A light dusting of snow covers the ground and I’m sipping at the hazelnut coffee (not sponsored yet) and reflecting back on my busy week. I want to welcome our Romanian and Indian readers to the blog. On the Indian front we’re having some great conversations about getting some of the CDI films there and also about a few collaborations on scripts we have.
Speaking of sponsors – Maple Holistics approached me about possible endorsement. I have a select list of products that I’ve got deals with. These often are passed down to our cast and crew in the form of gifts such as our awesome product from The Candleberry Company. I used the tea tree shampoo for this past week and I have to say I like it. I liked the texture, the tingle and it left my hair feeling very clean. You too can try for yourself and they’ve provided me a link below. Enjoy. Tell them DJ Perry sent you:)
I’m sipping coffee on this peaceful Sunday. Beside me is a new 5 gal of Green Goblin 3.0 wine started on Halloween and by 11/4 on the full moon it was bubbling like a possessed spirit had invaded it. See what I did there? The spirit, okay back to the blog. New readers/followers from The Netherlands, welcome. Readers from Israel has been following us and again, thank you. I love this space – open for artists to stop by and listen to a story or two. To get a few updates and let you know that these battles we fight to create our art are natural. Part of the process of healing people with the power of a story. A medium that weaves so many emotions through so many of the human senses.
David Gries in THE CHRIST SLAYER
It’s been a strong week of organization and prepping to move into 2018. New announcements on MBF, our next CDI film. We added David Gries and Shane Hagedorn two other fine artists. I’ve worked with both of them and these roles are in caring hands. March will be a nice mix of old and new talent working together. This coming week I plan to open the bank account. Small steps on the path to production.
THE QUEST TRILOGY
American Film Market is underway and BMG has Forty Nights and Chasing the Star there right now. We made some announcements that the films were making their way to the UK. I also see evidence that Asia might be getting the films next. I was notified of a Singapore government ratings for Forty Nights. I will seek to confirm but I really do hope that our fans to the East can enjoy these beautiful films.
Domestically our recent goal now that we’re past Halloween, has been making people aware of the first two films in the marketplace for Christmas. Amazon Prime now has both FORTY NIGHTS and CHASING THE STAR. Watch them back to back and if you enjoyed them give them a little word of mouth or post a review. I think those films are just starting to travel a long journey of being exposed to artists worldwide.
THE CHRIST SLAYER is the 3rd film in the trilogy and it’s moving right along. We released a still of it being worked on in post VFX. (Here)
This third film will bring things together nicely. The poster is on the 3rd draft and getting stronger with each one. This film is preparing to enter music and sound design in Jan 2018.
For that to go in WILD FAITH needs to come out. The music first draft is DONE save tweaks and end credit roll. We’ll start putting that together now. I have high hopes that once the film is done the full merit of a series will be seen. We’re soon to sit and watch the film with the music in. Right now mixing and balancing is underway. The 10 sec of remaining VFX footage is what we’re dealing with still. But the plan is in motion and I’m confident we’ll complete that shortly.
We’ve also been delivering materials to our distributor for WICKED SPRING. It is an interesting feeling bringing that film to the forefront again. I did that role 17 years ago. Crazy. KNIGHT CHILLS had a new release with the book this year and that is a great little Christmas story. I’m smiling – but I will admit for people who have not been exposed to my work having KNIGHT CHILLS, FROM VENUS or IN THE WOODS be your intro is…scary. Zac, Frank and Alex are all great roles just not current representations. These films like others have gathered fans to which again I’m appreciative. My debate as of late was to accept invitations to participate in Comic Cons on occasion to celebrate these old works. I guess as I pondered it I got a touch of insight into Jeff Daniels who wants to be known for his dramatic excellence but people often just remember DUMB & DUMBER. How many sick, lonely, troubled and just bored people did that film make laugh? Giving relief by way of 90 mins of humor. Who are we to judge what people will enjoy? Hence art is subjective. Also some of these early films had so many rocks thrown at them. Some justified but many just the rise of the troll in this new medium of inter-webs:) I still hear the AOL dial-up. But if people can embrace these films more power to them. At the 15th anniversary to sit in the Alamo theater (Kazoo) and watch people shout, laugh and play the drinking game associated with IN THE WOODS was a joy. As we move through the present towards the future we must always make peace with our past. I’m getting there. I’m looking into the “Appearance circuit” although I’ve always wanted people to see the characters before the actor. I have met thousands of fans over the years and I’m appreciative. Although I don’t appear at many of these events it’s because of new work. I had a distributor friend ask if I was going to be at AFM. (Film Market) Actually I’ve had many ask. I told this person I was in MI overseeing post on two films while we prep for our new one. I would like to attend an AFM in the near future.
