(2025 is underway and CDI is preparing to shoot our first feature of the new year)
Hazelnut coffee cheers on a beautiful white snowy Sunday. The air is bitter and crisp as we venture into our new year. I’ve been moving things right along in with end-of-the year things I’ve got to do. Business tax wise I just have a few things to get over to the accountants. I have yet to tally the data for my own personal taxes. I use to dread or at least look upon these tasks semi-negatively but have adjusted that to just be a thing. Just another TO DO that has to be checked off to keep everything moving. I thanked the great team I have around me last week. That makes it easier and enjoyable. I’m really appreciative of the relationships I have with people.
(Pre-production during a MI snowstorm)
Before we get to deep on the exciting developments I do want to say how heavy my heart has been watching these LA fires. I’ve spent lots of time there in my early years of getting established. We use to take 2-3 week-long business trips out there to set up distribution, launch projects and network. I’m not a big city person but always preferred LA over NYC. I’m not a person who likes crowds. You won’t find me at too many giant concerts, festivals or sporting events. I don’t like traffic which exists in all big cities. I do like the dry heat versus humid heat. But I did/do enjoy my visits to LA. Mainly because of the friends and the long tradition of our film business there. I have been concerned for many years about their increasing wildfire breakouts and decreasing water supplies/levels. It’s just hard to watch people who have lost everything. What do you grab or take in such an emergency. The landscape of LA/Hollywood will be forever changed. How it will effect the movie business I do not know. But many in that industry will be focused on rebuilding their lives. Again my sincere thoughts are with all the people there. The air, water and more now toxic- and their hearts heavy with loss.
(Adam Towner enjoying the synergy)
Longtime labeled the “backwoods’ here in Michigan when it comes to our industry. But I can say for many years that this has been the foundation to build upon not a temporary stepping stone. I don’t and haven’t ever been one who longed for a Beverly Hills address or to work tethered to the west coast studios. I’ve been creating, growing and enjoying the artists I’ve been blessed to work with. 2024 was a great year of doing and prepping and now 2025 will see the manifestation of many of these projects. Other new endeavors will begin to flourish in 2026. This past year saw some of the older films remastered and brought to market. Book division launched. New merchandise store launched. We will continue to grow these fun extra divisions also. Let’s look at some of the exciting things coming.
Harsens Island Revenge – as with any of the films where we build a “world” or in this case a time period. We’ve combed through to fix anything that is out of that time period. Like any of the films produced by us or others you can and will find misses. Like we say, if you are just looking for misses and not engaged in the characters and stories we did not do our job with you. But for some that is something they like to look for usually after the 1st watch. Our film is done. We found in the last proof a pair of glitches and a pair of format issues with end credits. That is fixed. We found a few out of period, hard to notice “misses”. We fixed what was fixable without adding great expense of time and/or money. Most will never see anything since movie making is like the magician, a master of misdirection. But there might be 1-2 “time travelers” or there might not be. Maybe I just want to encourage you to watch the film several times. WHAT IS NEXT? Our theatrical rep and our home video distributor have had the screening review link. We’ll circle back this week and look to put pen to paper on our deals. Once that is locked we’ll set of premieres because in most cases we want to premiere to be the launch of a theatrical run. The questions are a platform (all same release date) or a roll out (different release dates) and do we push for one weekend or week only to create urgency or allow the film to play in a territory as long as it will justify screening. We’ll also look at a small group of festival showings which we will coordinate with our director. I know many are eager to see the film and trust me when I say we are eager to show it. We just have to follow an order of business but the film is exciting and it is coming! We just wanted the best product possible!
Talking about releases we have a tight post schedule if we want to get WILD FAITH CHRISTMAS onto movie screens Nov 1st, 2025. I’m proud to report that our directorShane Hagedorn has only 4 scenes left to edit. That was as of yesterday and so even as I type that number may be less. Shane has an awesome level of discipline and has been getting up early 5am almost daily to edit for a few hours. That got us here as quickly as it has. Once the 1st cut is done he’ll work a second pass polishing and working on transitions. A good secret to a smooth flowing film is to pay attention to transitions as a writer, while filming and in editing. It can be with visuals or dialog. EXAMPLE: A teapot blowing steam transitions to plumes of smoke billowing from a train engines smoke stack. Transitions can make a film stronger.
