Producing is NEVER Easy, Acting UPDATES and COMMUNICATION as a KEY
(Just some of the CDI Tribe working on Harsens Island Revenge)
Good morning my friends. I’m sipping the hazelnut coffee and getting a later start due to ‘springing forward’ here in the USA. I’m not sure if they do that everywhere but some like it and others do not. I’m pretty indifferent to it all. I was pretty exhausted at the end of my week from grinding the mental gears. I think the added cold front coming in gave my sinuses a bit of a run but hot tea kept all that at a minimum. Many times you get only the highlights in my blog that show the final outcome. Meaning we did this or that but you don’t always get the in-between or the struggle to get that particular thing done. I’ve been grinding my gears trying to align many things for what we be an added 10-20 seconds in one scene that includes close ups in a period bi-plane with a beautiful wood cockpit that may or may not play on camera. As our Harsens Island Revenge script is written there is a WW1 opening to show Frankie’s (Our lead character) role in WW1 and how it shaped him. A 2-3 min sequence that also makes a statement about war and that war in particular.
(Again just some of CDI Tribe working towards the ‘Silent Night in Algona’ release)
To have the luxury to kill from afar keeps ones morality at a distance but having to kill up close is a different matter. Much like the dark ages where men killed each other up close with arrow, sword, axes and spears the dreaded WW1 was one that still used horses being fazed out by tanks slowly. Also many battles ended in sewage-filled trenches fighting with bayonets and trench knives. That is the horror that sticks with many of those soldiers. To be that close and see the immediate results of ones actions whereas you see the enemies lights go out. I think as they die a piece of the killer dies. A connection of sorts. I’ve been working for weeks to try and first get the location set up and the particulars around it. Add the players which have been hard to get. Not the leads but the ever-important extras who need to be equipped properly. WW1 has been the hardest to find on a budget, all the time periods to date. The best thing which we’ve done in the past is to hire passionate folks who reenact and put together their own kit. Our luck on that and the communication with those connected has been difficult. Add that we are up against a ticking clock to use the military base we had chosen. Why? Ten days prior all members have to be cleared and we are down to days to submit info on folks we have yet to find. Finding the folks alone isn’t hard but having them period dressed and equipped is and so this week we’ll decide if 1) We keep our shoot at the Alpena base 2) We reset the shoot elsewhere likely closer to mid MI giving us an extra week to find the gear and extras. 3) Kill the opening or strip it down to our just lead in WW1 having a slew of fast memories that brings us to the present 1920’s.
(On Set- Harsens Island Revenge)
It can truly be insanity at times and even with the best planning things fall apart or change. And this is all being done on a very tight remaining budget that is precious money that could be used to help launch the theatrical run after the film is complete. Now the film as it starts now is great and kicks off with some action so maybe we are good. Our composer at the first watch loves how it opens. AND we are trying to trim runtime but our proposed efforts is adding runtime. I think you are all getting the gist from my little peek into everything that goes into producing up this films. This is 3+minutes and we produced up 2hrs+ already. So when you see a bullet point of mine on here every week please do not assume any of it was easy. It is not. It gets done because of the talented people involved. People who care about the story. I don’t like to lose and I had to realize that we are in a WIN/WIN situation because the film is already great. We are trying to add sprinkles onto the top. The cake is going to taste great sprinkles or no sprinkles. And the audience will never know that sprinkles were an option.
(Boats that are 100 years old now)
After 2 hours+ of grinding my gears yesterday on something that wasn’t going to reveal itself, I had to just let go awhile. Maybe it is what makes me good at what I do? But yesterday I had to go and just organize in the office for a couple hours. I’ve got many things in motion for the CDI company and the more organized I am the more gets accomplished. Some music. Some organizing. Some chill tea and I regained my balance. Today I have a few conversations and by Weds of this week we’ll know if we are Alpena bound or if we are taking another direction.
(100 year old+ Planes)
Every direction has pros and cons usually ties to money. But in life just like filmmaking people can get frustrated when things you thought were taken care of, tied up, crossed off – start to unravel or come back at you. When you have to readdress something again in the present it takes from your future. Planning and development stop when you have to fix a crack in the foundation. So this 2-3 minutes has been very trying. It can be made harder but lack of communication. I swear we live in an age with more communication and we have become worse at communicating. People put boundaries on their times they work but that is not what we as successful filmmakers do. Now granted not everything is always as time sensitive as I sometimes feel it is but just knowing that it is on someones radar is satisfying. Message received. 10-4. On my list. I don’t like when people don’t acknowledge receipt of a communication. Even if busy. Let someone know because we live in a world of messages going into SPAM etc… COMMUNICATION. I just finished a great series THE BEAR about running a restaurant and it is all communication. “Yes chef” “Behind you Chef” “Corner” – and in soccer the team that communicates is the team that wins. A team with less talented players who communicate better can beat a team with more talented players if they win the communication game. “You have support” “Square” “Give and go” “Keeper’s ball“….My rant is just because I felt the endeavor unraveling despite hard work. In a project even asking “What can I do?” “What still needs to be done?” these things lead to success. And you have to always keep striving to improve.
