Hazelnut coffee cheers to all of you upon this fine Sunday. In America we are in the midst of a Memorial Day weekend. I hope all of you are having a safe and memorable holiday. Last week was full of moving chess pieces on the board. The work flow is always the same with development, filming, posting, delivering and development again. We’ve grown to a wonderful place whereas things are always in motion. Motion and momentum in the direction of the work flow.
HOT ROD LOVE – Summer fun all wrapped in a nostalgic-style that brings many of us back to a less tense time. Chill and be groovy to one another mi amigo. The script is being sent to a few artists to get their creativity flowing. It is always a balance of not wanting to get too much ahead and focus on what needs to be done now. My goal in June (My bday month) is to get all the ducks in line so we can make some schedule decisions. I’m already in talks with sponsors and hope to bring some new ones aboard.
BESTSELLER – On May 31st this intense mystery thriller is getting its home video release. A CDI collaboration it showcases some of the most intense action on screen. I think once this is widely available it will grow a nice audience. Melissa Anschutz does a great job leading this cast. Ralph Lister, Lana Wood, Terence Knox, Anthony Hornus and many fine Michigan artists bring this story to life. It truly showcases some of Michigan’s incredible natural beauty. Take a watch starting with Amazon Prime and we’ll let you know where it will stream.
BEST YEARS GONE – Start your engines. This unique and quirky romp stems from the book HOPE FROM HEAVEN by Michigan author Karl Manke. The film has Coen Brothers and several influences in a unique mix up directed by Shane Hagedorn (Ashes of Eden). It will release on DVD and digital purchase on July 5th. All the artists who worked on this film during the Covid lock down are elected to see this film speed out to audiences.
GOOD Memorial Day FILMS
WICKED SPRING – a Civil War era film that has something to say about war from the common mans point of view not famous generals. The film is free with ads on Encourage TV and can be found on Amazon and several platforms.
MANS BEST FRIEND – Illustrates the plight of many wounded vets physically and mentally. The power and hope of dogs personal and in service is also part of this thought provoking story.
BIGFOOT, UFOS and JESUS – Good family fun with a little something for everyone in this fictional tale that takes place in small town Michigan.
WILD FAITH – Another wholesome 1875 film for the whole family. It also is about a former Civil War soldier trying to readjust to life and find his inner peace.
THE QUEST TRILOGY – For some the events of the day have spirits low so maybe a watch on the trilogy (Forty Nights, Chasing the Star and The Christ Slayer) might bring some comfort. While these films are strongly viewed from Nov-April they are a good watch anytime of the year. I appreciate the folks who left messages of the comfort these film’s stories have given.
I took a watch on a few popular shows and they are faced with huge scrutiny so I don’t try to be harsh when judging. I see things I would do differently as a fan of this or that but the bottom line isn’t I haven’t earned that right nor been given the opportunity. I see protests to try and change art. That is silly to me. I can dislike an artist personally and like their work. I can like an artist and dislike their work. If you took a personally disdained artists in the moment and cast him as a bad guy versus cancelling them is that better? Do you want to see a hero overcome someone …see this is professional wrestling logic. The Paul brothers in boxing have turned their aura of the bad guy into leverage. Maybe I’m pondering the bad guy as I have played the antagonist and that can be something special. Acting-wise this year audiences will see quite the range from Bestseller to Best Years Gone to Smoke & Mirrors and lastly to Silent Night in Algona.
FOR THE LOVE OF CATCH – We are in hopes that we’ll premiere at the Toronto Film Festival. We’ll see in the coming weeks. We should also be getting our home video dates very soon.
SILENT NIGHT IN ALGONA – A beautiful thing was watching a few of the rough scenes assembled. The Thanksgiving scene was in the first group of scenes shot in Forest City at a great historic park. I got to witness all these fine actor artists telling this story and bringing to life a period of time. Berdy, Elrick, Shelley and all our artists that created what we saw in front of the camera. Dan Chipman for bringing his camera eye and Anthony Hornus for again seeing the hearts of the human story.
There is new work on a possible theatrical poster and the official theatrical trailer will start to be organized. We will be releasing some more photos and we hope a peek behind the scenes at the VFX work coming out of Canada, eh. We’re still working hard to make a Dec. premiere in Algona, Iowa and we’ve had first talks about doing a full state premiere throughout the five theatrical chains in Iowa. We will continue to explore these options as we get closer.
