The soccer season has ended, the garden harvest is slowing and the leaves are starting to fall. But this heat wave seems hot as any of our true summer days. On a positive note I’ve been trying to master this new grill and get my temps under control and such. Last night I had a very successful go at pork chops. I had my old grill down to a science and so it’s like re-learning and developing a process with the new grill. I’m going to refill the coffee and we can chat on some of the developments last week. I think I’m going to just throw them out there – updates.
CHASING THE STAR – A new marketing campaign is starting Oct 10th via our distributor, driving traffic to the AMAZON. We’ve also been invited to again submit to International Christian Film Festival for 2018. It’s been submitted and now we wait. I think we’ll know more in March.
FORTY NIGHTS – We’re just finishing new theatrical licensing deals for this film in Nov. in Texas and CHASING THE STAR in December. I do think this is in Gary Nation backyard. So unless it clashes with possible shoot dates (Is that a dropped hint?) he could attend.
Both these films are being pushed for the holiday season and I think audiences will enjoy them.
Here is a good lesson from the last couple weeks. There is a program that shows faith-content who approached us about possible licensing. Now after some communication , we requested some clarification. What followed was a poorly communicated email that after being quite offending they apologized and blamed some personal issues. OK. STOP. If I’m sending an email communication to HBO (Which I did) I would NEVER respond in the way this person did if I was trying to build a bridge to business. IF I had some personal issue that was going to paint my communications – STEP AWAY FROM THE EMAIL! DO NOT COMMUNICATE until you get your head straight. I was just surprised that once again this is someone claiming a mission/path that’s inline with Christianity yet they communicate like that. JUDGMENTAL. CONDESCENDING. RUDE. Not good business practice. It could have just been a bad week but if that’s the case – don’t communicate. I doubt this avenue will work out but I’m good with that.
Let’s talk positive. I went to a biz event in Grand Rapids with my attorney/producing amigo John Mashni at CHOP & HUE. They have done color correction and some great VFX credit work for a few of our films. It was great to partake in their event and success. I saw a few familiar faces and met a few new ones. I really enjoyed myself. I don’t break away from the work too often but I’m glad I did. I will try to attend a few more events but I always have so much to do and when I take a break it is usually in solitude.
The Christ Slayer – the VFX work on this picture is moving along in strength. We started working on our first official poster ideas this week. We should have a locked picture with VFX by the end of the year.
That fits nicely with WILD FAITH that will be finishing up at year’s end. The response to the poster, trailer and BTS has been strong. I’m still looking to launch the TV series but I think it will take studios/networks watching the final film. The characters and world are so endearing it makes you want to see more. I did get some creative writing on show #2 this past week. We will see how it all plays out.
MBF (Man’s Best Friend) is our next CDI film. We had an announcement that Anthony Hornus will be directing with Jesse Aragon serving as director of photography. Our biz commits are flowing in and this week we’ll start announcing cast. We have two possible shoot windows – one that is before the holidays (Nov) and one that is after (Jan/Feb). It all depends on the speed of the financial commits. We’ve got two more weeks to push and see what will work best for production. That is a key question that aspiring producers should get use to asking. WHAT IS BEST FOR PRODUCTION? Many inexperienced producers make decisions that put production second. That is often where trouble starts. I’m so excited about the cast and crew lining up and I know once again we’ll put something strong onscreen.
This week was also spend prepping some other endeavors. One being a certain Civil War film that will be making its way back into the market in 2018. Also the original script I wrote for Wild Faith was turned into a book. I will be releasing the book to Amazon under the original title. The script was adapted into a new script for budget before heading into production. Instead of having the author Dee Freeman redo the book to match the new movie, I decided to leave the book story AS IS. I think it gives an interesting look at the movie that never was but allows a look at what inspired – WHAT IS.
Speaking of books I know the KNIGHT CHILLS book is now for sale at Comic Cons and I hope a new generation of readers/viewers experience the story.