(On set Harsens Island Revenge)
ANOTHER SIDE-the ACTOR
So above really is about producing up a film or in the case above just a few pick-up pieces. Actors who only act don’t often concern themselves with all that goes on behind the scenes. I can recall working years ago on one of our westerns in NC and while battling with catering and SAG I’m getting calls about an actor friend not liking their boots. Actors tend to just be concerned with their little focus but producing introduces you to the wide world of what it takes to put on a show. Even crew members only see the presentation and as I’ve said before, it is near impossible to pitch a perfect day. You hope the 95% right buys you grace for the 5% that goes wrong. Thousands of things that go right in a day due to the hard work of a few but cries of anguish if catering does a subpar job on vegan side meal or someones magnetic key deactivates on their hotel room. We take accountability but third party and a tech malfuntion should be covered by earned grace. Those incapable of grace are removed on future projects for their own good. Film shoots are more closely related to war versus vacation even when the places we shoot are beautiful.
(Old Men soccer champions)
So on the actor front my new agent sent me an audition for a pilot TV series. I’m use to reading a full script to absorb the character and roll but this is a few sides. I had this talk out in LA with friends who work often out there. I asked it they request or direct their agent towards shows they like? They said they pretty much read everything so their agent doesn’t drop them. I questioned what if you don’t like the show? The story? The Script? Doesn’t matter apparently to many. I wanted to do this read since it was the first thing my new agent sent over. Also I was going to be forced to do an upload and use the actor’s access portal. A good test. I did my read and damn, pretty good. I guess it should be after all these years. I was successful in my upload. I did get a few good notes on how I could subjectively improve the eye line and questioned would a tripod be better. See how the hee-haw that actors go through is the stressful time consuming parts. Second guessing and stressing and I don’t participate in that. I politely declined and said that what I presented I was comfortable with and if the production quality was not up to par I was find with it not being sent forward. The read was actual well liked and sent forward but after I felt a strange feeling likely opposite other actors. SHIT what if I actually get the role. Will I like the script? What if it does get picked up? I have a film lining up this summer that I know the script is good and the role is great. I have soccer season ahead and I’m looking forward to that. I would have to move a dental cleaning off the pilot shoot. WHOA partner:)
(Acting is still my top passion)
I wanted to start looking at some outside projects but I’ve avoided series in the past. WILD FAITH TV series would be different but maybe even after a season I might not enjoy that. I like finishing something. WRAP always makes me feel accomplished. Well, I just figure I will play the hand. Realistically I might not get the role as they’re many great actors and what folks like is subjective. If I do the pilot it still has to be picked up. This is just a few funny thoughts in my head. I enjoyed the practice of the read and technical upload but not knowing the full script/scope/creative team behind it is another place for me. I do believe just like all my outside projects that I will do what projects I’m meant to do. KARMA in India is where I met Carl Weyant, who just directed Harsens Island Revenge. Eric Colley and Hallie Shepherd and Paul Proios on G.P.S. (Watch on TUBI). So I’m going to just stay open to what is meant to be. I’m just staying good and busy but when away as an actor it is much easier and I’m still able to do producer/writer work.
(BEST YEARS GONE DVD Wrap)
Speaking of writing I saw that Benedict Fitzgerald writer of The Passion of the Christ passed away. I almost had an opportunity to work with him thanks to a friend Isabella Hirt but I was busy with BEST YEARS GONE. Which I’m happy to report can now be seen free with ads on Youtube’s FREE4ALL which is Twin Engine Global‘s new streaming service for non-family and faith films which is Encourage TV. Staying with the topic of writing I’ve been enjoying doing the polish on a script looking to film next winter. I think the funding is there and it is very unique but will be a lotta fun. It is a period piece and will be a lot of fun for all the actors. My second pass is working the descriptions and dialogs for pacing, flow and proper language. I had some talks this past week again about literary representation having had many produced screenplays now doing quite well in the marketplace. We will see said the wise man.
