The chilly fall has settled into Michigan making sipping coffee or hot cider even more enjoyable. Now is when I have to start thinking of the winter ahead. The stuff that will have to be put away and stored. The firewood for the coming snow. Even the change of clothes to heavier layers, is a normal process in Michigan. I think last week we discussed something which was the delay in shooting our next feature by a quarter. The funds are there and so many would want to rush to production, the fun part. But, we’re putting the icing on the cake for a wonderful distribution deal on WILD FAITH. It has been a touch slower since I’ve had the joy of working with the Hollywood agent system. But, in the end it will be worth it and will directly have an effect on the TV series. Upcoming 2019 will see the major organizing of the release and push on the series. We are planning to shoot in Michigan. Likely a series of shows shot in a tight production block. It’s new waters for me so I’m learning something new every day.
Tomorrow we’ll announce via PR our recent Crown Award and the Burbank International Film Fest win for ‘Best Faith Film’ and while I would have loved to have it gone against all the films – they work by genres. But WILD FAITH is just an accurate look at 1870’s life. As the screenwriter I did not add any overdue FAITH. People we’re just more living in tune with their faith during that time period. Life was more wooly and I think people had more life and death encounters be it disease, drought, famine, bear attacks – you get the point. I love the faith and inspirational themes. ROCKY being one of my favorite illustrations of that. On his way to the fight – the father priest throws down and few blessings. Yes. ROCKY could be a faith film and it would have surely won ‘Best Inspirational’ as I’ve seen it inspire masses and I’ve been inspired by that film. My point is, I’ve never set out to make a ‘Faith Film’ and I’ve never set out to not make a ‘Faith Film” – I’ve told a story. Characters in almost all stories are confronted by a situation that tests their faith thus the relatable conflict.
Dorothy in The Wizard of OZ must find her faith. Indiana Jones fights to keep his faith versus his scientific reasoning, Men vs shark in JAWS, puts faith out there to be chewed upon as a topic. I think every film made about mankind has faith woven into it. So, is it that the content must have X amount ‘faith’ in it? Judges in chairs that spin around and hit a button if your film has the required ‘faith’? I appreciate it mostly, the acceptance to our films. But because the story, characters, situations, lessons were all something that were touched upon. That shed a bit of light on our faults projected onto a screen, so we can better understand ourselves. Deep. I know. Occasionally, I feel quite grand with my profession, pride like a good woodworker, or any other artist. Mostly, I still feel like that kid, make believing with my neighborhood friends living out our own STRANGER THINGS life.
I’ve changed some in my screenwriting, I’ve noted. My earlier self was darker, heavier and nihilistic. My mom often questioning, why I kept dying in my films. Now, I’ve always had a funny, lighter side to my personality, ask anyone who really knows me. But, most of my writing came in my moments of solitary. Also writers in Michigan benefit from our long winters but the end result is often PSYCHO or THE SHINING writing in nature. Those previously mentioned films are two of my favorite for the season. Another side note: I do want to do another horror film but it has to be good. By good I mean story. Creating horror films in the handful of story formulas is like a rite of passage. The lovers of that genre cannibalize the artists with dastardly reviews. But meet them in person and they’ve always been very nice. Maybe because they saw you on camera foaming at the mouth and swinging an axe. Anyway, I was saying that I enjoy the laughter and smiles. I recall many showings of WICKED SPRING whereas people wept in the theater. We did that with our story. But I see so much negativity and anxiety with people not coping to our new world. A world where we’re more communication-connected than ever before BUT we’re not. FRIENDS have a new definition thanks to FACEBOOK but my definition stays the same. I want to be part of making people think, smile, laugh and still occasionally cry, if that comes with an enlightenment.
The ‘Faith Film’ anti-goodhousekeeping seal of quality is being shattered as more storytellers (without labels) are returning to tell stories that their grandmother, mothers and fathers would enjoy. Ben Hur (The Original) and Ten Commandments (The Classics) were always on TV when we had our family Thanksgiving, Christmas or Easter gatherings. There are great organizations that are rising to recognize and award this kind of content. I always worry about censorship, we can choose to watch what we want. But if a demand is there, look at the rise in METV, Heroes & Icons, and the rise of the faith market. People are casting their votes with their rentals and purchases. I feel most honored by the online communications from viewers having powerful emotions invoked from our stories. It is a dream to have holidays where the films play and families bond over a watch. My goal is to make a few classics. All of them might not make it but we’ll give our ‘best effort’ every time.