As of Friday our next film ROM COMS MUST DIE passed the point of no return. All paperwork signed and all funds collected. The account will be opened on Monday and that will also be the day our final schedule and agreements will start to get sent around to cast and crew. This is going to be the first feature length film directed by our friend Travis Hayward. Travis started his journey sometime around FORTY NIGHTS, the first in our biblical trilogy filmed in Yuma, AZ. He was the 2nd AC and I recall him struggling a bit from his sinus allergies and working into a full size crew. The first DP gig was when I put him on a concept film WASTELAND we shot in The Valley of Fire, outside Las Vegas. As he worked his way into performing as a director of photography on several CDI projects he was also directing short format projects. The first for us was the OFF TO THE RACES music video for the winner of the Battle of the Band (Vertical Bridge) for BEST YEARS GONE motion picture. Now reunited with CDI’s John McGraw who will take on the DP/editor duties on RCMD, Travis will sit in the director’s chair and we’re all very proud of Travis and his journey. Cameras roll towards the end of the month. It is also our first test of partnering with McGraw Multimedia shooting some of the film on location and some in-studio. LIGHTS. CAMERA. ACTION!
Talking of early CDI beginnings, the first feature film we did was KNIGHT CHILLS. Shot in 1998 it was a beta cam film about folks playing a Dungeons and Dragons like game. The 25th anniversary Blu Ray was released and can be bought full of extras. But for the 1st time ever the film will be streaming as of 1/31/2025. The film was remastered and remixed and we even just re-released the book on Amazon. If you want to see the humble beginnings of CDI we encourage you to take a look.
Two of CDI’s past films DEAN TEASTER’S GHOST TOWN and AN ORDINARY KILLER (AOK) can be watched streaming now thanks to Ammo Content. The 1st being our Smoky Mountain western available on Tubi and other platforms. The GHOST TOWN IN THE SKY theme park DVD can be purchased at the EBAY STORE website on the http://www.cdiproductions.com website. AOK is on The Roku Channel and will expand to more in time. That film was remastered to help The Red White and Blue Project, a non-profit that benefits veterans and their families.
Following this trend we are going to have our friends at McGraw Multimedia see what they can do to help in the restoration of the remaining CDI Classic Collection. Those remaining three being FROM VENUS, HEAVEN’S NEIGHBORS and FIGURE IN THE FOREST. These three films were directed by CDI partner Jeff Kennedy. The last two can be purchased as a double feature DVD at the CDI store mentioned above. All three need to have work done to counteract the film look filter from all those years ago before they are uprezed. Fingers crossed and we might have these three back into marketed enhanced by year’s end.
We have two films in active development to possibly shoot if we can get all the funding pieces in play. One is A CHRISTMAS SEANCE and the other the biopic on turn of the century Catch-Can wrestling champion GOTCH. We have also had some discussions on HOT ROD LOVE, our 70’s racing film that we had some traction but not enough. It happens. A film will often launch when the time is right. I have just two more WILD FAITH HASTINGS TV shows to adapt over to taking place after our sequel film. I think once the promo starts heating up on that film we’ll make a go at launching the TV series to film ideally in 2026.
(Travis Hayward has climbed the CDI ladder and is about to direct his first feature film)
WRAP UP: I’m going to wrap this up as my coffee cup is getting low. I’m going to go prepare some eggs for breakfast. I’m happy to say our hens have been producing well. I’m looking to have a strong kick off to the week. As noted opening our account on the new film with some rehearsal work to follow. We’ve been gathering up props which is always fun. I don’t know what else to add except maybe review those 2025 goals again. You made your list if you followed my instructions a few blogs ago. Start to look at a plan or a series of short goals to get you to your larger goals. Everything starts by taking steps. I conversation from this week just came to me.
(Some of the prep team for the next CDI feature in association with McGraw Multimedia)
Stay focused. Have patience. And again keep hitting those small goals. Stop looking for quick short cuts. Focus on the small wins as they all add up. Pretty soon you look back and see your half way there. Don’t quit. Don’t get impatient with progress going slower than YOU wanted it to. STAY THE COURSE. Persistence is a quality that gets many things accomplished. The field of dreams gets smaller as people get discouraged and give up. I’ve said it before, much of what I’ve done has been built off 90% rejection and 10% success. The key is perspective of looking at the forward movement/momentum. Shane Hagedorn sent something to me this week that again reinforced these values. If you dwell on the rejection your momentum slows and may stop. Stay excited by the 10% success and that % may increase or accumulate at least. Another saying that has been in our industry a long time was “if it was easy, everyone would do it”. I’m here to tell you it is never easy. Being that it is the arts it is actually harder. But the reward is so much sweeter. The friendships. The journey. The long fasting fruits of the labor. It is not for everyone but if you have no choice, start leaning into that 10% success and build. Coffee’s gone. Meeting over. Until next week my friends!
A beautiful and slightly chilly Sunday here in Michigan but I have the hot java to warm things up. Grandpa Jones playing the Bluegrass tune Mountain Dew on STING RAY music. It reminds me of some of the wonderful mornings at Robert’s Roost with my dear friends Robert and Ralphene in N. Carolina. Today I’m going to give the yard its first mow and rototiller the garden. Grilling is on-deck along with a little chilling later today.