(A published un-produced script of mine on Amazon)
The literary side is developing nicely with several of the CDI projects publishing script and making of books and novels where it applies. I’ve been discussing the deal and discovering extra pieces and pictures to make these releases special. With the backup RAID now functioning we will be able to move into more theatrical and perhaps soundtracks. I will be looking for the right person to run the CDI merchandise site on commission.
(The actual 1920’s not an easy thing to recreate)
To tie into the above and circle back to Harsens Island Revenge – the making of by Adam Towner is looking great. We got a peek when watching the first cut of Harsens Island Revenge which was just amazing. Boats, planes, cars and buildings all helped to create the 1920’s. The world was brought to life by our artists on both sides of the camera. The performances all around are so strong with our young leads David Reardon and Cassie Dean doing such a wonderful job. It reminded me of some of the epic films of days past but with a modern capture bringing the world out of black and white and into full color.
(Silent Night in Algona – watch it if you have not)
This has all been good for me to just let some of this flow out and put order to my pick up shoot options. I have a few phone calls to make to discuss these options. It will all work out as we have some of the best artists within our creative tribe. I will go boldly into the new week and just deal with the cards we are dealt. I want to end by sending the CDI thoughts out to Anthony Hornus and family who lost his mom this past week after a long illness. For many of us our parents are a strong support system. Last time I spoke with her was at the SILENT NIGHT IN ALGONA Owosso, MI premiere and she was very proud of her son. We are all proud of Tony too and I’m deeply sorry for his loss. He will always have his TribeCDI with him. I hope everyone has a productive week. Until next time- coffee cheers!
DJ
Now Streaming! DVD’s HOT GIFTS! – Updates
Good morning my friends, I’m sipping the hazelnut coffee on this wonderful Sunday. I want to welcome all our new readers from Mexico, Netherlands, India, Canada and more. I’m up good and early as I have a day that keeps moving right until bedtime. I had a very good week of organizing and getting things done. A few meetings and some additional winterizing. That is what we have to do here to prepare for the ice and snow. I fixed the fence gate and split wood by axe attacking a stack of logs this past week. I paid the price the next day of overworking. Stiff neck and lower back but I got those worked out. I had one day where I was moving half speed at best. But I will need to get those muscles working to get through the winter. The wood stove will need to keep the logs burning.
(Fellowship of filmmaking – Tony Hornus center with Travis (Left) and Cody (Rt) on set. )
The Christmas tree is up and this past week a few outside decorations went up. I do love the colored bulbs. I don’t enjoy traffic and crowded stores and try to go at off times. We have three family Christmas gatherings in a row and so I’ve been also being a little elf wrapping away. I have a few good meetings this week that will also be part celebration and planning for 2024.
(Coming together to tell stories – myself, Don Most (center) and Carl Weyant (Rt) director)
Yesterday, I want to recognize that a friend, family and mentor passed away a year ago yesterday. I’ll always remember because I was in Algona, Iowa for the premiere of SILENT NIGHT IN ALGONA. We had done a radio show on a very snowy morning. This friend was going to have a medical test done and his heart stopped. I got up from resting my eyes knowing we had a pre-party followed by the premiere and lastly an afterglow at the VFW. I awoke from my short nap to find out this horrible news. It was this town’s beautiful day and story. It almost felt like WHOville at Christmastime, so I kept this news mostly quiet. He was really interested in seeing this WW2 era story. Now, Dec 1st this year was our home video release and I once again recalled again how badly he wanted to see this new film. Dec 9th marked one year without him. He is greatly missed – Dan the Druid.
(Just some of the CDI Tribe – multigenerational – back right John McGraw has been with the tribe the longest of the folks in this pic save me)
* NOTE: I had just put my phone in my vest pocket – I’m not packing heat:)
Let’s look at some of the exciting updates this week.
UPDATES
- With the December 1st home video release of SILENT NIGHT IN ALGONA (SNIA), years of work before shooting and a few since of premiere release came to an end. From the point financial backers entrust you there is a somber seriousness that goes along with that responsibility. I’ve noted before that due to several variables this film was one of the hardest ones to finish in many years. But, with the national release I can exhale.