I was reminded yesterday when inquiring about a director whom a close associate had worked with – their last film isn’t done. It hasn’t been completed in a matter of several years. As an actor, I’ve got two films shot in recent years, one a co-starring role, not finished. I’ve got a call, meeting, catch up with a director friend who’s trying to finish one of two projects we did together in the very distant past. It bothers me occasionally talking someone’s new project(s) when those people have loose strings to tie up. There are many films about that don’t interest me as a viewer, but I always tip my hat to finishing. Finishing is a skill needed in this industry, without it, suffering. But it sounds like my old friend is trying to finish, so that’s a good thing.
This week I finished my first solid draft on our next script with BMG entitled LOST HEART. In meetings with our distributor, they really liked a concept made easier that I had written something in the same vein. But I wanted to apply some of the growth I had made mentioned above. Same log line but different script. I had a wonderful time creating this story and it became so alive with characters and a world, other’s will long to visit. Jeff Kennedy and I, my partner in CDI, semi-retired – always had that as a goal. To create a world and invite people inside it. The CDI first five – really helped hone this craft. You have to BELIEVE in the world. Another 2019 goal is to get Jeff Kennedy back into a director’s chair. I have a few good ideas but they will require a good pow wow or two.
MBF has been in editing. They shot a few pick up establishing shots and transitions this week. Always good to do this once you get into the edit and really see what could be added. This film I’m so proud of. It showcases and pleads for better treatment of our war vets and dogs, that can heal us. We continue to release official stills from this film. For now the spotlight is given to…
THE CHRIST SLAYER!
Find our social media site on Facebook – lots of updates.
Part 3 has a bold name. But the title has a meaning that audiences will discover, maybe not what they thought. I’m excited to say that Part 3 of The Quest Trilogy is coming all together. I watched a recent 5k work flow version with 98% VFX. Color Correction and conforming still lie ahead. ADR, music and sound design are steadily under construction. I’ve been working with the distributor and their marketing team as we prepare for release in early 2019. I was really happy with the story, smiling throughout. I love watching artists friends give moving performances. That’s what we want deep down. To captivate and transfer that emotion via story. This will be an exciting watch and so again, catch up – parts 1 (FORTY NIGHTS) & 2 (CHASING THE STAR) on Pureflix, Amazon Prime, Google Play, Christian Cinema, Parables TV….and so on. To our cast and crew, it will be worth the wait.
Okay, time for a pumpkin spice english muffin and another coffee.
Have a great Sunday!
My head is spinning from recent activity and I’m gliding into a much deserved relax mode so I can spend a few moments with all of you. Busy. Very. But nix that I want to talk about FIRE. I’ve had a fascination with fire since and early age. I’m told that fire and clock were two of my earliest words. Interesting…I mean fire is transformation – the sacred change. It is creation and destruction united in a dance. I do appreciate clocks – my favorite might be my one and only Star Wars Force Awakens merchandise. I take that back I was also gifted an R2D2 flash drive. I have the Death Star plans! So the office is finally getting the antique stove installed tomorrow. It has been a couple years in the planning but now it is happening. The office “my fort” is a creative space and the warm fire will add to those fall and winter days and nights.
Okay now we can return back to the other talk of films and such. So we’re about to do what is in a way, my first sequel. I’ve played many characters whom I felt deserved a continued story. JUDGES 2 got stumbled by the passing of Russ Stine who was slated to costar. Alex Kenwood, Mayfair, John (several), Stan Reed, Kendall and even Mason from “The 8th Plague” who died so Germany wanted a prequel. We still may do “Soul Eater” in the future once I find the right director. But the world shown in “40 Nights” is alive and we’re about to go play in it again. This happens right as audiences will be experiencing “40 Nights” on the big and small screen. Early reviews and the reactions from buyers has been very strong. We are starting on the 26th of Feb in Lansing & Grand Rapids Michigan, with screenings at Celebration Cinema.
It will also be hitting the shelves at Walmart on March 5th and other retailers start to get the film around April 5th. But I encourage everyone to experience it on the big screen. The camera work is breathtaking. Kudos to Jesse “Smooth” Aragon.
We’re on the launchpad with the second film in the QUEST TRILOGY “Chasing the Star” – this week we’ll be announcing lots of the talented people onboard. I had a chance to talk to a well known actress who burst on the scene at 21 and has kept a steady flow of films. She is busy getting ready to go film in Peru? We want her for this role and so I sent a sales link to our first film. She said, I’ll watch a few moments so I can have a conversation. She watched the film all the way through to the end, totally drawn into our world. She gave great remarks about all aspects and noted how you could tell the care and craftsmanship that went into the film. WOW! She started too by saying how smoke blowing is not her thing and honest was. I thought I was in for a harsh review but instead accepted praise for the whole team. She badly wants to be in our next film and if she gets back to the USA on schedule that just might happen.