Chasing the Star
So as a young actor I use to dread the trek into Detroit traffic and bustle for any meetings or auditions but I always found the “town” of Grand Rapids to be a much easier destination. Well, that has changed as Grand Rapids proper is a CITY no doubt. Our director of “Chasing the Star” Bret Miller, calls GR home and so last night we had a premiere kick off of the film at the UICA last night. It was a beautiful showing that showed the incredible camera work and art on-screen and I’ve never seen Dennis Therrian, our post sound and music supervisor so happy. The 5.1 surround sound mix was amazing and put you front and center of the action. We did a little Q&A after the film before heading to a local haunt which was a small joint with several pinball machines. I am not a fan of crowds and small places and so it was a celebratory king can of PBR and headed back home. I was up later than I usually stay up save being on night shoots on set. We had all three directors of the trilogy at the showing which was a special thing.
Jesse Low, Nathaniel Nose, producer Anthony “Tony” Hornus, Bret Miller
A lot of creative talent between these individuals. (Tony included:) CDI seeks out the wildly original and imaginative artists who also work within a no-nonsense business structure. I also got to share some advice with other upcoming filmmakers, which is always rewarding.
My advice when asked –
First, don’t say YES to that which you cannot do. Unfortunately, many say yes figuring we’ll just figure it out as we go. NOT WISE. Also, make the best of every opportunity. The question was narrowed to “how to finance your film?”
It’s hard, REALLY HARD to initially get business people behind you. You earn it by strong preparation, solid execution and staying on a timeline that other business entities (distributors) can rely on. Also don’t BS just be honest in these pitch meetings. Many of these people have been there, done that and gotten that Tee Shirt so don’t be a used car salesman. Also my advice was work out all agreements amongst production in advance of seeking or spending any investment money.
Why?
Once money does come in people change. People all have other ideas on how to spend budgets. They recall deal discussions differently. Deals cannot exist by hand shakes alone. Maybe at first but paperwork spells it out clearly. How much pay, when you pay and what you expect for that pay. Like bands many good creative teams break up because of misunderstandings. Eliminate that possibility by TCB (Elvis “Taking Care of Business”) before seeking out money. Also be reasonable about what amount you’re seeking and ask yourself if you can you really manage a project of that size. If no seek experienced help. By help I mean – Not “find me money” but “I now have this money can you help me manage my project” help.
Realize Truth
Also don’t make heroes out of incompetent business folk in your circle. I was asked – Why is it so hard for us to raise $? I said, because you all have peers walking about that have poisoned the wells with their screw ups. Yet they are hailed as heroes of their own PR spin. That is not tolerated in many industries but they are allowed to survive and sometimes thrive in our industry. They leave a ruined path of projects and poisoned wells for those that come after. When the area is too poisoned they move on seeking new areas to exploit where their screw ups are not as widely known if at all. The issue is that it’s a small industry overall.
What I enjoyed about last night is once again, the important word is AGAIN, we showed that Collective Development Inc. pulls from a clear well where business artists can invest knowing their investment is getting an A+ effort.
Back to Chasing the Star…
The film is now heading for Lansing, MI followed by Royal Oak, MI and it was announced last night that the film will return for a run in Grand Rapids, MI at Celebration Cinema.
We’ll announce the GR dates soon! The national release is Sept 5th but if you get a chance to experience this on the big screen treat yourself.
FORTY NIGHTS
Released by BMG April 4th to home video and will keep expanding its distribution to other countries. Take a watch if you have not and get ready for the third film releasing next Spring.
THE CHRIST SLAYER
It has officially moved into editing with our director Nathaniel Nose and we should have theatrical poster and teaser trailer coming soon.
WILD FAITH
BTS photo (Hagedorn, Perry, Anschutz)
This amazing film was a main topic at a recent meeting with one of our distributors and the interest in the TV series is there. We just have to pull all the right elements together. The feature film now has a picture lock and has moved to music and sound design. Stay tuned for many great updates including the first official teaser poster now in the works.
MISC DEVELOPMENTS
We’re in discussion on several CDI past films re-releasing out into the market. I’ve been prepping development work on new projects and doing some script writing. But right now I have to get to some yard work. Time to refill the coffee cup.
Have a great Sunday and rest of your week. Perhaps I will see some of you at Celebration Cinema on Monday and/or Tuesday for the 7:30 shows in Lansing, MI.
It looks like here in Lansing, MI we avoided most of the crazy weather. We had a little wind and snow but overall the sun gave us some melting. It has been a busy couple weeks and I’ve just got to keep my patience and zen as many deals move about on the chessboard. I’ve had a few projects move a touch slower than I wanted but I will be happy for what did get done versus what did not. Let’s look at some of the positive steps taken in this past week. Before we get into that I will vent off on a small issue. IF you are a university who is making your money off film students in a film program. IF you make a solid film that really showcases good production value, performances and direction. The university SHOULD invest in promoting its own program. PROMOTION = ENROLLMENT = $ for the UNIVERSITY. I’m not going to waste too much time on this topic but I’m never surprised by people’s shortsightedness.
