New readers from Samoa and China joined us last week. I know that the filmmaking experience (resources, distribution, audiences) changes slightly from culture to culture. But at the heart of it we are passionate beings who love engaging in the storytelling experience either as listener/watcher or teller. I love being a creator and being an audience member. So yesterday basically two years to the day we finished the final elements to THE CHRIST SLAYER. Our director Nathaniel Nose came in and we polished the final mix/design with our incredible Dennis Therrian. His musical score is absolutely one of his best. The complexities and grandiose arrangements take you back to the classic days of Hollywood. We worked with Mr. Sundberg on our color correction, conforming and final composition. Last night at the office we shared a few beers and looked at the wide-screen, color corrected final master. A few of the final VFX shots have to be rendered into the timeline but I was blown away. Jesse Aragon, our DP did a wonderful job. This was the final film in The Quest Trilogy and is likely the largest scale production to date. CHASING THE STAR had more animals but the VFX in THE CHRIST SLAYER makes it the largest scope to date. Both the director and I liked the epic inspiration of Lawrence of Arabia and that soundtrack was with me in Yuma, AZ when we filmed.
The previous day we tweaked a few Mother Mary lines. This film has some powerful female characters in it. Especially the roles played by Melissa Anschutz and Christine Marie, who appear as they’ll be co-starring in a CDI film this spring. Brittney Risner and Carl Weyant give a classic Hollywood love relationship. And Josh Perry, will simply steal hearts. Amazing supporting performances across the board by Dean Teaster, David Gries, Bob Shepherd and more. Taymour Ghazi, Shane Hagedorn and my departed mentor Rance Howard brought the power one last time. Rance’s performance might be his last feature film role he ever performed. The final scene we share together in the film was our swan song to working together. I’m very proud of it. We talked for hours about that final scene. He made notes and adjustments – just two costars working out our motivations. I recall being so proud of Rance and feeling how special it was, never guessing it would be our last story together. Now all the elements will start to be pulled together for an upcoming delivery to our distributor. We’ll soon get to see how audiences enjoy this film as it travels to theaters and to home video. Stay tuned for CDI’s most epic adventure yet this Easter season.
I’m excited for everyone to get back to the office in 2019. I will be ready for a slight rest from the intensity of final post. You work end credits so hard knowing that by Murphy’s Law some misspelling or missed ‘thank you’ or name will take place. If your ever on the receiving end of that – know the filmmakers likely did not intend that. I had one situation that was suspect only because the misspelling came after working on a project whereas one producer on that project was NOT brought back on a film CDI was hired to reshoot. Either way, it showed a disregard for my brand ability to draw my audience to that film. No business reason why, so perhaps it was a true mistake or maybe it was personal. I don’t hold a grudge, but it makes me less likely to work with that company again. I passed the second time I was invited but it was partially timing, pay rate and the role also.
When in post this week, I was sent a news story that a Detroit-based – I struggle for the right word. I will use filmmaker, because he has made films. But in a promotional news story for FOX he claimed to be a producer on our CDI Ghost Town movie, our 2006 Lionsgate film. SMALL ISSUE – he wasn’t. He did not exist in pre, prod, or post production and was caught trying to do some head shaking actions in conjunction with this film. I didn’t really like, nor trust this person from day 1 and tolerated him out of respect for one of my producers until that head-shaking point. After that, I was done with him. Easy enough. These people burn themselves out as their true nature is revealed. But I would never go on a TV interview and openly lie and use it to promote myself. I was questioned if I should have legal bring it down. I might. But the justice in all this is I get calls on people about their character, integrity and true place in the film community as I see it. Yes. My opinions and sometimes my direct knowledge of someone’s actions. I’m always honest. I warn or endorse people simply by saying if I would work with this person or not. I’ve been contacted often. It’s a small film community and I do know many people who trust me to shoot them the straight skinny. And I have.
I recently had a great discussion about what another peer filmmaker is developing. All of it was heavily tainted in my mind all because one of his close partners. I’ve had first hand experience with that person and actually let them go. Not a bad person at all. I just would not risk any further capital on his efforts. Would you re-enter a situation with negative elements/variables? This fellow filmmaker lamented the often true statement of how every set he’s worked on has had the cancer of negativity. I’ve had a few “negative” situations like this over the years but those elements were isolated and corrected or dismissed.
Bottom line. This is not some vanity game for me but a noble tradition of storytelling. I’ve been blessed to have several great crews working with us but that all starts at the top. That means conducting good business, constantly streamlining your communication and having a solid battle plan. I believe in our artists and I’ve grown as an artist with many of them. We don’t participate in these popular film challenges, although they teach new crews excellent finishing skills. One friend, had his possible award-winning short disqualified because run time ran over by seconds. He could have either A) Organized a social media gripe that his team was treated unfairly for petty seconds of overrun or B) Accept responsibility that as team leader it was a costly mistake made by their team or him. In football they say it’s a game of inches. So start taking accountability as a new year’s resolution and watch the new growth happen.