The point is we are doing something right. The business people like us because we stay on schedule, budget and turn out unique art. Why the first is important is so that marketing teams can plan on you in advance. I’ve got a few great director buddies and I’ve never seen them turn something around in 10-12 months. And trying to get them to that playing field would likely cost our friendships.
Speaking of good business – I want to thank our friends at the Garmax Group for again sponsoring and riding with us on “Chasing the Star”
March is “40 Nights” but April is “Ashes of Eden” and “Bestseller” and “Donors” are May. So the ramp up to many releases – pre-production, promotions…you get the busy.
All that said, I’m also looking forward to another outdoor soccer season. My body is healed from a season of demolition derby and running like a 20 year old. Playing soccer weekly in a highly competitive league is my best weekly meditation.
The soundtrack deal is on the table and I have to finish that up. We’re leading off with “40 Nights” and moving down the line. More licensing deals and such will be coming as we make our way through all these deals.
It was great having films like “7 Stones” and “Figure in the Forest” playing on different television channels and people reaching out. I think this year we’ll be licensing the films to more networks and territories.
So IF you can get to one of the Michigan “40 Nights” screenings do so. Here is our newly remastered theatrical trailer –
We’re also working to bring it on the big screen to several other states. Church’s have submitted and asked to license the film at http://www.40nightsthemovie.com you can direct your church or organization there. The films were not designed business-wise to release as major theatrical but after finishing the film – it deserves it. So we’ll keep working it. I do know we are about to set some showings working with our friends in Yuma, AZ. Get ready Champion, it’s almost time.
It is wet and cold in Michigan as the Christmas activities come to a close. It was an enjoyable season despite the lack of a white Christmas. Right up to Christmas eve we were hard at work on “40 Nights” and now the machine has to start back up. We’re trying to deliver the film that first week in Jan. 2016. I’ve seen things I really liked about our flow and a few things that certainly need to change on the second film. “Chasing the Star” is the next film on deck. I had a wonderful Christmas despite a sinus cold that has been chasing me for a week. I think also when I let my guard down and relax some of that internalized grind manifests and well, I’m a little sick.
We had a relaxing Christmas eve and our day was nice with family. It was the first Christmas dinner with my divorced parents since that event. It has been over 15 years not sure how long exactly but it was enjoyable. I use to be more of a lone wolf – workaholic. I’ve rebuilt my home stone with my girl and the pack. We’ve got a lot of love in the household and we saw that over the last couple days. I’m a twice-over uncle thanks to my brother and wife and watching them is always fun. I guess the oldest said my name for the 1st time when I was running out to the car. She was banging on the screen door and saying my name. I look forward to when I actually do hear her say my name.
We had a nice dinner with some of my old school friends from my childhood. My one good friend is looking to RETIRE back to Michigan. I don’t see retirement in my future as I think I will need to create until the end. My mentor Rance Howard is in his 80’s and still working steadily along. That will likely be my path.
As stated “40 Nights” is almost done. As always it is a great undertaking with lots of communication. One of my keys has not done a great job on communication. Usually people don’t want to communicate when they don’t have the right words to say. Usually because they are behind schedule and they don’t have a good excuse for that delay. I continue to create opportunities for new people who have the artistic skill set. The idea is to see if they can operate in the real world. Not fun fan films and such but in the real world where many artists are all working hard to follow the blue print. Well, a few more days and we will see how that all ends up. The work I’ve seen has been wonderful. We will see – a tribe needs chiefs and followers. Some people are not equipped or yet ready to be chiefs.
Let’s talk about one of my challenges. Walmart is placing a big order for “40 Nights” and that is the main reason for our deadline. Walmart created some artwork they liked based upon past success of their marketing team. It shows a Jesus-like figure walking in the wilderness but does not reveal the face. They used a model/art they had which A) Is not me B) Is not our wardrobe – long short is that this will be Walmart’s exclusive cover. I had to accept business over art in this matter. Once the DVD is bought and put in a player or downloaded – we present our art, our story. I also think this will be the first of many, many movie covers over the lifetime of this project. But this one order alone will likely shoot this project into success.
