I’m sitting here sipping my hazelnut coffee in my Oswald’s Bear Ranch cup. We were planning another UP Michigan trip when all this virus stuff erupted. Now we spent a good amount of time discussing that last week and so I’m not going to hammer that this week. In Michigan we have had our stay extended for two weeks. I’ll just call it confinement for all the things in my youth I got away with. Again it was a wonderful week of organizing, personal and biz calls and getting things done. Let’s start with our next film up – BEST YEARS GONE.
This week we’ll load in the last financial piece and we’ll be all ready to sail once the storm passes. We’ve got a new schedule to review and I’m putting some fine tuning to the budget now that our day-of-days is more defined. We’re announcing more of our crew and cast and preparing to do a few ZOOM script reads. Shot lists are being prepared and I for one will be ready to get out and tell another story.
I had some productive talks with our distributor and we’re already looking at marketing for the immediate and the year ahead. The Quest Trilogy has been playing strong during the holiday window which runs after Halloween on the run up to Thanksgiving through Easter. Many new countries like Mexico, Brazil and more have enjoyed our three biblical adventures. We spoke of them cutting a great TRILOGY trailer for the next ‘holiday’ season.
NOTE: I also had the pleasure of watching Douglas James Vail’s new film 40: The Temptation of Christ – that also imagines the 40 days of Jesus in the desert. I enjoyed their beautiful locations, camera work and the unique way they handled the temptations. Take a watch if you enjoy these stories.
LOST HEART is just finishing up music and will be turning to sound design this last month before we mix, master and deliver. There is going to be a big need for new content so I think we’ll get a good push with this story. We might have a few other surprises when it comes to this film. This week ahead the distributor is working to lock up DVD wrap art. I would guess we’ll see pre-sales start after a while but we’ll see if we do any exclusive TV runs first. I’m excited to put this fun, heartfelt movie out into the marketplace. – Soon.
WILD FAITH / HASTINGS TV SERIES
The film is gathering fans as the distribution keeps getting deeper. Meanwhile we continue to have promising discussions on the TV series. If you have not seen the film please do and let me know your thoughts on a TV series. Like all the films, I had some fan mail on this film talking about the power of the themes and how nice it was to spend time in a world more simple.
MBF: MAN’S BEST FRIEND is also making the rounds thanks to all you fans out there. The reviews and word of mouth keeps growing our audience. I’m so excited that this film is making people ponder and discuss the topics. So watch with your family including the furry ones. As with any of the films just google the film in quotes and it will show where you can buy the DVD or watch the film. Again a big salute to all our service men and women who serve.
At this time my thoughts are with all our family and friends and we all look forward to sharing a few in-person laughs. Soccer season is approaching and I’m in hopes that we can still enjoy that. The blossoms are starting to bloom on the newly trimmed apple and mulberry trees. The hops and rhubarb are also starting to get some size and that is fun to watch. I’m going to use this nice day to get some more outdoor tasks completed. I hope you all have a wonderful week and be safe!
The sun is out on this 5th of May and I’m sipping some hot coffee and looking forward to reviewing the week. Let’s start outside of film. I put a first mow on the yard and did several improvements including to the new garden shed. Organization up in the office with the addition of a new shelf unit which I picked up at a sale by nuns. If you think the India market hagglers are tough try negotiating with a nun, or several of them. No. It was a fun 30 min and I left with a few neat items including two shelf units. I had my first soccer match in the new 40+ league and despite the rain had fun game. We lost when our goalkeeper broke his hand early in the game. My childhood love of Chewbacca was well known and it sadden me to hear that Peter Mayhew, the actor passed away. I had him attend a screening of a comedic fan film “Unconventional” some years ago. That was more exciting for me than meeting Will Smith or any number of celebrity encounters. RIP.
Onto the film updates. I’m getting reports that THE CHRIST SLAYER which just played the ICFF in Orlando, nominated for…
WON runner up for Best Film. I’m curious what won because it must be an awesome film. But congrats to all the nominated films and winners. I wanted to win ‘Most Inspirational’ and round out the trifecta since we won that award for FORTY NIGHTS and CHASING THE STAR. I’m happy that audiences in Orlando got to watch the film – thank you to ICFF. Now I hope that you all can find a series of nights or a marathon day to watch all three films in the trilogy.
WILD FAITH – the domestic home video run is exploding. A simple google will find various sources to stream or purchase the DVD. Amazon is now taking pre-orders
I know many of you have waiting to see this film. Make the effort to see this film and you won’t be disappointed.
MBF: Man’s Best Friend – This powerful film will be evaluated on Friday as a work in progress with our theatrical distributor. We’ve done a first pass on sound design and the dialog has all been balanced. VFX and color correction is underway and we are to deliver on June 30th. I think the screening is just a formality before their marketing team can dig in. The artists doesn’t want to show a work-in-progress but the business is that it will help the film. It speeds up the timelines and should allow for a stronger release. With both The Christ Slayer and Wild Faith, both films already had the domestic home video set up so the theatrical had to work around that. With MBF and upcoming LOST HEART we want to work them into the mix proper like.
Speaking of our next project LOST HEART, we are just three small steps from moving into official pre-production. Also my talks with one of our targeted co-stars went great and once we move into pre-production, we’ll secure her schedule with an offer. I’m so excited about the film and it looks like camera roll in July is becoming the real possibility. If we have a good week we could be moving officially into pre-production.
Other things of interest this week include on-going talks on representation for acting and writing with some production opportunities mixed in. I did get an offer recently on a film but thought it best to do a polite pass. You have to appreciate anyone who approaches wanting to secure your artistic talent. While the role could be another film and residual check, the role didn’t grab me. I don’t do projects unless I connect with the material and the role. I see people who accept things that maybe they should have said no too. You will be defined by what you say NO to. I do hope to work with this particular outfit just on a different project with a character I can truly get behind.
Today will be some prep for the week ahead. We are also going to prepare something Mexican (food) to celebrate the Cinco de Mayo day. I hope each and every one of you have a great day and productive week ahead.
Be good to one another.
Good morning! I’m writing you from the deck of my patio that has hop vines wrapping around all it. (The pic above from the spring) The squirrels are busy picking the last of the ripe mulberries and birds are singing while playing in the bird baths. Without question the coffee sits beside me flooding me with the wonderful taste of hazelnut. If I cannot find a coffee sponsor in the next few years I just going to open a coffee business. I have to try harder with some of the local Michigan roasters.
The office fridge might have seen its last days. It’s almost fully defrosted and we’ll see once we plug it back in if it lives. If it’s dead I’ll be getting a more fuel-efficient replacement. The one now was from my buddies basement where we would skip class at MSU, drink beer, play pool and listen to jams. It’s been a worthy chiller of beverages so we will see.
This week was a hot, humid wave that’s not really to my liking. It was followed by just a few extremely beautiful days consisting of warm air and cool winds. During the heat wave I got a lot of writing and paperwork done while watching the various nations go at it on the World Cup soccer field. Let’s look at a few of the movie updates.