BUY IT HERE – GREAT GIFT:)
As we welcome in the fall season I’ve been circling back and watching a few of the old horror films. This week I took a watch on Darkest Nights. It was fun to return to that mango estate in the Philippines and try to survive the darkest night. I miss all my cast and crew mates. It was a one-of-a-kind experience and I’m thankful to have had it.
I get asked quite often if I will return to horror genre and the answer is of course, when I find the right story. I’ve had a few filmmakers upset at me because I passed on their film. SCRIPT. SCRIPT. SCRIPT. Execution is an issue for all filmmakers. It’s hard to take the words and make it all come to life but when the script is not strong it makes the process harder. And many directors are also the writer so they can take any feedback very personal. I understand this ‘protectiveness’ and if the company is happy with the script and you’re not, a polite pass is the best option. But sometimes even the polite pass can bring out someones anger. I’m hoping for a strong script every time one is submitted to me for acting. We as actors all want that. So to get back on track, I’ve been asked about my return to horror genre and the answer is when the right deal comes across the desk.
I had some fans ask about the C.U.J.O. reboot. I know that King’s team is working to reel back in some of his ‘rights’ to his classic films CUJO included. I know that talks are continuing with the Sunn Classic Pictures team. How will the chips fall is unknown. I would love to be part of a King project someday in the future. Will it be a C.U.J.O. reboot? That is not up to me but I will let you all know what I find out.
Outside of all this work I’ve been in exploratory talks over obtaining a literary agent. I’m about to go into production on my 5th script and I’ve got several scripts I would be willing to sell off. It will all come together. I know I have more calls to catch up on this coming week. For those that I did not get back to – rest assured I will.
Enjoy your Sunday and Go LIONS!
I’ve got the hot hazelnut coffee by my side as I ease into writing these few words to share with all of you. New readers from Spain – welcome.
So I’m going to share something from my process of character creation. I’ve grown comfortable with my long hair and even my beard of various lengths. From Donnie in ASHES OF EDEN to Mark Franklin in BESTSELLER. Add in the identity that comes with playing Jesus or mountain man Ben Lily. The prep for the new role is for an injured military vet. I decided with some time to spare I would destroy the ego/self and go boot camp. I did not serve in the military and not sure that with my flat feet I could have. But holding onto the bearded long-haired look was holding me back. So I decided I was going to remove that. I did not WANT to cut my hair. I did not WANT to go clean-shaven. Especially as the air gets colder in Michigan and in a few weeks snow will fall. I thought about the ego of someone like Elvis who entered service and the pics of his haircut. I needed to break myself down. So I deemed this haircut as a NEED for the character but not a wanted thing. So my significant other helped with possible haircuts military in style. I did not like any of them because I did not want the cut. What I did want was that feeling new recruits went through when they got all their hair cut off and they became part of a unit/team/company of soldiers. So I had the cut done. I felt vulnerable with the shorn hair. I was not happy with my decision but beneath it all I was happy. I was far from Jesus, Ben and all the longer haired roles. See I think my girl thought I was doing it to feel good about myself. Many get hair cuts to feel good about themselves. I did it to destroy my current self. To create a new base to build Paul, whom I will play in the upcoming MBF film. This brought about an interesting conversation about change of looks. I was asked if I ever consider her in my hair choices. The answer was no. It has always been based on movie roles for 20 some years now. I’m always in development of some character. But it was interesting because I think many people do care about how they appear. I only want truth in the character. Does that constant change affect her? Perhaps. I guess because I do it for work reasons I never give it any thought. She asked what if I wanted a pixie hair cut and tattoo on her chest, would I care? I guess I’m open to allow people to express themselves. I like people who wear/look how they want to. I assume she picks styles based on what her work allows and what makes her feel good. Here I am cutting my hair against my own will to break myself down. To strip away the old and allow new growth. Not just in hair but in character. So a lot of credit to those non-industry significant others who have to deal with us and our character creation. So from this point on I’m growing into that new role. I just realized how different I think from many others. I don’t give a rats ass about the brand of clothes. I’ve been to India and I know the real cost of textiles. I know the mark up that these companies put on your favorite garments. I don’t believe the clothes makes the man but the man makes the clothes. I think if you judge me wrong because of a hair style, your loss. The other reason I pushed to do the cut this week was soccer. We won one of the most exciting soccer matches last week in round one of the soccer play offs. A fluke goal at the start put us behind. We settled in and took back control including scoring and making it a tie. With only 2 minutes left they scored. A minute or less and we attacked and scored with only seconds left. A shoot out that went to the fifth penalty shot kick and we WON. Tonight under the lights is the semi-final game. I’ve been using a headband to keep my long hair out of my eyes. Now I have full range of vision and I’m ready to focus on getting to that final game. Okay. Onto some film updates.