- The SNIA pre-sales ranking for DVD’s on Amazon has stayed strong and we just got our November totals and it is our distributors top performing film. We had just shy of 3,000 people purchase the DVD as a keepsake or as a gift. Businesses purchasing for employees. Gifting DVD’s to nursing homes so that residents can enjoy the sights and sounds of an early day with a smile. Hospitals? Prisons? This true event film can truly lift the spirits. I am so appreciative of all the good folks who have watched and shared how special the film is. Especially those who have reviewed it on Amazon or http://www.imdb.com – we love to read about your experience watching this story and it encourages others to take a watch. Many of the film’s cast and crew have reached out to express their joy at being part of this film. Our kudos to all of you. Filmmaking is very hard work and many people don’t seem to grasp that. A huge effort of coordinating so many artists and variables. It just means so much to all of us to have everyone accept the film as they have. We make these stories for all of you. Thank you. Thank you. Thank you.
- A fan favorite is WILD FAITH, a family western, ah- mid-western. It just celebrated flying over the 8 million views mark at Encourage TV. (Free w/ ads search it out) They are just one of many platforms showcasing this and many of the CDI films. CDI even has their own playlist on Encourage TV. But with each passing year our fans for Wild Faith increase. We are still very interested in the TV series. We just have to align with the right partners. In 2024 we just must get all those pieces to line up. Persistence is one of my strengths.
- KNIGHT CHILLS, is the very first film by CDI. We started shooting in 1998 I believe bringing us to 25 years since camera rolled. I think our first major distribution was in 2001. The film is proudly back on the market as a Blu-Ray. If you or someone you know is into the ole fantasy role playing games like Dungeons and Dragons they would likely enjoy this film. BUY HERE: https://www.amazon.com/Knight-Chills-Tim-Jeffrey/dp/B0CJ5WBSZR/ref=asc_df_B0CJ5WBSZR/?tag=hyprod-20&linkCode=df0&hvadid=680424942453&hvpos=&hvnetw=g&hvrand=17209379555681048587&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9017262&hvtargid=pla-2260223998064&psc=1&mcid=399dd8121370380c8b97cdbf876e05c6
- 2024 should bring some new life to the KNIGHT CHILLS franchise. A sequel has been talked about for years with various interested filmmakers. A sequel? The video game? Book reissue? Merchandise? I have a good meeting on Monday where part of the discussions will be on Knight Chills.
- Harsens Island Revenge (HIR) updates- I had a great update with our director Carl Weyant, as he was heading to the airport to be with family. The film at the time of our discussion was just shy of 50 minutes edited and he said it was pretty damn tight. He was just so excited by the performances and the way the story all pulls together. Good script eh? 🙂 A teaser trailer and the film edit will be worked on and when Carl returns in January of 2024, we should have a rough edit to watch. Good talks with our composer have started but will become even more involved in 2024.
- Additional HIR– I’ll be working with Tony Hornus on looking to cast our (5) WW1 German reenacts to film our opening. We’ll also bringing back in David Reardon and Bejo Dohmen for our final shooting of our opening scene in Feb. if everything goes according to plan.
WRAP UP: I’m enjoying the Christmas season and thankful for the time with family and friends. I’ve been organizing and reflecting. I’ve been calling up old friends and associates to check in with them and share a laugh. I’ve been trying to recharge. Having something like ‘Silent Night in Algona’ get to market thus fulfilling my main responsibility. “Create the best art possible within the business perimeters and getting it to market.” From there, how it is received depends on the audience and the distributors.
Let’s talk on that a beat-
Many distributors are puppy mills for films. Horrible deals that will rob filmmakers versus develop and grow with them. Work smarter vs harder, I say. Distribute less content but ones worth more revenue via quality. Every major company that embraced its brand worked hard in customer service to build customer loyalty. They care about what people think of their company. CDI is like that. Many we do business with share that idea. I know our new Pepsi contact and team takes great pride in their brand(s).
Some exploitation distributors just wreck and rape, harsh word I know but a very good illustration when you look at how artists love their “child” films. Once the exploitive distributor ship has taken on too many legal hits they scuttle the company. So reputation of the distributor matters and I can attest that it can make a lot of difference between living in the past or future. A good partnership like what we just shared on the launch of ‘Silent Night in Algona’ is golden. To have a chance at creating something great it takes more effort versus just going through the motions. Having everyone aligned towards a common goal with content that is truly uplifting woven within a true story of goodness. In a world where we are reminded daily of senseless shootings and never ending wars, a film that gives HOPE is like gold.