I’m happy to say that the domestic home-video deal on the 3rd film in The Quest Trilogy – THE CHRIST SLAYER is signed. It will join parts 1 & 2 at Bridgestone Multimedia Group. The Christmas theatrical will be followed by an Easter home video release. I’m excited to have all three out there together which will reveal more about the overall storyline. Interweaving of the story arc goes through all three stories/movies. IF you have seen part 1 (Forty Nights) or part 2 (Chasing the Star) please do leave a review on amazon or IMDB and leave what you took away from it. I think people unaware that it was a trilogy felt part 2 kind of left them hanging – well it was meant to. The next few months will see things heating up PR-wise on part 3 with more BTS and still photos releasing. It really is an epic way to end the trilogy. I know Dennis Therrian will do another incredible score. The VFX work coming in is just incredible, not surprising as their previous work included BLACK SAILS (One of my favorite series) and ROGUE ONE just to name a few. They built models and created digital matte paintings just for this film. This film was a really cool step for us as a company allowing us to use as many VFX shots as we did. I have director Nathaniel Nose to thank for all that.
I will use that example in discussing development work at CDI. I’m trying to make more time to sit down with people in our field. Directors, actors and those trying to produce content. From the earliest days of CDI it was about bringing cards to the table. CDI is an actor/producers company looking to tell powerful stories. Currently we have momentum behind my scripts – distributors like the content and final product. Talent loves the style and depth of the characters and situations. We also have some talented writers within our ranks. ADVICE – IF you’re bringing a script to the table the best thing is to also bring the money.
BUT THIS IS THE HARDEST PART! Yes. I know this. After many years in this industry – a truth is – every NEW variable could lead to new advancements OR disaster. The wrong crew or cast can be devastating to the overall quality of the final product. I’ve been scrutinized because I would rather pay a broader crew base a modest wage versus overpay a name talent, at the expense of the crew. It’s a difference of opinion in business models and a happy medium does exist. I feel a larger name can move more initial units but a bad movie with a larger name will also die off quickly. I had to turn off a multimillion dollar film lately. It was long, plodding (nice camerawork) but after an hour plus we still had 45 min plus minutes to go. We didn’t care about any of the characters. That’s the result of either a poor script or just bad chemistry as you know they had a huge crew base. I’m saying that I would rather have a modest, long-term success with a good movie vs a flash hit with a bad film. How long before it gets lost in the shuffle of bad films? What do you have to show for all that hard work years later?
OK. I went slightly off topic. But anyone new is a wild variable, and therefore a risk. Skill is only part of the equation whereas personality/character is the other big factor. Do they play well with others? Positive? Respectful? I’ve had others say “so and so” is a great artists but grumpy or aloof and that’s just how they are. Well, they can go be that somewhere else. I have reduced all this down to a simple saying – Always be a sail and never an anchor.
So with these sit downs – I’ll be getting to know people and informally evaluating to see if they would ever work well into our system. The CDI system. What does that mean? Well…these films were not the result of some money thrown together to rush together a film – perhaps with no accountability. I shudder when I hear of all the films being done with no script or the script is just an afterthought. I recall one time an actor friend telling me they were on set and the director was having them write the script on the spot. He called it interesting and I called it incompetence. I guess it was both. But here we’re taking on investment capital and we must give best efforts. This company was founded on best efforts and striving to always be better. CDI today is built upon its earliest endeavors. Future CDI endeavors will be built on current endeavors. This is a tradition not a hobby. Not a film challenge but an evolution. This is a business that works in deep creative waters. My expectations of myself and the producers/directors are high. My expectations of the cast and crews are high. If you are not serious about the process and the end result – off the deck. No point in trying to sign up here.
Now some people just don’t know any different but once shown a better way they are willing to adapt and thrive in a more structured endeavor. Others can try to drag negativity or bad habits from previous experiences but I’ve been doing this a long time. If you start to feel like that anchor, stating obvious problems versus presenting viable solutions, being a sail – I’m going to drop you at the next island. Lose your professionalism and respect and the immediate gangplank walk could be your fate. I don’t fire often but I’m more than willing to do what needs to be done. That said, every firing has been a failing on my part. A failure to properly evaluate someone before a hiring or just failure to lead that person to a better way of co-existing on a film set. Management is something I enjoy because I’ve had the opportunity to create the environment that I want to work in. The environment that allows the best creative juices to flow.
I guess in summary – you could be involved in a CDI association or collaboration IF you have your own funds and seek a machine (production unit) that runs like a CDI film. Now $ still rules so if you bring a majority of the production funds, unless decided differently in contract, we consult or bring options to arising issues. That controlling entity makes the final decisions. Those decisions need to be made with wisdom and balance or trouble can quickly develop. I think I make fair decisions and I’ll say, I’ve made unpopular decisions. But I think it’s about working to be able to see the big picture. Not being drawn in by the ego into trying to force something to fit that does not. Don’t say yes to things that should be told no.
I had productive talks this past week with an experienced director talking about possible CDI collaboration. Our management at Collective Development Inc. was recommended to him. We shared mutual Hollywood horror stories usually stemming from fast-talking, car salesmen-like distributors and wanna be producers, mucking things up. Much of this proposed collaboration will just depend on pros, cons and schedules. I have another past producer collaborator getting close to having his next financing. He wants my involvement again. Evaluate: Content, Script, Schedule… All these variables when kept in-house tend to run very smooth. Adding these outside variables are where most issues lie. Most of the rough waters are in the associated projects but that is also where collaboration exists. But make sure they are a good fit. So I have more phone calls and meetings this week to network and get to know a few folks working hard telling their stories.
WILD FAITH – Lots of exciting happenings here. The home video deal is being worked on while we discuss the option of also launching a TV series. I am really pushing hards on this as I love the character I play. I love the world we built. I love the talent (both sides of camera) and know we would incorporate lots of Michigan talent into the various shows. We’ve been working to set up some additional theatrical showings and we wanted to look at showings in LA and/or NYC. The costs involved were steep and for me I’m watching the bottom line versus the red carpet strut. But I’m happy to say we’ll be screening at the AMC in Burbank as part of the invited line up at the Burbank International Film Festival. I think I’m going to make the trip and my LA-area amigos can finally see one of our films on the big screen. It plays great theatrically and I will enjoy the conversation with film friends after. You too can join us on Sept 8th in Burbank. Read about it here-
Our last film Man’s Best Friend is having the post materials organized as editing is about to begin in full. The opening credit sequence was heavily discussed and that is being worked on. We will also start having more solid talks about the 1st teaser trailer. Also trying to get the right color correction on the first stills before we start releasing those. The story is in puzzle form and soon we’ll start to assemble the film.
I’ve really been enjoying the writing as of late. I’ve taken a few good script concepts and I’m infusing/weaving that into what will likely be our fall film. It’s been refreshing to be back into the imagination and putting it to page. Some location scouting and ground work is also being done. I will say that the initial script concept was to be shot in another state. I was so happy with our last crew that I am revamping the script to Michigan. I’m sincerely thinking we can convince a few of the MBF crew to return:)
Well, it’s a beautiful day and I might spend a little time engaging in some writing. We will also likely go walk a flea market. I love what you can find at those things. I often find props or things that a story might hinge around. No soccer today as we have a BYE week before starting the second half of the season. Next weekend I have a class reunion which will be interesting. I did actually see a Michigan-based, non-CDI project casting that caught my eye. I asked a few questions and we’ll see if any chemistry exists. If not, I’m happy to wait until fall. I do have a script to finish.