WRITING – I have been engaged to turn another book into a screenplay and finally a film. The script is almost half done and I love my time in that world. The characters are so rich and the time period is so alike yet different. Transportation. Communication. So many things are different. I was approached about another possible writing adaptation but I don’t want to enter another world in my imagination, until I finish this current script.
ACTING – I’m so close to a breakthrough on a few endeavors that will result in great roles. I recently had two offers to act in films in June and July and politely passed. I’ve been moving my look towards my HOT ROD LOVE 70’s character and don’t want to deviate too much. I’m so grateful for the invitations and expressed that to these directors. It did allow me to explore the work by these artists. Actors don’t be afraid to interview the filmmakers. Time is valuable and you want to make sure the effort has a reward for your audiences and yourself. I’ve got some goals that are close at hand and staying focused was best for me at this time. But every project is judged individually but I am feeling the need to participate in some storytelling.
WRAP IT UP I’LL TAKE IT-
I think I spoke on patience last week. Everything has its season and if you are always tending your garden of creativity things will bloom. I’ve had a wonderful balance of working to get the property in zen form while moving things forward. The hops are high and the apples and mulberry trees are looking to be loaded. The chickens have been keeping a steady flow of eggs and the wood piles are being restocked for winter. We’re about top put veggie and herb plants in the stand up planters but nature has some left over veggies already going. Everything is just so green! For those that have followed for a few years know that our animals are family. Finn our furry boy loves to race the fence every morning with his buddy Jake Leroy. These have worn a track into the ground. Last year brought Finn several busted nails and a few stitches from rocks, roots and such. Well, yesterday we dug and leveled the track out and put weed cloth down with cedar mulch and rubber paving stones. A real race track and today was his first run. He enjoyed it but a few modifications needed on the launch and land pads. My boy has torque in his running. I’m off to eat some breakfast and mow. Tomorrow we are having the moms over for a lunch and to relax. I hope you all have a good weekend and a productive week ahead. Remember those who gave all on this Memorial Day.
I’m sipping my hazelnut coffee from my room at the Double JJ Resort. I’m close to being wrapped with my character of Niles Cass in the film LOST HEART. It’s been a great ride thus far with only a few small bumps in the road. Luckily, when you have a great team gathered you address and flow past those issues. We truly do have a great team of artists who are also problem solvers not creators. I was again so proud the other day when we had our new friends Susan and Norm out to set. They are the owners and until recently ran the Double JJ Resort for several years. That duty has largely been passed down but they are the ones who still care deeply for the resort and it’s on-going future. They know that keeping your word, taking pride in your work and maintaining excellent customer service is what keeps people returning. So again it was a pleasure to have them visit and see the ‘zen’ flow of how smooth our set runs. That night it was all chill save the occasional radio communication at basecamp calling the roll out. Like Susan and Norm, we’re making some great contacts and friends in this area and are seriously considering filming in this area again.
Our newest mid-western WILD FAITH, is really heating up now that the DVD’s are for sale including at the Wal-Mart. Here is fellow producer ‘Tony’ Hornus at the Whitehall store. If you have not seen the film please do treat yourself. After if you feel inclined to leave a few kind words please do so.
MBF: Man’s Best Friend is delivered to our distributor and is now being prepped for the theatrical and home video run. It will be great to get this story out there to audiences. Paul whom I played in the film is one of my most challenging characters to date. I wanted to properly represent the soldiers who have been wounded, sacrificing themselves to keep us all safe. A premiere is in the planning so stay tune for updates on that and also the other releases.
The Quest Trilogy (Forty Nights, Chasing the Star, The Christ Slayer) continues to expand and I’m exciting for the upcoming holiday season with all three films complete. I hope that several TV networks pick them up to watch together. All three are available to purchase or rent.
I’m going to go get ready to drop stuff at the office and have lunch with the crew. I’m back on camera tomorrow so I’ll be refreshing myself with those lines. I hope you all have a wonderful Sunday.
New York Time Square – I’ve had success and setbacks. But taking a group of sailors/artists out to sea is always an adventure. Every great thing ever done started as an idea. I’ll tell you something that I see around me that I really like. And this kudos centers on my state of Michigan but extends beyond that. I see DOERS. I see people finishing. I see people reaching. I’m not a better artist. We’re all artists who either create or derive some pleasure from the art of others. Active is always more conditioned than observer. The football player will always be in more condition versus the watcher of football. The artists who stretches his imagination, cooperation and does will always be more conditioned than he/she that watches.