I’m fighting the holiday slow down to see if I can get our “Chasing the Star” up and running in time to shoot before the desert of Yuma becomes unbearable. That is the desire and goal but everything has to happen in an order. Our LLC is formed, our paperwork done and now we have to get the bank account open. No rest:)
As we prepare to enter the new 2016 year it will be many releases – DONORS, ASHES OF EDEN, BESTSELLER and 40 NIGHTS. A couple of films I acted in DIVISION 19 and DEAD QUIET might release in 2016.
I did get some writing done and I’m closing in on finishing two scripts. I’ve enjoyed my few moments with you this morning. My apology for not blogging yesterday. I had a family event and was a little under the weather. I’m going to be back on the horse trying to finish up projects and prep the new ones. I also love to look at my 2015 goals I made in Dec. 2014 and see how close I came. I do this every year and it is good to focus the energies.
I hope you all had a great Holiday season and I wish you a Happy New Year!
It is a peaceful Saturday and I’ve finally gotten a chance to sit down and spend a few moments with all of you. This last week was extremely full of meetings, handing off of materials, in-studio work and many other matters of business. But let’s take a moment to discuss the topic everyone is speaking on.
I think that most of the headlines are currently focused on the terrible happenings in France. We can watch the misery and yet it still feels distant until it hits home. I remember how I felt when one of my best friends from the neighborhood growing up – got caught in that Boston bombing. He suffered some wounds but nothing too severe. I would guess the thoughts of that day would be the worst. But I imagine my pain had he died or lost limbs like so many. We watch on TV these masses of people fleeing savage behavior in their homeland, but imagine it was yours. I wonder where or when we all failed? Where tribes of people with differing beliefs exalted themselves above one another using their religion as justification. I believe if people truly anticipated a final judgement of sorts that was based upon how they lived their lives and treated people – the world could be a better place. So much violence being inflicted over something as simple as differing opinions on paths of faith.
As the possibility of life on other planets becomes more real versus just science fiction – perhaps that will change things. Now some scientists realistically fear attracting higher life forms, like alien hunters. Maybe if another life form started seeing all mankind as something to be harvested, removed or eliminated – maybe our little differences between us would lessen. Religion should be about tradition and something intimate between a person and who/what gives them their peace and purpose. I don’t like to talk judgmental politics or religion – my place is as a storyteller. But violence against innocent people is once again just a horrible example of the worst that mankind has to offer. It’s been happening for a long time to many tribes all over the world. This recent tragedy is just a current reminder of how horrible we can be to one another. If a religion pits people versus people it was likely created by people to serve people – not divinity. If your organized religion endorses this lack of tolerance – question the source.
Enough of that topic. Let’s look at some of the movie updates from the week.
“Ashes of Eden” – Some wonderful PR rolling out this week. That is the extent I’m allowed to talk about it for now.
“Bestseller” – Artwork with the distributor has started and I believe our national street date will be March 2016. Meanwhile we’re traveling to Grayling, MI next. That might be followed by Kalamazoo and the Detroit area.
“Donors” is releasing Feb. 2nd, 2016. EXCITING!
“40 Nights” the distributor and marketing teams have started work on marketing materials. I do believe Wal-Mart is assisting with the marketing art so we know they’re one of the participating retailers. Tomorrow we’ll release the 1st of a series of short teasers. Meanwhile we have music and sound design still full speed ahead. VFX work is finishing up so we can lay it all in and color correct. The next couple weeks we PUSH hard!
The “Chasing the Star” script was the center of meetings this week. We also have been doing a good amount of west coast casting since we’re shooting in AZ. We’ve been excited by some of the reads we’ve seen and we’ll be announcing some new casting choices this week. The business paperwork will be signed this month and we’ll start putting paper under people next month. In time for a Merry Christmas with this Christmas themed film.
I’ve got final paperwork for the distribution of the “Knight Chills” book and film. A comic book/graphic novel could also go into play. The sequel script is being worked on and may get some attention once I finish this. “From Venus” might also get this treatment.
“An Ordinary Killer” is getting remastered to prepare for a re-release. It will be the film showing Nov. 19th at our Sanctuary Spirits mixer. That is in Grand Ledge, MI and there is an event page on Facebook.
If you want to come meet some other actors, filmmakers and enjoy great distilled spirits come join us.
Lastly, I’ve got an NDA to sign and return. I’ve got a company sending me a book and script for an upcoming 2016 project. We will see:) I’m excited about the 2016 CDI western we’re doing with “40 Nights” director Jesse Low. Overall, I’m trying to have a productive end to 2015 and get ready for a great 2016!
