of Las Vegas to see another example of this. I’ve seen these circles exist in the smaller markets like Michigan. Social ghettos where struggling artist meet to try and establish some pecking order amongst themselves. Many followers of the fake it to you make it clubs. A mutual life boat of hope that loves to dissect and critique art despite the fact that styles vary and change. People still jump on bandwagons. There was a slew of wanna be PULP FICTION like films after that released. Funny thing is many of the critics, sitting around the craft beer watering holes, were shoving crayons up their noses when we were making films. I have found some very talented young filmmakers and I ask for patience in my dealings with them. What were they doing seven years ago? You can see what we were doing – being #1 western rental. Actually that remained for 7 weeks and stayed in the top ten for 17 weeks.

RENTRAK REPORT of #1 spot for Collective Development Inc’s “Ghost Town”
If someone is going to boast something to me it better be real or based on some actual knowledge, experience or facts. If not, I will call you every time. I’m offended by idiot statements and I’m allergic to stupid. So most of the time I don’t travel in places where I may be forced to be brutally truthful or where the BS is just too unpleasant. In our production circle you are expected to keep the drama on the screen. Only a handful of days to act like a professional on set- after that you can go all Charlie Sheen on your own time.
To bring it back around – I don’t promote as heavily in my own home state. It’s my shelter. It’s where after weeks in the Philippines, I want to come HOME to. I like to be treated as a non celebrity most of the time. I do enjoy some great sponsorships in leather goods, hot sauce, candles and more. I’m still waiting on coffee:) Call me. So I do enjoy a few perks here and there. Our CDI projects we’ve produced are in broadcast around the world, streaming, DVD’s and more. I still get consistent fan mail (emails these days) from people who appreciate our collective works. This blog was started so I could talk about films and my industry, maybe giving the guidance I lacked early on. If you wanna know what is going on with me – you can stop by weekly. If you don’t – I won’t be filling your ears in person with my boasts. I don’t need to – I like this saying. I’m not quoting here. It went – when a person drives a BMW, which is a good car but not a great car, they race around, trying to show people how fast they are. They are revin’ their engines trying to draw attention and tell people they are fast. BUT…When you drive a Lamborghini, you just cruise about. You don’t rev your engine, don’t need to boast and race about trying to show you’re fast. Because you know you’re fast. Arnold Schwarzenegger said that. I’ve always liked that approach and I do feel that confidence. We live quiet but we are capable of great things.
Many years ago, I saw a greater picture. I didn’t just want to be known for our art in the USA – I wanted to cross lines, build bridges. This work started many, many years ago. Now, this blog reaches 80+ countries and we keep widening our film sales deeper and deeper into the world market. I am not making films for the little pond of Michigan but for the expansive ocean of audiences worldwide. That said, I love and appreciate you all who follow our art. For the peers striving – draw strength from yourself and once you find your audience – their appreciation will feed you. Be smart. Speak less and do more.

International cast of “Karma, Crime, Passion, Reincarnation” released in theaters across India in 2009.
I’m not going to go on and on with individual updates on films. We have many films coming out in March, April and May so it will be a busy next couple of months. Read earlier posts if you need updates on releases. We’re about to start signing cast and crew onto the next film “Chasing the Star” which is getting very close to being ready – a few more weeks.
Keep at it people and don’t worry about twitter followers, Star Meters or seeking validation from insecure people. Make your art respecting the business. Seek to entertain and educate your audience. The audiences will allow and inspire you to grow. The source of your strength should not be peers that often are unhappy with themselves and seek to unseat you with words. ACTIONS SPEAK LOUDER always!
Be a doer not a talker. Okay, I’ve got to get doing so enough talking(writing):)
Happy Saturday!
DJ