After a long wait the first official poster is HERE. I’m excited to finish this film. It will be done this year and if we can get done early enough we will look at a cast and crew screening. The music and sound design is going great. We just have 10 seconds of VFX work that is being worked on.
THE QUEST TRILOGY
VFX is the main push on THE CHRIST SLAYER. We’ll be rolling out the first official poster on this project in the coming weeks. Once VFX is dropped in we’ll fine-edit the picture and in Jan. 2018 it moves into music and sound design for 3 months.
CHASING THE STAR is in the marketplace and along with Part 1 FORTY NIGHTS will get the holiday push. I was looking at all the films on Amazon and it put a smile on my face. I’m so proud of all the artists. If you’ve watched and enjoyed the films leave a review on http://www.imdb.com (Film title) or amazon.com or wherever. I cringed when I saw our director asking on social media because it always brings the trolls, haters and such to leave their mark. But these mudslingers just smack an entire group of artists. I mean even in a bad film clip I can usually pick out some positive. I recently watched a clip edited by an associate I know – it featured some good locations but made me cringe when it came to some flashback footage. It takes as much energy to do something right as wrong. I would rather not call these people out as they’re doing something and improvement comes from doing. I also don’t feel in competition with anyone save our last project. I try to improve the work flow that often improves the final film. This example I’m thinking of was a failure of either the writer or art department. Know what you’re writing about. If I’m playing a Marine in the next film, I make sure it’s CORRECT. And if it is not 100% correct it should be close. Get the right consultants. There are many who will gladly help so that their history is not made a joke on-screen. Trust me as someone who has done many period films – it’s added work but so worth it at the end.
The new project by CDI is in full swing. Our first investors are giving their interest and casting is coming to a close. We’ll be announcing our two major keys this week. Anthony Hornus will be directing with Jesse Aragon serving as director of photography. We held on that PR due to the WILD FAITH poster announcement. We’ll start announcing cast over the next couple of weeks. I can say we have a powerful cast lined up. Stay tuned.
I’m going to call it for the day. The coffee cup needs refilling. I have a few errands to run and I need to mentally prepare for our game today. I hope you all have a great conclusion to your weekend and a productive week ahead.
Be good to one another.
Welcome to the start of the week my friends. I’m sipping the java in hopes of rising above this exhaustion. I had six days of tooth/jaw ache that I thought might be a cavity causing intense pain, lack of sleep, focus – if you’ve had a tooth issue you know. My dentist went out of the state for the weekend and so I tried to manage the pain only semi-successful. Also, the day before Thanksgiving we peacefully put our eldest dog to rest. It had been coming and was sad but also the right thing as it was time. Our pack of family love got a little smaller but I like to think that our past furry children are just scouting up ahead for us all. The night before our last “Wild Faith” shoot I dislodged a pokey seed from behind my wisdom tooth and the sharp zapping pain immediately left. Now the nerves seem to be falling back in line but I have not experienced that much pain that I can recall. Not in martial arts or soccer smashes and clashes and all cause by a little seed. We laughed that it was like the thorn in the lions paw. Okay, let’s talk film.
