Hello Germany! And CDI Updates Across the Board.

(HELLO Germany!)
Good morning! I don’t know what caused the surge in views in Germany but I sure hope they hear my plea to have SILENT NIGHT IN ALGONA play there. Or have a distributor open-minded enough to want to license the film. It is a WW2 (wait don’t run!) film that takes a more even look at the events. It is a based on the true story of German PW’s held here in the USA midwest. Hundreds of thousands kept here during the war. Most farmers and citizens forced to fight who surrendered versus facing sure death. It doesn’t white wash some of the “evils” but also explains how not all were involved and even Germans had much to fear if orders were not followed. I know the feelings of many Germans because we have German investors who wanted to get this story out. Our distributor has had trouble getting a German distributor to bite and trust me I understand. The USA from slavery to Native Indian treatment has its own evils. But I assure everyone the story is beautiful and unifying if nothing else. So how or why we had such a surge of German viewers is unknown. I’ve had several films released there and I have German ancestors myself. But if you read this please do seek out our WW2 drama and let me know your thoughts here. I was the screenwriter and supervising producer as well as playing the camp’s commanding officer. The film is playing TV here in the USA and is available to rent and buy on multiple platforms. It will be going to free ad based watching mid year. I hope this is a film everyone can watch and take something away.
Although it is snowy outside and cold Easter will be coming soon. In 2026 part 1: FORTY NIGHTS will be ten years old. I’m slowly working on a book that would be about the making of the trilogy. Part 2: CHASING THE STAR and Part 3: THE CHRIST SLAYER. I think the name of part 3 turned some away but I assure you it has heart and meaning. I’m also looking to see these three films packaged into a special Blu Ray box set. I have to see if the distributor plans to do anything of the sort or I will look to have it done elsewhere. I want to encourage everyone this season to go to Youtube ENCOURAGE TV and watch all three in order for free. I still love to watch if I’m having a down moment in life. There is beautiful camera work and great points to ponder.
Harsens Island Revenge had a big screen test to see if any visual tweaks needed or wanted to be fixed. It played so well on the big screen and our test group only found a few tweaks which this weekend were being corrected. And this week our director Carl Weyant and post supervisor Dennis Therrian will do the last audio review on the 5.1 mix. From there we are ready to deliver. That means 4k version rendered. I will be reviewing the home video agreement and theatrical at week’s end. We will start looking at all the premieres we want to do will following theatrical runs.
WILD FAITH CHRISTMAS – At the large screen showing of Harsens Island Revenge we were treated to a first look at the rough WFXmas trailer. It was nostalgic and powerful to see the old faces and the new ones. Also the beautiful camera work and results from our hard work in November of last year. The film is looking to lock visual and move to music and sound design at the end of the month.
Speaking of that beautiful camera work in those above two films- Travis Hayward was the artist behind the camera. He has handed the camera work to John McGraw as the Director of Photography and sat firmly in the directors chair for ROM COMS MUST DIE. (RCMD) This dark comedy makes fun of both the romantic comedy and horror genres in the best way. This week we start our in-studio days and if it is anywhere as fun as the first block, excitement awaits. I’m enjoying my return to the genre and in a fun way versus the dark intensity of past films like THE 8th PLAGUE or BESTSELLER. So seek out our Facebook page and follow all the progress on this fun film.
Speaking of horror genre which so graciously gave me my start. IN THE WOODS my first creature feature is now on Blu Ray with streaming planned for later in the year. (Likely Oct) AND CDI’s first film a PG-13 slasher KNIGHT CHILLS just hit the streaming market for the first time ever. Both have books and other fun stuff that is releasing with it. Right now the snow is causing internet issues but the film is streaming on #FREE4ALL on Youtube! More platforms will come on line but I’ve watched this one. It is remastered and for a 90’s film it holds up all right. So if Dungeons and Dragons and Sword and Sorcery is your thing, take a watch. If firefighters battling monsters is your thing but the Blu Ray!
MISC OTHER: I’ve been wrapping up end-of-the-year movie tax stuff and finally have almost have my personal tax stuff ready to send in. There is a lot of things to do with small business and I’ve grown to embrace it. It is what keeps me from working a job I don’t enjoy. So I’m smiling and doing the desk work which is made easier by the freezing temps outside. Not much else to do. But we have Corp Filings and K1’s to investors forthcoming but the 1099’s are all out.
