I’ve got the hot hazelnut coffee by my side as I ease into writing these few words to share with all of you. New readers from Spain – welcome.
So I’m going to share something from my process of character creation. I’ve grown comfortable with my long hair and even my beard of various lengths. From Donnie in ASHES OF EDEN to Mark Franklin in BESTSELLER. Add in the identity that comes with playing Jesus or mountain man Ben Lily. The prep for the new role is for an injured military vet. I decided with some time to spare I would destroy the ego/self and go boot camp. I did not serve in the military and not sure that with my flat feet I could have. But holding onto the bearded long-haired look was holding me back. So I decided I was going to remove that. I did not WANT to cut my hair. I did not WANT to go clean-shaven. Especially as the air gets colder in Michigan and in a few weeks snow will fall. I thought about the ego of someone like Elvis who entered service and the pics of his haircut. I needed to break myself down. So I deemed this haircut as a NEED for the character but not a wanted thing. So my significant other helped with possible haircuts military in style. I did not like any of them because I did not want the cut. What I did want was that feeling new recruits went through when they got all their hair cut off and they became part of a unit/team/company of soldiers. So I had the cut done. I felt vulnerable with the shorn hair. I was not happy with my decision but beneath it all I was happy. I was far from Jesus, Ben and all the longer haired roles. See I think my girl thought I was doing it to feel good about myself. Many get hair cuts to feel good about themselves. I did it to destroy my current self. To create a new base to build Paul, whom I will play in the upcoming MBF film. This brought about an interesting conversation about change of looks. I was asked if I ever consider her in my hair choices. The answer was no. It has always been based on movie roles for 20 some years now. I’m always in development of some character. But it was interesting because I think many people do care about how they appear. I only want truth in the character. Does that constant change affect her? Perhaps. I guess because I do it for work reasons I never give it any thought. She asked what if I wanted a pixie hair cut and tattoo on her chest, would I care? I guess I’m open to allow people to express themselves. I like people who wear/look how they want to. I assume she picks styles based on what her work allows and what makes her feel good. Here I am cutting my hair against my own will to break myself down. To strip away the old and allow new growth. Not just in hair but in character. So a lot of credit to those non-industry significant others who have to deal with us and our character creation. So from this point on I’m growing into that new role. I just realized how different I think from many others. I don’t give a rats ass about the brand of clothes. I’ve been to India and I know the real cost of textiles. I know the mark up that these companies put on your favorite garments. I don’t believe the clothes makes the man but the man makes the clothes. I think if you judge me wrong because of a hair style, your loss. The other reason I pushed to do the cut this week was soccer. We won one of the most exciting soccer matches last week in round one of the soccer play offs. A fluke goal at the start put us behind. We settled in and took back control including scoring and making it a tie. With only 2 minutes left they scored. A minute or less and we attacked and scored with only seconds left. A shoot out that went to the fifth penalty shot kick and we WON. Tonight under the lights is the semi-final game. I’ve been using a headband to keep my long hair out of my eyes. Now I have full range of vision and I’m ready to focus on getting to that final game. Okay. Onto some film updates.
After a long wait the first official poster is HERE. I’m excited to finish this film. It will be done this year and if we can get done early enough we will look at a cast and crew screening. The music and sound design is going great. We just have 10 seconds of VFX work that is being worked on.
THE QUEST TRILOGY
VFX is the main push on THE CHRIST SLAYER. We’ll be rolling out the first official poster on this project in the coming weeks. Once VFX is dropped in we’ll fine-edit the picture and in Jan. 2018 it moves into music and sound design for 3 months.
CHASING THE STAR is in the marketplace and along with Part 1 FORTY NIGHTS will get the holiday push. I was looking at all the films on Amazon and it put a smile on my face. I’m so proud of all the artists. If you’ve watched and enjoyed the films leave a review on http://www.imdb.com (Film title) or amazon.com or wherever. I cringed when I saw our director asking on social media because it always brings the trolls, haters and such to leave their mark. But these mudslingers just smack an entire group of artists. I mean even in a bad film clip I can usually pick out some positive. I recently watched a clip edited by an associate I know – it featured some good locations but made me cringe when it came to some flashback footage. It takes as much energy to do something right as wrong. I would rather not call these people out as they’re doing something and improvement comes from doing. I also don’t feel in competition with anyone save our last project. I try to improve the work flow that often improves the final film. This example I’m thinking of was a failure of either the writer or art department. Know what you’re writing about. If I’m playing a Marine in the next film, I make sure it’s CORRECT. And if it is not 100% correct it should be close. Get the right consultants. There are many who will gladly help so that their history is not made a joke on-screen. Trust me as someone who has done many period films – it’s added work but so worth it at the end.
