CDI UPDATES – “Don’t be afraid to try or fail or to be ridiculed.”
Good morning on what will end up being a very chilly next couple days. I’m sipping the ole hazelnut coffee and I have several thoughts running through my head. First after a fun season our Detroit (MI) Lions football team will not be going to the Super Bowl. They had a great season but they played a talented team and their errors tipped the game in their opponent’s favor. How many times do we do that? Our own errors tip something against us? This awareness is called accountability. Many want to blame external factors but you have to look at the internal factors also.
I also awoke to do a brief morning scroll that has unfortunately replaced the “reading the newspaper” time with that first coffee. I saw news concerning a young actor/filmmaker that I don’t know personally but is friends of several of my Detroit area associates. He had a heart attack and died. My first thought was way too young. I also recall the postings over the years where he lamented the struggle of our business. On a positive he went out chasing his dream and even had some success. On another note, his struggle is over now just rest. A slew of RIP’s and messages of love and soon his day to day presence fades as the rest of us keep on. I was actually thinking of several friends who have passed no longer in the game of life. Another reason to enjoy it and don’t be too hard on yourself. We will all live our lives of ups and downs until there is only rest. My thoughts are with the family of this young man.
I’ve been working very hard on all the projects including the new film we are about to start filming in a week. I’ve been getting the business done on these cold days chained to the desk. I’ve been enjoying creating a new character to bring to the screen and I would say he is close to being ready. It is a comedy and I’m excited to do another one. Humor and laughter are one of the great things in life. We are down to some of the main issues being parking at a location so that is a good place to be. The project for those who have not been following along is ROM COMS MUST DIE. It is the first feature directed by Travis Hayward and a reunion working with John McGraw who was a friend from the earliest days of CDI. I have a few solid days of work still required but we are almost all ready. Let’s look at a few other projects that will release in 2025.
Harsens Island Revenge has been worked over with a “fine tooth comb” to make it the best we can. It is being evaluated for theatrical and I plan to get word tomorrow. It is being reviewed by our home video distributor and talks on finalizing that on Tuesday. I did let a sneak peek go out to an awards/event organization that we’ve been nominated by and won awards from in the past. The film has many positive values and lessons to it but wraps it in action and some historical violence. I wanted to submit it to a 3rd party unrelated to the project. I’ve never met the people or even spoken by phone with anyone at the event. They reviewed and I received a wonderful message about the film. A follow up phone call had me listening for the good part of an hour about the film and what makes CDI films stand out so much. I think it is because I don’t follow the trends or what not. We don’t jump on any bandwagons and always choose unique stories to tell. I will say that the story was well received and it has been nominated for BEST PICTURE. I’m sure there will be some other nominations but I’m just happy that the story connected with outside parties. I’m thrilled for the nomination because it represents ALL the artists. I will release more on this when the event announces more. But it was very encouraging to hear the feedback. I think all the films are special but they are our “children” so to speak. But we are creeping closer to setting up the premiere runs. I’m very proud of director.editor Carl Weyant’s first feature film collaboration with CDI.
WILD FAITH CHRISTMAS is done with the first pass on editing and has been in the polishing pass for several days. I plan to see the film this week and soon we’ll lock it up and get it to Dennis Therrian to start dialog, music and sound work. Shane Hagedorn the director is very happy and said it is full of gems. By gems we mean scenes with moments of strong emotion. I know that a trailer and official director’s poster are in the works. We hope to have this film playing in theaters for this 2025 holiday season (Nov 1st) so we are moving along nicely to hit that goal.
MISC UPDATES:
- KNIGHT CHILLS, our 1st CDI film from 1998 is preparing to release on streaming on 1/31/2025 on several platforms. Amazon, Tubi, Roku, Xumo and more!
- HERE is a fun round table Indie Film Cafe review on KNIGHT CHILLS – https://www.youtube.com/watch?v=KlAe0Gbnzrs
- Also IN THE WOODS my 1st starring role Creature Feature got the 25th anniversary Blu Ray treatment and here is a cool interview with the director Lynn Drzick – https://fb.watch/xcQnN7O1jE/
- There is talk of appearing at a few conventions in the state to promote the horror film properties. We will see but one being discussed is in April in Muskegon, MI.
