Producing is NEVER Easy, Acting UPDATES and COMMUNICATION as a KEY
(Just some of the CDI Tribe working on Harsens Island Revenge)
Good morning my friends. I’m sipping the hazelnut coffee and getting a later start due to ‘springing forward’ here in the USA. I’m not sure if they do that everywhere but some like it and others do not. I’m pretty indifferent to it all. I was pretty exhausted at the end of my week from grinding the mental gears. I think the added cold front coming in gave my sinuses a bit of a run but hot tea kept all that at a minimum. Many times you get only the highlights in my blog that show the final outcome. Meaning we did this or that but you don’t always get the in-between or the struggle to get that particular thing done. I’ve been grinding my gears trying to align many things for what we be an added 10-20 seconds in one scene that includes close ups in a period bi-plane with a beautiful wood cockpit that may or may not play on camera. As our Harsens Island Revenge script is written there is a WW1 opening to show Frankie’s (Our lead character) role in WW1 and how it shaped him. A 2-3 min sequence that also makes a statement about war and that war in particular.
(Again just some of CDI Tribe working towards the ‘Silent Night in Algona’ release)
To have the luxury to kill from afar keeps ones morality at a distance but having to kill up close is a different matter. Much like the dark ages where men killed each other up close with arrow, sword, axes and spears the dreaded WW1 was one that still used horses being fazed out by tanks slowly. Also many battles ended in sewage-filled trenches fighting with bayonets and trench knives. That is the horror that sticks with many of those soldiers. To be that close and see the immediate results of ones actions whereas you see the enemies lights go out. I think as they die a piece of the killer dies. A connection of sorts. I’ve been working for weeks to try and first get the location set up and the particulars around it. Add the players which have been hard to get. Not the leads but the ever-important extras who need to be equipped properly. WW1 has been the hardest to find on a budget, all the time periods to date. The best thing which we’ve done in the past is to hire passionate folks who reenact and put together their own kit. Our luck on that and the communication with those connected has been difficult. Add that we are up against a ticking clock to use the military base we had chosen. Why? Ten days prior all members have to be cleared and we are down to days to submit info on folks we have yet to find. Finding the folks alone isn’t hard but having them period dressed and equipped is and so this week we’ll decide if 1) We keep our shoot at the Alpena base 2) We reset the shoot elsewhere likely closer to mid MI giving us an extra week to find the gear and extras. 3) Kill the opening or strip it down to our just lead in WW1 having a slew of fast memories that brings us to the present 1920’s.
(On Set- Harsens Island Revenge)
It can truly be insanity at times and even with the best planning things fall apart or change. And this is all being done on a very tight remaining budget that is precious money that could be used to help launch the theatrical run after the film is complete. Now the film as it starts now is great and kicks off with some action so maybe we are good. Our composer at the first watch loves how it opens. AND we are trying to trim runtime but our proposed efforts is adding runtime. I think you are all getting the gist from my little peek into everything that goes into producing up this films. This is 3+minutes and we produced up 2hrs+ already. So when you see a bullet point of mine on here every week please do not assume any of it was easy. It is not. It gets done because of the talented people involved. People who care about the story. I don’t like to lose and I had to realize that we are in a WIN/WIN situation because the film is already great. We are trying to add sprinkles onto the top. The cake is going to taste great sprinkles or no sprinkles. And the audience will never know that sprinkles were an option.
(Boats that are 100 years old now)
After 2 hours+ of grinding my gears yesterday on something that wasn’t going to reveal itself, I had to just let go awhile. Maybe it is what makes me good at what I do? But yesterday I had to go and just organize in the office for a couple hours. I’ve got many things in motion for the CDI company and the more organized I am the more gets accomplished. Some music. Some organizing. Some chill tea and I regained my balance. Today I have a few conversations and by Weds of this week we’ll know if we are Alpena bound or if we are taking another direction.
