“Strategy without tactics is the slowest route to victory. Tactics without strategy is the noise before defeat.” ― Sun Tzu

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Kung Fu, Respect and Loyalty. The Tribe Looks Ahead to 2022!

I’m sitting and sipping hazelnut coffee while admiring the Christmas tree from last week’s harvest. I just realized when cleaning out my email messages that I missed a Christmas event/party I had planned to attend. DOH! I’m finally well-rested and attacking my TO DO’s with strength. It took a good part of a week to get caught up on my rest. I got most of the production totes stored and everyday we work hard to tie up the production loose ends from our previous SILENT NIGHT IN ALGONA (SNIA) film shoot. This week will also be full but I hope to get some more winterizing done. Several things in the yard need to get put away for winter. One of the nice refreshing things from last week was spending an afternoon with my dad and meeting my cousin for lunch. We meet so that I can pick up venison which is one of the main meats I eat. I actually made some venison steak chili yesterday that turned out great. My cousin and his boys are avid hunters. I enjoy nature and have hunted but I don’t find enjoyment in it. It is a very lean meat and healthy, something that the midwest hunters have enjoyed forever. 

As we finish all the wrap up business on SNIA we’re prepping for post. One of the production drives have landed with the editor. We have established a production flow between editor and director. Our DP is doing a first batch of stills to help establish the color palette. He’ll be working with our director and editor in finding certain shots. Meanwhile a few VFX pick ups need to be looked at for a really cool sequence in the film. Dennis Therrian is being prepped on the film as he’ll be doing our sound design and composing our film’s score. Some VFX model work will begin soon in Canada with one of our amazing artists. Anyway the course for the film is being set and I’m excited for everyone to start looking at it. 

At CDI we’ve been looking ahead to the future. I’ve been working on the next script for ‘OF SMOKE & MIRRORS‘ my working title on the reworking of the feature script. A short film SMOKE & MIRRORS was finished just as we started filming SNIA. A wonderful commercial piece that we used to do a proof of concept short. I think it does just that- gives a great look at what the full feature will be like. Nathaniel Nose directed the short and he is who we’re eyeing for the feature. The script is the key to everything. This will be a late 2022 or early 2023 shoot from my best estimates. 

WILD FAITH: HASTINGS – For those who have seen the feature film “Wild Faith” you’ve been treated to a story for the whole family. Inspirational without preachy just good lessons from a more simple time. Now we have the first season (8 shows) ready to film. It will be part of several talks I will have in the coming weeks. The key with this is CREATIVE CONTROL. We are being selective at how we finance this property so we don’t have strings that will hamper the integrity of it. It will happen and our perfect timeline would be the second half of 2022. 

The Spring is always an exciting time coming out of winter. We’ll be doing a feature or two this first half of 2022. We’ve been doing a heavy evaluation of properties and some of these will be included in my distribution talks ahead. But I really think I’ve landed on the right property. It will showcase all your favorite CDI troupe in a great story. 

As a side note – this previous news made me think of a recent discussion. The story/script is the most important part of the process. For many filmmakers this is just an afterthought. We need a script and some actors and we’ll get to shoot all this cool stuff. CDI evolved in part because of how poor the scripts/stories were out there. I say this 100% from an actors perspective. That is why I’m always floored by the actors who will emotionally commit before reading a script/story. Anyone can be excited from a good pitch but having that translated to a tightly woven script is another thing. I know many actors who only read their parts and that too is having ‘blinders’ on. I also have told actor friends that you can glean information about their characters sometimes from what other characters say about them. EXAMPLE: You might find out your character has a wife, children or a pet from other character’s dialog. Perhaps gossip reveals that a character previously worked construction before their white collar job, all in the script. The whole story needs to be absorbed from the outside and the inside- internally and externally.

So perhaps a good rule of thumb is A) Evaluate content fully, quietly B) Don’t sign on to anything without reading the entire story and vet the production’s reputation C) Once attached learn the entire story before focusing on just your role’s world/words – important information might exist within the script.

