So again this morning I enjoyed watching our squirrel friends eating the strawberry tops and some aged bread. My desk now looks out over the favorite feeding spot for our furry friends. Our yard is already a haven for wildlife with our acorns, mulberries, edible mushrooms and our garden full of abundance in the season. This winter we had a few cold days coupled with a heavy snow here or there but overall not too bad. This week I might bottle up the next batch of wine “Frankenberry” which was a use up of fruit taking up freezer space. We have a lot to celebrate as of late and I foresee more toasting in the near future.
This weekend started with a nice surprise bday gathering at a local place called DUSTY’S CELLAR. I had a great blond ale that tasted a lot like the last beer I made. Also had some aged ribeye that was wonderful. The full moon also allowed me a few indulgences. I eat junk food (donut, cake, candy bar, ice cream) only during 24 hours of each month. It makes those things a little more special and keeps my sugar/junk intake very low. To anyone who might try – it was only hard the first month or two. Sugar addiction is real and while I seldom partake I know it can be a real challenge. My funniest moment that night was walking into the wrong private room. “Someone order a stripper?” Just kidding – it was funny for sure.
This Sat I had a chance to see BLACK PANTHER and it was cool to see an exotic take on the superhero genre. We always see the NYC-type big city so it was great to see a story based in Afrika. My brother got to join us and that is always fun. A good movie in my opinion. I did re-watch “Raiders of the Lost Ark” this week while doing some desk work. That is truly a great film in my book. Okay, we’ve come around to talking about movies. I guess we can discuss our movies.
This week saw “Wicked Spring” premiere to digital streaming and remastered DVD this past week. It is on various platforms but Amazon Prime is the big one. Read about it here – https://www.prlog.org/12695043-digitally-remastered-cdi-civil-war-epic-wicked-spring-hits-amazon-prime.html
The Amazon link is here – https://www.amazon.com/Wicked-Spring-Brian-Merrick/dp/B079HWQQKC/ref=sr_1_3?ie=UTF8&qid=1519913275&sr=8-3&keywords=Wicked+Spring
This film is the one we cut our teeth on as producers. This is a wonderful primer as we’re about to premiere our new 1800’s action/drama “Wild Faith” this month. We did a great Showbiz Weekly radio show and we have more PR leading up to the March 16-22 run at Celebration Cinemas in Lansing and Grand Rapids, MI. Tickets can be purchased now online –
You can also read an earlier version of the film here – I would appreciate any reviews-
Book your tickets here –
This past week and the week ahead will be important meetings for the film and possible TV series. I’m just excited to have family, friends and fans watch this film. Those that have gotten the advanced look have raved about the balanced blend and pacing which is a hard thing to achieve. On the indie level I see that people often become close friends with all the talent and there exists pressure not to cut certain scenes. This can be because of an insistent writer. Or not wanting to hurt feelings – but the overall film needs to be a deciding factor. I think those involved will be very happy. I’m also excited to have friends from out-of-town coming in to see the film.
THE QUEST TRILOGY
As the 3rd film “THE CHRIST SLAYER” is being worked on we’re about to put the Easter push on the first two films “Forty Nights” and “Chasing the Star” which are great adventures to watch at any time. But families gather at the holidays and these films are built to be enjoyed by the whole family. Have you watched these films? They can be found on Amazon Prime and several major platforms or on DVD.
MBF – We made some good advances on Man’s Best Friend, and we’re so very close to moving into pre-production. We’re into a slight push from our ideal time and so the sport theme in the film may change but it does nothing to our story. We’ve had some great strides made by the Red, White and Blue Project non-profit that is sponsoring some of the military vets so they can do some educational events as well as filming. If you want to see how your company or you can get involved feel free to reach out to me direct.
Aside from all these endeavors I’ve been looking at future acting possibilities and preparing to cut some checks back to investors. A few new deals underway and I’m just flowing with 2018. I had updates on a few projects I thought had faded out but apparently not. One could mean a script sale this year so we’ll see how that works out. Always good to have a few irons in the fire. But a few of those irons are RED HOT. Soccer season is also soon upon us and so I’m going to be increasing my conditioning. I had a good winter of healing last year’s battle wounds and I’m ready to go at it again. With our few nice days I was able to get a lot of yard work done. I’m excited for Spring.
Have a wonderful day. If you feel like supporting feel free to watch some of the films at your leisure at home or experience them on the grand screen. We will be announcing other play dates throughout the Spring/Summer for “Wild Faith” – have a great day!