It is hard to make any movie. A bad movie requires lots of work. Try organizing four of your family or friends to go bowling. Scheduling. This happens because of passion and compensation. Being compensated for something you would do for free is golden as a goal. When someone is required for a lengthy stretch of time/days/weeks compensation with agreement is better than free even when you can get it. Bad cold. Flu. Fever. I’ve had it on sets before. But everyone of those artists is working towards the common goal. You take a vitamin C packet. Rest, best you can and wait to be called to set. People not fully committed can and do flake. But I carry a zero tolerance for that. Too much benefitting too many artists at stake. I’ve missed a grandma’s funeral being on set. She encouraged me all through my career, she can and did understand. It is a total commitment to process. I hear horror stories of crew attitudes and walk off’s. I’ve only dealt with those issues in the easiest of days where the rigor of “war/filming” can test everyone’s limits. We at CDI try to be a fertile creative ground to grow within. Not perfect but we strive individually and collectively. Negative folks can allow the positive flow to align them or they are removed from the circuit of energy.
I’ve recently seen a few debates between film producers I know and commercial crew members who dog his hiring practices. Both tried to argue their points while the negative slings and arrows flew. Producing commercials (production service) is very different than film production (investment). Again with said producers, I disagree with his model of business creatively and otherwise BUT he might also disagree with mine. I’m okay with that. I think that producers who produce for profit – narrative story in a VERY competitive field, are entitled to set an offer however they wish. I think compensating will draw more experience to the project. That in turn effects the timeliness, quality or both. But getting that experience is the catch 22 for crew and talent. Who is going to trust a 500k film on the back on a first time actor? How hard is it to land in the director or DP chair of a financier feature film? Sometimes these smaller projects help develop people for the path ahead. You can star in a story without the stress. You get to shoot a film versus being the clap board 2nd AC.
Some productions are in that middle ground because of budget. Yes. I’ve done 4 min automotive commercials with larger budgets than a feature film. Meetings, notes, tweaks…not as exciting as a narrative story. When you mix experience level the goal is to raise people up and not have it brought down. This requires the right leadership in the right place. All this? Maybe bowling would have been easier:) So if you’re making good money in commercial production don’t try to apply that to narrative filmmaking. LOYALTY is what brings crew into the bigger game. It is a two way street. They work to help tell a beautiful story with audience changing power. Those few filmmakers that grow are smart to take their team with them. Some producers do sell out and take this composer who did this or that…this designer is more…they worked on…TRUST ME on this one. Stay with the team that got you there. Now they might need to keep growing with the collective. Soldiers all gotta march. But if someone likes what you’ve built they should respect the builders.
I’ve had a strong week of film business mixed with good times with the new puppy Finn and family. I made beef jerky for the studio and worked on dehydrated apples now. This week I’m going to rack the GRAPE APE wine to the secondary. I put a deer worth of venison into the freezer. Wood cutting for the office stove will continue this week. Let’s do some bullet point film updates.
- The Christ Slayer artwork is just truly beautiful. We’ll be announcing Feb streaming purchase, March DVD, April EVENT SHOWINGS on the big screen across the country. Post work is full steam ahead for the next couple weeks.
- Wild Faith artwork for the theatrical and DVD has begun. Wild Faith will be hitting theaters across the US in 3/1/19, TV cable 4/1/19, digital purchase 5/6/19, DVD 5/27/19
- MBF is now re-focused on the film edit and we’re working to have a first cut by end of the year. The trailer has been getting a great response. Please follow our Facebook site and watch the trailer. https://www.facebook.com/pg/MBFthemovie/videos/
- Tis the season and feel free to take a watch on our other films. FORTY NIGHTS and CHASING THE STAR are the two previous films in The Quest Trilogy.
- LOST HEART is slowly moving down the tracks and will start to pick up steam 1st of the year. Stay tune for more opportunities. Also follow http://www.cdiproductions.com
Okay. It’s time to cap off the hot hazelnut coffee. Make some breakfast and get ready for a good day. Yesterday we went up North for a belated Thanksgiving fest and today is a family bday party. Go Lions!