To bring it full circle, the saying “you are wealthy by what you can give away, not what you have” is a powerful saying to ponder. When you’re giving to others you’re also living in a season of being blessed. Apply this to distribution – Once a distribution company has good content flowing in from fair development practices you will see great growth in the distribution branch. To grow yourself you must have healthy story providers. A company quickly gets known for the quality of their content. They can become greater than the sum of the parts/films if they choice wisely. CDI (www.cdiproductions.com) is also greater than the sum of the parts/films. A creative incubator – knights of the creative round table – tribeCDI THUNDERDOME! Okay. I need to back that down. But each film is a handcrafted piece of art made by many artists who care sincerely about storytelling. About legacy. I’m going to wrap it up now. I’m going to a memorial later and after spending time with my brother and a few friends. All our journeys will one day end here. Spend time with family and friends and keep expanding that circle of sincere. People don’t easily trust kindness. But people also feel/know sincere. That is a word I think I relate too. SINCERE. Now you can sincerely be a pain in the ass too. But I think I’m quite sincere in most all I do. Is a sincere effort same as best effort? I think if you give your best you are sincere in the effort. I will have to ponder and we’ll talk more about that on a different day.
Be sincere and good to one another. Until next week.
Coffee Cheers- DJ
‘BEST YEARS GONE’ Races Into Their First Festival with a Checkered Flag! Plus 10 CDI Updates
Happy Sunday! I’m sipping the hazelnut coffee and happy that we did not get hit by that huge east coast storm. It went under us meaning we got the cold and a few snow flakes but not 20+ inches of snow. This past week flew by with me attacking the gathering of info for our accounting firm. This coming week the 1099’s will go out and I’ve been prepping things for end of year taxes also. We had one day this week we chose as “Viking Thursday” to cut firewood. We actually damaged the axes breaking one handle and losing the head on another. That means I’m in Axe fix mode this week but we got the job done using sledge hammers, wedges and a splitting ring. A splitting ring is a device that you place the log inside resting on a blade and hammer it down to split it. That day we worked was bitter but we got enough split for the next week or two.
The next CDI feature film is looking to be HOT ROD LOVE. The script is getting some amazing feedback and this week I’ll be breaking down more of the business aspects. We are looking at trying to hit an April/May shoot in Michigan. We’ll be announcing more on this property as we go. Now wait, didn’t CDI just do a race theme film? Yes. But that was circle track racing and this is drag racing. The CDI Race Trilogy? Haha, not really, maybe. The film is a comedy with some nice life lessons attached but it could be our biggest comedy to date.
BREAKING NEWS! So BEST YEARS GONE is prepping for its home video premiere run in June-Sept and in the meantime we’ll keep playing some theaters and also a few select film events. I will say that I’m not a fan of virtual events but with all these festivals going remote one thing stands out to me. Often the filmmakers that show up at the event and smoke have a better chance of winning because the fest gets a good acceptance speech (sometimes). So to me the one positive is that the films are really being evaluated on the content vs the political ‘schmooze’ factor. Our director Shane Hagedorn submitted us to a few select festivals. We announced that we had our first official acceptance into –
We found our yesterday that we were nominated for the following categories and actually won a few award. I’m so proud of this film and the cast and crew involved. First the SCREENPLAY was Nominated as one of the best. I appreciate this nomination greatly as I love writing and believe it is the foundation of every great film. Without a good battle plan you don’t have a real chance. I also think that having such strong source material from Karl Manke (book Hope From Heaven) also helped.
I feel our entire cast could have been nominated for the rich roles they brought to the story but this organization nominated three actors for awards. Melissa Anschutz and Randy Spence for BEST SUPPORTING ACTRESS and ACTOR. It is only due to all these supporting performances especially by my costar Erika Hoveland that allowed me to be nominated and actually win BEST ACTOR for my work as ‘Gil Gilles’. But that’s not all-
As we all know the technical people behind the scenes help create and capture the world/story. I again believe that many of the crew were nomination worthy but Mr. Travis Hayward was nominated and WON for BEST CINEMATOGRAPHY. And finally, my favorite nomination and WIN…
This award represents the TRIBE! We all made this picture what it is and again I’m just so proud of our cast and crew and excited for the world audience to see this film. Here is a great statement from our director Shane Hagedorn. But first a quote from a legend.
What we do come up with has no special right to call itself better. It’s just different. No, if there’s any excuse for us at all, it’s that we’re simply following the old American tradition of the maverick”.
-Orson Welles
And from our director-
“I am thrilled for our cast and crew on these major wins and nominations from Maverick Movie Awards. Although we filmed through the height of the pandemic of 2020, our tribe of artists and crafts folk banded together to create something unique and special–all the while overcoming many obstacles while doing so. Thanks to the team at Maverick for recognizing our art and best efforts”.