Be good to one another!
Hello friends. It has been a whirlwind week of negotiations and talks on the home video deal for WILD FAITH. The film will be playing in three cities this week – Grand Haven, Holland and Florida. (See below)
This is also the last of the off location pre-production on MBF. Our prep team starts in on Thursday and a week from that date cameras roll. We’re incorporating many new elements into this shoot. Some by way of new crew, new location (somewhat) and new cast in certain roles. We have a few exciting announcements coming this week. One is the addition of a co-star that will be well-known to some. He was a co-star on one of prime time TV’s biggest hits. We had a nice character talk yesterday and I’m beyond excited because he’s the right talent for the right role.
Becoming a character is serious business especially when representing…
Our schedule has caused a few switches in our casting but that always happens. By the time you get to the premiere you could never imagine anyone else in those roles. I’m trying to keep my TO DO list updated. I’ve been very happy with the time I’ve spent with ‘Paul’ my new character in MBF. To say he has been a challenge would be an understatement. My study of wounded warriors both physical and mental has been extensive. My appreciation and respect elevated as one fully recognizes the sacrifices made. I’m excited to see this story told and I hope that it changes minds and hearts.
Home video sales continue on “Forty Nights,” “Chasing the Star,” “Wicked Spring,” and “Ashes of Eden” which can all be watched on Amazon Prime. I’m touched by the beautiful emails that I’ve received from viewers of these films. If you have not watched any of them please do take a watch. You can recommend it to others on the Amazon site. DVD’s can also be purchased from the Amazon site. All our artists deeply appreciate your support.
Aside from these distribution, pre-production and actor work – we’ve been in development for our fall film. I think working with our distributor we might have landed on the right property. But I don’t want to go too far off on this direction.
If the WILD FAITH home video deal can get settled here in the upcoming weeks the distributor might get involved with expanded and marketing our theatrical a bit more. If the home video release is strong we will get a sequel or TV series moving behind it. There are a lot of moving parts with this deal and I’m doing my best to stay on top of it. I think everyone will be very happy with the final results.
I want to take these last few lines to celebrate my Mother and all those who give as mother’s do. I got to spend the morning with my beloved momma. She has always been supportive even when my dreams seemed unrealistic and far-fetched. I know many out there have been through this phase. Some have that support and others do not. But that is one of the reasons this blog exists. It is proof that you can follow your own path and create. It is not easy and if you can be happy and do something other than be an artist – I recommend it. But for the others – keep at it. Work smarter. Learn daily. Value your character in your dealings. Defend the artistic process and muster the courage to keep walking. One step after another – steady as you go and after a while – turn around and see how far you’ve come. My mother nurtured me to believe in my imagination and motivation – to achieve when you believe. Thank you momma. I love you.
I’m going to finish up here because I have some additional MBF work to finish. So far I’ve packed sock and underwear so I’ve got that going on. A busy but exciting week as we head towards onset pre-production. I’ll give you another update soon. You can also follow https://www.facebook.com/MBFthemovie/
I hope you all have a wonderful week. Be good to one another.
So it’s quiet here on Saturday night and I’ll be releasing this in the wee hours of Sunday. We had a nice family gathering to celebrate several birthdays and we’ve got two more days of more such celebrations. Before we get in too deep – welcome readers from Uganda. It has been a whirlwind of business both development, promotion and post-production.
Grand Rapids, MI appearance with Shane Hagedorn and Melissa Anschutz
It’s been wonderful to first see all the cast and crew from “Wild Faith” and following that – to have audiences enter this world we’ve recreated on-screen. We had a solid run in both Grand Rapids and Lansing. Lansing, Lansing, Lansing… I’ve always been proud of being from Lansing and still call it home to this day. I’ve always felt somewhat that the saying you can’t be a prophet in your own town, applied to me. I understand it. I think it applies to many artists.
But, the power of a story is proving me wrong. We’ve been selling out “Wild Faith” all weekend and so tomorrow Celebration Cinema jumped us from one showing to four. This after several fine folks were unable to attend after the shows sold out in advance online. I went to run errands this morning and heard people talking about the film. Often we as the filmmakers can grow tired of the story after the long post production phase. But I’ve enjoyed the handful of theatrical showings I’ve attended. I’ve enjoyed the laughter most of all. To hear a full theater laugh together at certain moments is priceless.
I think with the last several films I’ve played emotionally heavy characters. It was a pure joy to be Ben Lily. A tribute to a character with more bravery than brains. With my trusty half-native sidekick, or am I the sidekick? Either way, creating with these two characters was special for me because of the humor intertwined in the performance. I also know that my old friend Dan “Grizzly Adams” Haggerty would have approved with a hearty laugh. I do wish old friend Rance Howard could have seen the final film. He loved the trailers and truly loved the genre. The film will continue to move and play. If you want the film call/email your local theater and request the film to play. We’re in talks with several new venues and may announce new screens as early as this week. But if you can – treat yourself tomorrow. 1875 Michigan.
SUNDAY ‘WILD FAITH” SHOWTIMES AT CELEBRATION CINEMA (LANSING)
10:45, 1:05, 6:00, 8:05
In other news, Collective Development Inc.‘s next film MBF/Man’s Best Friend has been given the green light. All funds are committed and being pulled in as we prep the ship to sail. We’re working on setting our schedule and I’m also proud to have ‘Paul’ front and center again. This script is another story I’m extremely proud of. I’m challenged greatly by this next role and I find that exciting. If we’ve spoken to you as cast and crew just be patient as we move down the TO DO lists. We’re working hard to create that environment to create within. I’m excited to share this film next year with audiences. In the meantime…
The Christ Slayer is now in color correction and audio with Nathaniel Nose, director and Dennis Therrian, composer. I like to use that example of kids who get together after school to play. They have ideas, they get excited and they play. Inside the imagination play is what drives the process forward. This film will be a gift to audiences at the Christmas season. Part 3 of The Quest Trilogy will pull it all together.
Working backwards – Chasing the Star is playing the big screen at the International Christian Film Festival up for five awards. It was nice to catch up with director Bret Miller at a “Wild Faith” screening in Grand Rapids. We got to toast a beer to the adventure in the desert we called “Chasing the Star” CTS. This film is moving into more foreign territories and platforms.
“Forty Nights” is being promoted heavily going into the Easter season by our distributor. It is such an inspiring story I can see why it was recently chosen to kick off their Easter promotions. I will admit here, of all the ICFF awards “Chasing the Star” is up for I hope we see another ‘2018 Most Inspirational‘ take home to honor our amazing cast and crew.