- AN ORDINARY KILLER is released on The Roku Channel now! It has been remaster and looks beautiful. Furthermore the watch now benefits veterans and their families being managed by a non-profit.
- We are going to be doing some remastered tests with the final 3 films in the CDI Classic Collection starting with FIGURE IN THE FOREST. This film was the first starring role for Dean Teaster. He has been creating some great characters in our recent films and you can see the talent right from the start.
- I’m going to be working to prep a few more of the books based on CDI films to become available. Music and soundtracks would be nice we will see what we can do this year. Merchandise is up on the STORE http://www.cdiproductions.com site. Let us know what you would like and we’ll try to make it available.
- CDI Highlight Reel and a few personal actor reels need to be cut. I will work towards that end when I clear some of this end of year stuff off my desk.
- Development on a few new projects is underway so if you have some interest in seeing some films being made and want to get involved you can always reach out and see what we have cooking. I know we have two projects in active funding as we speak. It is a cycle of develop, produce and release. We have a great group of backers and we’re appreciative to them all.
- SPONSORS. If you have a company that wants to align your company with other great brands like PEPSI, SMITHFIELD FOODS, HERSHEYS, HORMEL, TRU-HILTON and more…reach out. We are accepting sponsors on our current film right now!
WRAP UP: I’m going to eat a bran muffin and refill the coffee cup. I’m going to send some communications out to our art team on the next film. After I might gather up a few more props and work a few lines. I have company this eve at the office/fort so I’m going to get the fire kicking! I’m appreciative of the journey I’m on. The great support of family and friends in and out of the business of film. I’m happy for the challenges as they force me to grow. One day I too will breath no more, be concerned no more and just be at peace. But until that day I’m going to keep doing what the young boy in me always dreamt of doing. I hope each of you keep chasing your own dreams. Don’t be afraid to try or fail or to be ridiculed. I recall those distant days and while hurtful those folks were motivators. But you must motivate yourself. I hope my actions alone motivates others. Until next week-
Coffee Cheers!
DJ
2024 is Underway and Here We Go!
Coffee cheers on a snowy day in Michigan that is actually looking like winter. I want to welcome our new readers from Sri-Lanka, Philippines, Brazil and more. Note all those places are warm. Speaking of that last one Brazil, I had a chance to speak with our director of Harsens Island Revenge in Brazil via FaceTime on my phone. What an amazing jump in technology from just a few years ago where I would have given anything to say hello to loved ones at home when in the Philippines or India. It was occasionally jerky but clear as day we had a good meeting over the film progress. We might as well jump right into that but I hope you all are having a great start to your new year.
First our director Carl Weyant will be staying an extra week and coming home the first week of February. The edit so far is at 1 hour and ten minutes and moving quickly towards the end. He’s over the moon with the performances and the film even before color correction looks great. The film really sucks you in and keeps you engaged as the story progresses. The relationships are strong and we just really talked also about our journey getting to this point. He credited the script strength and the performances and I acknowledged his positive attitude, preparedness and his creative eye. Carl and I first met above the cloud line in India in a place called Ooty. A place unlike the hot and humid lowlands. A place high above set in the mountains where great pine forests lie. Here the British built palaces and the tea fields grow vast fields of the precious stuff. We stayed at the Holiday Inn Gem set at the top of the mountain. The film was called Karma: Crime, Passion, Reincarnation and is a great spooky thriller that is just beautiful. There is talk of trying to bring the film to the USA. We tried several years ago but what they wanted $ wise did not match want distributors wanted to pay. But maybe this could be the year. It really is a gem of a film. I loved the experience save the getting in and out of the country itself. The airports are a bit chaotic and communication was not what is is now. From there, Carl who was the leading man and I was the supporting detective became fast friends. Over the years we’ve guested in each others films. I went to NYC to play an FBI agent in THE ACTOR (On Amazon) and he acted in ASHES OF EDEN (Also available to watch). After that he was our lead as the blind centurion in part 3 of our biblical adventures in THE QUEST TRILOGY entitled The Christ Slayer. (All three can be seen and should be seen in order Forty Nights, Chasing the Star and The Christ Slayer) CDI had some exciting short form projects like music videos opening up to us and I paired he and Travis Hayward and it was magic. Those two work so well together and we’re soon to start another music video. Carl was invited to Iowa and played Lt. Grant in SILENT NIGHT IN ALGONA and from there he was awarded the drivers seat on Harsens Island Revenge.