Shane Hagedorn and Martez Moore on set #wildfaith
Yesterday was our final day of shooting on our family western ‘Wild Faith’ and boy did we go out with a BANG, or many of them. It was our Civil War flashbacks with our lead Shane Hagedorn and Detroit-based actor Martez Moore who played opposite him. We had a couple of great re-enactor groups with us providing wonderful backdrop. The 12th South Carolina and the 4th Michigan brought their A-game. We had a great cannon team out with “Goldie” that shook the ground. I also enjoyed the visit with the property owner Irene Hosking, almost 99 years old. She was a nurse in WWII stationed in Australia and the surrounding area. She was born in 1918 and her first transportation was horse and buggy. Imagine all that she has seen in her many years and our troops gave her a wonderful welcome at lunch. Minus a few stuck vehicles in mud we had a smooth shoot. It was wonderful to see some of the crew back. With Jesse Aragon not able to return for our one day pick up it was wonderful to work with Craig Harmer again from the ‘Bestseller’ movie. The film is now officially in post-production. We will be releasing more behind-the-scenes photos followed by stills. And before Christmas audiences just might get a sneak peek.
‘Goldie’ was quite impressive and put out a blast you could FEEL in your bones.
THE QUEST TRILOGY
Final negotiations on the new 2017 push with ’40 Nights,’ the first in the trilogy. Also audiences were treated to their first look at the second film ‘Chasing the Star’ – so if you missed it – enjoy.
40 Nights trailer
And the second film…
Chasing the Star trailer
And now the business of development on the third film is starting.
So post-sound work will be finishing on ‘Chasing the Star’ as editing moves forward on ‘Wild Faith’ and I’m so very proud of all the artists on both sides of the camera.
I also want to thank Tom Quintana who sent me one of his quality hand-shaped hats. I will be doing a photo shoot for him and I’ll be sure to put a few of those pictures here. It was a wild weekend of emotional and physical pain. It was a weekend of family, friends and filming. The one thing I will say is don’t be afraid to fail. Get out there and make it happen. I appreciate each and every one of you who take the time to stop here each week.
Have a great week ahead!
I’m sitting in my big leather chair by my electric fire – The Candleberry Candle and sipping the hazelnut coffee. I’ve got sleeping dogs around me happy to have me back into the fold of the pack.
Shane Hagedorn rolling with the Collective Development OG’s:)
I’ve just returned from running with another pack of artists filmmakers creating an 1800’s action drama. I can honestly say it was some of the best fun I’ve had in many years. It reunited me with many friends and artists some that worked together last in this genre a decade ago.
Production Designer Jen Raine & Art Director Austin Two Feathers
It introduced me to a slew of new artists who I think appreciate the Collective Development Inc. approach and take to filmmaking. We use to do this as children for free – the make-believe. And now to pay people to create that same fun but with bigger toys and doing it day after day until we get our puzzle pieces. I got to observe seasoned film warriors work side by side with what will be the next generation of film warriors. I saw people realize that within a powerful problem solving group strong art can be born. I saw people forget past dealings with others and give us a chance to be a positive experience. I’m developing key crews and key to me starts with a 100% positive attitude. You can make several mistakes giving your best effort and from me you will get mentoring and compassion. That positive attitude is hard for many to keep in this industry – you don’t have to dig far to hear the horror stories. I’m a person who dislikes having my time wasted, who does? I’ve got several ways I can waste my own time and still enjoy it – I don’t need waste imposed upon me. I do shun people who purposely waste my time with unreasonable. Do I have any examples to help illustrate? Perhaps…
A mix of acting talent on set #wildfaith
One acting role in our recent film underwent several discussions before falling to a very talented, 200% positive (through the roof) ready for success gent. The first major look came by association – one of our producers had worked with this person. A read that was strong and a direction was set – but full disclosure of a change in residence lost this person the role.