Just my two cents from my experiences. There is a great word EXPERIENCE. 
The great GOOD, BAD and UGLY as I like to call it. The goal is to take this accumulated knowledge (Remember Bruce Lee’s – the best way to learn a technique is to get hit by it) EXPERIENCE and translate it and apply it to your situations allowing it to become WISDOM. Now I’ve had my fill over the recent years from some individuals severely lacking experience in certain areas. Yet that want to present from a point of assured confidence that dances in arrogance. Arrogance usually follows someone who has experienced and learned a little yet thinks it gives them license to talk down to someone. A teacher who forgets that he is also a student will be humbled.

From my associates in business I get many complaints about the youth in several areas. (never their use of technology) But I always point out that most of us who have found some success have done so with the assistance of good mentors. For some that starts with a father but not for everyone. It is those special people who come in your life and help shape you. I have had a handful of these people and I’m happy that I recognized by lack and their gain. I emptied my cup and showed patience, listening and learning. I am fond of the old KUNG FU (David Carradine classic) TV show where all the boys have gathered at the Shaolin Temple. They wait and are being watched. Each day they are asked to go home and as time advances and patience is lost – most leave. In the rain those few who remained seem to have the potential for sincere growth. They are invited into the hospitality chamber and served tea. The unmindful who gives into their urges and drinks immediately are asked to “please go home” – shocked the few get up to leave. One is stopped – “Not you, please sit.” When asked why he did not drink he responds that he was respecting the opportunity. He was waiting to drink- being mindful and appreciative of being there. My soccer player/coach, martial arts lifelong student and teacher and a camp counselor all influence how I live. To the frustrated elders know you can influence and guide the youth. To the youth, empty your cup of your perceived absolutes and learn. The journey is a two way street and the glue that binds it all together is RESPECT and LOYALTY. The latter cannot be taught save by example. Those few who observed loyalty and the benefits of the practice and decide to give in to this practice. It is hard for many to give up selfish ambitions mixed with a lack of patience – it often leads to isolation, frustration and hardship that lasts until mindsets change.

Getting deep, Shaolin Monks, kung fu and drinking cups…What? What?” – Gil Gilles

BEST YEARS GONE has recently finished a second run in Lansing, MI over the Thanksgiving week. We might explore a Detroit area and Grand Rapids showing. Also we’re exploring a few key festivals mainly based on places we would like to visit. I’m in hopes that after my next conversation with our distributor that I’ll have some updated info on our home video release. I’m glad that the films are being met with enjoyment and laughs. I loved one review that likened it to STEP BROTHERS and JOE DIRT which I love Step Brothers but Joe…okay I see it:)

THE QUEST TRILOGY (Forty Nights, Chasing the Star, The Christ Slayer)- is now in season with the passing of Thanksgiving. Our distributor BMG wanted myself and Melissa Anschutz to do a promo inviting folks to subscribe to Encourage TV and watch. We were going to use a few places in Algona, Iowa as the back drop when filming but got too busy. We were going to shoot something at the office by the wood stove but decided we might save that for WILD FAITH promo. We shot in front of the Christmas tree, 3 takes- all funny and DONE. While doing some work last week I did play Forty Nights in the background. It was fun to watch and recall all the shooting we did in the deserts outside Yuma, AZ. Take a watch on all three and make it part of your holiday tradition.

I could rattle on about watching all the CDI films…but I’m sure you will get there in your own time as the nights grow longer and the outside colder. A good night to light a candle or fire and watch a good story unfold. I’ve got some yard clean up and some holiday shopping to do so I’m gonna wrap this up here. It was a pleasure to spend this time with you. Until next week. Be good to one another.