Relationships are everything in this business. I use to ponder that statement in our business of “it’s all who you know.” While really it is “who do you trust.” Trust to give 100%. Trust to appreciate all the effort before they came onboard. Trust that they will be that sail not an anchor to a project. To trust requires one to know. That is a big part of my job to look at a story and the pool of trusted creatives and pull together the best trusted team. When I’m successful I build that trust with my team. I’ve surprised people on several occasions with my outside the box ideas or the choosing of a certain person for a certain role or position. Bret Miller as the director of Chasing the Star was a surprise to some but he was the right person. Josh “Ponceman” Perry as Albus in The Christ Slayer. Carl Weyant was one of those surprise choices as the Harsens Island Revenge director but I dare say in all three of these examples the right choice was made. I’m so damn proud of our always growing tribe of creatives. I encourage you to watch all these films and follow the history of CDI. One day I do want a doc made on the company and now that we’re about top have easier access to the films footage it will happen eventually.
One of my goals I think I failed to mention was to become more present in a few of these industry mixers and open myself to discovering new talent. I’m a bit of an introvert by nature loving to listen to music, ponder and write. To take and make phone calls and in-person meetings. My days of “partying” are truly behind me having been there, done that and got that tee shirt. I like being productive and creating. But I can socialize and I do love getting to know people’s stories. I’m easier to get to know when I’m not on set with lots of responsibilities in producing and performing. So I’m going to make more of an effort this year.
Active development is underway for 2024 and 2025. Some projects like SPIRIT LAKE MASSACRE and WILD FAITH: HASTINGS are large and require more time and larger budgets. These two will be working towards rolling camera sin 2025. Active development in 2024 looking to shoot this year includes HOT ROD LOVE and a KNIGHT CHILLS follow up. This coming week we’re going to be approaching our pool of past investors with HOT ROD LOVE. A great film with much to say as most CDI films do but wrapped in humor and set in the glorious 1970’s drag racing world. Shane Hagedorn (Best Years Gone) will be directing and we hope to film late summer/early fall. We already have Pepsi signed on as a sponsor and will be talking with many others with this exciting film. A few of the film’s investor units are spoken for and as noted we’ll give first opportunity to those with seniority. After we’ll open it up any remaining opportunities to those new folks wishing to journey with us.
SILENT NIGHT IN ALGONA had a great Christmas season and will continue the roll out march into our new year. This war time film can be enjoyed at anytime of year. We’re starting our marketing expansion and I hope many other countries get to experience the film. We had a very strong November and I’m sure December was even stronger. And this time next year I would imagine it available in many countries and playing on broadcast TV. Fans of free watching with ads will likely be able to see it in several months and with certain subscriptions. I would love to see it on HBO, which was always my go to for historical fiction.
BEST YEARS GONE, MANS BEST FRIEND, LOST HEART, WILD FAITH…so many good watches. It might be a first watch or just a chance to watch again and meet up with old friends like Hannah Sweet, Paul Landings, Chip or Emmett Murphy. We have so many films on Encourage TV that they gave us our own playlist so make it a watch marathon – WATCH HERE: https://www.youtube.com/playlist?list=PL2Tn2MhKrkFOCsmKZaxoZCT1R5GEOEL3E
WRAP UP: I’m going to work to wrap this up. I have eggs and corn beef hash awaiting me. I’ve been getting lots organized for end of year taxes both personally and the films. We broke an axe and sledge hammer while splitting logs last week and so I need to get replacements. We winterized the chicken coop just in time before this heavier snow flew. We still have our Christmas stuff up which I love but the tree will come down soon and Christmas lights will go into storage.