I’m looking forward to returning to script writing. I want to finish the last couple WILD FAITH HASTINGS show adjustments. I need to circle back on a few of the writing opportunities and see if any are ready to move ahead. I also have a few scripts I want to pour out of my head. But this week I’ll focus on the final days of this role. FUN FACT: Kay Burch who is DJ Burch (One of our young Wild Faith Christmas leads) mom is in our current film. When he saw me at first without the Ben Lily beard and with black hair he did not recognize me. It is fun changing from character to character.
2025 is off to a good start creatively and while I’m sure the year will have its challenges it should have its celebrations as well. We have a few projects in funding development and so if you have any interest feel free to reach out. I’m looking forward to whatever comes next. The marketplace is in flux some with Amazon changing the payout formulas and who knows what the tariffs and such may bring. We’ll just keep the ship steady and so far so good.
I’m going to wrap it up and do a little daily line study. I also need to get a few last things around for travel to the studio in the morning. The nice thing is rather than a 45 min travel like last block of shooting I have a 6 min travel. I hope all those in the cold stay warm. I’ll be stoking up a good fire in the woodstove at the office later. But first some fresh eggs and more coffee. I hope everyone has a great week. In closing I feel bad for the lives loss with the aviation accidents. Tragic events. I hope they make the improvements needed to keep things safe. So stay safe everyone!
Coffee Cheers!
DJ
Stoke the Inner Fire, the Art of Patience, the Circle of Producers
Coffee Cheers. I’m sipping a steaming cup of coffee and sitting here pondering the business from the past week. I’m a person who attacks things in private. You don’t or won’t find my nose stuck in a video game for hours. A five minute time out to play ROBOTRON or JOUST is an occasional occurrence. I fight everyday to gather the funds for new endeavors and to keep the business of all the other films moving forward. I’m feeling good about everything and had a few things happen this week that could be good lessons for whomever reads this.
First – CDI is not a company that pays just a few and seeks out free help in places that require highly skilled individuals. We hire as wide as we can afford which has been limited in the past few years. Increase in days expands costs across the board. We do things that others do not like lodging. Commuting when reasonable is okay but long trips on each side of a shoot day can burn someone out quick. Actors in the day before helps them to settle and focus before entering the ‘world’ we’ve created to film in. These are all costs. Over the years I’ve learned to simplify my life so that I could focus on the stories. Our money negotiated to the max with the help of many who love stories, including our sponsors, makes this possible.
Along these lines, we only can hire so many people. The producing staff often works much harder for less when and if hours are broken down. Often the effort is not worth it if the accumulation of shells and beads is the only measuring stick one has. Producers sport a point of two from the back end which is like a lottery ticket bought just in case the universe wants to reach out. It also is a badge of honor that they were part of a the “officers” who made the film happen. At CDI even an “associate producer” title is honored. Other outfits may throw around titles but at CDI is means something. For us at CDI is means representing the company. Attitude. Motivated. Experienced. As one who has coached here in the USA and overseas and as a martial arts sensei and still always a student – when someone is deemed ready they are approached. Filmmaking with tribeCDI is just that- a team, a community and a group of film warriors ready to problem solve daily to win the pieces of the puzzle.
My budgets restrict how many artists I can develop with a paycheck. Even the ones who would PA (Production assistant) free the costs are still additional with each person. We like to try and really feed people. I recall one set in Nashville in the 90’s that had a few loaves of white bread, a pack of lunch meat, mayo, mustard, ketchup and a stack of paper plates. This was for a large cast and crew. I ate it without any issues but I could see what certain actions did for a project. That one 15 min producer call that gets a sponsored meal from some great establishment is so worth it. My mind often is filled with ways to give our cast and crew a better experience. In return I just ask for their very best at their task on either side of the camera. The cast and crew can see the care and work we’ve put into our productions. Bottom line is we do care.
So in summary -I never once could demand to be on a team. I had to show my skills, develop my mind to the game and make them want me to start by my performance. In martial arts I focused on my skills and tried to effectively communicate to students below me. In time you become so valuable that they want you representing their tradition or organization. I see many lack the patience for many things of worth. It is a hard skill and one that I deal with still daily. Don’t let past failings or short-comings hold you back. That is your earned experience. Don’t be looking ahead too soon in hopes of being seen as more important. Be in the present. Be excited to learn the new lessons. Get to know yourself, your strengths and weaknesses. 2020 was a year to test that discipline and practice what I preach. Be present. Be patient. Become the best version of you.
