Producing is NEVER Easy, Acting UPDATES and COMMUNICATION as a KEY

(Just some of the CDI Tribe working on Harsens Island Revenge)
Good morning my friends. I’m sipping the hazelnut coffee and getting a later start due to ‘springing forward’ here in the USA. I’m not sure if they do that everywhere but some like it and others do not. I’m pretty indifferent to it all. I was pretty exhausted at the end of my week from grinding the mental gears. I think the added cold front coming in gave my sinuses a bit of a run but hot tea kept all that at a minimum. Many times you get only the highlights in my blog that show the final outcome. Meaning we did this or that but you don’t always get the in-between or the struggle to get that particular thing done. I’ve been grinding my gears trying to align many things for what we be an added 10-20 seconds in one scene that includes close ups in a period bi-plane with a beautiful wood cockpit that may or may not play on camera. As our Harsens Island Revenge script is written there is a WW1 opening to show Frankie’s (Our lead character) role in WW1 and how it shaped him. A 2-3 min sequence that also makes a statement about war and that war in particular.

(Again just some of CDI Tribe working towards the ‘Silent Night in Algona’ release)
To have the luxury to kill from afar keeps ones morality at a distance but having to kill up close is a different matter. Much like the dark ages where men killed each other up close with arrow, sword, axes and spears the dreaded WW1 was one that still used horses being fazed out by tanks slowly. Also many battles ended in sewage-filled trenches fighting with bayonets and trench knives. That is the horror that sticks with many of those soldiers. To be that close and see the immediate results of ones actions whereas you see the enemies lights go out. I think as they die a piece of the killer dies. A connection of sorts. I’ve been working for weeks to try and first get the location set up and the particulars around it. Add the players which have been hard to get. Not the leads but the ever-important extras who need to be equipped properly. WW1 has been the hardest to find on a budget, all the time periods to date. The best thing which we’ve done in the past is to hire passionate folks who reenact and put together their own kit. Our luck on that and the communication with those connected has been difficult. Add that we are up against a ticking clock to use the military base we had chosen. Why? Ten days prior all members have to be cleared and we are down to days to submit info on folks we have yet to find. Finding the folks alone isn’t hard but having them period dressed and equipped is and so this week we’ll decide if 1) We keep our shoot at the Alpena base 2) We reset the shoot elsewhere likely closer to mid MI giving us an extra week to find the gear and extras. 3) Kill the opening or strip it down to our just lead in WW1 having a slew of fast memories that brings us to the present 1920’s.

(On Set- Harsens Island Revenge)
It can truly be insanity at times and even with the best planning things fall apart or change. And this is all being done on a very tight remaining budget that is precious money that could be used to help launch the theatrical run after the film is complete. Now the film as it starts now is great and kicks off with some action so maybe we are good. Our composer at the first watch loves how it opens. AND we are trying to trim runtime but our proposed efforts is adding runtime. I think you are all getting the gist from my little peek into everything that goes into producing up this films. This is 3+minutes and we produced up 2hrs+ already. So when you see a bullet point of mine on here every week please do not assume any of it was easy. It is not. It gets done because of the talented people involved. People who care about the story. I don’t like to lose and I had to realize that we are in a WIN/WIN situation because the film is already great. We are trying to add sprinkles onto the top. The cake is going to taste great sprinkles or no sprinkles. And the audience will never know that sprinkles were an option.

(Boats that are 100 years old now)
After 2 hours+ of grinding my gears yesterday on something that wasn’t going to reveal itself, I had to just let go awhile. Maybe it is what makes me good at what I do? But yesterday I had to go and just organize in the office for a couple hours. I’ve got many things in motion for the CDI company and the more organized I am the more gets accomplished. Some music. Some organizing. Some chill tea and I regained my balance. Today I have a few conversations and by Weds of this week we’ll know if we are Alpena bound or if we are taking another direction.

