New readers from Samoa and China joined us last week. I know that the filmmaking experience (resources, distribution, audiences) changes slightly from culture to culture. But at the heart of it we are passionate beings who love engaging in the storytelling experience either as listener/watcher or teller. I love being a creator and being an audience member. So yesterday basically two years to the day we finished the final elements to THE CHRIST SLAYER. Our director Nathaniel Nose came in and we polished the final mix/design with our incredible Dennis Therrian. His musical score is absolutely one of his best. The complexities and grandiose arrangements take you back to the classic days of Hollywood. We worked with Mr. Sundberg on our color correction, conforming and final composition. Last night at the office we shared a few beers and looked at the wide-screen, color corrected final master. A few of the final VFX shots have to be rendered into the timeline but I was blown away. Jesse Aragon, our DP did a wonderful job. This was the final film in The Quest Trilogy and is likely the largest scale production to date. CHASING THE STAR had more animals but the VFX in THE CHRIST SLAYER makes it the largest scope to date. Both the director and I liked the epic inspiration of Lawrence of Arabia and that soundtrack was with me in Yuma, AZ when we filmed.
The previous day we tweaked a few Mother Mary lines. This film has some powerful female characters in it. Especially the roles played by Melissa Anschutz and Christine Marie, who appear as they’ll be co-starring in a CDI film this spring. Brittney Risner and Carl Weyant give a classic Hollywood love relationship. And Josh Perry, will simply steal hearts. Amazing supporting performances across the board by Dean Teaster, David Gries, Bob Shepherd and more. Taymour Ghazi, Shane Hagedorn and my departed mentor Rance Howard brought the power one last time. Rance’s performance might be his last feature film role he ever performed. The final scene we share together in the film was our swan song to working together. I’m very proud of it. We talked for hours about that final scene. He made notes and adjustments – just two costars working out our motivations. I recall being so proud of Rance and feeling how special it was, never guessing it would be our last story together. Now all the elements will start to be pulled together for an upcoming delivery to our distributor. We’ll soon get to see how audiences enjoy this film as it travels to theaters and to home video. Stay tuned for CDI’s most epic adventure yet this Easter season.
I’m excited for everyone to get back to the office in 2019. I will be ready for a slight rest from the intensity of final post. You work end credits so hard knowing that by Murphy’s Law some misspelling or missed ‘thank you’ or name will take place. If your ever on the receiving end of that – know the filmmakers likely did not intend that. I had one situation that was suspect only because the misspelling came after working on a project whereas one producer on that project was NOT brought back on a film CDI was hired to reshoot. Either way, it showed a disregard for my brand ability to draw my audience to that film. No business reason why, so perhaps it was a true mistake or maybe it was personal. I don’t hold a grudge, but it makes me less likely to work with that company again. I passed the second time I was invited but it was partially timing, pay rate and the role also.
When in post this week, I was sent a news story that a Detroit-based – I struggle for the right word. I will use filmmaker, because he has made films. But in a promotional news story for FOX he claimed to be a producer on our CDI Ghost Town movie, our 2006 Lionsgate film. SMALL ISSUE – he wasn’t. He did not exist in pre, prod, or post production and was caught trying to do some head shaking actions in conjunction with this film. I didn’t really like, nor trust this person from day 1 and tolerated him out of respect for one of my producers until that head-shaking point. After that, I was done with him. Easy enough. These people burn themselves out as their true nature is revealed. But I would never go on a TV interview and openly lie and use it to promote myself. I was questioned if I should have legal bring it down. I might. But the justice in all this is I get calls on people about their character, integrity and true place in the film community as I see it. Yes. My opinions and sometimes my direct knowledge of someone’s actions. I’m always honest. I warn or endorse people simply by saying if I would work with this person or not. I’ve been contacted often. It’s a small film community and I do know many people who trust me to shoot them the straight skinny. And I have.
I recently had a great discussion about what another peer filmmaker is developing. All of it was heavily tainted in my mind all because one of his close partners. I’ve had first hand experience with that person and actually let them go. Not a bad person at all. I just would not risk any further capital on his efforts. Would you re-enter a situation with negative elements/variables? This fellow filmmaker lamented the often true statement of how every set he’s worked on has had the cancer of negativity. I’ve had a few “negative” situations like this over the years but those elements were isolated and corrected or dismissed.
Bottom line. This is not some vanity game for me but a noble tradition of storytelling. I’ve been blessed to have several great crews working with us but that all starts at the top. That means conducting good business, constantly streamlining your communication and having a solid battle plan. I believe in our artists and I’ve grown as an artist with many of them. We don’t participate in these popular film challenges, although they teach new crews excellent finishing skills. One friend, had his possible award-winning short disqualified because run time ran over by seconds. He could have either A) Organized a social media gripe that his team was treated unfairly for petty seconds of overrun or B) Accept responsibility that as team leader it was a costly mistake made by their team or him. In football they say it’s a game of inches. So start taking accountability as a new year’s resolution and watch the new growth happen.