Another example that provides me with a nice lesson to share is – When life gets you frustrated with all the external issues turn within. If I’m out-of-tune inside, everything I try to do fumbles. I don’t see the pokey dog bone which I kick. I can’t get a software to work right (I can’t get me to work right)…you all know what I mean. Meditation. Prayer. A nature walk. Thirty minutes on a heavy bag. Tai Chi – tend your inner fire. I DON’T HAVE TIME, some will scream. But you must or time will be wasted. Like in healing there is treating the symptoms and treating the source. Focus on that inner-fire and watch how everything starts to turn around. BALANCE is achieved and by stoking the fire of the internal the external starts to change. I’ve used all this solo time to really increase that fire stoking. Take 15 or 30 minutes to change your frequency and watch what happens.
FILM UPDATES
BEST YEARS GONE – The second pass now with director Shane Hagedorn‘s refining is underway. A few notes we’re passed from the circle of co-producers to our director. I’m more inclined that maybe the first look should have came after the second pass where the director is now engaged. A rough cut is built from director notes and editor’s eye. Now a large % of my notes would be stuff that our director will address. After the director and editor do their cut I will give it another look. I look for mistakes but recognize subjective versus a mistake. I have to have confidence in my directors. Their own subjective choices play strongest – the too many cooks in the kitchen issue can exist. I’ve seen it happen but if I respect the boundaries, it sets a standard. Sometimes the closer the role is the farther I might want to be from nuisance choices in editing. That is why you take the time to match the right script to the right director. The writer and the director work through the story fully. Do not underestimate the pairing of the right story and the right director. It is a skill unto itself.
As the edit moves along we’ve made progress on upcoming merchandise and the Battle of the Bands! Exciting stuff. More stills are being batched to release. Our own Dan Chipman is working a BTS so our cast and crew can remember the crazy year of 2020. Our fellow producer and AD Nate Robertson also has a special video being worked on. We’ll be having a story/interview coming out on all that very soon. This movie is heartfelt and extremely funny. In my talks this week with our distributor I was told how much they all enjoy the humorous offsets CDI scripts have gotten known for. Meaning serious topics are discussed and when it gets a little uncomfortable it gives us humor. They used the end of the Wild Faith trailer with Ben Lily and Hester hoping they don’t need God’s help today. I was happy to report that BEST YEARS GONE will have humorous moments. Yeah. maybe a couple;)
MBF: MAN’S BEST FRIEND I’m told has a new marketing campaign they are discussing. They want to get this film more into the mainstream. They feel it’s a great film that has a lot of play in it. The release was going to include theatrical and fest events but the Covid mucked that up a tad. But the film is being well received and has been seen by maybe a million of so people. It will find a much larger audience it just needs a bit more time.
THE QUEST TRILOGY is being treated as a series as it readies its run at Pureflix. I’m so proud of these films and I think general audiences will enjoy them. It’s a distilled down parable trying to remove all the white-noise and paint something where the dots are actually connected. Whatever your walk of life take a watch and I think you will find them vastly different from anything else you’ve watched/heard on this subject.
LOST HEART – If you want to read more on the actors from Lost Heart, see some BTS and read a few PR links please visit the new pages on http://www.cdiproductions.com – thank you David Gries. And if you still haven’t seen this film do yourself a favor. Have a laugh. Have a cry. It is truly a ray of light. Light? Strange lights in the sky? Watch the film and it will all make sense.
In wrapping this up – my week was spent doing end-of-he-year tax stuff for CDI and the films. Thank you to Dean Teaster, Melissa Anschutz, John Mashni and all the good folks at Davison & Associates. We also are working development hard. We only have a few final funding pieces to arrange on the WW2 film before full green light. We also have had more great talks on the Wild Faith spin off HASTINGS. Again it is not IF it is WHEN. We’ve been doing casting for our SILENT NIGHT IN ALGONA German’s and our young lead. Are you 8-12 who plays young shoot me a reel it will get looked at. Speak fluent German? Send me a reel. We’ve been having internal casting talks and we’ll be announcing as soon as we move into pre-production. I’m also looking at portfolios for paint on glass or digital matte artists. Fun, fun stuff! Beautiful falling snow. Time for some more coffee. Have a great week.
Be good to one another!
DJ






