Producing is NEVER Easy, Acting UPDATES and COMMUNICATION as a KEY

(Just some of the CDI Tribe working on Harsens Island Revenge)
Good morning my friends. I’m sipping the hazelnut coffee and getting a later start due to ‘springing forward’ here in the USA. I’m not sure if they do that everywhere but some like it and others do not. I’m pretty indifferent to it all. I was pretty exhausted at the end of my week from grinding the mental gears. I think the added cold front coming in gave my sinuses a bit of a run but hot tea kept all that at a minimum. Many times you get only the highlights in my blog that show the final outcome. Meaning we did this or that but you don’t always get the in-between or the struggle to get that particular thing done. I’ve been grinding my gears trying to align many things for what we be an added 10-20 seconds in one scene that includes close ups in a period bi-plane with a beautiful wood cockpit that may or may not play on camera. As our Harsens Island Revenge script is written there is a WW1 opening to show Frankie’s (Our lead character) role in WW1 and how it shaped him. A 2-3 min sequence that also makes a statement about war and that war in particular.

(Again just some of CDI Tribe working towards the ‘Silent Night in Algona’ release)
To have the luxury to kill from afar keeps ones morality at a distance but having to kill up close is a different matter. Much like the dark ages where men killed each other up close with arrow, sword, axes and spears the dreaded WW1 was one that still used horses being fazed out by tanks slowly. Also many battles ended in sewage-filled trenches fighting with bayonets and trench knives. That is the horror that sticks with many of those soldiers. To be that close and see the immediate results of ones actions whereas you see the enemies lights go out. I think as they die a piece of the killer dies. A connection of sorts. I’ve been working for weeks to try and first get the location set up and the particulars around it. Add the players which have been hard to get. Not the leads but the ever-important extras who need to be equipped properly. WW1 has been the hardest to find on a budget, all the time periods to date. The best thing which we’ve done in the past is to hire passionate folks who reenact and put together their own kit. Our luck on that and the communication with those connected has been difficult. Add that we are up against a ticking clock to use the military base we had chosen. Why? Ten days prior all members have to be cleared and we are down to days to submit info on folks we have yet to find. Finding the folks alone isn’t hard but having them period dressed and equipped is and so this week we’ll decide if 1) We keep our shoot at the Alpena base 2) We reset the shoot elsewhere likely closer to mid MI giving us an extra week to find the gear and extras. 3) Kill the opening or strip it down to our just lead in WW1 having a slew of fast memories that brings us to the present 1920’s.

(On Set- Harsens Island Revenge)
It can truly be insanity at times and even with the best planning things fall apart or change. And this is all being done on a very tight remaining budget that is precious money that could be used to help launch the theatrical run after the film is complete. Now the film as it starts now is great and kicks off with some action so maybe we are good. Our composer at the first watch loves how it opens. AND we are trying to trim runtime but our proposed efforts is adding runtime. I think you are all getting the gist from my little peek into everything that goes into producing up this films. This is 3+minutes and we produced up 2hrs+ already. So when you see a bullet point of mine on here every week please do not assume any of it was easy. It is not. It gets done because of the talented people involved. People who care about the story. I don’t like to lose and I had to realize that we are in a WIN/WIN situation because the film is already great. We are trying to add sprinkles onto the top. The cake is going to taste great sprinkles or no sprinkles. And the audience will never know that sprinkles were an option.

(Boats that are 100 years old now)
After 2 hours+ of grinding my gears yesterday on something that wasn’t going to reveal itself, I had to just let go awhile. Maybe it is what makes me good at what I do? But yesterday I had to go and just organize in the office for a couple hours. I’ve got many things in motion for the CDI company and the more organized I am the more gets accomplished. Some music. Some organizing. Some chill tea and I regained my balance. Today I have a few conversations and by Weds of this week we’ll know if we are Alpena bound or if we are taking another direction.

