‘SILENT NIGHT IN ALGONA’ Director’s Screening plus ‘Harsens Island Revenge’ pre-PR Updates and more…

Good morning to you all. I was up past my bedtime a touch yesterday, so the hazelnut coffee is much appreciated. We did a special directors screening kick off showing of SILENT NIGHT IN ALGONA, our true event WW2 film. We had two screenings yesterday and we all went to an afterglow at Romas, next to the NCG in Owosso. This is back in our home state and while the film had a Michigan premiere at the Celebration Cinema, I was at a funeral. My family finally got to see all our hard work. We had a strong first showing at 4pm and I’ve heard from and seen posts from many friends who went to see the film. I like all filmmakers want a good showing, technically and being outside my area, that raises my temp. We had a super chilly last few days in Michigan, record breaking. I dressed well for outside travel but was too hot for crowds, pictures and such. I even wore a lighter jacket. I should have traded by beanie hat for something less hot. But, enough of the heat talk. It was HOT with enthusiasm, even walking up to the theatre ran into a fellow actor/filmmaker from the Detroit area who had just watched the 4:00 showing. He was sincere in his compliments and that set the tone. Iowa LOVES this story because it is their story. But the greater story makes it ALL OUR STORY. Our history. On the edge of Owosso, MI there is a race track once a PW camp like Algona. Many towns have this kind of history but many are unaware.
This month we’re pulling together the film for home video in the fall. We’re entering the deal phase and we’ll get the enhanced version to the distributor. When we saw it on the big screen, you always can notice things that if you can, you would change. A tweak of color correct here and there. Some enhancements in a few CGI plates. Subtitle tweaks. But these are artistic nuisances that many never see nor notice. Some errors may exist in period – we work hard to achieve this but it is all smoke and mirrors. Many enjoy trying to find these spots. In Star Wars you can see Kenny Baker inside R2D2 in a scene. In GLORY you can see the squib (fake bullet hits) lines running up the legs of some actors. MOVIE MAGIC. We try to transport you to another place and the audience is asked to relax and bring your imagination.
Last night I think people were taken to that time period. People will get to enjoy the film until Thursday and I hope we our powerful attendance last night they will move us into other cites with NCG. I am going to try and bring it back to N. Lansing at the Eastwood NCG. I will let you know. Again people are calling their theatre managers and asking them to book the film. They want your business so call and their bookers will reach out. They are reaching out every week. Also http://www.imdb.com is a place that is used in part to help the expansion of the film. We’ve had hundreds of beautiful comments and the attendance and growth speaks for itself, but many of a certain age do not use the computer much. Or as little as possible and so sometimes the best comments and reviews don’t make it to the official data bases. If you saw it go ahead and go to http://www.imdb.com you can vote (10 best) and leave a review or message about the film, and what it meant to you. I love reading all the stories of grandparents and their interaction and connections to the German PW’s.
We are going to keep the film traveling and hope to play a few festivals. Many of the big ones want a first ever premiere and this film is traveling so that isn’t a fit. But we are looking to play in Hollywood so we can highlight our amazing German cast. I’m damn proud and having a good dose of German in my heritage it’s another thing I’m proud of. This movie is spreading some love, understanding and compassion. I heard many times last night that people loved the story and we need more films like this. I agree. That takes me into-