Our back up RAID for film storage is built and so we’ll be loading films onto that in the coming weeks. We’re looking at what older films from the CDI classic collection to remaster and get out to market. The re-release of KNIGHT CHILLS has been very fulfilling. To see where you started makes you truly realize how far you’ve come. One moment you’ve taking a rest at the Peacock Tree Farm in Bath, MI waiting for the fire department so you can blow up a car on Knight Chills and next moment you’re at the Old Lighthouse in Alpena, MI capturing magic hour for Harsens Island Revenge. 25 years plus in a blink of an eye. Don’t put off any dreams you might have. This past week a friend lost his dad after a full life and tragically I read about a 50 year old friend of friends who passed way too early. Don’t wait. Don’t be afraid to fail. Failing is learning. Learning is growing. Growing is what makes us truly feel alive. If you’re 80 years young and always dreamed of writing a book, do it. You’ve always dreamt of leaving the hustle bustle and have your own food truck, do it. You always wanted to share your music, do it. Okay, I’m off to eat and enjoy this wintery day. I so appreciate all of you for taking your time to stop by and read these words. I hope they offer you some insight and inspiration to your own endeavors.
Be good to one another!
DJ
Pondering the State of Our Entertainment Industry and the Power of a Story!
I want to welcome our new readers/artists from Ireland, UK, South Africa and the USA. Lots going on in the world of artists as new technology finds its way into society. When the internet first arrived it took “internet law” years to catch up. I think some of the forethought with AI (Artificial Intelligence) is a good thing but not when it becomes paranoia. No name, computer generated background artists have been created and used since about the LORD OF THE RINGS, to create those battles. I’m still trying to educate myself on some of the negotiation points that the actors union and the studio organization are pushing. So few union actors actually make enough to get union insurance and such. Many enter the union world through background work and the AI will definitely hurt that. But as doors close others open. We use to hire a helicopter to fly our cameraman to get those epic mountain shots and such. Now they have drones in force. I think it is a natural evolution that some things will be changed by technology. Film stock sales, film processing and all such film related services all died behind the digital camera revolution. So while change is inevitable and in many cases can be for the better, it can be scary. So I think it can be helpful to work out some of this in advance. We all knew that the TV and computer were going to slowly merge and now you can add phone into that. The lines are blurred making governing laws hard to apply and enforce but it is catching up.
Ponders on the Strike(s)-
I like to try and look at all issues from both perspectives. I do think that a revamping of the studio distribution payout process can be re-examined and brought to a more fair balance. But I’ve also seen where independent films are often hurt by the heavy hand of the union. My opinion is that you have to make people WANT to shoot a union film. Many think that getting that card will all of a sudden change their income. It adds costs to the artists if you are working or not. I’m not sure how the main city hub reps are but our union rep that handled Michigan was most always very understanding. They slowly started to create more and more hoops that hurt the independent filmmaker. Things that might apply better in the big city versus smaller markets. Like the insistence of using a payroll company. Our end credit roll is much shorter versus that of a studio film. I still handwrite all my cast and crew checks. In many cases the artists get their pay quicker when I can just hand them a check. I’ve never had an experience where the union reps actually cared about the story. The only concern was about their health & pension check. The union has also failed us in the past when confronting crooked distributors in past arbitration. Now, I’m not anti-union I’m just pro-story. If the world went to hell in a handbag, CDI would still be pulling a wagon town to town performing stories for can goods. Storytelling is a calling, a purpose…but it is SHOW + BUSINESS.