In addition to MBF prep we’ve been reviewing and looking at several other CDI & CDI associated projects. I think we’re preparing for another strong slate on films. As always I really do appreciate you stopping by. I hope the season is productive and wish you all a strong week ahead.
Last night I enjoyed watching a pre-season Lions game while doing some work. This past week was very home-centric since my furry boy came home from the MSU hospital after an extended stay. We held meetings in the house vs the office so I could keep an eye on my buddy. I’m happy to report he had a really good week and is recovering in his own home. It did allow me to focus on the paperwork and get a lot of stuff done.
We’re making a run at setting up a new film to shoot this fall. While the business paperwork has been getting organized our team has been locking locations and doing some initial casting. We’re first reaching out to our large circle of talent and trying to identify the right talent for a part. I’ve enjoyed meeting a few new actors and/or watching their work. The film working title MBF has strong themes of our military vets and shelter dogs. The reaction to the script has been strong and we’ve got our distribution deal in place. I love filmmaking in the fall and we’ll see if we’re meant to go this autumn.
This week I do start a new batch of wine that is bubbling up a storm. It is rhubarb and mulberries I harvested. I’ve wanted to make a wine with rhubarb for a while now since my grandma use to grow and cook with it often. So ‘Ida’s Wine’ is underway. The garden has been giving tomatoes and beans in abundance. Will we see a Green Gobin 3 batch? Perhaps:) The HOPS are also looking really good this year.
The Quest Trilogy
Forty Nights will be pushed with the second film Chasing the Star starting in September. For those outside the business – September is the start of the Christmas push for product.
Here is a nice review for “Forty Nights/40 Nights”
And a brand new review for “Chasing the Star”
Stay tune for new pre-sale DVD sites!
The Christ Slayer – as said above when the title cards read coming Christmas 2018 that means a home video release in September. Before that we’ll do a theatrical run as wide as we can. These films were not set up as theatrical as a business deal but they do play great on the big screen.
We’ve played with many posters and are getting close just have not gotten the right first image. The music is being composed and VFX is being worked on. It is looking like we’ll finish this film end of the year. If time permits we’ll try to do a cast and crew screening. In 2018 we’ll do some theatrical and lock the home video release. We are in talks on the TV series and so a few things are still up in the air. But the film looks great and I’m excited to show audiences. Our trailer is making its way into ‘western’ and ‘Civil War’ circles of interest. A behind the season teaser should finally be ready to show this week. (Fingers crossed)
Aside from all this business we’re getting ready to put the final top layer of shake siding on the office/fort. It was being painted this weekend (forest green) to match the roof. I have another soccer match this afternoon to battle one of the top teams. We’ve had a good second half of the season with only one loss. I’m looking forward to next week and making some good progress on our endeavors. As a last note it was cool to see “Wicked Spring” playing Parables TV last night. We produced that film 17 years ago and to see audiences still enjoying it makes me feel good. I think we’re creating some classics now that audiences will be enjoying for decades to come. That is the conclusion I’ve come to recently. If I’m going to spend moments of my life developing, producing these films I want to reach high for quality. Now enjoyment of a storyline can be subjective but quality of production is undeniable. Okay, be good to one another. Time to finish off the coffee pot.
Thank you for your time.
On this day we remember our stories about where we were at when the 9/11 attacks happened. I remember that I was having a morning much like today – hazelnut coffee, chill music and doing some film work. Dean Teaster called me to ask if I was watching TV, to which I said I wasn’t. I turned on to see one tower on fire and replays of the impact. BOOM! Another plane impact and we all know the story of the other planes. I remember MaryJo Cuppone’s flight attendant friend died in one of the planes. I remember Ed Schaefer in NYC being in the street dust after the impact. Killing is not divine. Hate is a choice. We are all neighbors in this world.
It has been a whirlwind of film activity. As we get ready to review some of the first numbers on “40 Nights” I’m proud of the growing base of viewers. The film did not roll out with huge fanfare but has become a film you hear about – you hear good things about and you seek it out. Here is one of my favorite reviews.