Above – DJ Perry, Karl Manke, Carl Weyant
HEAR YE, HEAR YE
Harsens Island Revenge – Last night was both a celebration of the present expanding release of our WW2 German PW film but also a toast to the future. We are in official pre-production which means our business paperwork is all in order and we’ll be opening the bank account this month. We will start official pre-production meetings with our director Mr. Carl Weyant. Carl has worked independently and with the CDI Tribe on both sides of the camera. Many will know him from starring as Longinus in part 3 of The Quest Trilogy, entitled The Christ Slayer. I met him in Otty, India in 2008 where we co-starred together in a film there. He has been working several years as a director and director of photography on various projects from music videos to feature film. After months of discussions with the CDI producer team, his stylistic vision and kinetic style will lead the direction and vision of this action-packed film. I, as the writer worked several weeks with Carl, to get a final polished shooting script. This process happens with all our directors. We’ll be discussing many wonderful aspects of this film and casting will take place likely end of the month. We plan to run duel cameras on this project and that will allow us to capture more of the action, more efficiently. Carl and previous director of photography Travis Hayward (Best Years Gone) have been working in tandem on several projects both feature and music video. They were first brought together on the CDI produced music video for ‘Revolution‘ by DEEP FALL. You can watch that here-
Travis Hayward will serve as the Gaffer (cool lighting) and run second camera. I knew they would be a good pairing and I was correct. Our goal, as always, is to have a lot of fun telling yet another great story. Lessons. Always lessons to be illustrated via story, but it a very exciting way. WW1 veterans. Purple Gang. Bootlegging. The CDI Tribe is going into the Roaring 20’s, again taking on a wonderful book written by, Karl Manke. I adapted the book into a screenplay and I’ve very happy with the end product. We have had a positive reaction from a few guest stars who want to participate in this story. It will be a wonderful blueprint for all our artists. We’ll do some official PR in the next two weeks on the project. But, you all get the first drop of developing info just for tuning in and stopping by for a read. We’ve also had several more subscribe join here – so welcome! You can subscribe to our CDI Youtube and http://www.cdiproductions.com is going to be updated so follow us there also.

FOR THE LOVE OF CATCH: BATTLEFIELDS
The first doc FOR THE LOVE OF CATCH is now set up in the market place and just starting what will be a nice long run of being introduced to new audiences. Even those not wishing to rent or buy it can watch it via TUBI and other ad based video on demand. Meaning-you watch for free but you watch with ads and we get paid by advertisers. It is a major rev stream these days. Ground work and talks with potential donors has begun. The Red, White & Blue Project Inc. is the non-profit we are working with. This next project will expand upon part of the original doc. It leans even heavier into the military history and Catch Can’s influence in all of that. Curran Jacobs is directing once again.
SPIRIT LAKE MASSACRE – We’re close to moving into the next development phase of this project. I’ve had some good talks about the history of the story and I think we’re on target. Some of the folks involved are not always prepared to read scripts which require imagination and practice. Very unique medium that I liken to poetry and trying to say as much as possible with as few of words as possible. To invoke imagery and to carry the readers (soon to be viewer) through the story. A journey to be sure. I am working to try and keep this on schedule for a 2024 filming. One brick at a time.
BEST YEARS GONE – Now that Covid lock down and virtual festivals have returned to in person – we’re going to enter BEST YEARS GONE into some comedy festivals. We did not want to attend virtual (I spend enough time on a computer) but now it could be a better experience. MAN’S BEST FRIEND, LOST HEART, WILD FAITH, THE QUEST TRILOGY exciting marketing as the films keep growing in audiences. New posters. New trailers. Interviews. Promotional videos. Merchandise. Oh, yeah. It’s all coming.