I can say I’ve been enjoying experiencing the reaction to this films. I’m appreciative that these stories are giving some entertainment and comfort to audiences. I’ve been writing weekly and plan to get even more focused. Wheels are in motion. Several scripts that have been waiting for their time just might find it. Some exciting developments underway that will lead to many more years of stories been told at CDI. The tribe is on the move to create and we appreciate all your support. We cannot thank you enough.
Be good to one another.
Good morning to all of you out there. I’m happy to see all the readers from our Canadian neighbors, Germany, China, Australia and more… if you think someone might benefit from a read please do share our blog site. I’ve been sipping the coffee this morning as I ponder what I should discuss. The holidays are now truly behind us. The beautiful Christmas tree is now seasoning by the woodpile to give fire starting material as the last years tree does now. We had a touch of warm yesterday that melted some of the snow and had all the animals out enjoying the day and gathering food. I’ve been sharing some old peanut butter holiday cookies with the squirrels each day. Now they look in my windows as if to say – hey now.
So this week has been full of steady work and so I think I will random a few of these updates out there.
- End-of-the-year tax work on the movies. It’s not the most fun you’ll have in film but it comes with the territory. If you aren’t doing that work you’re likely a hobbyist and aren’t accountable for anyone’s money. Hobbyist is fine but when you do start working in film professionally do your required work. I see people who want to just play and I understand that but paying people (which requires tax work), union, insurance, state filings… the biz of showbiz. I want to thank my hardworking team. I’ve said it before, it is not easy to do things right and even with best efforts we make mistakes. But when people don’t even try…
- We’re banking more capital on CDI’s next movie MBF (Man’s Best Friend) and still in talks to assign the final units. We’ve got several projected plans pending what happens in the next few weeks. People think raising money is easy and it is not. Even when you stay on budget, schedule, assured distribution to the marketplace, talented artists – it can still be difficult. I think with the tax change it had many pausing until the new year. But we’ll lock it up soon.
- So “Chasing the Star” has been submitted to ICFF and the Crown Awards by our distributor. It was a strong Christmas season and we’ll start to feel that in the next few months. The biblical adventure is a worthy watch at any time of the year. As Easter approaches BMG will keep pushing both “Forty Nights” and “Chasing the Star” we also are expanding into more foreign territories. I think Germany was most recent. Also what a great fan responses over the holidays. Thank you for all the communications.
BREAKING – So a good case point/example. I was sipping coffee and typing to all of you when I got a communication from one of my producers asking for additional info for our tax reporting. Forty minutes later – I’m back. But it’s why I don’t run the streets hard like I did as a younger man. Business pops up and you have to try to be prepared to keep the train a rolling. More coffee vs whiskey and more tea versus wine but I do still enjoy the sip with company. Being well rested is another key. Many people openly brag about how run ragged they are and how little sleep and such. It’s worn proudly like a badge of honor. But I don’t see a badge nor honor. I see a person admit that their time management is not good and likely most of their endeavors are wrought with mistakes and oversights due to being “tired”… put a spin on tired if you want but it still just plays as tired. Look how hard I work! Maybe look how smart I work is better. It’s the angst of the living artist. Look at me I’m suffering. Yes, when dreams are just outside your reach there is suffering. Usually self-induced suffering because we look at what we want and don’t have versus what we have and use that as steps to a new place. So in 2018 if you’re one of those who takes on too much – do less and do it well versus more and tired. I think you will like the changes it makes around you.
4. The Christ Slayer is locking up VFX and will move into studio for sound and music. The trailer will get a mix before releasing in a couple of weeks. The first poster is also looking to release next month. I’m excited to bring the last chapter of the trilogy to audiences and let them enjoy them individually or together.
5) Wild Faith. Yes. Quite the buzz building over this powerful 1800’s story. That time period is a favorite of many of us at CDI. We watched the most recent pass of the color correction with the theatrical 5.1 surround mix. WOW! Meetings this week about the premiere opportunities and theatrical roll out. I’ve had a few more talks on the TV series and I’m feeling good. Good about the fact that once people are brought into the town of Hastings, Michigan in 1875. Once they meet and grow close to the lovable characters in Wild Faith, that a TV series will happen. I am going to talk to broadcast sponsors also. I would love a MI based series as it would allow us to work with many artists in our state. If this is the first time hearing about this film look up the trailers, Facebook page or website.
6. WEBSITE – Collective Development Inc. is revamping its website to take us into the new years ahead. http://www.cdiproductions.com is still under construction but it will be a place for a) better casting info for people b) A streaming community with interviews, film advice, BTS and a movie watching club. c) Merchandise. I’ve been asked over the years about merchandise. I LOVED it as a kid, okay and as an adult. We will be seeking to enhance this area. Lunch box? Action figure? Posters?
7. The animated division is going to get more attention. Why? As a kid I loved cartoons and so why not. “The Patchwork Girl of Oz” is on Vimeo On Demand and will be releasing to Amazon. We’re also in talks on another collaboration that will be animated. More soon.
8. I’m reading a few scripts and I have several to get back to that I started before Christmas. Most are from past collaborators bringing new projects forth to see if I/CDI would be interested in involvement. Yes. I do enjoy going to work on other’s projects – it really is about the role and compensation is also a factor. I’m also trying to do my daily script writing but actually it’s been only a few times a week. Organize that time. I try to take my own advice.
This is me returning a handful of hours later. That business work can take over that fast. I’m sure I might have missed a few updates but some of the deals are highlighted here. I hope you all have a productive week.
Be good to one another.
We had a nice day of sunshine yesterday and that allowed us to get outside and do a little bit of yard clean up. Today the weather is back to wet and overcast but tis the way in Michigan. In a few short weeks we’ll be back in Yuma, AZ to film our third installment in THE QUEST TRILOGY. Let’s examine those films and the journey that these projects take.
The Christ Slayer
The bank account is open and the finalizing of people’s paperwork and getting their investment into the bank is always a task. People are busy but we work on tight timelines. We only have a few units to assign before we’re a fully functional battle station. Paperwork between crew started this week and next week some paperwork on talent will begin. Right now rooms, flights for the pre-prod team are the priority of the production office.
On cast we’re waiting for our schedule this week so we’ll know how many days talent will be required. Casting has been mostly a joy but you always get to those few hard choices. This past week we came to a few casting decisions after some healthy back and forth. We finalized casting on one of our last co-stars, a supporting role and a few featured roles from the AZ area. Each artist brings their unique talents to the screen. I’m so excited about the casting choices that were made.
I’m also happy that because of distribution being in place we don’t need to drop any ‘lure castings’ as I call them. That’s less than ideal casting but it’s done with the possibility that it may help grab the attention of a distributor. I understand why this is done but it can have a backlash. Distributors we’ve spoken with will tell you that certain names are known but they’ve become known for less than inspired product. They spoke of the flood of films that basically takes (Insert animal) and (Insert Holiday) add (Insert lure casting) and repeat. Now, I respect the fact that it’s a business model but I need more to invest myself in. I need a story that means something to me deeply.
“On schedule, on budget and our projects bring high artistic value.” That’s how we’re described by distributors and why we’ve been developing our ongoing business. I’ve said it before, you need to streamline your operation so that you can work with marketing teams whose job is to put the film into the marketplace. No excuses.