If you watched this film and enjoyed it – reach out and share it with someone.
Chasing the Star – the 2nd film in The Quest Trilogy has a first trailer which is still getting a polish. I expect we will roll out a new poster here soon. The music is almost complete and VFX has started. Our friends from CHOP & HUE have also joined the project – making this their second film with us.
The Christ Slayer – As soon as “Wild Faith” ship is out to sea I will start putting the business together on our third film in our trilogy. I’m actively looking at directors and speaking to talent and keys. We will look to shoot in the spring in AZ.
Our midWestern “Wild Faith” is loading the ship as I like to call it. The foundation work is well underway and this week we’ll open the account and start to prepare for the journey. We’ve identified most of our artist sailors of our cast and crew. This week we will finalize that process. I’m excited also by the idea of an ongoing TV series because of the great talent. I have ideas for many guest stars including many of your favorite legends of the genre. It looks like Mr. Darby Hinton will be joining our cast. He has a long impressive list of TV & film but many love him from Daniel Boone still playing strong on 3 networks right now. We also have a list of extremely talented actors from Michigan joining our cast. We’ll be announcing more of these cast and crew as we start signing deals.
Well, MSU is off this weekend. The Lions play in a few hours and so I’m going to get some additional work done around the yard. The garden is full and needs to be harvested. Speaking of, I bottled 2 cases of “Return of the Green Goblin” that came from last years harvest. I’ve been dealing with this mega beard during our humid heat but now we’re in a beautiful cool phase. Tonight I may even make a fire. Enjoy the remaining weekend and be good to one another.
Two days ago I was thinking about turning soil in the garden and also doing some training for soccer season. We had a flurry of snow the other night and that continues today. So the office wood stove has been getting a work out and I love the smell and vibe it puts out. I have a few more things to do to the office/fort this year but I was really happy to get the stove in.
When shooting “Chasing the Star” in Corunna, MI I was surprised to find a brew store at this little gas station sized store. I ended up getting some green foil tops for my upcoming bottling of “THE RETURN OF THE GREEN GOBLIN” an October wine. I will let it age until the fall – this summer will be some “Tropic Thunder” (Banana/Coconut) sipping.
Speaking of CTS (Chasing the Star) we’ve been wrapping up paperwork and books while the master audio and visuals are being married. Editing should start this upcoming week and also work on a first teaser will begin. Several key meetings happening this week and really just making that full shift into post-production.
“40 Nights” has been a fun project to watch roll out into the marketplace including Walmart. I really feel that film will speak to people – not just church going folk but many people. It is a beautiful piece of art thanks to the stunning landscapes provided by Yuma, AZ. A lot of people worked hard on that film and I’m happy to see audiences get a watch. The feedback thus far has been very strong and I’m happy people are connecting with it.
Promotion – “Donors” DVD snuck into the marketplace in Feb. and we’re prepping for the April digital release. “Bestseller” will be releasing on DVD in May and so we will start promotions on that film soon.
“Ashes of Eden” and “40 Nights” promotion will continue with possibly some foreign and other event showings.
“Dead Quiet,” “District 19,” and “The Terrorist” are still out there and I’m sure will announce distribution developments.
Location scouting and director talks on the 3rd film in the QUEST TRILOGY have begun. A final polish on the script this week.
Our CDI/Jesse Low project for the fall will start having meetings. I look forward to producing this Michigan based 1800’s story. There is talk of this being an on-going TV series.
I will be looking for a project perhaps just to act in this summer. I have a few films in talks but that always depends on their ducks lining up properly.
I have decided that I’m going to start pushing my writing aka selling scripts. I’ve been paid to turn a few books into scripts. I’ve had books written from my scripts. I’ve sold a few scripts and had a few produced here at CDI. I also have a few scripts that I could just sell. Those scripts are ones that I have no immediate plans to produce. I do also enjoy seeing others interpret my words be it by an actor, director or company. I will explore this path more.
I’m off to get some things done. Enjoy your day and may your week ahead be productive!
It is a beautiful afternoon here in Michigan. I had a good week overall despite going to two memorials for friends that had lost parents. Conversely, I just found out that a buddy of mine (Casey Sweaten) had a baby boy – well, not him…you understand. So the circle of life is in full motion this week with life and death. I guess this leads me into a few other thoughts I’ve had this week.