-Shane Hagedorn
Our release dates can be found on our IMDB.com page and updates are flowing out to our FB page also. I also want to take a moment to give congrats to my fellow local filmmaker/actor Michael McCallum, who was also nominated in the shorts division for ‘Best Actor’ and I believe had a few other nominations between two (?) shorts they had represented. I’m not 100% sure on all the nominations but I wanted to tip my hat. Two filmmaker groups from Lansing, Michigan getting noticed in London, England, nice.
Let me see if I can do a bullet point of some of the weeks activities-
- More “Silent Night in Algona” stills are being released on FB and soon (Feb) we’ll release a BTS video. Editing is underway with a first cut expected by mid-March.
- “SMOKE & MIRRORS” the short proof of concept short cut from the feature script is uploaded to film freeway and a few choice festivals will be chosen for this steampunk, spooky short starring David Gries and Melissa Anschutz.
- We are moving closer to a deal on FOR THE LOVE OF CATCH, our doc on the history of grappling/wrestling directed by our own Curran Jacobs.
- A verbal agreement has been made on moving forward with an app video game based on CDI’s first feature film from the 90’s KNIGHT CHILLS. The film is a cautionary tale about bullying woven into the awesome realm of role playing games like Dungeons & Dragons. Paperwork will follow this week.
- Look on Facebook ENCOURAGE TV for my buddy Josh “Ponceman” Perry promoting BIGFOOT, UFO’S & JESUS. If you haven’t seen the film you should. It is a fun romp and ‘Chip’ Josh Perry is a show stealer. https://m.facebook.com/story.php?story_fbid=4724060584352381&id=124174114296086&ref=sharing&_rdr
- In the wake of THE QUEST TRILOGY push that will continue through Easter has brought up discussions on a couple other possible films set in the time of sand and sandals. These films come from a unique perspective different from most biblical adventures. So even if organized religion is not your thing, you might enjoy these three films which purposely shoot in a ‘Star Wars‘ original trilogy style.
- WILD FAITH and the developing WILD FAITH: Hastings TV series are growing stronger. As millions view the feature each year, enjoy the storytelling, the eight show series is getting closer. Now as people are getting back to work I hope to move some major pieces on the chessboard with this TV series.
- BESTSELLER is finally getting the home video release it deserves. I cannot wait to see the new artwork and such. It goes to digital rental I believe same day as BEST YEARS GONE (Sept 1st, 2022) This script is adapted from the book of the same name written by Michigan’s own Christopher Wright.
- I hope to do a follow up meeting soon to see what the evaluation of some of the old CDI library films yields at BMG. Some would need to be uprezed and conformed but that would be cool to see! Are you hoping for any one film in particular to come to the market in HD?
- WICKED SPRING is being introduced to new audiences and old audiences are getting to stream the film in HD. I want to try and do some collectors merchandise on this film in 2022. I’m thinking about a collectors poster. If you enjoy merchandise we have several items up from various films at the http://www.cdiproductions.com site.
I’m going to wrap this up and get on some bacon and eggs. Our chickens are doing well even with the frigid cold they are still kicking out eggs. I might look into my axe situation. This week ahead will be productive. I’m doing some more writing and have two other potential script writing projects. I do enjoy that writing time especially when it is freezing outdoors. If I missed anything – forgive me. This week I wish you all well and remember to have patience and be good to one another.
DJ
‘ROCKY’ Could Have Been A Faith Film and Other Coffee Ramblings…by DJ Perry
The chilly fall has settled into Michigan making sipping coffee or hot cider even more enjoyable. Now is when I have to start thinking of the winter ahead. The stuff that will have to be put away and stored. The firewood for the coming snow. Even the change of clothes to heavier layers, is a normal process in Michigan. I think last week we discussed something which was the delay in shooting our next feature by a quarter. The funds are there and so many would want to rush to production, the fun part. But, we’re putting the icing on the cake for a wonderful distribution deal on WILD FAITH. It has been a touch slower since I’ve had the joy of working with the Hollywood agent system. But, in the end it will be worth it and will directly have an effect on the TV series. Upcoming 2019 will see the major organizing of the release and push on the series. We are planning to shoot in Michigan. Likely a series of shows shot in a tight production block. It’s new waters for me so I’m learning something new every day.
Tomorrow we’ll announce via PR our recent Crown Award and the Burbank International Film Fest win for ‘Best Faith Film’ and while I would have loved to have it gone against all the films – they work by genres. But WILD FAITH is just an accurate look at 1870’s life. As the screenwriter I did not add any overdue FAITH. People we’re just more living in tune with their faith during that time period. Life was more wooly and I think people had more life and death encounters be it disease, drought, famine, bear attacks – you get the point. I love the faith and inspirational themes. ROCKY being one of my favorite illustrations of that. On his way to the fight – the father priest throws down and few blessings. Yes. ROCKY could be a faith film and it would have surely won ‘Best Inspirational’ as I’ve seen it inspire masses and I’ve been inspired by that film. My point is, I’ve never set out to make a ‘Faith Film’ and I’ve never set out to not make a ‘Faith Film” – I’ve told a story. Characters in almost all stories are confronted by a situation that tests their faith thus the relatable conflict.