WRAP UP AND THOUGHTS FROM THE WEEK
Man! I’m still coming down from last night. Again, it was a treat to hug and shake so many hands. We don’t get to meet our vast audiences like live performance. We have 3-5k in social associates and from that maybe 300 that we are in direct contact with. But a film is being viewed by millions to tens of millions that we never meet. We were just talking about the joy we get when someone is surprised and they get to meet someone from a movie that moved them.
We are occasionally accused of being ambitious with our storytelling and we truly are. I’m proud of this last SNIA journey because it was our hardest yet. Harder than most even know. On SNIA, we had our directors mother hit with Covid days before shooting and just days after his best friend died of Covid. Pappy, who passed, was a long-time member of this tribe working several times with CDI on both sides of the camera. A shameful loss. One of our main producers came to set with her own oxygen tanks after her own bout in the hospital with Covid. Simply put, CDI HAS WARRIORS.
I hear of businesses that can’t get employees to show up or stay employed and CDI has folks, so dedicated that it would take – well, a damn lot to keep them away. We are accused of working hard and we do. To make something that might be seen as great by some, you have to work hard. VERY HARD. If hard work and trying to create greatness isn’t for you, CDI isn’t for you. I’ve told folks that something ‘short form’ and not as hard, might better suit some for their talents. Being away for weeks is hard and it’s a sacrifice all our artists have made to help tell that story. We know how special these stories are too many out there, because you’ve reached out to let us know. You are why we sacrifice and do this.
Hey DJ, it ain’t all love:) Listen, the sprinkling of hate and bashing doesn’t provoke hurt in me but actually more sadness. Every negative comment that is tinged with dark emotion cries of dreams unrealized and often never even attempted. They’re afraid to try because they know someone like themselves is waiting, who might throw a stone at their passion or dream. A good example- I don’t love stage musicals as a whole, but I don’t go out of my way to trash them. That is someone’s jam, singing Annie Get Your Gun or something, just not my jam. And that’s fine. I’m just always amazed how little people value their own TIME. IF I enjoyed something I might go out of my way, spend my time, to make my opinion known, because I’m sharing some positive energy. IF I don’t like something – that LAST thing you will get from me is my TIME. I can just scroll on. I can choose something else. I have turn content off but I never ran to a keyboard to trash something. Why? Not worth my watch time not worth my type time. But how others spend their time is their business. But many negative barbs are sadly from fellow artists struggling to the point of collapse and wondering, why not me? My script? Where is my funding? When you put your mind in the wrong place you widen the gap. For when they are manufacturing hate, we create. Which fuels the negative feelings and the cycle continues. One path makes you sicker with the poison you spread and digest. And the other path, it inspires – you think you can do better? Get some of your most loyal, trusted, creative friends and DO IT! Like film itself, SHOW don’t TELL. You will have fun and learn about yourself. Give 100% of your TIME, on your path and see what happens.

MORE FREE ADVICE
I’m amused only slightly in those situations where people lacking the true experience try to speak loudly into something they know nothing about. They become ‘know it alls’ quickly and are unable to take on any new knowledge and experience- their growth stunted. Some opportunities given can inspire maturity, accountability and responsibility and spur personal growth. In others they can be become drunk and delusional with newly gifted power. We’ve had examples of both. I’m always cheering for SPUR versus STUNT but ultimately they control that outcome.
Every project moving forward is living evolution through experience. I work hard to develop people and give opportunities for self growth but sometimes people reach their limit on learning. You always have risk empowering people and when they grow in the right direction – wonderful. Wrong direction- just like the apple tree, it needs to be pruned. Giveth and Taketh Away
POSITIVE. RESPECT. APPRECIATION. SINCERITY. LOYALTY. – these attributes have to already exist within someone and can be nurtured. I often say, I will always work with a slightly less experienced person with the right long term attitude, versus the opposite. We can provide experience and adventure with some of the best artists I’ve encountered on my path. We say at CDI meetings, that a door closing brings us to a new door opening. CDI has grown into a multi generation of artists and we’ve got grand plans to keep moving up the mountain. As I’ve said before, it is not how high you climbed on the mountain it is who you traveled with, that will matter in the end.
I’m a tad tired from being up somewhat late and might need a short cold winter nap. The sunshine is out and that feels good, so maybe time to play cat. Thank you to each and every person who came out last night and to all the shows. It had been a few since I had seen our film play. A touch of distance is nice and gives you a fresh perspective upon viewing again. Having our family and friends there made it special, especially my parents. Both, had funny comments of having created me. They were not so quick to take that same credit after the numerous knuckle headed things I did growing up. I’m already excited for the coming holiday season when SILENT NIGHT IN ALGONA will be out on DVD and streaming. We will have just finished filming Harsens Island Revenge and into editing. And so the storytelling cycle continues. Thank you to Karl Manke for trusting us with his story. His book HOPE FROM HEAVEN became BEST YEARS GONE. Read the book. Watch the film. Giddy up as Gil Gilles would say!
I’ll talk to you all next week. I hope you all take giant steps towards your endeavors.
Coffee Cheers!
DJ
Five 2022 CDI Releases and New Development Updates!