DJ  



Deceleration Into Life From Set Life –

Some of the amazing extras who helped tell our story “Silent Night in Algona”

I’m sitting in MY chair with a hot cup of hazelnut coffee. Outside is my first Michigan snow. For me if it’s going to be cloudy and overcast, give me snow. It’s pretty and brightens everything a tad. Now I know I have friends here from VERY warm places that don’t get snow. Now snow is quite magical and that first one always brings thoughts of those days as a kid and will various pets that made that so special. Catching snowflakes, snowball fights, snow angel and sledding. I have a few stories of drunken skiing with my cousin Jerry including one epic fence-destroying trip to one of the small ski mountains. The key to snow is being prepared. This means layers and layers and mind the gaps. -By that I mean where pant legs and boots meet. Where coat sleeves and gloves meet. Where neck might be exposed and of course a solid winter hat. We learn that as a young child from bus stop stays. This continued to elementary school recess that was always an outdoor adventure of ‘king of the mountain,’ snowball wars and snowy football games. In our secluded ‘Lord of the Flies’ neighborhood even more snow games were abound. Sledding was legendary that included a few ramps/jumps that would make Evel Knievel smiles with pride. The afterglow of our cold adventure was a round of hot chocolate, marshmallows optional. At night the even more fun and dangerous snow mobile pull of the sled around the plowed fields nearby. Kind of like being pulled on a tube behind a boat but the bumps and trees made for quite the challenge. I recall at least one time staying too long in the frigid and having to run my hands under warm water, the ache returning with feeling. I hope for my friends living in the no-snow zones I painted a little picture of living with frozen water.

One of the wonderful farms we filmed on – note the sky.

In Algona while filming “Silent Night in Algona” #SNIAthemovie we saw our actual first snowfall. Iowa and Michigan are alike in many ways but have their differences. We seem to have more variation in our landscapes where Iowa has lots of corn. To their credit I did see some hilly places and the sky there was just amazing. Maybe it is the less pollution or any number of factors but our location photos and our film itself captured these many awesome skies.

This project was ambitious as most of the #tribecdi projects are. I believe you have to reach to grow and so we often pick projects with various elements not easily obtained in independent films. Or with independent budgets might be a better term. Any project that takes us from our home state is more expensive. We found basic logistics to be a challenge and in hindsight a better battle plan can always be seen. The script could have been a touch shorter and we did tighten in a few places. The script was the final version that I had consulted heavily with my friend/co-star and mentor Rance Howard. He was a stickler on the farming techniques and perspective of 1940’s citizens. We went in with a battle plan and a tribe of artists. We spent months casting the “right” actors from around the country. This is a big part of directing and our producers work hard with our director and it showed in this production. But we had a large cast and with flying and lodging this is a major cost also. But the actors that signed on were there for the story. As a screenwriter I’ve never been more proud of all the feedback on the script. It was from 14 years earlier and is not perfect (is any?) and even in my own scene study I found a few ‘subtextual’ issues that I corrected. But we had the pleasure of knowing what was coming from the auditions. Now put those same amazing actors in proper wardrobe, locations and – MAGIC! MOVIE MAGIC!~

The actors were all on point and we captured some incredible cinematic magic. By capturing I mean our amazing crew. At CDI we work hard. Movies are hard. Bad movies are hard to make which is why I always give points for even bad films. Finishing deserves credit. Finishing with quality that passes worldwide QC (quality control) is worthy of kudos. But creating something handcrafted that has the story power to last decades is – a reward that you receive only after audiences have celebrated a story for many years. I think this film will be one of those. We at CDI are shooting for nothing short of a holiday classic. We made our go at that with THE QUEST TRILOGY (Forty Nights, Chasing the Star, The Christ Slayer) three biblical stories told together from a unique perspective. These films have been growing an audience for many years and are on their way to becoming a classic. You can watch the three films streaming on many platforms and in many countries.