(100 year old+ Planes)
Every direction has pros and cons usually ties to money. But in life just like filmmaking people can get frustrated when things you thought were taken care of, tied up, crossed off – start to unravel or come back at you. When you have to readdress something again in the present it takes from your future. Planning and development stop when you have to fix a crack in the foundation. So this 2-3 minutes has been very trying. It can be made harder but lack of communication. I swear we live in an age with more communication and we have become worse at communicating. People put boundaries on their times they work but that is not what we as successful filmmakers do. Now granted not everything is always as time sensitive as I sometimes feel it is but just knowing that it is on someones radar is satisfying. Message received. 10-4. On my list. I don’t like when people don’t acknowledge receipt of a communication. Even if busy. Let someone know because we live in a world of messages going into SPAM etc… COMMUNICATION. I just finished a great series THE BEAR about running a restaurant and it is all communication. “Yes chef” “Behind you Chef” “Corner” – and in soccer the team that communicates is the team that wins. A team with less talented players who communicate better can beat a team with more talented players if they win the communication game. “You have support” “Square” “Give and go” “Keeper’s ball“….My rant is just because I felt the endeavor unraveling despite hard work. In a project even asking “What can I do?” “What still needs to be done?” these things lead to success. And you have to always keep striving to improve.

(On set Harsens Island Revenge)
ANOTHER SIDE-the ACTOR
So above really is about producing up a film or in the case above just a few pick-up pieces. Actors who only act don’t often concern themselves with all that goes on behind the scenes. I can recall working years ago on one of our westerns in NC and while battling with catering and SAG I’m getting calls about an actor friend not liking their boots. Actors tend to just be concerned with their little focus but producing introduces you to the wide world of what it takes to put on a show. Even crew members only see the presentation and as I’ve said before, it is near impossible to pitch a perfect day. You hope the 95% right buys you grace for the 5% that goes wrong. Thousands of things that go right in a day due to the hard work of a few but cries of anguish if catering does a subpar job on vegan side meal or someones magnetic key deactivates on their hotel room. We take accountability but third party and a tech malfuntion should be covered by earned grace. Those incapable of grace are removed on future projects for their own good. Film shoots are more closely related to war versus vacation even when the places we shoot are beautiful.

(Old Men soccer champions)
So on the actor front my new agent sent me an audition for a pilot TV series. I’m use to reading a full script to absorb the character and roll but this is a few sides. I had this talk out in LA with friends who work often out there. I asked it they request or direct their agent towards shows they like? They said they pretty much read everything so their agent doesn’t drop them. I questioned what if you don’t like the show? The story? The Script? Doesn’t matter apparently to many. I wanted to do this read since it was the first thing my new agent sent over. Also I was going to be forced to do an upload and use the actor’s access portal. A good test. I did my read and damn, pretty good. I guess it should be after all these years. I was successful in my upload. I did get a few good notes on how I could subjectively improve the eye line and questioned would a tripod be better. See how the hee-haw that actors go through is the stressful time consuming parts. Second guessing and stressing and I don’t participate in that. I politely declined and said that what I presented I was comfortable with and if the production quality was not up to par I was find with it not being sent forward. The read was actual well liked and sent forward but after I felt a strange feeling likely opposite other actors. SHIT what if I actually get the role. Will I like the script? What if it does get picked up? I have a film lining up this summer that I know the script is good and the role is great. I have soccer season ahead and I’m looking forward to that. I would have to move a dental cleaning off the pilot shoot. WHOA partner:)

(Acting is still my top passion)
I wanted to start looking at some outside projects but I’ve avoided series in the past. WILD FAITH TV series would be different but maybe even after a season I might not enjoy that. I like finishing something. WRAP always makes me feel accomplished. Well, I just figure I will play the hand. Realistically I might not get the role as they’re many great actors and what folks like is subjective. If I do the pilot it still has to be picked up. This is just a few funny thoughts in my head. I enjoyed the practice of the read and technical upload but not knowing the full script/scope/creative team behind it is another place for me. I do believe just like all my outside projects that I will do what projects I’m meant to do. KARMA in India is where I met Carl Weyant, who just directed Harsens Island Revenge. Eric Colley and Hallie Shepherd and Paul Proios on G.P.S. (Watch on TUBI). So I’m going to just stay open to what is meant to be. I’m just staying good and busy but when away as an actor it is much easier and I’m still able to do producer/writer work.