I’m in hopes to discover a few good projects, properly funded to come act on this year. I also have to connect with the script/role as you always should. Aside from that, I plan to produce 2-3 features with CDI this year. I’ve had many new folks reach out about financial involvement and we’ll entertain those interested parties once I’ve addressed my current backers with opportunities. Beware of any investors that also bring too many strings attached. Sometimes those strings can be the downfall of a project. I’ve seen it happen.
We’re around the 1.3 hour mark on MBF and should have first cut in a few weeks. I would love to lock a cut by the end of Jan. we will see where we sit very soon. I think many of you enjoyed the behind the scenes MBF short we released on Christmas Eve.
WILD FAITH new art, theatrical dates and more should be announced soon. It’s heading back to big screens in March across the country. Home Video dates follow close behind. Those dates can be found on the FB, official Wild Faith or IMDB sites.
I’ve been in the trenches hard-working on these new films to bring them out of post. Once I get a few days rest here while our tech guru’s assemble and deliver – development will continue full ahead. I also plan to set my goals in writing for the new year and see how close I came to last year’s goals. Have a great wrap up to your year. Be safe and plan your 2019 approach. If you would be so kind you can take a watch on our past and forthcoming films. Handcrafted from our family to yours.
Have a great Sunday!
Good sunny, arctic morning to you from Michigan. It’s 8 degrees today and with windchill…it is bitter. So the Christmas season is about at an end with people looking forward to the coming year. I have to say that 2017 was a pretty good year. I loved our U.P. trip exploring the upper reaches of our great state. We also had our challenges like anyone else such as our furry boy who faced a few medical issues once agin. I’m glad to say he’s now doing great aside from despising the chilly cold. I lost some beloved friends from childhood, mentors and others close to me this year. They will no longer need to debate or navigate the small issues of life. They rest at peace while the remaining group of us look forward to 2018. I hope 2018 can be a year of better communication between people. Better could be translated to say respectful communication. I saw so much negative operating outside our sphere while at the same time being impressed by our positive approach to our endeavors.
Again if someone has a different culture, religion, viewpoint on something indulge it. It might not change your stance but it might refine your reasoning. I said it last week, practice not saying anything in text/posts that you would not say to that person directly. And if you’re a person who says you would – SAY IT TO THEIR FACE – do it. Communicate with someone, interpersonal communication. It was an odd course in college but I can see where that is now lacking. I get asked for advice often about our filmmaking endeavors. Become a good communicator and try to always keep your word. Good communication goes for everyone. The better a director can communicate to his keys the better. Conversely you must become a good listener as well. With decreasing attention spans that is hard for many. This is also a good hint to actors. I see many what I call 50% actors. By that I mean, don’t be a great actor when speaking and go blank when your listening. By truly listening you are reacting which is at least 50% of acting. Look at your own work and see if this is a problem you might have. Do you keep missing that casting opportunity? Take an honest look and see if this is something you need to do. It is an easy correction but just requires awareness and acceptance.
Last year we worked hard to bring our films to you. Forty Nights and Chasing the Star – parts 1 & 2 of The Quest Trilogy hit the holiday scene hard. As we head towards Easter I think the push will be towards Forty Nights. The Christ Slayer – part 3 will be going into music and sound design. We’ll be releasing a new poster and trailer heading into Feb. I got to see 75% of the new trailer and I was floored by what I saw. Everything we’ve learned shooting the trilogy really comes full circle in the last chapter. It was also a huge joy to see Forty Nights and Chasing the Star playing together on Parables TV. I see the day of all three playing together during the holiday season.
WILD FAITH – The 2018 year will kick off with this mid-Western tale. As a treat we released this PR with a link to our new theatrical trailer.
We’ll be meeting more in the new year to talk premiere, theatrical and home video. It will be exciting. For everything that the trailer IS it is not the best of this film. The movie really excites me in a way that is hard to do after 50 movies+. I think it will become a favorite especially for lovers of the time period and genre.
Speaking on the genre WICKED SPRING our 2000 Civil War film will be getting a new release with Bridgestone Multimedia Group. Other CDI films will be getting new life in 2018. We’ll also continue our march into foreign territories.
It’s now time to push hard and bring on the last of our investors on our next CDI project which is MBF (man’s best friend) a powerful tale about our military vets and shelter dogs. You’ll be reading about more cast and crew and updates as we move forward.
I’m going to cut this short. We’ve got a few things to do around here before we welcome in the new year. We’ll be spending time with a few friends tonight likely with some chill music, cards and some good eats and drinks. I will not be waking up with any hangover. Leave that to you young bucks. Those of you who do blow it out party style get a ride. You don’t want the legal or additional results from an accident.
See you all next year! Be good to one another.