Another option – a young hopeful gives a good read but ultimately has no vehicle. I’m not judging, but as an actor I can say that a phone and car are the two things you need to thrive in our smaller regional market.
Opportunity knocks again – As a talent when you get a call from a company that based on your previous work wants to hire you again – slam dunk? Not quite – instead of an easy transaction of business someone suggests a string of silly actions – not anything a production in pre-production can or will handle. It also speaks poorly of this persons maturity, character and true dedication to do what you need to do until your craft is accepted.
This casting string really created a well needed lightness to the pre-production talks. CDI is ran primarily by actor/producers and individually we’ve all had and some continue to have the struggles that come with acting. To see three actors shoot themselves in the foot was offset by the enthusiasm of the one who got to call BINGO!
Be prepared actors. (Take 2) Be prepared actors. Not just in your craft but in your professionalism. Not fixing that car because it is a pain in the butt. Not getting a job with flexibility of schedule. Don’t help yourself fail in an industry that is already difficult. By taking care of your business you can be ready for when opportunity knocks. Organized. Prepared. Ready to succeed.
We had a key position whereas because of a change in our shoot locations we had to make a change. One person visiting Michigan on another endeavor got a call and within two hours was onboard. They started the next day. Opportunity knocked and it will likely result in another hiring in the spring.
I’ve seen people I’ve hired before return with new battle hardness that made me smile. I saw the few situations we had handled with calm professionalism. Now some may have experienced their first feature run and decide short format is more their pace. Feature shooting is harder, longer and requires a different mental and physical endurance. With our larger budgets we often had additional on location pre production and additional shoot weeks. So to all my crew that traveled with us – I’m tipping my hat. To the ones there all the way through – be proud that is a true benchmark.
One additional planned day of battle footage and a few powerful moments with our films lead Shane Hagedorn. It was a really cool experience to see Shane ride this story out. He made it his and brought such a cool edge to the role. Our Lisa Smith who plays opposite him was such a find. Many of the actresses had a great take on the lead role. This actresses brought it out in Shane, it showed. The children, the outlaws, townsfolk, circus folks all cast with care and it shows.
My humblest respect to my fellow producing team – 1st AD Nate Robertson who TCB (Takes care of Business) on set and the staff who handles everything behind the scenes from accounting to PR and everything in between, we are ONE TRIBE. Jesse squared (Jesse Low & Jesse “Smooth” Aragon) what an honor to story tell with you both again.
Jesse squared (Jesse Low & Jesse “Smooth” Aragon)
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“Wild Faith” coming 2017
I had a chance to see the first rough trailer for “Chasing the Star” and it exceeded my expectations greatly. I think because we’re dealing with a topic that people have such a limited insight to – how do we present that? And I think it was done in a beautiful fashion. Music is complete and dialog clean up is underway with sound design. VFX work is also underway. Bret Miller and CDI have a great follow-up with part 2 of THE QUEST TRILOGY.
Which brings me to part 3 – This week I will be starting to put the business together on “The Christ Slayer” to shoot in the spring. More intense talks on this film in the coming weeks.
“40 Nights” is flowing in the positive direction and this week we’ll be discussing marketing efforts with Lightworx about “40 Nights” and the trilogy moving forward.
I’m going to go finish unpacking my vehicle that was packed up “Beverly Hillbilly’s” style – just needed a rocking chair on top:) Have a great fall morning and keep moving forward. Dare to dream. Create don’t hate.
I’m taking these few quiet moments late on Sat night to write versus tomorrow which could be busy or peaceful zen. We’re on location with our pre-production team telling an 1800’s story that proudly weaves a lot of Michigan into it. The mail system continues to be the stress it has been for twenty years. But we’ve done just fine thanks in part to the digital age. It does get hard to digest more and more digital. I’m a paper person. I love trees and all the many kinds of woods and their properties and aromas. Man has survived by wood, paper and pulp. I just cannot enjoy reading a script digitally like I do a book. Our sets become more and more digital communication BUT we do interact as artists, IN PERSON.