(100 year old+ Planes)
Every direction has pros and cons usually ties to money. But in life just like filmmaking people can get frustrated when things you thought were taken care of, tied up, crossed off – start to unravel or come back at you. When you have to readdress something again in the present it takes from your future. Planning and development stop when you have to fix a crack in the foundation. So this 2-3 minutes has been very trying. It can be made harder but lack of communication. I swear we live in an age with more communication and we have become worse at communicating. People put boundaries on their times they work but that is not what we as successful filmmakers do. Now granted not everything is always as time sensitive as I sometimes feel it is but just knowing that it is on someones radar is satisfying. Message received. 10-4. On my list. I don’t like when people don’t acknowledge receipt of a communication. Even if busy. Let someone know because we live in a world of messages going into SPAM etc… COMMUNICATION. I just finished a great series THE BEAR about running a restaurant and it is all communication. “Yes chef” “Behind you Chef” “Corner” – and in soccer the team that communicates is the team that wins. A team with less talented players who communicate better can beat a team with more talented players if they win the communication game. “You have support” “Square” “Give and go” “Keeper’s ball“….My rant is just because I felt the endeavor unraveling despite hard work. In a project even asking “What can I do?” “What still needs to be done?” these things lead to success. And you have to always keep striving to improve.

(On set Harsens Island Revenge)
ANOTHER SIDE-the ACTOR
So above really is about producing up a film or in the case above just a few pick-up pieces. Actors who only act don’t often concern themselves with all that goes on behind the scenes. I can recall working years ago on one of our westerns in NC and while battling with catering and SAG I’m getting calls about an actor friend not liking their boots. Actors tend to just be concerned with their little focus but producing introduces you to the wide world of what it takes to put on a show. Even crew members only see the presentation and as I’ve said before, it is near impossible to pitch a perfect day. You hope the 95% right buys you grace for the 5% that goes wrong. Thousands of things that go right in a day due to the hard work of a few but cries of anguish if catering does a subpar job on vegan side meal or someones magnetic key deactivates on their hotel room. We take accountability but third party and a tech malfuntion should be covered by earned grace. Those incapable of grace are removed on future projects for their own good. Film shoots are more closely related to war versus vacation even when the places we shoot are beautiful.

(Old Men soccer champions)
So on the actor front my new agent sent me an audition for a pilot TV series. I’m use to reading a full script to absorb the character and roll but this is a few sides. I had this talk out in LA with friends who work often out there. I asked it they request or direct their agent towards shows they like? They said they pretty much read everything so their agent doesn’t drop them. I questioned what if you don’t like the show? The story? The Script? Doesn’t matter apparently to many. I wanted to do this read since it was the first thing my new agent sent over. Also I was going to be forced to do an upload and use the actor’s access portal. A good test. I did my read and damn, pretty good. I guess it should be after all these years. I was successful in my upload. I did get a few good notes on how I could subjectively improve the eye line and questioned would a tripod be better. See how the hee-haw that actors go through is the stressful time consuming parts. Second guessing and stressing and I don’t participate in that. I politely declined and said that what I presented I was comfortable with and if the production quality was not up to par I was find with it not being sent forward. The read was actual well liked and sent forward but after I felt a strange feeling likely opposite other actors. SHIT what if I actually get the role. Will I like the script? What if it does get picked up? I have a film lining up this summer that I know the script is good and the role is great. I have soccer season ahead and I’m looking forward to that. I would have to move a dental cleaning off the pilot shoot. WHOA partner:)

(Acting is still my top passion)
I wanted to start looking at some outside projects but I’ve avoided series in the past. WILD FAITH TV series would be different but maybe even after a season I might not enjoy that. I like finishing something. WRAP always makes me feel accomplished. Well, I just figure I will play the hand. Realistically I might not get the role as they’re many great actors and what folks like is subjective. If I do the pilot it still has to be picked up. This is just a few funny thoughts in my head. I enjoyed the practice of the read and technical upload but not knowing the full script/scope/creative team behind it is another place for me. I do believe just like all my outside projects that I will do what projects I’m meant to do. KARMA in India is where I met Carl Weyant, who just directed Harsens Island Revenge. Eric Colley and Hallie Shepherd and Paul Proios on G.P.S. (Watch on TUBI). So I’m going to just stay open to what is meant to be. I’m just staying good and busy but when away as an actor it is much easier and I’m still able to do producer/writer work.