As I’ve done before I’ll give you a hint to the upcoming casting along with a story. First one of the roles WAS hard to find because it possesses a quality you can’t easily manufacture. In this case it was the “innocent role” which in “Forty Nights” was our T-Rex/Moses and in the upcoming “Chasing the Star” was filled by the amazing actor Logan Kishi. Thinking outside the box led me to looking at a certain spectrum of talent. From there I saw an actor who shared by last name. I looked at his materials along with dozens of others actors but kept coming back to the one with the famous last name:) His humor was right on point with the writing and he had that IT factor people talk about. In moving down the road in the casting process we discovered this talent had a sibling who also is an established actor. Another read for another role and BAM it has become a family affair. I’m excited that these two siblings will get to share in this journey together. People may assume I’m casting from family but I’ve never met these two brothers with the cool last name:) If we are related it’s buried up in the in the limbs of the ole family tree.
Two local actors who’ve participated with us before in Yuma, AZ have landed featured extra parts that while small are very important. (As all roles are) I’m sure they’re excited to be participating and we’re excited to have them.
In summary – We’re moving forward strong. I’ve been spending time with the story and it’s a joy to be able to imagine the talent in the roles on the page I’m reading. I’m looking forward to seeing old friends and making new ones. I am also looking forward to a little sunshine and Mexican food!
Chasing the Star
I’ve been assembling information for our end credits. This week we’ll also start moving over photo elements to the distributor. We should get our street date set in the coming weeks. I’m excited for audiences to get their first peek at the film. I’m trying to make it possible for our friends at Champion Church to see the film before we roll cameras on “The Christ Slayer”. They’ve helped us in so many ways as part of our Yuma team and I like to give them a special treat as a thank you.
The Easter stuff is slowly making its way out and that brings us closer to the 4/4/17 release date. The nice part about this release is that we’ll create a nice flow between the releases of the three films.
Once “The Christ Slayer” releases around Easter 2018 my hope is to see the three films play together or over three nights on television. I’m anxiously awaiting the new artwork which I hope to see this week. Fingers crossed.
Lisa Lauren Smith drives the drama as Haddie in #WildFaith
We’ve had many people reaching out about this film. I sincerely think we’ve got some gold with this film. The energy while making it was just powerful and cast and crew alike brought their A game. This week we’ll be seeing the first full cut of the story. I would say I’m excited but that would be an understatement. Keep following us and I’ll keep you updated after the first watch.
I’m not going to wax on about development at this time. Truth is I have much to turn my attention to and so I will cut this short. All of us artists appreciate your time and attention and in a few short weeks and months ahead we hope to entertain, educate and inspire you with your stories. That is an artist’s hope.
Be good to one another.
I’m sitting in my big leather chair by my electric fire – The Candleberry Candle and sipping the hazelnut coffee. I’ve got sleeping dogs around me happy to have me back into the fold of the pack.
Shane Hagedorn rolling with the Collective Development OG’s:)
I’ve just returned from running with another pack of artists filmmakers creating an 1800’s action drama. I can honestly say it was some of the best fun I’ve had in many years. It reunited me with many friends and artists some that worked together last in this genre a decade ago.
Production Designer Jen Raine & Art Director Austin Two Feathers
It introduced me to a slew of new artists who I think appreciate the Collective Development Inc. approach and take to filmmaking. We use to do this as children for free – the make-believe. And now to pay people to create that same fun but with bigger toys and doing it day after day until we get our puzzle pieces. I got to observe seasoned film warriors work side by side with what will be the next generation of film warriors. I saw people realize that within a powerful problem solving group strong art can be born. I saw people forget past dealings with others and give us a chance to be a positive experience. I’m developing key crews and key to me starts with a 100% positive attitude. You can make several mistakes giving your best effort and from me you will get mentoring and compassion. That positive attitude is hard for many to keep in this industry – you don’t have to dig far to hear the horror stories. I’m a person who dislikes having my time wasted, who does? I’ve got several ways I can waste my own time and still enjoy it – I don’t need waste imposed upon me. I do shun people who purposely waste my time with unreasonable. Do I have any examples to help illustrate? Perhaps…
A mix of acting talent on set #wildfaith
One acting role in our recent film underwent several discussions before falling to a very talented, 200% positive (through the roof) ready for success gent. The first major look came by association – one of our producers had worked with this person. A read that was strong and a direction was set – but full disclosure of a change in residence lost this person the role.
Another option – a young hopeful gives a good read but ultimately has no vehicle. I’m not judging, but as an actor I can say that a phone and car are the two things you need to thrive in our smaller regional market.
Opportunity knocks again – As a talent when you get a call from a company that based on your previous work wants to hire you again – slam dunk? Not quite – instead of an easy transaction of business someone suggests a string of silly actions – not anything a production in pre-production can or will handle. It also speaks poorly of this persons maturity, character and true dedication to do what you need to do until your craft is accepted.
This casting string really created a well needed lightness to the pre-production talks. CDI is ran primarily by actor/producers and individually we’ve all had and some continue to have the struggles that come with acting. To see three actors shoot themselves in the foot was offset by the enthusiasm of the one who got to call BINGO!
Be prepared actors. (Take 2) Be prepared actors. Not just in your craft but in your professionalism. Not fixing that car because it is a pain in the butt. Not getting a job with flexibility of schedule. Don’t help yourself fail in an industry that is already difficult. By taking care of your business you can be ready for when opportunity knocks. Organized. Prepared. Ready to succeed.
We had a key position whereas because of a change in our shoot locations we had to make a change. One person visiting Michigan on another endeavor got a call and within two hours was onboard. They started the next day. Opportunity knocked and it will likely result in another hiring in the spring.
I’ve seen people I’ve hired before return with new battle hardness that made me smile. I saw the few situations we had handled with calm professionalism. Now some may have experienced their first feature run and decide short format is more their pace. Feature shooting is harder, longer and requires a different mental and physical endurance. With our larger budgets we often had additional on location pre production and additional shoot weeks. So to all my crew that traveled with us – I’m tipping my hat. To the ones there all the way through – be proud that is a true benchmark.
One additional planned day of battle footage and a few powerful moments with our films lead Shane Hagedorn. It was a really cool experience to see Shane ride this story out. He made it his and brought such a cool edge to the role. Our Lisa Smith who plays opposite him was such a find. Many of the actresses had a great take on the lead role. This actresses brought it out in Shane, it showed. The children, the outlaws, townsfolk, circus folks all cast with care and it shows.
My humblest respect to my fellow producing team – 1st AD Nate Robertson who TCB (Takes care of Business) on set and the staff who handles everything behind the scenes from accounting to PR and everything in between, we are ONE TRIBE. Jesse squared (Jesse Low & Jesse “Smooth” Aragon) what an honor to story tell with you both again.
Jesse squared (Jesse Low & Jesse “Smooth” Aragon)
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“Wild Faith” coming 2017
I had a chance to see the first rough trailer for “Chasing the Star” and it exceeded my expectations greatly. I think because we’re dealing with a topic that people have such a limited insight to – how do we present that? And I think it was done in a beautiful fashion. Music is complete and dialog clean up is underway with sound design. VFX work is also underway. Bret Miller and CDI have a great follow-up with part 2 of THE QUEST TRILOGY.