We have a wonderful team of people forming up to tell this story. Some are new to our circle and others have been here for many of moons. I’ve known the joy of giving an artist their first ever paycheck for their art. They cried. It is something that I will always remember. Now artists when starting out often do unpaid work to get exposure. When they get to a place whereas people will pay for their art that fulfills something in them.
Now many are ready to suffer and sacrifice for their exposure. In the film world it is the “NO PAY but IMDB credit and a COPY of the film” deal. The first is a database of film work and the second the piece of history that those artists shared – gaining exposure. That is not us, we’ve paid people since our second film at our company in the late 90’s. I can say in all honesty I’ve never been able to fully pay what I think these artists are worth. But, we do pay what we can. We’ve paid many artists over the last twenty some years. I’ve payed what each film can afford and I have many friends that commit onto our films rate unknown. They know I pay across the board the fair price that a project can afford. If you’ve never launched a feature film than you don’t know the true hardships of doing so. When a “playground” for the arts does finally launch and a story is going to be told – it’s a voyage. Now, imagine a backyard football game or capture the flag as a kid with the neighborhood full of kids. There was always that one kid that came into a game complaining about the brand of the ball or lack of this or that – never seeing what is provided but only what isn’t. Half empty versus half full we would say in the martial arts. These attitudes are a character flaw – a cancerous negativity that will cause them great strife throughout their life. On a film set you have to learn to identify and avoid these toxic people. They are not ready. If they cannot balance their own filters they will never find happiness – just flaws. HINT: Life is flawed. The long lesson is that we’ve put literally millions of dollars into the coffers of artists and vendors. Sometimes by big checks and sometimes by small, again what that film can handle, but we always made something that made us collectively proud. Our stories travel into the world marketplace and touch people’s minds and hearts. In a short handful of years the shells and beads earned will be spent frivolously and forgotten and only the art will remain. A lasting display of the story that those people told. Some have not learned this lesson and others never will. Okay enough about those type of individuals as they run their course and after they burn every bridge they settle into a job they dislike and the circle of negativity is full circle. Of course for these people it is always because of someone else.
WILD FAITH – This pilot film has been making some amazing announcements about casting. I’m thrilled about the crew forming up behind this film. It is all team building for moving forward. We will be announcing more castings in the next few days which includes a legend of the western genre and one award decorated actress. Yes. I will be acting/co-starring in this film but I want to get my other announcements out there first. I’m looking forward to “playing” with some other talented actors and an amazing crew being led by director Jesse Low and director of photography Jesse Aragon. We all worked together with our producing team on “40 Nights” which you can check out now.
More updates have been given to me on a pair of other possible network shows that are interested in having me act. One would be a reboot of a very famous series and the other a continuation of a very popular series. I just keep doing my thing and when they are ready to get serious I’m all ears.
CHASING THE STAR – The music is complete and we’re heading to the finish line. Official poster and trailer close to a reveal. Stay tuned!
BESTSELLER – A perfect season for this film. We’re working our foreign set up so all those friends asking overseas – soon:)
40 NIGHTS & ASHES OF EDEN continue their advance into the marketplace with more places to watch almost weekly.
NEW releases of classic CDI films in the works. Development on the next slate of films is underway. Once this film has set sail we will start putting the foundation together on the third and final film in the QUEST TRILOGY entitled “The Christ Slayer” to shoot in 2017.
I’m going to finish my hazelnut coffee and hit the shower. I have a long list of TO DO’s for today’s pre-production. We’re gonna grill out with our pre-prod crew tonight and make final preparations.
Enjoy your day and have a great week ahead.