It is a beautiful afternoon here in Michigan. I had a good week overall despite going to two memorials for friends that had lost parents. Conversely, I just found out that a buddy of mine (Casey Sweaten) had a baby boy – well, not him…you understand. So the circle of life is in full motion this week with life and death. I guess this leads me into a few other thoughts I’ve had this week.
I know many directors out there. Many are doing short format to develop their style and learn how to communicate with crews and talent. Many of those aspiring will never make a full feature film. WHY? It’s hard work. Anyone who has made a feature film can attest to this truth. To work with any real budget you must be a producer’s director. By this I mean able to work within the business limits set by the producer. This ability requires a responsibility by the director to stay on schedule and budget. It requires a self starter who is very motivated throughout the process. A film that has pre-signed distribution must be completed in a pre-determined timeframe. We work towards being tighter and tighter as a production unit because as we continue to enter a distributor/studio relationship we must maintain and improve that reputation of being a reliable source of content.
SUMMARY – Directors must be reliable and time motivated
I have director friends outside CDI whom I’ve done on-camera work with that still hasn’t seen the light of day. (Some almost 15 years) Other’s have been grinding at post-production for years upon years. That’s their accountability to live with to their people. I feel an accountability to my cast and crew along with my investors. Those that do not see that accountability factor makes me sad. Sad because they likely will not work in a true business structure. Others will not thrive because they can’t see beyond personal ambition.
This is hard to grasp but is a secret to at least some of my success.
Let’s see if I can explain – actors tend to think that after years of struggling – once cast – the one film released will make them an instant star – that all the suffering is over. It DOES and CAN happen like that but someone also wins the daily double – daily. It is possible but not good enough odds to build a career from. Actors may not connect with audiences until they get several films down the road. I’ve never had what I would call a home run. Oh, you’re the guy from THAT MOVIE (Home run) but I’ve been a steady base hitter. My market penetration has gotten greater and greater internationally with each film. People have connected/embraced certain roles and so thanks to all of them- I get paid to bring my version of a character to the screen. A major humbling reality from a dreaming kid with a VHS camera who was constantly told he had to grow up someday.
Say when;) That’s for you Tony.
Now directors don’t have as many opportunities as actors. Why? Just numbers. Many cast members and only one director’s chair. From there – quality opportunities are even more scarce. Funding even a quality opportunity is hard. Look at any film school – a room full of directors. Not always true but many do have this desire. How many feature directors in that room? A few perhaps.
Facts I’ve often found to be true with directors
First – Only a few directors will ever actually direct a feature length film. Some may start one but for countless reasons – many don’t finish.
Those that have finished a feature film – they’re in a special club.
Now only a few of these directors who finished had a team behind them that created the quality worthy of distribution. What is that? If X distribution company values your film above and beyond the time and cost required to exploit revenue streams.
One Example for rejected films:
Actor Appreciation – If you view actors as just props and try to replace seasoned talent with volunteers – it will almost always show. If you spend it on cameras spend it on talent. Bad talent shot with a RED EPIC is anything but EPIC. I had to use that camera for the joke. Someone out there is correcting my joke that this or that camera is better…next.
Distributor likes it but do you have the business organization/releases to deliver a film. It can be a bitch – especially to a major studio.
Now pending the performance of their film in the distribution market – many directors will never direct a second feature film.
It can take a few years to put any clout behind a directors name. It will likely take a half dozen films realistically.
The director may just be unwilling to create product that distributors actually want. I do know of several directors that are just working on things they deeply enjoy. Like painting, drawing or any number of creative releases IF it’s just a hobby that’s cool. But you can’t complain about the system. The system is largely set by audiences. Business is catering to their tastes in order to sell them stories.
What happens often when it’s just starting to work –
Like a band – some production outfits start to get rolling and they change too much, too soon. Someone wants to explore their inner blues and Tommy really wanted to try drums. Two lead singers. Before they can establish themselves as a pattern of success – the band breaks up.
Why all this director talk?