(100 year old+ Planes)
Every direction has pros and cons usually ties to money. But in life just like filmmaking people can get frustrated when things you thought were taken care of, tied up, crossed off – start to unravel or come back at you. When you have to readdress something again in the present it takes from your future. Planning and development stop when you have to fix a crack in the foundation. So this 2-3 minutes has been very trying. It can be made harder but lack of communication. I swear we live in an age with more communication and we have become worse at communicating. People put boundaries on their times they work but that is not what we as successful filmmakers do. Now granted not everything is always as time sensitive as I sometimes feel it is but just knowing that it is on someones radar is satisfying. Message received. 10-4. On my list. I don’t like when people don’t acknowledge receipt of a communication. Even if busy. Let someone know because we live in a world of messages going into SPAM etc… COMMUNICATION. I just finished a great series THE BEAR about running a restaurant and it is all communication. “Yes chef” “Behind you Chef” “Corner” – and in soccer the team that communicates is the team that wins. A team with less talented players who communicate better can beat a team with more talented players if they win the communication game. “You have support” “Square” “Give and go” “Keeper’s ball“….My rant is just because I felt the endeavor unraveling despite hard work. In a project even asking “What can I do?” “What still needs to be done?” these things lead to success. And you have to always keep striving to improve.
(On set Harsens Island Revenge)
ANOTHER SIDE-the ACTOR
So above really is about producing up a film or in the case above just a few pick-up pieces. Actors who only act don’t often concern themselves with all that goes on behind the scenes. I can recall working years ago on one of our westerns in NC and while battling with catering and SAG I’m getting calls about an actor friend not liking their boots. Actors tend to just be concerned with their little focus but producing introduces you to the wide world of what it takes to put on a show. Even crew members only see the presentation and as I’ve said before, it is near impossible to pitch a perfect day. You hope the 95% right buys you grace for the 5% that goes wrong. Thousands of things that go right in a day due to the hard work of a few but cries of anguish if catering does a subpar job on vegan side meal or someones magnetic key deactivates on their hotel room. We take accountability but third party and a tech malfuntion should be covered by earned grace. Those incapable of grace are removed on future projects for their own good. Film shoots are more closely related to war versus vacation even when the places we shoot are beautiful.
(Old Men soccer champions)
So on the actor front my new agent sent me an audition for a pilot TV series. I’m use to reading a full script to absorb the character and roll but this is a few sides. I had this talk out in LA with friends who work often out there. I asked it they request or direct their agent towards shows they like? They said they pretty much read everything so their agent doesn’t drop them. I questioned what if you don’t like the show? The story? The Script? Doesn’t matter apparently to many. I wanted to do this read since it was the first thing my new agent sent over. Also I was going to be forced to do an upload and use the actor’s access portal. A good test. I did my read and damn, pretty good. I guess it should be after all these years. I was successful in my upload. I did get a few good notes on how I could subjectively improve the eye line and questioned would a tripod be better. See how the hee-haw that actors go through is the stressful time consuming parts. Second guessing and stressing and I don’t participate in that. I politely declined and said that what I presented I was comfortable with and if the production quality was not up to par I was find with it not being sent forward. The read was actual well liked and sent forward but after I felt a strange feeling likely opposite other actors. SHIT what if I actually get the role. Will I like the script? What if it does get picked up? I have a film lining up this summer that I know the script is good and the role is great. I have soccer season ahead and I’m looking forward to that. I would have to move a dental cleaning off the pilot shoot. WHOA partner:)
(Acting is still my top passion)
I wanted to start looking at some outside projects but I’ve avoided series in the past. WILD FAITH TV series would be different but maybe even after a season I might not enjoy that. I like finishing something. WRAP always makes me feel accomplished. Well, I just figure I will play the hand. Realistically I might not get the role as they’re many great actors and what folks like is subjective. If I do the pilot it still has to be picked up. This is just a few funny thoughts in my head. I enjoyed the practice of the read and technical upload but not knowing the full script/scope/creative team behind it is another place for me. I do believe just like all my outside projects that I will do what projects I’m meant to do. KARMA in India is where I met Carl Weyant, who just directed Harsens Island Revenge. Eric Colley and Hallie Shepherd and Paul Proios on G.P.S. (Watch on TUBI). So I’m going to just stay open to what is meant to be. I’m just staying good and busy but when away as an actor it is much easier and I’m still able to do producer/writer work.
(BEST YEARS GONE DVD Wrap)
Speaking of writing I saw that Benedict Fitzgerald writer of The Passion of the Christ passed away. I almost had an opportunity to work with him thanks to a friend Isabella Hirt but I was busy with BEST YEARS GONE. Which I’m happy to report can now be seen free with ads on Youtube’s FREE4ALL which is Twin Engine Global‘s new streaming service for non-family and faith films which is Encourage TV. Staying with the topic of writing I’ve been enjoying doing the polish on a script looking to film next winter. I think the funding is there and it is very unique but will be a lotta fun. It is a period piece and will be a lot of fun for all the actors. My second pass is working the descriptions and dialogs for pacing, flow and proper language. I had some talks this past week again about literary representation having had many produced screenplays now doing quite well in the marketplace. We will see said the wise man.