One of our films that we produced with our former sister company Lionheart was WICKED SPRING. That film now managed by CDI is 20+ years old and is still entertaining audiences. It’s also getting a new release on HD/streaming and is a good example of a film that is a true classic. Unique in its perspective with roses and rocks thrown at it but a story that has kept audiences coming back from the earliest days on VHS and network TV. (I still have a VHS copy from TV with commercials)

WILD FAITH is another film on the way to classic status. We can cement that with the production of the WILD FAITH: Hastings tv series. We are adding the film to the title to help assure our tens of millions in fans can find the upcoming series. I’m looking at back half of the year to produce the 8 shows that make up season one. I will be getting on that business asap once I can get caught up on my SNIA (Silent Night in Algona) business. A few discussions were had but again the #1 thing is that the story is told proper. This project has suffered from bad studio/network notes in the past and has moved past those to become a film loved by many. So we will stay true to our story and find the right partners. If it isn’t broke don’t let others try and fix it. We will get this made and audiences will see some of their favorite 1800’s characters back in action. Giddy up!

LOST HEART versus BIGFOOT, UFO’S & JESUS – this film under both titles is doing really well with audiences. The film is such a charm that it has so many levels and layers of story that really should appeal to most audiences. It was kind of an experiment but so far I think it has been good one. It is another great holiday season watch. It also has some great music in the film from Roanoke and The Cash Collective (John Carter, Ann and their family). Worthy of a watch if you are trying to catch up with some of the CDI films. Melissa Anschutz shines as the lead and Josh Perry shows his dramatic and comedic mastery.

RETURN TO ALGONA-

Melissa Anschutz and Josh Perry are both back in SNIA. They both bring such fascinating characters that will once again inspire. Josh Perry left people in tears with his performance which isn’t a surprise at all. Josh doesn’t wave a “Down syndrome” flag ever but I’m just so damn proud of him. On two occasions I’ve observed individuals with Down syndrome observe Josh and you could see boundaries in their minds fall. Josh ‘The Ponceman’ Perry is a movie star make no mistake about that and these young people saw what they could achieve. Josh is an inspiration by his actions not his activism. Maybe there is a lesson in that.

I had a chance to meet more fans of MBF: MAN’S BEST FRIEND and I’m so pleased that the film sits so well with veterans. I hope that all of you will take a chance to watch this CDI story told by ‘SNIA‘ director Anthony Hornus. One of the hard drives is being sent to our editor Nathaniel Nose who is also supervising the VFX. Our director is upgrading his computer to allow better footage review. Our DP Dan Chipman is doing some rough assembly to seek out and identify some of the pieces of the story caught on the fly. Also the first batch of photo stills is being drawn out and color corrected to help become a color template for the films final look. We have been rolling out BTS stills captured by many of our cast and crew but the real GOLD is coming.

Also this week I’ll be taking a hard look at the feature projects in development. We plan to shoot a CDI feature this Spring before we roll into pre-production on the WILD FAITH TV series. I started to have some first talks about the next CDI feature which could become plural, features pending a few discussions. I have a few development meetings that will nudge things one way or another. But with both SNIA moving into post as BEST YEARS GONE continues its theatrical (last day today in Lansing at Celebration Cinema) before prepping for home video. Also FOR THE LOVE OF CATCH is in final post mixing before we start a release schedule on this documentary. We will have a meeting over this property this coming week. We should be doing a final watch through in a few weeks. From there a premiere will also be discussed. But…not until it is done. And we just might be doing another documentary in 2022. As this year closes a new one lies right over the horizon. This week will be tying up more loose ends on SNIA, planning 2022 schedule, end of year dispersement and tax prep and writing. I love to write when it is cold and snowy and I know I have some days ahead of me. I have several properties/scripts I’ve been working on and a few possible work-for-hires so we’ll see with all of that. We have the Christmas tree up after I donned winter warrior Michigan gear and saw. Today we might add lights and another night the bells and whistles. I might go light a fire in the stove at the fort to finish settling back in. I have totes everywhere as I prepare to stow the gear until our next film adventure. Stay warm and be good to one another!

DJ