We’ve been looking at directors with this slate of CDI films before us. In summary a director must prove himself to a producer’s director and execute product that we’ve identified as something the distributor wants. I like to use the example of a well established film director I know. Most of his films have been with 20th Century Fox. He initially had a film get accepted into Sundance. He got a behind-the-scenes directing gig for a big Hollywood name. Soon an opportunity to direct a studio film came up. He stayed on budget, schedule and people liked the film. He’s often given a choice between two or three projects that the studio has approved. He’s done a few smaller personal films and his clout has allowed that. I see directors who want to grow too fast or get stuck -and can’t take the self-inflicted frustration. They don’t ask themselves the hard questions and accept the real situations. Directors like actors must earn the right to creative freedom in the non-hobby world. It’s not an entitlement that comes with the name tag. It’s a business. You want total freedom? 48 hour film challenges are all over the country. Giddy up:)
SUPPLY AND DEMAND or is that SUPPLY and COMMAND:)
Here at CDI we’re really getting into the business of working with distributors and cutting out the shopping aspect. That’s great for investors because the revenue stream starts sooner and we have financial guarantees from distributors to help protect our investors. This exists because of what I was writing about earlier. Professional dependability and quality of our product is what creates the relationships we enjoy.
If you are exclusively into your scripts – you must bring the money at risk with your story. If you accept this situation and want to turn out quality on schedule and budget maybe a collaboration with CDI is a worthy discussion. Raising the $ an undertaking is only the first big battle. Don’t go inexperienced into important endeavors. Be honest in your accessment of your team.
We’re making films that distributors want and that is the way it will remain. I’m getting too old for spec films/shopping and at higher budget that’s not a responsible action. (Filming without distribution) So I’ve been sitting down with lots of filmmaker/directors. I was happy to sit down with another on Friday. A young man who is paying equal attention to SHOW and BIZ. He has completed his first feature and it has landed initial distribution. It was scary for him being out there facing the rejection. They had enough quality onscreen to pull it above the other films struggling for attention – and because of that, got a good starter deal.
We’ve got both types in CDI – directors with pet projects – that if they bring the bank we’ll make that film on schedule and on budget. Additionally CDI is picking/creating projects based on distribution/marketing meetings.
It is a tough game. We debate these things with ourselves where art and business meet. I enjoy bringing to life other people’s characters/stories. As a writer I love to see my own story brought forth but only if the product is in demand. We make collective art for the collective masses. I know several directors that only get excited by what they pen. If that becomes the routine you better keep writing and get it into development. I think this is on my mind because I was asked twice about directing this week. I don’t “desire” to direct. I don’t want to take an experience and building opportunity from someone really trying to get ahead and would appreciate it beyond words. If you want to see my directing go to indieflix and watch the first three shows of “Supermodel Showdown” – enjoy:) I have enough hats and I’m not looking to direct.
ASHES OF EDEN is holding on our domestic home video street date. We’re in negotiations on a TV deal and so we’re open to adjusting our release pattern. Additionally I’m told it is playing Oct. 17th and 18th at the Sun Theater in Grand Ledge, MI. Check online this week for times.
Funny thing – Also in Grand Ledge, MI – on Oct 15th we’re kicking off a monthly art mixer at Sanctuary Spirits distillery. It’s $5 at the door- starts at 6:00 and at 8:00 (sundown) we will be playing our smoky mountain western that was released by Lionsgate. Come watch “Dean Teaster’s Ghost Town” and mingle- see some of you there!
On November 1st at THE WROUGHT IRON GRILL in Owosso, MI we will be showing BESTSELLER. Author Chris Wright/Johnathan Rand will attend. It will be a nice event at another cool venue brought to you with our friends at RED WHITE and BLUE Project. I’m trying to close on a run at the Alamo theaters in K-Zoo and we are working towards a Detroit area showing.
I’ve been reviewing the KNIGHT CHILLS book that will release with a reissued film. All this is to prep for KNIGHT CHILLS 2 in development. The script is being actively worked on and casting talks have started.
We have kicked up development on CHASING THE STAR which is set to film in Feb 2016. Our talent initially approached thus far have loved the script. This is a follow up to “40 Nights” that is chugging down the post production line. We will be starting music on “40 Nights” soon. VFX work should be finalizing in a few short weeks and color correction can begin. It’s all very exciting. The 3rd film in this trilogy is about half way done. We will have a 1st draft by the end of the month.
I’m enjoying the fall immensely. Next week I will be making a batch of wine I will call RETURN OF THE GREEN GOBLIN. If you’ve been lucky enough to try the GREEN GOBLIN wine you’ll be excited by this news. I also have a new beer brew batch to mix up. I’m healing up nicely from a brutal soccer season. Acting – If the right acting project comes along great – but right now I’m just focusing on our end-of-the-year business and prep for 2016.
I’m going to wind this down but have a great weekend.