Also I’m surprised (No I’m not) that when local media is trying to promote a city/area to inspire others how only the hobbyist get recognized. What happened to real journalism whereas you seek out the real story. In our area it use to be our local media was only interested in local community theatre and now they are focused on local hobby filmmakers. Now you can give recognition to these aspects but they do not represent the professionals. POLITICS. To be direct it is why I like the business side of things. IF your art is good it will find an audience and sell. I feel as if these organizations and projects that put equal importance on SHOW & BIZ should be highlighted. Now for a long time now I’ve been content making my home here and that is good enough for me. Michigan artists are undervalued often on the world market and much of it is because many are seen as “Community Theatre/Hobbyist filmmakers”. When the films and filmmakers that are making real business endeavors are overlooked for some social media panhandling a $500-$2,500 film that won dozens of remote festivals that never will get major distribution – it brands us. Now I consider myself MINOR LEAGUE so let’s get that straight. BUT we work hard to recreate a growing business like what Motown, Two Men & A Truck and many other business pioneers worked so hard to do. The worried parents of these starry-eyed filmmakers would be emboldened and given hope when they read of other business filmmakers making a solid go of it. I’m content living below the radar most of the time because it saves me from the constant “I’ve got a great idea for a movie” talk that follows me. So let’s get onto some business updates!
A few months ago we saw our Civil War film “Wicked Spring” release into the German, Austria and Switzerland market. Now following that we just enjoyed a Feb 21st release of “Locked in a Room” to that same market. And next month March 28th will see the release of our 1st international collaboration “Darkest Night”. Also “Darkest Night” released recently to HULU PLUS and so that will help reach hundreds of thousands of new viewers.
Our CDI sales team is working hard engaging in talks with many new foreign territories. Also many great new deals are being negotiated on new upcoming product. “Ashes of Eden” has several buyers interested and once we have our finished film we will start that process. New poster feedback is being gathered from readers who can vote on http://www.ashesofedenmovie.com . Also our premiere is being discussed and we should announce on that soon. So look for a cast and crew premiere that will happen followed by a public premiere and theatre run. We’ve got excited interest from several distributor/studios in this film and our most recent ‘Bestseller”.
“Bestseller” is about done with the rough cut. I will be calling our editor today to get an update and soon we will screen the rough edit. I’m excited about this project and I think it will be a high intensity film. Patience:)
“7 Stones” is out on the market both streaming VOD and DVD so check out this powerful little drama.
While overseeing post work and sales I’ve been engaging in some major screenwriting action. I don’t promote this aspect much but I’ve been paid multiple times to pen original scripts and adaptations from books. I’ve had projects optioned ($ against a sale price) – and I’ve had projects purchased and produced. I just finished a pet project script that I’m developing with an old school friend. Let’s just say that fans of “Book of Ruth” will be very happy. I’ve also got another script on deck to write after after that. The contracts are approved just need to be signed this coming week. I may also be taking on yet another project to write in the wake of an option/purchase agreement made with a studio in Florida. Some close to me know my furry boy Luke had knee surgery and so it has been good to hunker down from the cold and enjoy writing.
Also I’ve been doing some major internal CDI structuring with our accountant, lawyers and a film archive supervisor. All the CDI projects need to be put to digital to make it easier for delivery on all these new sales. This is again the BIZ side that has nothing to do with the artsy-fartsy aspects but it is what separates the professionals from the hobbyists. I love what I do but I don’t do it for just fun – I do it as a career. Therefore bad communicators, slackers, excuse makers will not find a home at CDI. Nothing like having your hard work and efforts wasted as something sits in limbo for years OR a film that lacks business structure leaving you with a well done home video to show family and friends. I’m happy that we have some new hardworking blood rolling with the CDI tribe. It’s quite an eye opener when they discover there is another way to do things. There is a better use of time and energy. Do we fall short and make errors? – Of course we do. But how many are really STRIVING! WANTING is NOT STRIVING. I mean really giving that extra effort at every turn that gets recognized. I’m talking about taking that pride in your work. Trust me, I know the difference by looking someone in the eyes. If it is just a JOB to you – find another industry because there is easier money to be earned elsewhere. REMEMBER actions always speak louder than words.
Jesse Low, Nathaniel Nose, producer Anthony “Tony” Hornus, Bret Miller 
It has officially moved into editing with our director Nathaniel Nose and we should have theatrical poster and teaser trailer coming soon.
DJ Perry's Official Blog 'Clawing My Way to the Middle' 