(BEST YEARS GONE DVD Wrap)
Speaking of writing I saw that Benedict Fitzgerald writer of The Passion of the Christ passed away. I almost had an opportunity to work with him thanks to a friend Isabella Hirt but I was busy with BEST YEARS GONE. Which I’m happy to report can now be seen free with ads on Youtube’s FREE4ALL which is Twin Engine Global‘s new streaming service for non-family and faith films which is Encourage TV. Staying with the topic of writing I’ve been enjoying doing the polish on a script looking to film next winter. I think the funding is there and it is very unique but will be a lotta fun. It is a period piece and will be a lot of fun for all the actors. My second pass is working the descriptions and dialogs for pacing, flow and proper language. I had some talks this past week again about literary representation having had many produced screenplays now doing quite well in the marketplace. We will see said the wise man.

(A published un-produced script of mine on Amazon)
The literary side is developing nicely with several of the CDI projects publishing script and making of books and novels where it applies. I’ve been discussing the deal and discovering extra pieces and pictures to make these releases special. With the backup RAID now functioning we will be able to move into more theatrical and perhaps soundtracks. I will be looking for the right person to run the CDI merchandise site on commission.

(The actual 1920’s not an easy thing to recreate)
To tie into the above and circle back to Harsens Island Revenge – the making of by Adam Towner is looking great. We got a peek when watching the first cut of Harsens Island Revenge which was just amazing. Boats, planes, cars and buildings all helped to create the 1920’s. The world was brought to life by our artists on both sides of the camera. The performances all around are so strong with our young leads David Reardon and Cassie Dean doing such a wonderful job. It reminded me of some of the epic films of days past but with a modern capture bringing the world out of black and white and into full color.

(Silent Night in Algona – watch it if you have not)
This has all been good for me to just let some of this flow out and put order to my pick up shoot options. I have a few phone calls to make to discuss these options. It will all work out as we have some of the best artists within our creative tribe. I will go boldly into the new week and just deal with the cards we are dealt. I want to end by sending the CDI thoughts out to Anthony Hornus and family who lost his mom this past week after a long illness. For many of us our parents are a strong support system. Last time I spoke with her was at the SILENT NIGHT IN ALGONA Owosso, MI premiere and she was very proud of her son. We are all proud of Tony too and I’m deeply sorry for his loss. He will always have his TribeCDI with him. I hope everyone has a productive week. Until next time- coffee cheers!
DJ
Ten Project Updates – Remembering Friends