My head is spinning from recent activity and I’m gliding into a much deserved relax mode so I can spend a few moments with all of you. Busy. Very. But nix that I want to talk about FIRE. I’ve had a fascination with fire since and early age. I’m told that fire and clock were two of my earliest words. Interesting…I mean fire is transformation – the sacred change. It is creation and destruction united in a dance. I do appreciate clocks – my favorite might be my one and only Star Wars Force Awakens merchandise. I take that back I was also gifted an R2D2 flash drive. I have the Death Star plans! So the office is finally getting the antique stove installed tomorrow. It has been a couple years in the planning but now it is happening. The office “my fort” is a creative space and the warm fire will add to those fall and winter days and nights.
Okay now we can return back to the other talk of films and such. So we’re about to do what is in a way, my first sequel. I’ve played many characters whom I felt deserved a continued story. JUDGES 2 got stumbled by the passing of Russ Stine who was slated to costar. Alex Kenwood, Mayfair, John (several), Stan Reed, Kendall and even Mason from “The 8th Plague” who died so Germany wanted a prequel. We still may do “Soul Eater” in the future once I find the right director. But the world shown in “40 Nights” is alive and we’re about to go play in it again. This happens right as audiences will be experiencing “40 Nights” on the big and small screen. Early reviews and the reactions from buyers has been very strong. We are starting on the 26th of Feb in Lansing & Grand Rapids Michigan, with screenings at Celebration Cinema.
It will also be hitting the shelves at Walmart on March 5th and other retailers start to get the film around April 5th. But I encourage everyone to experience it on the big screen. The camera work is breathtaking. Kudos to Jesse “Smooth” Aragon.
We’re on the launchpad with the second film in the QUEST TRILOGY “Chasing the Star” – this week we’ll be announcing lots of the talented people onboard. I had a chance to talk to a well known actress who burst on the scene at 21 and has kept a steady flow of films. She is busy getting ready to go film in Peru? We want her for this role and so I sent a sales link to our first film. She said, I’ll watch a few moments so I can have a conversation. She watched the film all the way through to the end, totally drawn into our world. She gave great remarks about all aspects and noted how you could tell the care and craftsmanship that went into the film. WOW! She started too by saying how smoke blowing is not her thing and honest was. I thought I was in for a harsh review but instead accepted praise for the whole team. She badly wants to be in our next film and if she gets back to the USA on schedule that just might happen.
The point is we are doing something right. The business people like us because we stay on schedule, budget and turn out unique art. Why the first is important is so that marketing teams can plan on you in advance. I’ve got a few great director buddies and I’ve never seen them turn something around in 10-12 months. And trying to get them to that playing field would likely cost our friendships.
Speaking of good business – I want to thank our friends at the Garmax Group for again sponsoring and riding with us on “Chasing the Star”
March is “40 Nights” but April is “Ashes of Eden” and “Bestseller” and “Donors” are May. So the ramp up to many releases – pre-production, promotions…you get the busy.
All that said, I’m also looking forward to another outdoor soccer season. My body is healed from a season of demolition derby and running like a 20 year old. Playing soccer weekly in a highly competitive league is my best weekly meditation.
The soundtrack deal is on the table and I have to finish that up. We’re leading off with “40 Nights” and moving down the line. More licensing deals and such will be coming as we make our way through all these deals.
It was great having films like “7 Stones” and “Figure in the Forest” playing on different television channels and people reaching out. I think this year we’ll be licensing the films to more networks and territories.
So IF you can get to one of the Michigan “40 Nights” screenings do so. Here is our newly remastered theatrical trailer –
We’re also working to bring it on the big screen to several other states. Church’s have submitted and asked to license the film at http://www.40nightsthemovie.com you can direct your church or organization there. The films were not designed business-wise to release as major theatrical but after finishing the film – it deserves it. So we’ll keep working it. I do know we are about to set some showings working with our friends in Yuma, AZ. Get ready Champion, it’s almost time.