Again Michigan is covered in a blanket of white snow. I know that many of you are from various parts of the world. Welcome readers from S. Korea and Burma. How wonderful that all these artistic people have found our little corner of the internet. My hazelnut coffee is going down easy and I’ve got a list of updates on several of the projects. This morning I did take a stroll through the Facebook which has kind of replaced the newspaper sadly. I usually find science articles to read and enjoy certain animal posts that highlight how intelligent and soulful animals truly are. Where to begin?
I commented on a fellow filmmaker’s vent this morning. In short – a disdain for people who have more resources or who falsely claim experience. It’s a problem but one that usually works itself out. We use to lovingly refer to it as The Oregon Trail. For us older people it was a TSR-80 game. But in real history it was a rugged journey that resulted in many dying and being buried along the Oregon Trail. We use that saying to describe the many in our business who perished along the trail.
Many people have long-wondered what the “trick” is at CDI to producing their content. First, there is no trick. It is a logical checklist of work that must be done in a particular order. You can refine that over time but this takes an effort. Good management of people is something that you cannot buy for yourself. There is no piece of equipment you can purchase that will motivate good work flow. Some of the secrets, if you wanna call it that are…
- Hire artists firsts not friends – you can become friends (True definition not Facebook’s) through shared art, dependability, accountability and positive collaboration. But to assign/hire someone unqualified for a crew or cast role out of friendship hurts the collective endeavor and often the friendship. Don’t set people up to fail. Don’t let preventable failure lower the quality of your projects or worse yet – kill it. I think for young filmmakers that is where these 48 hour film challenge things help. With a youthful generation of highly creative, technology-adept youths INTERPERSONAL COMMUNICATION is a learned skill. It is easy to be disrespectful, behind a computer. But these comments in the real world to a real person, can get you kung fu’d, fired or create a poison in an otherwise productive creative atmosphere.
- Chiefs. I’m talking to company owners. I’m talking to producers, director and keys. You all set the tone for the environment. Define the roles ahead of time. Don’t figure it out as you go. Producers have months or years of development work before any camera roll – use it. Creative MUST respect the Business machine and the business must respect the artistic contributions that will elevate it above being a mere formula genre film. Only strong leadership can walk this balance between the two and enforce this kind of collaboration. NEED vs WANT…KNOW the DIFFERENCE.
- Follow Through – this means the same in micro as in macro – for anyone in the chain of execution. You NEED people with follow through or they’re simply a negative – excuses not withstanding. It does not matter what the creative potential of an individual is if they’re not able to follow through. This should always disqualify/limit a person from leadership. Now you can put creative slackers under a disciplined key so they can be exposed and maybe learn from leadership. Ego will sometimes make them reject the chain of command if they feel they are a superior artist. The best artist in our world has follow through and a “best effort” positive attitude. Again, the best artist is not always JUST the best artist but the best artist with follow through. If a creative caterer made half a crew lunch = fail. Someone at go time had collected only half the props = fail. Wrong instructions as to where to park support vehicles = fail. Hundreds of things a day can cause strife on a film set if your team is not properly prepared. Be prepared.
- Help is not weakness – many people have not learned the many important lessons from managing projects of various sizes and budgets. People need to know when to say NO or to seek out and hire the proper experience. But either greed or fear of loss of power, causes many to sell themselves onto projects that they are truly unqualified for. F- YOU DJ! YOU GOTTA START SOMEWHERE! Okay. Settle down, I hear you:) Now in the beginning, I might have been one of those people. But, I did qualify as a doer of many other things. Some of these things small and some large in other areas of my life. I have always been someone who has a natural drive to GET IT DONE if I’m behind something. Investors saw that eye of the tiger in me. Investor interest seldom comes from a fancy fluff package or a regurgitation of business buzz words – more often that investor see’s or feels something in you that was/is akin to his own inner fire.
OK. I need to save a little wisdom:) But I try to keep a pulse on this Michigan film community. I see positives and negatives. Michigan has always fought the ‘backwoods’ mentality given to us by Hollywood. Funny thing is much of the Hollywood elite is midwestern. But I will say that I see improvements. Tax incentives gone – my opinion – it never should have been about drawing work to Michigan but development of work from within Michigan. But it did help legitimize filmmaking as an acceptable title here in Michigan. Ask old-timers and MI filmmakers from the 80’s and 90’s, about being called a filmmaker. It was like telling your family you want to be an astronaut. It was usually met with a sideways stare and a loss of words.