Have a great weekend and be good to one another.
It is a beautiful afternoon here in Michigan. I had a good week overall despite going to two memorials for friends that had lost parents. Conversely, I just found out that a buddy of mine (Casey Sweaten) had a baby boy – well, not him…you understand. So the circle of life is in full motion this week with life and death. I guess this leads me into a few other thoughts I’ve had this week.
I know many directors out there. Many are doing short format to develop their style and learn how to communicate with crews and talent. Many of those aspiring will never make a full feature film. WHY? It’s hard work. Anyone who has made a feature film can attest to this truth. To work with any real budget you must be a producer’s director. By this I mean able to work within the business limits set by the producer. This ability requires a responsibility by the director to stay on schedule and budget. It requires a self starter who is very motivated throughout the process. A film that has pre-signed distribution must be completed in a pre-determined timeframe. We work towards being tighter and tighter as a production unit because as we continue to enter a distributor/studio relationship we must maintain and improve that reputation of being a reliable source of content.
SUMMARY – Directors must be reliable and time motivated
I have director friends outside CDI whom I’ve done on-camera work with that still hasn’t seen the light of day. (Some almost 15 years) Other’s have been grinding at post-production for years upon years. That’s their accountability to live with to their people. I feel an accountability to my cast and crew along with my investors. Those that do not see that accountability factor makes me sad. Sad because they likely will not work in a true business structure. Others will not thrive because they can’t see beyond personal ambition.
This is hard to grasp but is a secret to at least some of my success.
Let’s see if I can explain – actors tend to think that after years of struggling – once cast – the one film released will make them an instant star – that all the suffering is over. It DOES and CAN happen like that but someone also wins the daily double – daily. It is possible but not good enough odds to build a career from. Actors may not connect with audiences until they get several films down the road. I’ve never had what I would call a home run. Oh, you’re the guy from THAT MOVIE (Home run) but I’ve been a steady base hitter. My market penetration has gotten greater and greater internationally with each film. People have connected/embraced certain roles and so thanks to all of them- I get paid to bring my version of a character to the screen. A major humbling reality from a dreaming kid with a VHS camera who was constantly told he had to grow up someday.
Say when;) That’s for you Tony.
Now directors don’t have as many opportunities as actors. Why? Just numbers. Many cast members and only one director’s chair. From there – quality opportunities are even more scarce. Funding even a quality opportunity is hard. Look at any film school – a room full of directors. Not always true but many do have this desire. How many feature directors in that room? A few perhaps.
Facts I’ve often found to be true with directors
First – Only a few directors will ever actually direct a feature length film. Some may start one but for countless reasons – many don’t finish.
Those that have finished a feature film – they’re in a special club.
Now only a few of these directors who finished had a team behind them that created the quality worthy of distribution. What is that? If X distribution company values your film above and beyond the time and cost required to exploit revenue streams.
One Example for rejected films:
Actor Appreciation – If you view actors as just props and try to replace seasoned talent with volunteers – it will almost always show. If you spend it on cameras spend it on talent. Bad talent shot with a RED EPIC is anything but EPIC. I had to use that camera for the joke. Someone out there is correcting my joke that this or that camera is better…next.
Distributor likes it but do you have the business organization/releases to deliver a film. It can be a bitch – especially to a major studio.
Now pending the performance of their film in the distribution market – many directors will never direct a second feature film.
It can take a few years to put any clout behind a directors name. It will likely take a half dozen films realistically.
The director may just be unwilling to create product that distributors actually want. I do know of several directors that are just working on things they deeply enjoy. Like painting, drawing or any number of creative releases IF it’s just a hobby that’s cool. But you can’t complain about the system. The system is largely set by audiences. Business is catering to their tastes in order to sell them stories.
What happens often when it’s just starting to work –
Like a band – some production outfits start to get rolling and they change too much, too soon. Someone wants to explore their inner blues and Tommy really wanted to try drums. Two lead singers. Before they can establish themselves as a pattern of success – the band breaks up.
Why all this director talk?