(BEST YEARS GONE DVD Wrap)
Speaking of writing I saw that Benedict Fitzgerald writer of The Passion of the Christ passed away. I almost had an opportunity to work with him thanks to a friend Isabella Hirt but I was busy with BEST YEARS GONE. Which I’m happy to report can now be seen free with ads on Youtube’s FREE4ALL which is Twin Engine Global‘s new streaming service for non-family and faith films which is Encourage TV. Staying with the topic of writing I’ve been enjoying doing the polish on a script looking to film next winter. I think the funding is there and it is very unique but will be a lotta fun. It is a period piece and will be a lot of fun for all the actors. My second pass is working the descriptions and dialogs for pacing, flow and proper language. I had some talks this past week again about literary representation having had many produced screenplays now doing quite well in the marketplace. We will see said the wise man.

(A published un-produced script of mine on Amazon)
The literary side is developing nicely with several of the CDI projects publishing script and making of books and novels where it applies. I’ve been discussing the deal and discovering extra pieces and pictures to make these releases special. With the backup RAID now functioning we will be able to move into more theatrical and perhaps soundtracks. I will be looking for the right person to run the CDI merchandise site on commission.

(The actual 1920’s not an easy thing to recreate)
To tie into the above and circle back to Harsens Island Revenge – the making of by Adam Towner is looking great. We got a peek when watching the first cut of Harsens Island Revenge which was just amazing. Boats, planes, cars and buildings all helped to create the 1920’s. The world was brought to life by our artists on both sides of the camera. The performances all around are so strong with our young leads David Reardon and Cassie Dean doing such a wonderful job. It reminded me of some of the epic films of days past but with a modern capture bringing the world out of black and white and into full color.

(Silent Night in Algona – watch it if you have not)
This has all been good for me to just let some of this flow out and put order to my pick up shoot options. I have a few phone calls to make to discuss these options. It will all work out as we have some of the best artists within our creative tribe. I will go boldly into the new week and just deal with the cards we are dealt. I want to end by sending the CDI thoughts out to Anthony Hornus and family who lost his mom this past week after a long illness. For many of us our parents are a strong support system. Last time I spoke with her was at the SILENT NIGHT IN ALGONA Owosso, MI premiere and she was very proud of her son. We are all proud of Tony too and I’m deeply sorry for his loss. He will always have his TribeCDI with him. I hope everyone has a productive week. Until next time- coffee cheers!
DJ
Practicing Patience and Riding the Waves…

Hazelnut coffee cheers! I’m sipping here after an active morning of getting the dogs around and fed. We’ve had some passing storms that last two days including a tornado up North in Gaylord. The clover seed we put around the yard should take off like crazy this week. I’ve already mowed twice but I see that we are close to another. Trimming, cutting, raking and fence work to shape the yard. The hops are already to the top of the patio. Various shrooms including Dyrad’s Saddle that I let be. On occasion I will try wild eats but the animals enjoy them also. The new chiminea is assembled and this week we got the new garden hose and hanger assembled and put into action. The fountain is set up and working nicely. All these little things help break up my office work which has been quite a bit as of late.

This past week was the dispersement of $ back to the many investors on our films. We are looking to get some of them to join us on this next film endeavor HOT ROD LOVE. We had a great visit with owners of a track that would look just great on camera. It creates a “field of dreams” like destination for racers and spectators. Also had a few great meetings on work flow for SILENT NIGHT IN ALGONA and we’re staying on course. We’ve got almost all the deliverables in on FOR THE LOVE OF CATCH and also submitted to the Toronto Film Festival which would be a great premiere showcase for it. We are in hopes of hearing some feedback on a few festivals we entered SMOKE & MIRRORS into so that we could have a premiere visit which fans of the genre. BESTSELLER is prepping for a May 31st release and Amazon will be the main platform although we are waiting to see on Hoopla, Kanopy, Vudu, InDEmand and more. Come Sept 1st the Subscription video on demand and Ad based video on demand will kick in. BEST YEARS GONE will be coming July 5th and we’ll announce more of those platforms as we get closer.