Dorothy in The Wizard of OZ must find her faith. Indiana Jones fights to keep his faith versus his scientific reasoning, Men vs shark in JAWS, puts faith out there to be chewed upon as a topic. I think every film made about mankind has faith woven into it. So, is it that the content must have X amount ‘faith’ in it? Judges in chairs that spin around and hit a button if your film has the required ‘faith’? I appreciate it mostly, the acceptance to our films. But because the story, characters, situations, lessons were all something that were touched upon. That shed a bit of light on our faults projected onto a screen, so we can better understand ourselves. Deep. I know. Occasionally, I feel quite grand with my profession, pride like a good woodworker, or any other artist. Mostly, I still feel like that kid, make believing with my neighborhood friends living out our own STRANGER THINGS life.
I’ve changed some in my screenwriting, I’ve noted. My earlier self was darker, heavier and nihilistic. My mom often questioning, why I kept dying in my films. Now, I’ve always had a funny, lighter side to my personality, ask anyone who really knows me. But, most of my writing came in my moments of solitary. Also writers in Michigan benefit from our long winters but the end result is often PSYCHO or THE SHINING writing in nature. Those previously mentioned films are two of my favorite for the season. Another side note: I do want to do another horror film but it has to be good. By good I mean story. Creating horror films in the handful of story formulas is like a rite of passage. The lovers of that genre cannibalize the artists with dastardly reviews. But meet them in person and they’ve always been very nice. Maybe because they saw you on camera foaming at the mouth and swinging an axe. Anyway, I was saying that I enjoy the laughter and smiles. I recall many showings of WICKED SPRING whereas people wept in the theater. We did that with our story. But I see so much negativity and anxiety with people not coping to our new world. A world where we’re more communication-connected than ever before BUT we’re not. FRIENDS have a new definition thanks to FACEBOOK but my definition stays the same. I want to be part of making people think, smile, laugh and still occasionally cry, if that comes with an enlightenment.
The ‘Faith Film’ anti-goodhousekeeping seal of quality is being shattered as more storytellers (without labels) are returning to tell stories that their grandmother, mothers and fathers would enjoy. Ben Hur (The Original) and Ten Commandments (The Classics) were always on TV when we had our family Thanksgiving, Christmas or Easter gatherings. There are great organizations that are rising to recognize and award this kind of content. I always worry about censorship, we can choose to watch what we want. But if a demand is there, look at the rise in METV, Heroes & Icons, and the rise of the faith market. People are casting their votes with their rentals and purchases. I feel most honored by the online communications from viewers having powerful emotions invoked from our stories. It is a dream to have holidays where the films play and families bond over a watch. My goal is to make a few classics. All of them might not make it but we’ll give our ‘best effort’ every time.
I was reminded yesterday when inquiring about a director whom a close associate had worked with – their last film isn’t done. It hasn’t been completed in a matter of several years. As an actor, I’ve got two films shot in recent years, one a co-starring role, not finished. I’ve got a call, meeting, catch up with a director friend who’s trying to finish one of two projects we did together in the very distant past. It bothers me occasionally talking someone’s new project(s) when those people have loose strings to tie up. There are many films about that don’t interest me as a viewer, but I always tip my hat to finishing. Finishing is a skill needed in this industry, without it, suffering. But it sounds like my old friend is trying to finish, so that’s a good thing.
This week I finished my first solid draft on our next script with BMG entitled LOST HEART. In meetings with our distributor, they really liked a concept made easier that I had written something in the same vein. But I wanted to apply some of the growth I had made mentioned above. Same log line but different script. I had a wonderful time creating this story and it became so alive with characters and a world, other’s will long to visit. Jeff Kennedy and I, my partner in CDI, semi-retired – always had that as a goal. To create a world and invite people inside it. The CDI first five – really helped hone this craft. You have to BELIEVE in the world. Another 2019 goal is to get Jeff Kennedy back into a director’s chair. I have a few good ideas but they will require a good pow wow or two.