We’ve been looking at directors with this slate of CDI films before us. In summary a director must prove himself to a producer’s director and execute product that we’ve identified as something the distributor wants. I like to use the example of a well established film director I know. Most of his films have been with 20th Century Fox. He initially had a film get accepted into Sundance. He got a behind-the-scenes directing gig for a big Hollywood name. Soon an opportunity to direct a studio film came up. He stayed on budget, schedule and people liked the film. He’s often given a choice between two or three projects that the studio has approved. He’s done a few smaller personal films and his clout has allowed that. I see directors who want to grow too fast or get stuck -and can’t take the self-inflicted frustration. They don’t ask themselves the hard questions and accept the real situations. Directors like actors must earn the right to creative freedom in the non-hobby world. It’s not an entitlement that comes with the name tag. It’s a business. You want total freedom? 48 hour film challenges are all over the country. Giddy up:)
SUPPLY AND DEMAND or is that SUPPLY and COMMAND:)
Here at CDI we’re really getting into the business of working with distributors and cutting out the shopping aspect. That’s great for investors because the revenue stream starts sooner and we have financial guarantees from distributors to help protect our investors. This exists because of what I was writing about earlier. Professional dependability and quality of our product is what creates the relationships we enjoy.
If you are exclusively into your scripts – you must bring the money at risk with your story. If you accept this situation and want to turn out quality on schedule and budget maybe a collaboration with CDI is a worthy discussion. Raising the $ an undertaking is only the first big battle. Don’t go inexperienced into important endeavors. Be honest in your accessment of your team.
We’re making films that distributors want and that is the way it will remain. I’m getting too old for spec films/shopping and at higher budget that’s not a responsible action. (Filming without distribution) So I’ve been sitting down with lots of filmmaker/directors. I was happy to sit down with another on Friday. A young man who is paying equal attention to SHOW and BIZ. He has completed his first feature and it has landed initial distribution. It was scary for him being out there facing the rejection. They had enough quality onscreen to pull it above the other films struggling for attention – and because of that, got a good starter deal.
We’ve got both types in CDI – directors with pet projects – that if they bring the bank we’ll make that film on schedule and on budget. Additionally CDI is picking/creating projects based on distribution/marketing meetings.
It is a tough game. We debate these things with ourselves where art and business meet. I enjoy bringing to life other people’s characters/stories. As a writer I love to see my own story brought forth but only if the product is in demand. We make collective art for the collective masses. I know several directors that only get excited by what they pen. If that becomes the routine you better keep writing and get it into development. I think this is on my mind because I was asked twice about directing this week. I don’t “desire” to direct. I don’t want to take an experience and building opportunity from someone really trying to get ahead and would appreciate it beyond words. If you want to see my directing go to indieflix and watch the first three shows of “Supermodel Showdown” – enjoy:) I have enough hats and I’m not looking to direct.
ASHES OF EDEN is holding on our domestic home video street date. We’re in negotiations on a TV deal and so we’re open to adjusting our release pattern. Additionally I’m told it is playing Oct. 17th and 18th at the Sun Theater in Grand Ledge, MI. Check online this week for times.
Funny thing – Also in Grand Ledge, MI – on Oct 15th we’re kicking off a monthly art mixer at Sanctuary Spirits distillery. It’s $5 at the door- starts at 6:00 and at 8:00 (sundown) we will be playing our smoky mountain western that was released by Lionsgate. Come watch “Dean Teaster’s Ghost Town” and mingle- see some of you there!
On November 1st at THE WROUGHT IRON GRILL in Owosso, MI we will be showing BESTSELLER. Author Chris Wright/Johnathan Rand will attend. It will be a nice event at another cool venue brought to you with our friends at RED WHITE and BLUE Project. I’m trying to close on a run at the Alamo theaters in K-Zoo and we are working towards a Detroit area showing.
I’ve been reviewing the KNIGHT CHILLS book that will release with a reissued film. All this is to prep for KNIGHT CHILLS 2 in development. The script is being actively worked on and casting talks have started.
We have kicked up development on CHASING THE STAR which is set to film in Feb 2016. Our talent initially approached thus far have loved the script. This is a follow up to “40 Nights” that is chugging down the post production line. We will be starting music on “40 Nights” soon. VFX work should be finalizing in a few short weeks and color correction can begin. It’s all very exciting. The 3rd film in this trilogy is about half way done. We will have a 1st draft by the end of the month.
I’m enjoying the fall immensely. Next week I will be making a batch of wine I will call RETURN OF THE GREEN GOBLIN. If you’ve been lucky enough to try the GREEN GOBLIN wine you’ll be excited by this news. I also have a new beer brew batch to mix up. I’m healing up nicely from a brutal soccer season. Acting – If the right acting project comes along great – but right now I’m just focusing on our end-of-the-year business and prep for 2016.
I’m going to wind this down but have a great weekend.