Which brings me to part 3 – This week I will be starting to put the business together on “The Christ Slayer” to shoot in the spring. More intense talks on this film in the coming weeks.
“40 Nights” is flowing in the positive direction and this week we’ll be discussing marketing efforts with Lightworx about “40 Nights” and the trilogy moving forward.
I’m going to go finish unpacking my vehicle that was packed up “Beverly Hillbilly’s” style – just needed a rocking chair on top:) Have a great fall morning and keep moving forward. Dare to dream. Create don’t hate.
This morning before the sun came up I was slipping into my buckskins to go travel back in time to one of Michigan’s coolest historic villages in Hastings. I also got to sit atop a fine animal and perform one of our scenes in “Wild Faith” shooting now. Today marks the end of week one and so far we have kept our schedule every day which is a huge compliment to this hard-working crew. We also have had cast in that were ready to rock and roll with their scenes. People today were so excited they were whooping and hollering coming out of wardrobe. I love the excitement of all the artists working on the project. We’ve had some great guests visit such as the local prosecutor and even my father. He has watched all this develop since I was a young lad playing with the camcorder with my neighbor buddy Darrel Folkert. It has been a wonderful week with actors Lana Wood (Diamonds are Forever) and Darby Hinton (Daniel Boone) visiting for a few days to shoot their scenes. They LOVED the town of Hastings. Our large extra days are behind us and the other days should be a bit easier logistic-wise.
In Other Film NEWS
“40 Nights” is now on PUREFLIX On Demand joining “Book of Ruth” and soon “Ashes of Eden” will premiere on that platform.
“Chasing the Star” has the music in place and is now working to finish sound design and VFX. That poster and trailer I promised should be arriving soon!
This is the ideal season for something scary like “Bestseller” or any of our darker themed films – so turn off the lights late at night and enjoy one of those films.
I’m working to finish the last of cast/crew payroll here and might have to return to set for one last shot today on horseback. So I’ll leave this one short and with a beautiful pic of Lana Wood & Darby Hinton, also feel free to check out the developing site for http://www.wildfaiththemovie.com
Have a great week ahead!
Hazelnut coffee is a flowing and soon it will be snowing and…welcome to 2016! I got up nice and early and had some communications with our post supervisor. We have a final “40 Night” audio file (music, sound design, mixed) and visual file (color corrected with intro/outro and VFX) and overnight they were “baking” the two together into one final film. That will be uploaded to the gent who has mastered the DVD for mass reproduction. Monday morning he gets the Closed Caption file to insert and move on to the manufacturer. From there the creation of DVD’s and shipping to the warehouses. So we are close to having a COMPLETED movie.
Last night I was working on my answers to a Yuma Sun interview. We’ve also got a few more story requests from magazines coming in. I’m starting to move these to the distributor so the PR department can organize. We will also start looking at event showings of the film leading up to the national March release. Once we have our screening link they will start their oversea sales.
This coming week we’ll start pulling things together on “Chasing the Star” the second film in this QUEST TRILOGY. We had a big production meeting yesterday and it looks like a few days of our schedule will be shot in Michigan. The bear share will be in Yuma, AZ but a few sets make sense to shoot here on our home turf.
I’m happy to announce that our final script in the series has a first draft. We will be announcing that project once we announce “40 Nights” done and “Chasing the Star” prepping to film. I think we’ve found 2 of our 3 magi leads. We’ve been centering in on many other roles and I’m excited to see this project come together. It is a beautiful story and will be an excellent film that I can only hope will become a Christmas classic.
It is funny I had a conversation with another distributor this week on a different project. They were VERY aware of “40 Nights” and expressed how deeply they wished they had that film. We would do X, Y and Z = coulda, woulda, shoulda. I had to paint a very clear picture for him. They stated before that advances and guarantees were not their thing because they did not need to. Why? Because they have new filmmakers who need a way into the marketplace. I know the filmmakers behind one of their upcoming titles. The director is a good guy. He has unfortunately attracted a local parasite… Anyway, the distributor has that product versus our “40 Nights” because he didn’t put his money where his mouth is when he could have. I had to politely, but directly, shut down his debate. One organization came with action (A 3 film deal) and one has just big talk – after the risk of production was over. “40 Nights” and all three films have a deal in place. This was done BEFORE we started filming the first one.
If you want quality product like what I’m offering you have to speak with action (A deal). I’m about done chasing deals after the fact – except maybe in associated projects. So TALK IS CHEAP. I’m not looking for short cuts or pie-in-the-sky promises. I just want solid business partners to grow with. I’ve also discovered that our production outfit is rare. We do ambitious material with a proven market audience. We stay on schedule and budget. (Ask the E.P.’s on “Ashes of Eden,” “Bestseller,” “40 Nights”) And our turn around on finishing “40 Nights” is ten months. FYI: All three of those above films will release during the 1st half of 2016.
These success stories have led to more projects being brought to our table to consider producing. Even with $ attached and acting offers, you must look at the material, the people attached and pay close attention to strings attached. 95% of the issues we’ve ever had come from people we did not choose but had put upon us as part of a deal. I’ve said NO to a lot recently because a paycheck is not worth just my time. I have a purpose. I am a storyteller and we want to create good product.
Funny that same conversation with the distributor – he stated, I left some money on the table. Did I? Their business model is only around money-grabbing one off’s, which is fine I guess. They want, action spy flicks or family films with dogs and horses. I told him while we’re creating product to be profitable I would much rather have a solid film with long term success and credibility versus a “flash in the pan” sale that dies once they realize beyond the poster and opening credits the film is…subpar. I stated, if money was all I was chasing I would not be in our business. There is much easier ways to make money but I don’t want to look back at my career at 80 years old and see I just made mindless reality shows (Some I do watch) or bad exploit films. “A HORSE FOR EASTER” or “ST. PADDY PUPPY” – now I know people who do these films just like knock off slates that follow the studio mega hits. I just want more from my career when I look back. I’ve been creating for 20 years now and I can dream of making a few classics. Several films such as “Figure in the Forest” are still playing TV after several years. That longevity to me is success and so I will stay upon my path and try to create original product.
I guess it all goes back to creating your own mythology. You are defined by what you act in, produce, write and ultimately do – so keep that in mind. Also don’t be distracted by haters or what anyone thinks. They all have their own issues. I loved the article that someone wrote in response to a Huffington Post reviewer commenting on the new Star Wars film. Too many people willing to just stir the pot and create noise to get attention. All those people involved with the new Star Wars still made a movie whose merits will be debated for a lifetime. The goof who just tried to rip apart the film flaws is just an angry little-minded person. Somewhere along the line he got knocked down and never got up.