I know many directors out there. Many are doing short format to develop their style and learn how to communicate with crews and talent. Many of those aspiring will never make a full feature film. WHY? It’s hard work. Anyone who has made a feature film can attest to this truth. To work with any real budget you must be a producer’s director. By this I mean able to work within the business limits set by the producer. This ability requires a responsibility by the director to stay on schedule and budget. It requires a self starter who is very motivated throughout the process. A film that has pre-signed distribution must be completed in a pre-determined timeframe. We work towards being tighter and tighter as a production unit because as we continue to enter a distributor/studio relationship we must maintain and improve that reputation of being a reliable source of content.
SUMMARY – Directors must be reliable and time motivated
I have director friends outside CDI whom I’ve done on-camera work with that still hasn’t seen the light of day. (Some almost 15 years) Other’s have been grinding at post-production for years upon years. That’s their accountability to live with to their people. I feel an accountability to my cast and crew along with my investors. Those that do not see that accountability factor makes me sad. Sad because they likely will not work in a true business structure. Others will not thrive because they can’t see beyond personal ambition.
This is hard to grasp but is a secret to at least some of my success.
Let’s see if I can explain – actors tend to think that after years of struggling – once cast – the one film released will make them an instant star – that all the suffering is over. It DOES and CAN happen like that but someone also wins the daily double – daily. It is possible but not good enough odds to build a career from. Actors may not connect with audiences until they get several films down the road. I’ve never had what I would call a home run. Oh, you’re the guy from THAT MOVIE (Home run) but I’ve been a steady base hitter. My market penetration has gotten greater and greater internationally with each film. People have connected/embraced certain roles and so thanks to all of them- I get paid to bring my version of a character to the screen. A major humbling reality from a dreaming kid with a VHS camera who was constantly told he had to grow up someday.
Say when;) That’s for you Tony.
Now directors don’t have as many opportunities as actors. Why? Just numbers. Many cast members and only one director’s chair. From there – quality opportunities are even more scarce. Funding even a quality opportunity is hard. Look at any film school – a room full of directors. Not always true but many do have this desire. How many feature directors in that room? A few perhaps.
Facts I’ve often found to be true with directors
First – Only a few directors will ever actually direct a feature length film. Some may start one but for countless reasons – many don’t finish.
Those that have finished a feature film – they’re in a special club.
Now only a few of these directors who finished had a team behind them that created the quality worthy of distribution. What is that? If X distribution company values your film above and beyond the time and cost required to exploit revenue streams.
One Example for rejected films:
Actor Appreciation – If you view actors as just props and try to replace seasoned talent with volunteers – it will almost always show. If you spend it on cameras spend it on talent. Bad talent shot with a RED EPIC is anything but EPIC. I had to use that camera for the joke. Someone out there is correcting my joke that this or that camera is better…next.
Distributor likes it but do you have the business organization/releases to deliver a film. It can be a bitch – especially to a major studio.
Now pending the performance of their film in the distribution market – many directors will never direct a second feature film.
It can take a few years to put any clout behind a directors name. It will likely take a half dozen films realistically.
The director may just be unwilling to create product that distributors actually want. I do know of several directors that are just working on things they deeply enjoy. Like painting, drawing or any number of creative releases IF it’s just a hobby that’s cool. But you can’t complain about the system. The system is largely set by audiences. Business is catering to their tastes in order to sell them stories.
What happens often when it’s just starting to work –
Like a band – some production outfits start to get rolling and they change too much, too soon. Someone wants to explore their inner blues and Tommy really wanted to try drums. Two lead singers. Before they can establish themselves as a pattern of success – the band breaks up.
Why all this director talk?