I’m in hopes to discover a few good projects, properly funded to come act on this year. I also have to connect with the script/role as you always should. Aside from that, I plan to produce 2-3 features with CDI this year. I’ve had many new folks reach out about financial involvement and we’ll entertain those interested parties once I’ve addressed my current backers with opportunities. Beware of any investors that also bring too many strings attached. Sometimes those strings can be the downfall of a project. I’ve seen it happen.
We’re around the 1.3 hour mark on MBF and should have first cut in a few weeks. I would love to lock a cut by the end of Jan. we will see where we sit very soon. I think many of you enjoyed the behind the scenes MBF short we released on Christmas Eve.
WILD FAITH new art, theatrical dates and more should be announced soon. It’s heading back to big screens in March across the country. Home Video dates follow close behind. Those dates can be found on the FB, official Wild Faith or IMDB sites.
I’ve been in the trenches hard-working on these new films to bring them out of post. Once I get a few days rest here while our tech guru’s assemble and deliver – development will continue full ahead. I also plan to set my goals in writing for the new year and see how close I came to last year’s goals. Have a great wrap up to your year. Be safe and plan your 2019 approach. If you would be so kind you can take a watch on our past and forthcoming films. Handcrafted from our family to yours.
Have a great Sunday!
This new sunny day comes on the heels of a beautiful full moon and while cold something stirs. I think spring dares to creep into my mind – cook outs and cocktails. New showings will be forthcoming this year with I believe seven new films rolling out. I’ve grown to enjoy the marketing aspect. Working with the CDI sales team I really enjoy being involved with bringing this art to different countries and different people. While we have had some distributors that work we also have had our share of those that do not. I’ve had the pleasure of talking about our library of CDI films with distributors in many territories. For fans of my blog not in our TV/Film industry the domestic market consists of US/Canada. The rest of the world is divided up into forty some territories. Sometimes you sell a country or an area/region. So there is distribution 101 in TV/film. I’m looking to increase the number of allied buyers this year and we look to be in line to fulfill that goal.
We have been blitzing some PR on “Darkest Night” to align with its move to Hulu Plus. The recent success in Berlin of “found footage” style movies has directed some good heat to our film. So IF you like that type of film check it out. I’ll admit here and now NOT my favorite style of filmmaking BUT it was a good experience. Will I ever do another one? It would have to be the right project. I will be working with Russ Williams the writer/producer again but I think this next film will be more traditional.
Some exciting news is that our sales team will be handling “Judges” to the foreign market. I think Australia was the only foreign country that had an earlier release of the film. We plan to change that in the coming year so prepare for BUDDY COLT and the JUDGES to invade a country near you. I had great talks with director Stephen Walker and I will say that discussions about a JUDGES 2 are happening. A script that had “Father Kane” played by the late great Russ Stine, had been written. His passing away took the wind out of the sequel sails for a while but the winds are changing. We both agreed that after we do this foreign blitz with “Judges” we should prep for a sequel. So to all the “Judges” fans out there – things are happening.
I will be announcing a small pet project soon – actually 2014 could be the year of pet projects. If “Soul Eater” finds its legs along with a few others such as the “An Ordinary Killer” follow-up “Race to Judgment” – it could bring back some old faces. Old character faces, well my face maybe older – not really, grey…ok next topic.
“Ashes of Eden” is getting to the end of post production and our first premiere talks have started. We have had some wonderful interest in this film and I think it will have people talking. We have decided to walk at the end vs run so we make no mistakes and allow maximum creativity. This film is gonna play some theaters and is looking like we will have an international audience. If you have not seen these two trailers/previews go to http://www.ashesofedenmovie.com/trailer.html
As if that wasn’t enough – “Bestseller” is about a week from our rough edit. The goal is 120 minutes of heart pounding tension. The flight footage was just shipped in and we will all be excited to watch the 1st cut and start making notes. I’ve been happy with editor Chad Ice’s passion and excitement while working on this edit. I know that after the 1st cut we will assemble the first teaser trailer. Also things were put in motion to have the behind the scenes materials assembled. David Gries is going to edit some great footage captured by Seth Steele. Also look out for some upcoming poster art!
Distribution talks include too many films to break it all down here and now but trust me when I say that more of our international fans will get to see more of the films. My films are in more than twenty countries and I want to thank all the fans that reach out on the social media. I create these stories as do all the artists involved to entertain and share with you. So thank you.
OK. I have some work to do in the office and planning for the week ahead.