(A published un-produced script of mine on Amazon)
The literary side is developing nicely with several of the CDI projects publishing script and making of books and novels where it applies. I’ve been discussing the deal and discovering extra pieces and pictures to make these releases special. With the backup RAID now functioning we will be able to move into more theatrical and perhaps soundtracks. I will be looking for the right person to run the CDI merchandise site on commission.
(The actual 1920’s not an easy thing to recreate)
To tie into the above and circle back to Harsens Island Revenge – the making of by Adam Towner is looking great. We got a peek when watching the first cut of Harsens Island Revenge which was just amazing. Boats, planes, cars and buildings all helped to create the 1920’s. The world was brought to life by our artists on both sides of the camera. The performances all around are so strong with our young leads David Reardon and Cassie Dean doing such a wonderful job. It reminded me of some of the epic films of days past but with a modern capture bringing the world out of black and white and into full color.
(Silent Night in Algona – watch it if you have not)
This has all been good for me to just let some of this flow out and put order to my pick up shoot options. I have a few phone calls to make to discuss these options. It will all work out as we have some of the best artists within our creative tribe. I will go boldly into the new week and just deal with the cards we are dealt. I want to end by sending the CDI thoughts out to Anthony Hornus and family who lost his mom this past week after a long illness. For many of us our parents are a strong support system. Last time I spoke with her was at the SILENT NIGHT IN ALGONA Owosso, MI premiere and she was very proud of her son. We are all proud of Tony too and I’m deeply sorry for his loss. He will always have his TribeCDI with him. I hope everyone has a productive week. Until next time- coffee cheers!
DJ
The Power of Teachers – CDI Updates
Hello new readers Uganda, Brazil, Singapore and more – I’ve got my hazelnut coffee beside me. I spent the morning watching/reading some random news. I went to bed as LIVE video of Grand Rapids, MI protest/riots/chaos unfolded. Whatever happened in GR was not on the national radar. Only the big cities are covered but every community has been touched.
My history is that I was brought up upper-middle class by a stay-at-home mother, from kindergarten on and a father who was raised a part-time foster child by a kind family who helped raise him on their family farm. He put himself through college at MSU serving in the National Guard and worked hard to build everything he ever had.
We lived in a great secluded neighborhood nestled in the woods outside of Lansing. Our neighborhood had several various nationalities, religious denominations and such. But I do recall one of the fine African American neighbors going around before moving in and talking with all the neighbors. Even at a young age it seemed unusual but this was the early 70’s. Even interracial relationships were seen as rare back at that time. But our neighborhood picnics were great and we all felt like one community. This was a rare and beautiful thing.
My alumni school
I went to the public schools and my elementary school included all the children from the nearby projects. I got to go to school with children of all races. In 5th grade we also had a big influx of Mong children. I cherish those days and many of those classmates are still friends. We learned to appreciate one another and the differences between us. In the days of the afro a distinct advantage was given when playing eraser tag in class. We often were treated to food and music from different places. I have to point out that teachers have the greatest opportunity to plant these seeds. We had some wonderful teachers who loved everyone equally. They worked to make sure barriers were broken down.
Middle School brought all the kids from various surrounding communities. Many of these pre-existing elementary relationships moved forward with us. Some grew apart but individually we all carried those lessons from elementary school onward. Fights and situations occasionally arose but most were over non-racial issues. Jealously as young hormones develop and the war of words that would go too far. But here new friendships were made some that carry on to this day. Off the top of my head – my friend Dwight, bi-racial who now is into politics. Donny now a police officer that I see occasionally at a mutual favorite Chinese restaurant. Community.
High School – “Should have been a Big Red” again saw an evolution as an even more diverse group was brought together. The biggest fights I ever saw was over someone cheating in TONK, a card game. The fight was not over difference in skin color but over cheating. Jealously fueled a few more scuffles as young hormones led people even deeper into new emotions and feelings. I continued to have friends in many circles from my interest in martial arts, soccer and yes, filmmaking. Friends were gathered by common interests and conversation.
