Coffee cheers and welcome to all our new readers and followers from Peru, Ireland, Austria and more! The week actually flow by and we went from unusually warm to cold and rainy and now sunshine is called for later in the week. As of Monday it will mark my week 2 after my second Covid shot. We just visited with a neighbor last night who had a memorial for their 52 year old nephew lost to Covid complications. So for many it is still a very real thing. I’m actually looking forward to getting back at in-person meetings, biz mixers and such. I’m very happy with all the weekly progress on our CDI projects.
(DJ Perry & Erika Hoveland in ‘Best Years Gone’)
BEST YEARS GONE (In Post) has many things happening at once. The film is undergoing color correction, dialog edit with music and sound design up next. I bet we listen to all the cleaned up dialog soon. The Battle of the Bands is giving us a good listen at some of the artists. Merchandise for this film is going to increase which is exciting. But the premiere planning is really cool. We are looking at having “The 1st Annual Gilles Cup” a regional “Best Up&Comer” amongst the “spectator drag” racing participants. This will be followed by the winning music video and the film itself playing on a huge blow up screen inside the in-field of the track.
For the Love of Catch (In Post) This amazing documentary has been filming for a month plus now and will be moving into the post-production phase. We will start to assemble these legends who speak about their exploration into the art of grappling and ultimately the love they have for the sport.
SMOKE & MIRRORS (In Post) – This passion project is a short film adapted from a feature script of mine of the same name. We had a commercial opportunity that needed “demo footage” and so we filmed a condensed short story. I’ve been reworking the feature script for a future production with Nathaniel Nose directing. I’m thinking of playing the short in front of BEST YEARS GONE to start its run. We also want to do a benefit screening for the Turner-Dodge House where we filmed. It is a spooky, fun short with amazing performances from David Gries and Melissa Anschutz.
MAN’S BEST FRIEND enjoyed a new General Market push which started out with a bang as a Latin American license was immediately made. The film is really starting to get out there and I’m so appreciative of all the reaching out by those that love this film. I keep hearing people ask about a sequel and I’m just not quite sure. I like how the film ends. It is not all tied up in a bow. An action/martial arts film? Maybe. I do have a pretty good idea for one. Thank you for all the compliments and it was nice to showcase some of my skills.
LOST HEART continues its march and the general market release will take it even further. Thank you to ICVM for the nominations. I’m proud to have two films in the top 5. This film is up for many nominations this May and I know that Melissa Anschutz and Victoria Jackson will attend. Don Most might attend as well as one of our nominated actors. They will have a great time!
THE QUEST TRILOGY prime season window of Thanksgiving to Easter is now over. We’ll see how we did and we’ll be sending revenue to our supporters.
WILD FAITH/HASTINGS – The movie continues to grow in popularity and the TV series is developing. I had good talks with our distributor and we have a few new opportunities to help launch this into a 2022 series shoot.
With our co-productions – BESTSELLER might get a new release in full in 2022 as well as several of the CDI General Market titles. AMERICAN LIAR and THE ACTOR are both available to watch on Amazon Prime.
Silent Night in Algona we announced the new cast of Shane Hagedorn and Christine Marie. Both are amazing actors who have brought some great characters to the screen. They will do this once again. Our next two announcements will be a great semi-regular talent working with the tribeCDI and one from our “Ghost Town” past. This matching will be incredible and I can already see the magic scenes they will create. MAY will be when we start to officially approach sponsors. If you have interest in aligning your service or product with our WW2 film please do reach out.
The ‘Chicken Land’ is fully operational and the girls love the greens. They have also started giving eggs so that is a great addition to the mornings. I am going to wrap this up and go do some sunny side up with rye toast and 4H bacon. I also purchased a pair of long elevated grow beds so that we can still do some of the garden favorites. Rhubarb and catnip are ready to harvest and I’m about to put the first lawn mow down. Also May 6th starts up soccer season! I’m excited to get back out there. I do strength and stretching daily along with my martial arts practice but running…not a fan unless I’m doing something. So the first few games might be rough not to mention just your ankles and knees getting their first stop/start work outs. Blueberry bushes will arrive soon. The apple trees look like they are going to be full this year. I will also start working to fill the wood boxes again for next winter.
I’m also going to get back to my script writing since I don’t currently have an assignment. I’ve been bouncing between my SciFi script and the feature Smoke & Mirrors rework. I’ve enjoyed the pondering, research and scribbles as I pull these stories together. Carry on with your own endeavors and watch as those daily small steps all add up and take you closer to your goals and dreams.
New readers from Samoa and China joined us last week. I know that the filmmaking experience (resources, distribution, audiences) changes slightly from culture to culture. But at the heart of it we are passionate beings who love engaging in the storytelling experience either as listener/watcher or teller. I love being a creator and being an audience member. So yesterday basically two years to the day we finished the final elements to THE CHRIST SLAYER. Our director Nathaniel Nose came in and we polished the final mix/design with our incredible Dennis Therrian. His musical score is absolutely one of his best. The complexities and grandiose arrangements take you back to the classic days of Hollywood. We worked with Mr. Sundberg on our color correction, conforming and final composition. Last night at the office we shared a few beers and looked at the wide-screen, color corrected final master. A few of the final VFX shots have to be rendered into the timeline but I was blown away. Jesse Aragon, our DP did a wonderful job. This was the final film in The Quest Trilogy and is likely the largest scale production to date. CHASING THE STAR had more animals but the VFX in THE CHRIST SLAYER makes it the largest scope to date. Both the director and I liked the epic inspiration of Lawrence of Arabia and that soundtrack was with me in Yuma, AZ when we filmed.