On HOT ROD LOVE we are having things pull together a tad slower in this economy but we steadily getting there. My goal was to film two movies this year but with all the delays the obstructions, I’ll be happy to settle for one. We’ll likely roll cameras 6-8 weeks after full funding is committed. The Facebook site is a good way to stay connected and we’re also posting some great pics from the time period. We’re all excited about creating the 1970’s and several of us are already putting things in place. I’ve been forced to take my own advice and have patience. Things are unfolding and as they do we’ll keep rolling with that momentum.

ACTING– I’ve been growing the beard and hair out in anticipation of our 70’s film. Better to have something to work with in shaping the character look versus not enough. I don’t like to do fake hair and beards but will color when called for. I’ve had a film cameo presented that I’m considering and I’ll discuss this week. A close friend is associated with the film and asked me to look at it. I had another producer reach out asking if I would look at something in June so I told them to email it on over. I have to make sure the the cameo look jives with what I’m doing in the 70’s film. I can’t go way off course for a one day cameo but it might work out just fine. The other project I don’t have any details yet.

WRITING – This week I’ve had a lot of great progress on the new book I’ve been hired to turn into a screenplay/movie. I’ve been playing with several working titles that are perhaps more catchy for a film but have not landed on that one title. But I’m over a third of the way through the first draft and I’m loving the flow. I truly do love writing and creating these words full of interesting characters.
I was also approached by another author with a book, also interested in a screenplay/film, if I like the story. I said it might be a bit before I can circle around to it but I am appreciative that people are seeking me out. I always use to keep the writing in the background to my acting but I like the attention it has been getting. I look forward to doing some writing for others and letting them produce it from the page. There is a certain flattery to that process also. I will get back to some of my other passive writing endeavors soon.

WRAP UP AND WEEK AHEAD–
This week will be more promotional pushing on BESTSELLER. We might reach out and have a few reviewers in the horror/thriller genre take a look. Some graphic postcards promoting the release will be sure to follow. I’m looking to bring some cool PR/BTS materials on the VFX and model work being done on SILENT NIGHT IN ALGONA. The pick up footage has just arrived and tightening continues on the edit.
We are working closer towards a Knight Chills, video game teaser. I hope to hear some word on the converting of Knight Chills to HD. We had some discussions on the sequel which we are letting slowly develop. This HD release will be the start of the new franchise push to market.
NOTE: This week my goal is also to keep the windmill set up in chicken-land. Our ‘girls’ have been giving us 4 eggs a day and fresh eggs are awesome. Our clover we planted should come on strong this week. Clover is a good food for the chickens and wildlife but also because of the root system might stand up better to the dog traffic. Always something.
As our reps return from France I hope they had a productive and pleasing trip. It is always fun to hear of new audiences for the films. We again won our soccer match last week and we’ll see if we can repeat on Thursday. I had to use glue and the vice to repair a blown out cleat. Breaking in new shoes can be a bitch so I don’t want to do that if I don’t have to. So now I’m a cobbler, no, I don’t make pies…shoes.

I go to a lot of flea markets and estate sales seeking fun props and wardrobe. You can also find lots of useful items that you use around the house for pennies on the dollar. I went to a great outdoorsmen sale ran by the ladies who sold me the furs for WILD FAITH. They were sewn into Hester Thickett’s coat and a piece or two might have ended up on Ben Lily. But I have people like this on call to assist with props when needed. I’m into primitive archery and so was this individual and I left with four bows. Two recurves, one a Fred Bear, and two flat bows. Add a hand forged knife, viking bookends and a few dinkies and I helped support another small business.
The new bows will be fun to shoot. I enjoy archery and find it very ‘zen’ but gun ranges don’t do the same for me. Nothing against those who do find the range relaxing but archery to me is more like fishing, chill. I enjoy stalking tree stumps as much as anything else. I almost played Robin Hood in a film fighting Vampires, true story. Robin Hood. Santa Claus. I have a few classic roles I would still like to play in my life time. On that note, I’m off to refill the coffee cup. Have a great week and be good to one another!
DJ