I spent time during several summers in Denmark as part of an All-Star soccer exchange program. Living in the homes and participating in daily activities gave a wider view of the world to everyone involved. I went to LCC the community college while on a waiting list for MSU. My growing interest in film was pulling my attention from certain studies to scripts, storyboards, cast and crew organization. Lastly, I attending and graduated from MSU in a cobbled together degree that was attempting to fill in for a lack of a film program.
I’ve been a camp counselor, soccer coach and player here and overseas and a martial arts instructor. I’ve always looked at the PERSON. We are all gifts that are each wrapped a little different. Isolation and lack of exposure to different groups is what leads to or continues to extend the perceived difference. I can say that having friends of all colors and creeds keeps one from purposely speaking harmful words. And it makes it harder to sit by and listen. I have spoken up in kindness on several occasions to offer a different viewpoint to someone speaking ill.
I’ve found that an entire race often gets blamed for the actions of a few. Our impressions grow from our experience. Good or bad experiences will shape these attitudes one way or another. It is why – me personally, am not a fan of “school of choice” which while you may or may not save your child from some childish harassment you are also taking away the opportunity for that young person to have a science partner or gym class teammate that could instill lifelong perspective moving forward in life. A view that we are all one people. That we are same on the inside with interesting and colorful differences on the outside. Don’t leave a past of segregation only to enter a present day self-segregation. Cross the isle and be surprised at what you can learn and take away. Thank you to the TEACHERS who planted the seeds of harmony.
FILM UPDATES –
I enjoyed a great week of fan mail on our past film projects like THE QUEST TRILOGY (Forty Nights, Chasing the Star, The Christ Slayer), WILD FAITH (Very timely) and MAN’S BEST FRIEND (Thank you). If you want to watch thought provoking and positive stories please do take a watch. If you like what you say leave a few reviews and share with others. That is happening and the fan base to this movies keeps growing.
LOST HEART – This amazing film is in the final stretch of sound design and music. We’ve been putting a fine tooth comb over the credits trying not to make any errors of misspelling or missed credits. I had a good discussion with our distributor over this film. We’re all very excited to share this with everyone late summer/early fall.
LOOKING AHEAD –
BEST YEARS GONE – This week we announced the addition of Victoria Jackson. This will be the second time she has worked with CDI. You can read about it below.
https://www.prlog.org/12824284-snl-alumnus-victoria-jackson-returns-for-cdis-best-years-gone.html
Director Shane Hagedorn and I have been going over the script reworking some dialog to bring the “Racing” elements in the script out stronger. The character I play Gil, had his best days when he was chasing his dream of being a race car driver. This movie will have some great elements of music and such in in. We have a few more actors to announce and next week we’ll be looking at our new proposed shoot dates in August.
- We’ve also been pulling together the business on the 2021 WW2-era film and made a few more great steps this past week. Only a handful of units to move on this project and we’ll have this one ready to go.
- Also some great talks over ‘Hastings‘ the proposed WILD FAITH tv series. I had talks with our distributor over pre-sales and a few possible investors. This series is growing stronger by the week.
- We are still looking at the animation division – evaluating our scripts.
- Merchandise site is going to be going up – we’ve got some great things to offer our fans. I have a meeting over that this coming week.
- Soon I should be announcing the new home for some of the CDI associated projects. We have some agreements to review but things are almost all set up.
I’m sure I’ve missed a few updates but I’ve got some work to get done today so I’m going to end this. I’m not sure what any of you might take away from all this but take the time to get to know one another. Embrace the differences between us. Know that within our hearts and minds we are the same. Excessive force is real as is the danger that those tasked with enforcing laws. The athlete, soldier and law enforcement can all fall victim to adrenal flow. But someones pre-existing perceptions can breed compassion or excessive force. Protest is a great show of unity but rioting can cause those negative seeds to root even deeper.
As an artists I believe in the power of the story to enact change in people’s thought, actions and deeds. I believe we are all wired to love a story and when engaged we can enlighten someone to a different way to think or feel. The confinement due to the virus and the economic damage to so many has only served to fuel this fire. I would support the peaceful approach to protesting but understand the power of feeling in control when the world seems to leave many feeling powerless. The power of the mob ruling the night is addictive but is wasted frustration that could be better channeled. I am not one to judge but I see more positive paths to change.
Be safe and we’ll chat next week.
DJ
DJ Perry's Official Blog 'Clawing My Way to the Middle' 