Hazelnut coffee adding a bit of warmth to a cool morning after we had some solid storms pass through yesterday. Our property is in full bloom with the new hops reaching the upper deck. We had flowers including our lovely smelling lilacs adding color everywhere. Some of the mushrooms are growing in their damp places. I was doing some fence work yesterday stepping inside just moments before the downpour. This past week was a nice mix of development, post-work and promotion. Also a meeting with our distributor to discuss the upcoming endeavors.

On the development – We’ll be traveling to speak with track owners again this week on HOT ROD LOVE, trying to find the perfect partners. We are working to assign all the units of investment and also court sponsors. This 1975 film will be the perfect summer film to shoot. The music, the clothes and the CARS! I’m working hard on this project because it will be fun for cast and crew and ultimately for audiences. The hope is to have all the funding blocks in soon so we can move ahead in confidence.
Also on the development tip has been writing on another upcoming CDI film that does have the committed funds. It is an end of the year film which will likely shoot end of 2023 but you never know. What is most exciting is that CDI will be tackling the ROARING 20’s! I’m 1/4 of the way through the script and I’m just so pleased at how it’s come together thus far. I do have to credit the book author for once again creating some great characters. I’ve been working on the PR release for this project and we’ll be releasing it soon giving many more details.
Just to showcase how you have to try and juggle schedules – the project still be written (script) is funded but real development work cannot begin until the script is done. The one that has the solid script with lots of development completed is still working to reach funding. So those are the kind of funny situations that we sometimes face.

The 2022 Releases-
FOR THE LOVE OF CATCH now has its filmfreeway page set up which is what you use to enter festivals. We’ve about delivered all the elements just need a few small things still and they will be assigning us release dates. This is an amazing documentary film and we’re excited to present it to the world.
BESTSELLER – this Chris Knight thriller is FINALLY getting its home video release on May 31st this MONTH! I’m keeping an eye out DVD pre-sales and I hope to know what platforms this movie will go to soon. Once I do we will pass along. Follow us on the film’s FB site too.
BEST YEARS GONE will also have DVD pre-sale sites and digital streaming coming July 5th! So after you have your big 4th of July blow out you can chilly chill and water the antics of Gil Gilles. Comedy, Drama and a touch of romance is what you can expect. And to that add a good dose of the unexpected.
Here is a good interview from our friends at Indie Film Cafe-whereas they try not to give any spoilers away –

SILENT NIGHT IN ALGONA – The teaser has generated some great interest for us including some theatrical talk. We are going to be working on some new promo materials as we move towards a 2nd edit of the film. We are aiming to lock picture and move it over to music and sound in July/August and finish the film in November to have a premiere in Algona, Iowa in December. After we might look at expanding the theatrical throughout Iowa but all of you in Iowa can help by contacting your local theaters and requesting it. We are still a ways off but it will be here before you know it. After a winter theatrical run we’re planning to start working foreign sales and setting up for the Holiday 2023 season which is when home video (DVD and streaming) will take place. This is a typical roll out but many good folks aren’t aware of how that works. Also some thought the film would be done a few weeks after filming. Please let me borrow your magic wand. No. It takes months to put the puzzle together.
SMOKE & MIRRORS (Short) – This steampunk, Victorian mystery short is taken from one of my full feature scripts. It is a great proof of concept that was tired to a commercial endeavor we had at CDI. We entered a few fun festivals close by that we’ll try to attend. It has been a while since I’ve done any thrillers or horror films, so this project was great fun.