Now people don’t sideways stare at me they simply want to know when the next film releases. They tell me they have young children interested in filmmaking. It’s great to see the parent support of these young dreamers. I burned out on festivals a decade ago but I respect all the great festivals our state has to showcase, network and nurture our creatives. I watch the yearly migration to the west coast where people learn that the increase in opportunities is usually matched by the increase in applicants. But many have to experience it. I will be out there for a week on some business this month. I’m looking forward to seeing some friends and associates. Oh, and the sun. But after a few I must return home. Home is Michigan.
Shane Hagedorn’s big shoulders to carry his first feature
We master the film off this week and I’ve got some meetings coming up over home video/foreign. The TV series is something that I’ve been aggressively chasing. I think it would be great for Michigan. I know a few other TV series working to get traction. How great would it be to have a string of TV shows happening. We’ve also been hard at work on securing theaters. We’ll be announcing soon as several deals are almost done. I do truly love the genre and I think it would be great to see weekly as a show. Once you watch the movie let me know.
If you cannot wait and need a fix of 1800’s action/drama our Civil War film “Wicked Spring” is getting a re-release 16 years later. 18 years from when cameras first rolled. We shot the pre-war and war stuff in two separate shoots and areas. I’m waiting for the streaming link to go live on amazon. 2/5/18 is supposed to be digital release date. DVD’s on 3/5/18. Here is the new cover that the distributor settled on. It has one of my favorite pics from the shoot and it is of Anthony Hornus, who played the Union commander. Also that’s Michigan’s Brad Egan front and center marching forth.
Look for this cover that has the remastered film. Also the DVD includes a 45 min Making of that is a wonderful look back at producing 18 years ago. Please do take a watch.
Cool look at the TOP Civil War Films
We’ll be posting places you can buy/rent as they go live on
Wicked Spring Facebook
Are you ready for another look at Part 3 of…
THE QUEST TRILOGY
Forty Nights and Chasing the Star are working into more platforms and networks. The push will start for Easter sales. I’m excited that the poster and movie trailer for The Christ Slayer part 3 is almost done. As if the excitement of “Wild Faith” wasn’t enough this first full trailer will allow BMG to start promotions. It is amazing the scope of it all and it brings the greater story of the trilogy together and answers many questions.
SIDE NOTE: Forty Nights is part one and if you don’t know I play Jesus. I’m over due on a few character reels but this one was hard. When you’re in about 70 min of a 88 min film or so and you are looking for 2-3 min sizzle it can prove to be…difficult. My actor/filmmaker buddy Shane Hagedorn knew I’ve been very busy the last few years working on the whole. He surprised me with a character reel of Jesus. I will be sharing that with you all in the coming days. I always ask that one good role just gets me one more. This will come in handy as I’ve got a few things in the works hence the LA trip.
Many have asked me what’s next for me on-screen. As we’re always working on delay – this year you can watch me as mountain man Ben Lily in “Wild Faith” and reprising my role as Jesus in “The Christ Slayer” film. I’ve got some good film role options that I’m not at liberty to discuss. It might be the year that several development collaborations pop. I can say that the main focus for me is MBF. (Man’s Best Friend) We’ve accepted collaboration with a military non-profit http://www.theredwhiteandblueproject.org/ that has done some great things in the past for our soldiers. They want to off-set some of our military cast/crew costs and create an educational aspect. That aside we’re trying to complete financing on this project and we’re getting close. I am excited about this project and I think so will you once you find out more about it. Here is our social media site.
I could go on and one but I have some snow to shovel and I’m prepping to do personal tax prep tomorrow. Coffee cup is low.
Be good to one another!
I’ve got the hot hazelnut coffee by my side as I ease into writing these few words to share with all of you. New readers from Spain – welcome.