(Filming Ghost Town w/ Herbert Cowboy Coward in the middle)
Good morning out there to my friends across the globe who stop in with their morning beverage to read and ponder. This has been a productive week in business but I’ll start by talking about a subject often on our minds as mortal folk. Death. This week I was stunned one eve as I received tragic word that one of my costars and friends Herbert Cowboy Coward had passed away. For those that don’t immediately recognize that name I’ll give you some background. This man worked and entertained at a NC theme park called GHOST TOWN IN THE SKY. A western town high atop of a mountain often shrouded with clouds. At its peak the live gunfighter shows thrilled 10,000 visitors a day from Spring-Fall. Friends like Robert Bradley were amongst the famed gunfighters as was CDI’s Dean Teaster’s dad Doyle Teaster. And Herbert better known just as Cowboy. The movie and TV studios would send stars up there to participate for a few months when the shows were on hiatus to gather fans and the actor and shows. Stars like Tony Dow (Leave it to Beaver), Dan Blocker (Bonanza) and Burt Reynolds (Too many to count) spent time up there. When Burt’s career took off and they were casting DELIVERANCE and needed a second mountain man to “harass” our vacationing men, Burt knew a perfect one. The legendary casting story was that Cowboy who had lost his front teeth due to a non-trained stand in gunfighter at Ghost Town, was called in. Burt said give him a good scare. So the producer who was there to interview Cowboy was thrown against the wall and subjected to mutterings of this man about to…to…to… (Cowboy stuttered) cutting him up. Cowboy got the part on the spot and a smile replaced the grimace and history would be made with Bill McKinney (Outlaw Jose Wales) as his co-star. They were voted by Maxim Magazine the top screen villains of all time. Watch the film DELIVERANCE and you might agree. When we did our Ghost Town in 2006 movie * (I’ll get more to this film soon) we reunited Cowboy and McKinney on screen going head to head. Bill made a living playing bad guys and to this day is one of the most intense actors I’ve ever worked with. Cowboy was tough but got to show his tender side. After Deliverance Cowboy could be found at the local flea market chatting up fans and introducing them to his pet squirrels. He was like a wildlife rehab where they often lived out their days with Cowboy. Bobcats, squirrels…you name it. The other other person I’ve met with those kind of Dr. DoLittle skills was Dan “Grizzly Adams” Haggerty. He was a gentle soul and just a kind simple man. To get that call that he, his wife, pet dog and squirrel all died in a car accident hit me hard. From what I’ve heard he turned in front of a young man, new driver in a big truck. I pray and believe that it was an instant death. I felt worse thinking of his loved ones that also perished and I felt bad for a young teenager who will be forever scarred. Those that know those twisty turning mountain roads can see how it could happen. Add snow and ice and it only gets worse. Gone in a flash. Now both Bill McKinney and Dan Haggerty died from cancer. F$#$%#@ cancer! We’ve often debated amongst friends if quick and instant with no farewell or longer illness with suffering but time to say final goodbyes and get affairs in order is better. Pros and Cons top each but lessons once again about appreciating each day we have and our loved ones. In all three of these cases I believe they were 75+ and so while many live longer they surely lived some full lives. I also learned this week that our ASHES OF EDEN costar Josh Carrizales (Ponch) died in May of 2020. I don’t know the details but I do know that he was too young. So ends my talk on death but I lost a friend and discovered that another one of our fellow actors has left the stage. I’m sorry if I went on a bit about this less than happy topic but it was important that you knew who this simple man was.