I do believe that entertainment unions played an important place in history by bringing fairness and safety to sets. But when the union starts trying to make unreasonable demands for unneeded things like a must hire of X amount of writers to a series or escrowing funds based on distribution projections….it can quickly become an anchor versus a sail. As a company ran by actor/producers we want the best for our cast and crew. To us they are family. Paperwork and threats don’t make us work to provide the best for our cast and crew. Knowing that a good set environment gives the best chance of capturing a great story translated from the page to the screen, does. We have and will continue to produce both union and non-union projects. I just did a few hundred union residual checks. It is always nice to get mailbox money. But to add an outside cost for a certified payroll company from Hollywood to charge a small production California “cost of living” rates/prices to do what I willingly do, doesn’t add up. We don’t receive studio financing and are not affiliated with any advanced studio distribution deals. So I support letting the union use their power to try and get a bigger piece of the pie from the studio distribution platforms. But shooting union on smaller films makes less and less sense because of the roadblocks and hardships that the union presents having little to nothing to do with actor’s treatment or the story. It often made us (actors in the union) trying to create work for our fellow artists, feel like the bad guys. And when we needed their help with the true bad guys (crooked distributors), they disappeared with a “we can’t get in the middle of that” – response. Much like paying for car insurance and when it is finally needed they reject your claim.
I’ve never played in the big writers pool, the WGA, despite being paid often and sometimes well to write, at least by my living standards. I hope they are more concise in their process and likely are as they have a smaller pool of artists per film to deal with. I agree that the script/blueprint is one of the most important aspects of the process and should be treated as such. Is it in danger from AI? My opinion is that we as writers, actors, musicians are all influenced by people. AI seems to be able to access a larger sampling and via that influence, create something new. I understand copyright law and derivative copyright law, which is built upon an existing copyright. Is every actor who plays a cranky, gruff voiced character due to pay Clint Eastwood some royalty? Of course not. AI does much the same thing but can pull influences from many more sources. I don’t fear an AI original taking my scriptwriting work any more than another creative writer could.
These are all just pondering from the current news and I’m not fanatically up on every deal point being debated and negotiated. I’ve survived in this industry 30 plus years and I’ve seen the industry seek balance after new technology puts it off balance. The worldwide web was like the new industrial revolution. But I do know what it feels like to be a union member who often feels undervalued by our own union. I’ve never been a fan of fear mongering and I see some of that going about. Those in the knowing, know that is just smoke. Threatening young actors about their ability to join the union in the future is their right but seems to be the wrong approach. Why? Many are and still work under FiCore status. This is best described as a personally invoked “right to work” whereas you pay yearly operational dues but not political dues. If you get hired on a union project you pay as if a member and they’ll take it happily and you’re treated under union guidelines. But if you want to go to some other country or do a non-union gig that is within your rights. And some of those FiCore folks have paid more into the union than many of the union members actually do. What most unions care about is the money. The studios? Money. Money. Money. Money. Did I say money?
I do like that the unions often bring better safety. Many indie productions run without insurance or any thought of safe practices. The unions have done a good job of bringing better safety standards but many indie companies have strong operating procedures. . So again, I’m not speaking against the union other than in their peddling of membership fear and effectiveness in certain situations. A FiCore actor hired on a union film will never have their H&P (Health & Pension) contributions to the union turned away. They will always deposit your dues check and while as a Non-Member, they will never hold office, get to vote, or receive the Oscar nominated free movies. (We use to get DVD’s) – They can and will have their union contributions accepted happily just as if you were a full member. I’m not pro-FiCore but wanted to point out that any actor pressed too hard can just with one submitted letter, work union and non-union. This has long existed outside the main city hubs of Hollywood, NYC, Miami maybe Atlanta now. In Hollywood the cost of living is so high that even artists working inside unions are having issues making ends meet. I get that. I’m going to keep telling stories even if it’s in a traveling wagon doing live performances of BEST YEARS GONE for can goods:)
CDI FILM UPDATES–
- SILENT NIGHT IN ALGONA just finished a special encore 4 day run in Algona, Iowa. The film is being pitched at various distribution platforms and I hope to have our exact release dates soon. I’m excited to see what the new DVD artwork looks like. I think we have two versions being created – one that is for FAMILY/FAITH and focuses on the Christmas aspects and one MAIN STREAM version that focus on the HISTORICAL/WAR aspects.
- Pre-Production on the next CDI film Harsens Island Revenge is full speed ahead as we’re not affiliated with any of the union/studio dispute. We had a great VFX meeting last week and we’re putting everything in order. Our schedule and day-of-days for talent will be released any day now. We are just correcting a few things and we’ll be sending that around and we’ll start agreements and booking flights.