Other projects continue to develop such as the projects surrounding KNIGHT CHILLS. Prepping a few more to be released with Deskpop Entertainment and BMG. The Quest Trilogy is finishing its strongest season, the holidays. The trilogy led by part 1 Forty Nights is pushing 2 million viewers on Encourage TV. All three can be watched on there including part 2 Chasing the Star and part 3 The Christ Slayer. Man’s Best Friend just passed 1.5 million on Encourage TV and with new platforms emerging our audience will keep growing. LOST HEART/Bigfoot UFO’s and Jesus is solidly past 700k and heading towards its first million. This is only the distributors streaming but if gives a good temperature. WILD FAITH is chugging steadily towards 6 million on Encourage TV and it also is expending into several new platforms. All this can really help our efforts to get the season 1 eight shows filmed in the near future. Thank you to all of you out there supporting the films.

In the past, I know for a fact that certain films have been trolled (negative actions). If you have an issue with someone on the cast or crew don’t throw rocks at a collective work by many artists trying to get to one person. Seems kind of reckless. What I propose is use your (insert emotion here) to help yourself in a positive manner. I’ll use myself as an example. If you don’t like me- chances are you don’t know me. I’m just kidding.
I speak my truth, so I’m sure I’ve rubbed someone wrong at some point. But don’t throw shade at an entire project because of one artist. I say, if you don’t like me or my work USE IT to inspire you. If that @#!@! DJ Perry can do it, I can do it, and better! Use it. Actions speak. I want to be surrounded by good businesses engaging with good artists to tell good stories. Become that. Become greater than-
I had a few questions as of late that I thought were good ones-
Do you still act outside CDI? I never stopped. But I will say that there are a small handful of projects I worked very hard in front of camera only to have them not get done (to date to be fair). At CDI we will always get it done. But I’m open to read anything that is funded as my time is limited. If your cart is in front of your horse, I just politely ask you to wait until you’re prepared. Now there are LOI’s and pay to plays and such when a producer uses your attachment to get funding and those are a different story. Yes. I’ve been paid well on a project that never shot. Because you mark that time off. I LOVE living in Michigan and it is always my home. But coming up, my circle wasn’t all Michigan it was production groups around the country working at the same or higher levels of the business. I’ve always associated myself with doers versus talkers and it doesn’t matter what state or country they are from. Storytellers have no such boundaries and sometimes the best stories are out there.
Will you consider work-for-hire screenplay writing-
Yes. I will consider anything. I think as an actor – I was disappointed in a lot of the scripts and so I started trying to create what I would enjoy as an actor. And I infuse that high level of attention and love into all the characters not just the main few. I’ve written in several genres and adapted several books to screenplays. Adapting books is a different animal from just pulling wildly from the imagination. I enjoy both just two different processes.
Would you consult or produce yourself?
CDI has done “in association” projects whereas we bring certain things to the table but THEY have the $ so THEY are accountable so WE are consultants. I’ve had projects I’ve helped out with and they awarded me a credit and compensation but no, I would not produce myself. The reason is simple if you want something to run like a CDI film you need the whole machine not just a part of it. I cannot deliver what the entire team brings and neither can they. I also know some want to associate with our history for seeking funds. The issue lies if they think they are getting a CDI project and they are not, because final decisions are being made elsewhere. I’ve had several sit downs where the other party states they want to create product/films like CDI. Next they want to bring this, this and this variable. In some cases these variables are what was holding back these people on their previous projects. But I also believe you put in the work and you get the funds you earned an opportunity to showcase however. But I don’t have to take that ride. I often relate these films to children and I don’t take the commitment lightly. So I better see a responsible doer with a solid battle plan, resources and desire to attempt something amazing to consider a collaboration. Meanwhile at CDI, we will keep refining our battle plans, increasing our resources and always attempting to collectively create something amazing.
THAT’S A WRAP
I’m going to wrap this up so I can go assemble a windmill and no I’m not kidding. Also planting some clover and such in the yard. It is so great that we finally have some sunshine. I came up zero at the flea market but last week gave me treasures including my HOT ROD LOVE (Woody Jr.) hat! We won our soccer match in good fashion last week and I’m enjoying the outside grass play versus indoors. I cannot wait until we do battle again on Thursday! I hope everyone is having a great day and has a great week ahead.
Coffee Cheers!
DJ