So I’m going to share something from my process of character creation. I’ve grown comfortable with my long hair and even my beard of various lengths. From Donnie in ASHES OF EDEN to Mark Franklin in BESTSELLER. Add in the identity that comes with playing Jesus or mountain man Ben Lily. The prep for the new role is for an injured military vet. I decided with some time to spare I would destroy the ego/self and go boot camp. I did not serve in the military and not sure that with my flat feet I could have. But holding onto the bearded long-haired look was holding me back. So I decided I was going to remove that. I did not WANT to cut my hair. I did not WANT to go clean-shaven. Especially as the air gets colder in Michigan and in a few weeks snow will fall. I thought about the ego of someone like Elvis who entered service and the pics of his haircut. I needed to break myself down. So I deemed this haircut as a NEED for the character but not a wanted thing. So my significant other helped with possible haircuts military in style. I did not like any of them because I did not want the cut. What I did want was that feeling new recruits went through when they got all their hair cut off and they became part of a unit/team/company of soldiers. So I had the cut done. I felt vulnerable with the shorn hair. I was not happy with my decision but beneath it all I was happy. I was far from Jesus, Ben and all the longer haired roles. See I think my girl thought I was doing it to feel good about myself. Many get hair cuts to feel good about themselves. I did it to destroy my current self. To create a new base to build Paul, whom I will play in the upcoming MBF film. This brought about an interesting conversation about change of looks. I was asked if I ever consider her in my hair choices. The answer was no. It has always been based on movie roles for 20 some years now. I’m always in development of some character. But it was interesting because I think many people do care about how they appear. I only want truth in the character. Does that constant change affect her? Perhaps. I guess because I do it for work reasons I never give it any thought. She asked what if I wanted a pixie hair cut and tattoo on her chest, would I care? I guess I’m open to allow people to express themselves. I like people who wear/look how they want to. I assume she picks styles based on what her work allows and what makes her feel good. Here I am cutting my hair against my own will to break myself down. To strip away the old and allow new growth. Not just in hair but in character. So a lot of credit to those non-industry significant others who have to deal with us and our character creation. So from this point on I’m growing into that new role. I just realized how different I think from many others. I don’t give a rats ass about the brand of clothes. I’ve been to India and I know the real cost of textiles. I know the mark up that these companies put on your favorite garments. I don’t believe the clothes makes the man but the man makes the clothes. I think if you judge me wrong because of a hair style, your loss. The other reason I pushed to do the cut this week was soccer. We won one of the most exciting soccer matches last week in round one of the soccer play offs. A fluke goal at the start put us behind. We settled in and took back control including scoring and making it a tie. With only 2 minutes left they scored. A minute or less and we attacked and scored with only seconds left. A shoot out that went to the fifth penalty shot kick and we WON. Tonight under the lights is the semi-final game. I’ve been using a headband to keep my long hair out of my eyes. Now I have full range of vision and I’m ready to focus on getting to that final game. Okay. Onto some film updates.
After a long wait the first official poster is HERE. I’m excited to finish this film. It will be done this year and if we can get done early enough we will look at a cast and crew screening. The music and sound design is going great. We just have 10 seconds of VFX work that is being worked on.
THE QUEST TRILOGY
VFX is the main push on THE CHRIST SLAYER. We’ll be rolling out the first official poster on this project in the coming weeks. Once VFX is dropped in we’ll fine-edit the picture and in Jan. 2018 it moves into music and sound design for 3 months.
CHASING THE STAR is in the marketplace and along with Part 1 FORTY NIGHTS will get the holiday push. I was looking at all the films on Amazon and it put a smile on my face. I’m so proud of all the artists. If you’ve watched and enjoyed the films leave a review on http://www.imdb.com (Film title) or amazon.com or wherever. I cringed when I saw our director asking on social media because it always brings the trolls, haters and such to leave their mark. But these mudslingers just smack an entire group of artists. I mean even in a bad film clip I can usually pick out some positive. I recently watched a clip edited by an associate I know – it featured some good locations but made me cringe when it came to some flashback footage. It takes as much energy to do something right as wrong. I would rather not call these people out as they’re doing something and improvement comes from doing. I also don’t feel in competition with anyone save our last project. I try to improve the work flow that often improves the final film. This example I’m thinking of was a failure of either the writer or art department. Know what you’re writing about. If I’m playing a Marine in the next film, I make sure it’s CORRECT. And if it is not 100% correct it should be close. Get the right consultants. There are many who will gladly help so that their history is not made a joke on-screen. Trust me as someone who has done many period films – it’s added work but so worth it at the end.
The new project by CDI is in full swing. Our first investors are giving their interest and casting is coming to a close. We’ll be announcing our two major keys this week. Anthony Hornus will be directing with Jesse Aragon serving as director of photography. We held on that PR due to the WILD FAITH poster announcement. We’ll start announcing cast over the next couple of weeks. I can say we have a powerful cast lined up. Stay tuned.
I’m going to call it for the day. The coffee cup needs refilling. I have a few errands to run and I need to mentally prepare for our game today. I hope you all have a great conclusion to your weekend and a productive week ahead.
Be good to one another.