(Josh in ‘Ashes of Eden’ RIP)
FILM UPDATES:
- Ghost Town – We get the film rights back this year from Lionsgate and we’ve got a new campaign in the works. A Blu-Ray is planned as part of the ‘Special Edition’ reboot of the film. Also some special new releases of some of the merchandise that sold up at the now closed theme park and some new items also. One such might be a re-issue of the novel packaged with the screenplay. This film marked the end of the classic CDI period.
- Speaking of the classic CDI period another one of the films might be gifted to a non-profit in honor of the now deceased backer. The film AN ORDINARY KILLER is a fictional retelling of the actual famous cold case film. The film revenue will be used to provide financial support to military personal and wounded warriors. The non-profit has helped the children of Afghanistan and several other veteran causes via past projects. The lead detective played by yours truly is a Vietnam Vet and has his own complications from his times served. I also see a screenplay and book combo for this film. This is the film where I met long time friend and collaboration Terry Knox, best known for his work on St. Elsewhere and Tour of Duty. It seems like a fitting place for this film to land and that is better than it just being dead. It’s highlight was playing on ABC across the country. For lovers of true detective
- Speaking into the subject matter above – true crime, our own Dean Teaster has been participating in a podcast with retired detectives still working cold cases – subscribe by following along HERE: https://www.youtube.com/@TwoAvgJoes
- SILENT NIGHT IN ALGONA which just released 4th Q onto home video is also back into theaters by request. Cherokee, Iowa American 3 is playing it until Jan 31st. We’ve also just gotten another request so I think it will be rolling into more theaters once again as people want to see it on the big screen. We’re told that the film is doing very well on DVD and Streaming but won’t really know until we get 1st Q reports from 2024 as it is a process of reporting and collecting. But please do buy a DVD for your collection and/or stream it will family and friends. This war drama is really being received well.
- We are starting to talk about theatrical roll out for Harsens Island Revenge because you have to start that far out. We are planning the theatrical premiere in Alpena and one likely in Lansing plus a hosted DVD/streaming release party in Lansing. We have Red Cedar Spirits as a sponsor in Lansing as well as the director Mr. Elliott of SW Growth Corp another sponsor just happens to run the Ellison Brewing Co. So 4Q of this year will be full of parties to celebrate the film. Our director returns from Brazil in a week and we’ll be doing a producer watch on the cut of the film. We also will put into motion the filming of the one opening scene of the film that is WW1. The BTS video is being worked on now so any cast or crew reading this that wants their video considered please contact Mr. Adam Towner. We’ll be planning the new theatrical poster using GW Burns amazing photo elements and the first teaser trailer! All very exciting news. Join our FB pages on any of these films that interest you to stay up to date.
- Let’s just from my most recent film that I acted in to my first feature IN THE WOODS. Fans of the creature features are in for a treat as we prepare a fun PR release. The cult classic of monster hunters Alex Kerwood (Me) and Wayne Higley (Only if not meal time) played by my first feature film co-star Jim Greulich just might have a new distribution deal. It might include a Blu Ray of the digitally remastered classic movie with a new director’s cut. It might even be getting a VHS and streaming release. Furthermore rumor has it that we might possibly see a soundtrack released on classic mediums. But wait could there be even more rumors? Maybe even merchandise including clothing, toys, toothbrushes, frisbees, fishing poles, rifles and…okay maybe some of this is just rumor. You will have to wait and find out the TRUTH. Coming soon! I can confirm that there will be a theatrical premiere of the new director’s cut sometime this year in the Kalamazoo MI area. More theaters after that? You never know:)
- Speaking on my acting which is still my driving force- I think I’ve mentioned last week that I’ve joined a new agency Treasure Coast Agency. I finally feel good that if someone reaches out wanting to hire the actor behind roles like Paul Landings, Ben Lily, Col Lodell or Jesus, that they will be treated with kindness and respect. That has sadly not always been the case and it has made deals fall apart. You can still reach out direct but I’ve got help it sorting affairs and it won’t cost you any more. I’m not listed on there yet but will be soon. You can find many great talent at this site but also will be treated well. HERE: https://www.treasurecoasttalent.com
- HOT ROD LOVE is in active development to shoot this year. We’ve been having meetings with sponsors and funders and are happy to have made even more steps this past week. This 1970’s racing comedy will be a lot of fun to film. Each week we’re taking steps and once we’re there financially we’ll start the engine! Thank you to everyone already working hard to make this happen. We’ll see Shane Hagedorn once again directing and telling this groovy story!
- We’ve got development happening on a few other fronts that could put Carl Weyant and Curran Jacobs back in action in the near future. I’m looking forward to finishing the month strong with more development talks and meetings. Every project is the result of thousands of little steps. We’re going to keep on stepping!
- I’ve been enjoying writing on a few scripts in between the business work. We’re finishing our end of year work with our accounting firm and legal. I want to thank these parties for their hard work. This is not as exciting as new artwork, trailers and such but it is the work that makes it all go. The creative of picking up a camera and making cool lighting is fine and dandy but without the foundation it is just play. So make sure you balance what you like to do with what needs to be done. That balance will make things happen much faster. BALANCE!

WRAP UP: Our chickens have their new feathers and with the growing light we’ve had our first eggs. And thanks to them we just had a great breakfast of bacon and eggs. I’m going to bring this to a close so we can do some grocery shopping and get ready for the Lions NFL football game. If they win tonight it is off to the Super Bowl! As I’ve said before we’ve had family member fans go to the grave waiting for a Detroit Lions team like this. We never know how many days we have so live richly and appreciate the journey. I thank you all for being part of my journey.
Be good to one another!
DJ