MBF has been in editing. They shot a few pick up establishing shots and transitions this week. Always good to do this once you get into the edit and really see what could be added. This film I’m so proud of. It showcases and pleads for better treatment of our war vets and dogs, that can heal us. We continue to release official stills from this film. For now the spotlight is given to…
THE CHRIST SLAYER!
Find our social media site on Facebook – lots of updates.
https://www.facebook.com/thechristslayer/
Part 3 has a bold name. But the title has a meaning that audiences will discover, maybe not what they thought. I’m excited to say that Part 3 of The Quest Trilogy is coming all together. I watched a recent 5k work flow version with 98% VFX. Color Correction and conforming still lie ahead. ADR, music and sound design are steadily under construction. I’ve been working with the distributor and their marketing team as we prepare for release in early 2019. I was really happy with the story, smiling throughout. I love watching artists friends give moving performances. That’s what we want deep down. To captivate and transfer that emotion via story. This will be an exciting watch and so again, catch up – parts 1 (FORTY NIGHTS) & 2 (CHASING THE STAR) on Pureflix, Amazon Prime, Google Play, Christian Cinema, Parables TV….and so on. To our cast and crew, it will be worth the wait.
Okay, time for a pumpkin spice english muffin and another coffee.
Have a great Sunday!
DJ
Welcome to December full of updates!
Always building…
It has been a week of just beautiful days in Michigan. I was able to enclose my wood shed in with logs from the recently fallen tree. I also took the axe to the older logs and so the stockpile for the office wood stove is growing. I want to welcome our new readers from Ireland and Japan. That is what I love about this blog. Artists, perhaps filmmakers but united here by passion. Invite someone you know to share with us.
Now last week was an unexpected loss of a mentor (Rance Howard) and to all those who reached out – thank you. I’m at a loss of exact words but we met over storytelling on Miracle at Sage Creek and that relationship took us through many stories. I will miss sitting on the patio in Yuma, AZ having a nice Mexican food lunch and just talking.
On set “Forty Nights” with Judy & Rance Howard and T (Tony Hornus)
With my experience I find myself being a mentor more often and losing my own mentors. What a man Rance was working right up until his passing. Bill McKinney (Deliverance) was the same way having filmed 2 weeks before he passed away. I don’t think you retire from being an artist. I am sad that I won’t be able to get Rance’s feedback on The Christ Slayer film. He was so excited about the final chapter of our trilogy. It was a major accomplishment and he loved playing the Devil. He also loved that we took an honest look at the ‘being’ and relationship he shared with others, Jesus in particular. But he will be looking down and I hope he is proud.
The Howard boys several years ago –
I do look forward to working with Clint one day and perhaps Ron and sharing some of the great conversations I had over the years with Rance about his family. I will be sending a nice note to both of them with the trilogy once Part 3 is done and released.
The Christ Slayer is locking up the VFX and edit and preparing to move into post music and sound design with the amazing Dennis Therrian who will once again compose the heart and soul into the story. The first official director’s poster is about to be completed. Also once we hit the new year the PR on TCS will pick up. Right now it’s all Forty Nights and Chasing the Star. They have been doing great over at Amazon and our other fine rental/retailers. Family 7 TV network in the Netherlands will be showing Chasing the Star and soon after I expect Forty Nights. Also I saw some promotional give aways for Chasing the Star to celebrate the release into the United Kingdom. Forty Nights should also be joining our friends in the UK. This time next year all three will be released! Also Chasing the Star will be playing on the big screen in Bedias, Texas at Miller’s Theatre I believe on Dec 7th. I’m very happy about all the developments on these films.
These two knuckleheads from ‘Wild Faith’
Wild Faith – the end credits are almost done. The VFX work is all in and the audio is being tweaked around it while color correction takes place. We did paperwork on all this at week’s end and so if a short time we’ll have all that complete. We will have a finished film VERY SOON. Before the end of the year – Merry Christmas to all of us.
This month we also did some work on other properties to boost them back into the marketplace. ASHES OF EDEN has a few options/offers to rejoin the market. We’ll be making a decision on that this week. A child’s animated feature THE PATCHWORK GIRL OF OZ will be releasing back into the marketplace and FIGURE IN THE FOREST is making a few moves. Our bridge into India is also underway and soon I should have news to report there. In 2018 we will have that bridge open. Many more deals will be put into play.
Where ideas are born…
This week will be several meetings as we bring 2017 to an end. I’m going to cut this short as we’re taking the mom’s to a beautiful turn of the century house for a Christmas event this afternoon. I hope you all get to spend some quality time with your loved ones. Our development work on MBF continues and we plan to move into full preproduction at the end of January 2018.
Be good to one another!
DJ