The new project by CDI is in full swing. Our first investors are giving their interest and casting is coming to a close. We’ll be announcing our two major keys this week. Anthony Hornus will be directing with Jesse Aragon serving as director of photography. We held on that PR due to the WILD FAITH poster announcement. We’ll start announcing cast over the next couple of weeks. I can say we have a powerful cast lined up. Stay tuned.
I’m going to call it for the day. The coffee cup needs refilling. I have a few errands to run and I need to mentally prepare for our game today. I hope you all have a great conclusion to your weekend and a productive week ahead.
Be good to one another.
So today is the cusp of the BIG MOON, the closest full moon of the year. I’m sipping the hot coffee and looking forward to the day hanging with my brother and his girl. Upon finishing this post I’m getting the smoker going and going to have a relaxing day. It was a crazy busy week as many have been lately and I’ve just continued to sail the ship forward. “Donors” http://www.donorsthemovie.com film has moved to Yuma for final sound mixing. “Supermodel Showdown” is looking great as we are chunking in footage on the 3rd show and I’m extremely happy with what I see. “Ashes of Eden” is having the sound/music review meeting next week and also starts color correction. I also might have a few upcoming announcements on projects the start of July. Final approval on German distribution contracts for three of the films underway. “Darkest Night” PR is in full swing next week as we head towards our VOD and DVD/TV releases in July. I want to discuss a few attributes that apply to activity this week. It also ties in to what we discussed last week.
KNOW YOUR ROLE
I’m in a stage of possibly signing onto a couple of films as CDI associated producer and talent. In these situations you must first stand your ground and use your experience. IF someone wants to work with you it is because they are buying your experience. The things you’ve done right and wrong. To avoid pitfalls and follow well-traveled paths whereas they will maximize your chances of repeat success. What I look for always in a partnership is LISTENING. I can tell if the cup is already full of ideas and thoughts often based not on experience but opinions. Opinions are like assh%#%! everyone has one and… You know the saying. I try to base my decisions on reason, common sense and some gut feeling. I always try to fully explain the reasoning. If someone isn’t listening and you can tell – that relationship will be a painful one that will mostly bring frustration and regret. I avoid these situations because if you want to make mistakes or non calculated risk decisions, I would rather not be along for that ride. I’ve been there, seen that and got the T-shirt:)
Now for a film crew to work effectively or any group dynamic – each person must know their role and respect one another. This is even more important with your above the line executive team. I have one project that is close to a go and I’m set to be the ship captain (producer) but before we set sail the ship needs to be ready. First and foremost is for WRITER, DIRECTOR and PRODUCER(s) to know their role, their scope of power and how decisions will be made. I’m very good at this and that is why I do the business I do. I respect and enforce these divisions otherwise chaos will grow. Chain of command is very important and especially where writer and director are concerned. Once the script is handed off the new creative leader IS the director. Business decisions from a producer can trump but only if they are legit and not subjective opinions. I’ve written screenplays and for me it is easy to let go. I think it is because the actor in me surrenders to a creative director and I just focus on my role. As a producer I watch the ship and make sure that the overall vessel stays the course. But as a writer I’m flattered and inspired when someone adapts a story of mine from the page to the screen. A writer too close to the material can become a nightmare and slow a project, killing schedule and budget over subjective topics. I always tell my producers when they get caught line stepping that it appears they are heading for the directors chair BUT this is not your ship. So I address these issues right up front while the ship is in port. I don’t wait until 2 weeks in when so much frustration has built and the tensions are high. I will risk someone saying this doesn’t look like it will work, I will readily agree with them. I’m not getting on a ship that is going to become a floating emergency out at sea. As I stated before too many people will bite their tongue and say nothing because they need the work that bad. I would rather stay and work the garden, brew some beer and sell some films in our library versus going on a nightmare cruise to shit island.
This week I also met some artists with one of my friends filmmaker Nathan Quinn. I’ve actually met quite a few of the artists growing in Michigan after several years of being semi-reclusive. I’ve just been away from the film social scene because honestly I can’t take the fake sincerity and one-up attitudes I often observe. Do you art and be unique. Do so with the least amount of drama save what you put on-screen. Always give more than what you were paid for. Don’t compromise your best and be willing to let a project go knowing the universe will bring to you what is meant to be. Find your faith and hold on to it. Don’t EVER grab for the dangling carrot and become someone’s puppet. Many have wondered why I won’t work with them. If you bullshit you will lose my attention almost immediately and seldom do I revisit these folks. Many act on their best behavior when they want something but it is only a matter of time before their true nature returns. Take a deep look at yourself and see if these traits exist and if they do – sincerely, spiritually purge them from your self and live as the best you that you can be.
I wish you all a great weekend!