That was one of my 2016 changes I made. As always, several fools in our field doing bad business. I pointed out to one of my producers ranting on a valid point, THAT person has to wake up and be THAT person. If you’ve wronged people, you’ve likely slept poorly. You’re likely living in partial hiding from people looking for you because of unkept promises or criminal activity. Their bridges are burning all around them and they have not an ounce of the one thing they so badly yearn for – RESPECT! It is nowhere to be found. WHY? Because you have to earn it. You can’t demand it. So while I don’t have any enemies there exists enemies to our business. I’ve risen above most all of that. I focus on our own. I likely won’t be paying attention when these people implode. I do feel a bit sorry for the person they could have been. But you reap what you sow.
MAKE A CHANGE!
Off for more coffee and maybe some breakfast. Have a great weekend and productive week ahead. As always, thank you for your time.
It is a beautiful afternoon here in Michigan. I had a good week overall despite going to two memorials for friends that had lost parents. Conversely, I just found out that a buddy of mine (Casey Sweaten) had a baby boy – well, not him…you understand. So the circle of life is in full motion this week with life and death. I guess this leads me into a few other thoughts I’ve had this week.
I know many directors out there. Many are doing short format to develop their style and learn how to communicate with crews and talent. Many of those aspiring will never make a full feature film. WHY? It’s hard work. Anyone who has made a feature film can attest to this truth. To work with any real budget you must be a producer’s director. By this I mean able to work within the business limits set by the producer. This ability requires a responsibility by the director to stay on schedule and budget. It requires a self starter who is very motivated throughout the process. A film that has pre-signed distribution must be completed in a pre-determined timeframe. We work towards being tighter and tighter as a production unit because as we continue to enter a distributor/studio relationship we must maintain and improve that reputation of being a reliable source of content.
SUMMARY – Directors must be reliable and time motivated
I have director friends outside CDI whom I’ve done on-camera work with that still hasn’t seen the light of day. (Some almost 15 years) Other’s have been grinding at post-production for years upon years. That’s their accountability to live with to their people. I feel an accountability to my cast and crew along with my investors. Those that do not see that accountability factor makes me sad. Sad because they likely will not work in a true business structure. Others will not thrive because they can’t see beyond personal ambition.
This is hard to grasp but is a secret to at least some of my success.
Let’s see if I can explain – actors tend to think that after years of struggling – once cast – the one film released will make them an instant star – that all the suffering is over. It DOES and CAN happen like that but someone also wins the daily double – daily. It is possible but not good enough odds to build a career from. Actors may not connect with audiences until they get several films down the road. I’ve never had what I would call a home run. Oh, you’re the guy from THAT MOVIE (Home run) but I’ve been a steady base hitter. My market penetration has gotten greater and greater internationally with each film. People have connected/embraced certain roles and so thanks to all of them- I get paid to bring my version of a character to the screen. A major humbling reality from a dreaming kid with a VHS camera who was constantly told he had to grow up someday.
Say when;) That’s for you Tony.
Now directors don’t have as many opportunities as actors. Why? Just numbers. Many cast members and only one director’s chair. From there – quality opportunities are even more scarce. Funding even a quality opportunity is hard. Look at any film school – a room full of directors. Not always true but many do have this desire. How many feature directors in that room? A few perhaps.
Facts I’ve often found to be true with directors
First – Only a few directors will ever actually direct a feature length film. Some may start one but for countless reasons – many don’t finish.
Those that have finished a feature film – they’re in a special club.
Now only a few of these directors who finished had a team behind them that created the quality worthy of distribution. What is that? If X distribution company values your film above and beyond the time and cost required to exploit revenue streams.
One Example for rejected films:
Actor Appreciation – If you view actors as just props and try to replace seasoned talent with volunteers – it will almost always show. If you spend it on cameras spend it on talent. Bad talent shot with a RED EPIC is anything but EPIC. I had to use that camera for the joke. Someone out there is correcting my joke that this or that camera is better…next.
Distributor likes it but do you have the business organization/releases to deliver a film. It can be a bitch – especially to a major studio.
Now pending the performance of their film in the distribution market – many directors will never direct a second feature film.
It can take a few years to put any clout behind a directors name. It will likely take a half dozen films realistically.
The director may just be unwilling to create product that distributors actually want. I do know of several directors that are just working on things they deeply enjoy. Like painting, drawing or any number of creative releases IF it’s just a hobby that’s cool. But you can’t complain about the system. The system is largely set by audiences. Business is catering to their tastes in order to sell them stories.
What happens often when it’s just starting to work –
Like a band – some production outfits start to get rolling and they change too much, too soon. Someone wants to explore their inner blues and Tommy really wanted to try drums. Two lead singers. Before they can establish themselves as a pattern of success – the band breaks up.
Why all this director talk?
We’ve been looking at directors with this slate of CDI films before us. In summary a director must prove himself to a producer’s director and execute product that we’ve identified as something the distributor wants. I like to use the example of a well established film director I know. Most of his films have been with 20th Century Fox. He initially had a film get accepted into Sundance. He got a behind-the-scenes directing gig for a big Hollywood name. Soon an opportunity to direct a studio film came up. He stayed on budget, schedule and people liked the film. He’s often given a choice between two or three projects that the studio has approved. He’s done a few smaller personal films and his clout has allowed that. I see directors who want to grow too fast or get stuck -and can’t take the self-inflicted frustration. They don’t ask themselves the hard questions and accept the real situations. Directors like actors must earn the right to creative freedom in the non-hobby world. It’s not an entitlement that comes with the name tag. It’s a business. You want total freedom? 48 hour film challenges are all over the country. Giddy up:)
SUPPLY AND DEMAND or is that SUPPLY and COMMAND:)
Here at CDI we’re really getting into the business of working with distributors and cutting out the shopping aspect. That’s great for investors because the revenue stream starts sooner and we have financial guarantees from distributors to help protect our investors. This exists because of what I was writing about earlier. Professional dependability and quality of our product is what creates the relationships we enjoy.
If you are exclusively into your scripts – you must bring the money at risk with your story. If you accept this situation and want to turn out quality on schedule and budget maybe a collaboration with CDI is a worthy discussion. Raising the $ an undertaking is only the first big battle. Don’t go inexperienced into important endeavors. Be honest in your accessment of your team.
We’re making films that distributors want and that is the way it will remain. I’m getting too old for spec films/shopping and at higher budget that’s not a responsible action. (Filming without distribution) So I’ve been sitting down with lots of filmmaker/directors. I was happy to sit down with another on Friday. A young man who is paying equal attention to SHOW and BIZ. He has completed his first feature and it has landed initial distribution. It was scary for him being out there facing the rejection. They had enough quality onscreen to pull it above the other films struggling for attention – and because of that, got a good starter deal.
We’ve got both types in CDI – directors with pet projects – that if they bring the bank we’ll make that film on schedule and on budget. Additionally CDI is picking/creating projects based on distribution/marketing meetings.
It is a tough game. We debate these things with ourselves where art and business meet. I enjoy bringing to life other people’s characters/stories. As a writer I love to see my own story brought forth but only if the product is in demand. We make collective art for the collective masses. I know several directors that only get excited by what they pen. If that becomes the routine you better keep writing and get it into development. I think this is on my mind because I was asked twice about directing this week. I don’t “desire” to direct. I don’t want to take an experience and building opportunity from someone really trying to get ahead and would appreciate it beyond words. If you want to see my directing go to indieflix and watch the first three shows of “Supermodel Showdown” – enjoy:) I have enough hats and I’m not looking to direct.