We’ve been looking at directors with this slate of CDI films before us. In summary a director must prove himself to a producer’s director and execute product that we’ve identified as something the distributor wants. I like to use the example of a well established film director I know. Most of his films have been with 20th Century Fox. He initially had a film get accepted into Sundance. He got a behind-the-scenes directing gig for a big Hollywood name. Soon an opportunity to direct a studio film came up. He stayed on budget, schedule and people liked the film. He’s often given a choice between two or three projects that the studio has approved. He’s done a few smaller personal films and his clout has allowed that. I see directors who want to grow too fast or get stuck -and can’t take the self-inflicted frustration. They don’t ask themselves the hard questions and accept the real situations. Directors like actors must earn the right to creative freedom in the non-hobby world. It’s not an entitlement that comes with the name tag. It’s a business. You want total freedom? 48 hour film challenges are all over the country. Giddy up:)
SUPPLY AND DEMAND or is that SUPPLY and COMMAND:)
Here at CDI we’re really getting into the business of working with distributors and cutting out the shopping aspect. That’s great for investors because the revenue stream starts sooner and we have financial guarantees from distributors to help protect our investors. This exists because of what I was writing about earlier. Professional dependability and quality of our product is what creates the relationships we enjoy.
If you are exclusively into your scripts – you must bring the money at risk with your story. If you accept this situation and want to turn out quality on schedule and budget maybe a collaboration with CDI is a worthy discussion. Raising the $ an undertaking is only the first big battle. Don’t go inexperienced into important endeavors. Be honest in your accessment of your team.
We’re making films that distributors want and that is the way it will remain. I’m getting too old for spec films/shopping and at higher budget that’s not a responsible action. (Filming without distribution) So I’ve been sitting down with lots of filmmaker/directors. I was happy to sit down with another on Friday. A young man who is paying equal attention to SHOW and BIZ. He has completed his first feature and it has landed initial distribution. It was scary for him being out there facing the rejection. They had enough quality onscreen to pull it above the other films struggling for attention – and because of that, got a good starter deal.
We’ve got both types in CDI – directors with pet projects – that if they bring the bank we’ll make that film on schedule and on budget. Additionally CDI is picking/creating projects based on distribution/marketing meetings.
It is a tough game. We debate these things with ourselves where art and business meet. I enjoy bringing to life other people’s characters/stories. As a writer I love to see my own story brought forth but only if the product is in demand. We make collective art for the collective masses. I know several directors that only get excited by what they pen. If that becomes the routine you better keep writing and get it into development. I think this is on my mind because I was asked twice about directing this week. I don’t “desire” to direct. I don’t want to take an experience and building opportunity from someone really trying to get ahead and would appreciate it beyond words. If you want to see my directing go to indieflix and watch the first three shows of “Supermodel Showdown” – enjoy:) I have enough hats and I’m not looking to direct.
ASHES OF EDEN is holding on our domestic home video street date. We’re in negotiations on a TV deal and so we’re open to adjusting our release pattern. Additionally I’m told it is playing Oct. 17th and 18th at the Sun Theater in Grand Ledge, MI. Check online this week for times.
Funny thing – Also in Grand Ledge, MI – on Oct 15th we’re kicking off a monthly art mixer at Sanctuary Spirits distillery. It’s $5 at the door- starts at 6:00 and at 8:00 (sundown) we will be playing our smoky mountain western that was released by Lionsgate. Come watch “Dean Teaster’s Ghost Town” and mingle- see some of you there!
On November 1st at THE WROUGHT IRON GRILL in Owosso, MI we will be showing BESTSELLER. Author Chris Wright/Johnathan Rand will attend. It will be a nice event at another cool venue brought to you with our friends at RED WHITE and BLUE Project. I’m trying to close on a run at the Alamo theaters in K-Zoo and we are working towards a Detroit area showing.
I’ve been reviewing the KNIGHT CHILLS book that will release with a reissued film. All this is to prep for KNIGHT CHILLS 2 in development. The script is being actively worked on and casting talks have started.
We have kicked up development on CHASING THE STAR which is set to film in Feb 2016. Our talent initially approached thus far have loved the script. This is a follow up to “40 Nights” that is chugging down the post production line. We will be starting music on “40 Nights” soon. VFX work should be finalizing in a few short weeks and color correction can begin. It’s all very exciting. The 3rd film in this trilogy is about half way done. We will have a 1st draft by the end of the month.
I’m enjoying the fall immensely. Next week I will be making a batch of wine I will call RETURN OF THE GREEN GOBLIN. If you’ve been lucky enough to try the GREEN GOBLIN wine you’ll be excited by this news. I also have a new beer brew batch to mix up. I’m healing up nicely from a brutal soccer season. Acting – If the right acting project comes along great – but right now I’m just focusing on our end-of-the-year business and prep for 2016.
I’m going to wind this down but have a great weekend.