The previous day we tweaked a few Mother Mary lines. This film has some powerful female characters in it. Especially the roles played by Melissa Anschutz and Christine Marie, who appear as they’ll be co-starring in a CDI film this spring. Brittney Risner and Carl Weyant give a classic Hollywood love relationship. And Josh Perry, will simply steal hearts. Amazing supporting performances across the board by Dean Teaster, David Gries, Bob Shepherd and more. Taymour Ghazi, Shane Hagedorn and my departed mentor Rance Howard brought the power one last time. Rance’s performance might be his last feature film role he ever performed. The final scene we share together in the film was our swan song to working together. I’m very proud of it. We talked for hours about that final scene. He made notes and adjustments – just two costars working out our motivations. I recall being so proud of Rance and feeling how special it was, never guessing it would be our last story together. Now all the elements will start to be pulled together for an upcoming delivery to our distributor. We’ll soon get to see how audiences enjoy this film as it travels to theaters and to home video. Stay tuned for CDI’s most epic adventure yet this Easter season.
I’m excited for everyone to get back to the office in 2019. I will be ready for a slight rest from the intensity of final post. You work end credits so hard knowing that by Murphy’s Law some misspelling or missed ‘thank you’ or name will take place. If your ever on the receiving end of that – know the filmmakers likely did not intend that. I had one situation that was suspect only because the misspelling came after working on a project whereas one producer on that project was NOT brought back on a film CDI was hired to reshoot. Either way, it showed a disregard for my brand ability to draw my audience to that film. No business reason why, so perhaps it was a true mistake or maybe it was personal. I don’t hold a grudge, but it makes me less likely to work with that company again. I passed the second time I was invited but it was partially timing, pay rate and the role also.
When in post this week, I was sent a news story that a Detroit-based – I struggle for the right word. I will use filmmaker, because he has made films. But in a promotional news story for FOX he claimed to be a producer on our CDI Ghost Town movie, our 2006 Lionsgate film. SMALL ISSUE – he wasn’t. He did not exist in pre, prod, or post production and was caught trying to do some head shaking actions in conjunction with this film. I didn’t really like, nor trust this person from day 1 and tolerated him out of respect for one of my producers until that head-shaking point. After that, I was done with him. Easy enough. These people burn themselves out as their true nature is revealed. But I would never go on a TV interview and openly lie and use it to promote myself. I was questioned if I should have legal bring it down. I might. But the justice in all this is I get calls on people about their character, integrity and true place in the film community as I see it. Yes. My opinions and sometimes my direct knowledge of someone’s actions. I’m always honest. I warn or endorse people simply by saying if I would work with this person or not. I’ve been contacted often. It’s a small film community and I do know many people who trust me to shoot them the straight skinny. And I have.
I recently had a great discussion about what another peer filmmaker is developing. All of it was heavily tainted in my mind all because one of his close partners. I’ve had first hand experience with that person and actually let them go. Not a bad person at all. I just would not risk any further capital on his efforts. Would you re-enter a situation with negative elements/variables? This fellow filmmaker lamented the often true statement of how every set he’s worked on has had the cancer of negativity. I’ve had a few “negative” situations like this over the years but those elements were isolated and corrected or dismissed.
Bottom line. This is not some vanity game for me but a noble tradition of storytelling. I’ve been blessed to have several great crews working with us but that all starts at the top. That means conducting good business, constantly streamlining your communication and having a solid battle plan. I believe in our artists and I’ve grown as an artist with many of them. We don’t participate in these popular film challenges, although they teach new crews excellent finishing skills. One friend, had his possible award-winning short disqualified because run time ran over by seconds. He could have either A) Organized a social media gripe that his team was treated unfairly for petty seconds of overrun or B) Accept responsibility that as team leader it was a costly mistake made by their team or him. In football they say it’s a game of inches. So start taking accountability as a new year’s resolution and watch the new growth happen.
I’m in hopes to discover a few good projects, properly funded to come act on this year. I also have to connect with the script/role as you always should. Aside from that, I plan to produce 2-3 features with CDI this year. I’ve had many new folks reach out about financial involvement and we’ll entertain those interested parties once I’ve addressed my current backers with opportunities. Beware of any investors that also bring too many strings attached. Sometimes those strings can be the downfall of a project. I’ve seen it happen.
We’re around the 1.3 hour mark on MBF and should have first cut in a few weeks. I would love to lock a cut by the end of Jan. we will see where we sit very soon. I think many of you enjoyed the behind the scenes MBF short we released on Christmas Eve.
WILD FAITH new art, theatrical dates and more should be announced soon. It’s heading back to big screens in March across the country. Home Video dates follow close behind. Those dates can be found on the FB, official Wild Faith or IMDB sites.
I’ve been in the trenches hard-working on these new films to bring them out of post. Once I get a few days rest here while our tech guru’s assemble and deliver – development will continue full ahead. I also plan to set my goals in writing for the new year and see how close I came to last year’s goals. Have a great wrap up to your year. Be safe and plan your 2019 approach. If you would be so kind you can take a watch on our past and forthcoming films. Handcrafted from our family to yours.
Have a great Sunday!