ASHES OF EDEN is holding on our domestic home video street date. We’re in negotiations on a TV deal and so we’re open to adjusting our release pattern. Additionally I’m told it is playing Oct. 17th and 18th at the Sun Theater in Grand Ledge, MI. Check online this week for times.
Funny thing – Also in Grand Ledge, MI – on Oct 15th we’re kicking off a monthly art mixer at Sanctuary Spirits distillery. It’s $5 at the door- starts at 6:00 and at 8:00 (sundown) we will be playing our smoky mountain western that was released by Lionsgate. Come watch “Dean Teaster’s Ghost Town” and mingle- see some of you there!
On November 1st at THE WROUGHT IRON GRILL in Owosso, MI we will be showing BESTSELLER. Author Chris Wright/Johnathan Rand will attend. It will be a nice event at another cool venue brought to you with our friends at RED WHITE and BLUE Project. I’m trying to close on a run at the Alamo theaters in K-Zoo and we are working towards a Detroit area showing.
I’ve been reviewing the KNIGHT CHILLS book that will release with a reissued film. All this is to prep for KNIGHT CHILLS 2 in development. The script is being actively worked on and casting talks have started.
We have kicked up development on CHASING THE STAR which is set to film in Feb 2016. Our talent initially approached thus far have loved the script. This is a follow up to “40 Nights” that is chugging down the post production line. We will be starting music on “40 Nights” soon. VFX work should be finalizing in a few short weeks and color correction can begin. It’s all very exciting. The 3rd film in this trilogy is about half way done. We will have a 1st draft by the end of the month.
I’m enjoying the fall immensely. Next week I will be making a batch of wine I will call RETURN OF THE GREEN GOBLIN. If you’ve been lucky enough to try the GREEN GOBLIN wine you’ll be excited by this news. I also have a new beer brew batch to mix up. I’m healing up nicely from a brutal soccer season. Acting – If the right acting project comes along great – but right now I’m just focusing on our end-of-the-year business and prep for 2016.
I’m going to wind this down but have a great weekend.
It is half time of the MSU game and we’re teaching the Air Force team a thing or two about football. It has been rainy but we are getting back to the nice fall weather. We’re still pulling good from the garden and BLT sandwiches have been great. Tomorrow we have our first round of soccer play-offs. Last week we had a tough game but beat the team 6-4 after losing to them prior by a goal I believe. I had my first goal of the season which was great because I play defense. So we will hit it hard tomorrow and see what happens. We play a very good team. Beatable but very good.
This week was very productive. First, I’m very happy to announce my official first draft of “Chasing the Star” is done. It is the 2nd film in our 3 film deal with Lightworx Entertainment. The 1st movie in the series is “40 Nights” it’s now in post sound. I’m going to start doing some video updates at our distributors request.
The “Chasing the Star” script has the same depth and power that I loved about the first one. And I’ve almost got the third one mapped out. I thought they might be stand alone films and they are BUT…they do connect. I’m excited for a few people from “40 Nights” who might bring roles back in this second film.
A couple of actors who had small parts might be given larger roles in this follow up. We’ve also been looking at and discussing many actors for this film. We are looking mainly in the AZ and CA area whereas talent can drive to our location. Many more crew people will get a 1st look at the script this coming week. Anyway, I’m happy this draft is complete and now some scheduling/budget work can be done.
“Bestseller” is gearing up for an event showing in Owosso, MI take a look here please.
We also have an October 15th event showing of “Dean Teaster’s Ghost Town” in Grand Ledge, MI just outside Lansing. An event page will be forthcoming. We will be doing a movie a month and use the time to interact and meet some of the local film community.
“Ashes of Eden” releases nationally Oct. 13th and we should have word on some of the foreign territories we will be releasing to. Here is one retailer releasing it Oct. 20th
I hope to have home video release dates for everyone on “Donors” and “Bestseller” but we don’t have those yet. “40 Nights” would like to welcome THE GARMAX GROUP for their platinum sponsorship.
You will see their logo in front of the film. We might seek one other promotional sponsor for that opening billing. We are starting to look at some marketing. The licensing management deal is done. Also trying to lock distribution on soundtracks. Always something that needs to move forward on the TO DO list.
We also are closing in on finalizing the financing on a western era script. We have to get it done within a certain timeline or else we have to move it to the other side of “Chasing the Star” but we are pushing. I would love to be playing a rugged role in the fall/winter here in Michigan. It just might happen. We are prepping to play as we speak.
I hope you all enjoy the rest of your weekend and proceed on to a great week ahead.
Yesterday we wrapped yet another motion picture. The term “in the can” doesn’t apply any longer but “on the drives” or some term would. We rolled in here three weeks ago from Michigan and with the collaboration of many artists both sides of the camera we once again did what we do. We finished on budget, on schedule and with this particular film the distribution deal is signed. “40 Nights” will be distributed by Lightworx Entertainment. The faith-based company is operated by Randy Maricle, the former VP of Operations & Marketing at Pureflix. I got to know him over the last few years and I was impressed by how he helped push “Gods Not Dead” into the marketplace. We had a couple of offers on “40 Nights” and while Lightworx not only offered the best deal – they also sweetened the pot. They have entered into a deal for me to write and produce two additional biblical era movies. I think I already know what the second one will be and have a few ideas on the third. But one step at a time. This film will immediately move into post and we have an aggressive release schedule ahead. Our distributor made a trip to the set on one of our big market days and got to see all the extras at work plus the animals. It is the kind of film that both my grandma’s would have truly loved. I think this film will find its way into the hearts of many and be a favorite for years to come. It is EPIC.
So now we wrap up the circus. We are having a wrap cook out today provided by the community who has been extremely supportive of our efforts. I think they saw the magic of what was happening. This film is the second I’ve had shot in this area and I think when it gets cold in the Michigan this might become a destination. I also saw a few great locations for our westerns. So I’m certain that we will be returning to film here in the future.
BESTSELLER music should be getting close to done. I can’t wait to return home to do a watch/listen through that film and get ready for our 1st showings in May. May also looks like it will be the month of the special WICKED SPRING showings in Grand Rapids, Michigan. May is also the National release of ASHES OF EDEN. This stretch into Summer is going to be busy with film releases and premieres. I also heard that DEAD QUIET is making its way through post production looking at fall showings.
We have a commercial project to shoot when I return and otherwise just overseeing all this film flow will be the focus. I also had a couple of acting offers present themselves. Right now I’m thinking about home, family and my own bed:) I’m also in negotiations to write a script for a company later this year so that is always fun. I like writing – just me and my coffee on the patio.
So that is the short recap. I’m very proud of the hard work by all our cast and crew here. Only a pair of longer days due to the desert sun which was our biggest monster. I think when we shoot here next time a month or two earlier will allow things to run even smoother.
Stay tuned for lots of more exciting updates in the weeks ahead!