- DEVELOPMENT continues and we’ve got a handful of projects moving down the line. We will see what falls into place to shoot next year. I do have another music video I’m helping to produce. I’ve said before how much I like that medium.
WRAP UP: I hope that everyone is having an enjoyable Summer. I’m about to go walk around the flea market and look for a few props. I have some great pieces for my upcoming role as AXEL, a WW1 veteran. I’ve got some good meetings lining up for this week. My soccer match this past week was a good, physical one. We were behind 3-1 at halftime and fought into a 5-4 situation with just two minutes to go and kudos to the other team who tied it up. Our record this year is not as strong but it has really got me in good shape especially for running.
We opened this blog with discussions on the unions and strikes. They are just opinions and everyone’s opinions are based upon their experiences and perspective. We don’t need more things to divide us in the world. We’ve got racial, economics, political and more trying to drive that wedge. I hope that good things come from the process. In the meantime there is lots of stories to catch up on. Films like SILENT NIGHT IN ALGONA will be considered more rare, as original content flowing out to market will dwindle. So while your studio favorites are paused this is a great time to catch up on your indie watching. This fan review was one of my favorite from the week. It is for MBF: MAN’S BEST FRIEND directed by Anthony Hornus. In this case, it moved the watcher to go and bring a shelter dog into their life. This makes my heart soar for the family and the dog. Many of our films are helping people and that makes the stories priceless. I’m attaching the review but THIS is the true reward of storytelling.
I hope you all have a great day and a productive week ahead!
Coffee Cheers!
DJ
The Virus of Hate and CDI Updates
Welcome to July! I’m sitting here sipping my hazelnut coffee and just finished watering the garden and yard. I’ve harvested some additional rhubarb and the berries are starting to pop. I’m going to make some ‘ROTHGA WINE’ short for “Return of the Hoppy Grape Ape” which was very popular. I’m also going to do a run of dark beer which I’ve never done. We’ve had several days of grilling and today we’re having a bday gathering at my father’s for several missed and upcoming bdays including his own. This week we’ll also celebrate my momma’s bday with a cook out. The outdoor goal for the week will be to put down some cedar mulch.
I’m a true optimist so I’m sincerely wishing we start a truck back to being a healthy state? nation? world? I’m a tad concerned because so many want to just ignore the situation and I get that. But for every person I talk with who thinks things are overblown I hear about another death due to the virus effecting some family. No they are not all elderly but even so how does that make it any better? But what makes it worse is the virus of hate. I’ve seen so much nasty attitude being thrown about which seems to be a combination of highly stressed people needing to vent off and tribal anger. The political system has weaponized nearly every platform of life. People plugged into 24/7 news are living in a “Breaking News” state of panic. People in SOP (State of Panic) are offended easily and over-reaction has become the norm. With the virus where people could be accountable for lives over-cautious can be a good thing. But over-reaction to partial, incomplete or the pushed message has created something greater than the virus it has created hate. When you start hearing people wishing people of another stance of thought dead, something is wrong. As I said before and I’ll say it again – in the process of condemning hate don’t join the ranks as one who also hates.
Again after getting a dose of the news (this includes social media) I would recommend putting some music on or escape into a nice movie. Put on the Steve Miller Band and write that book or script. Speaking of…
BEST YEARS GONE – Recently we announced more cast for our next CDI film. We have moved primary filming into that last window before Thanksgiving. We will be doing some VFX, B-Roll and beauty exteriors prior. We met recently with our DP Travis Hayward and I’m excited about some of the ideas we have. We have engaged in talks with various companies about sponsorship and have some great partners lining up. We’ll be making a few more cast/crew announcements as we get closer to rolling cameras.
LOST HEART – This film is just about complete. A few of the color corrected shots need a quick tweak and we’re wrapping up the last few things biz-wise. The credits have been gone over and gone over and it’s agonizing because with all the effort still some mistakes are made. When I see a studio film and all those names I cringe as that is a huge task. This will be a big week and as badly as I want to share some exciting news I’m going to wait until the ink is dry. Please do follow us on Facebook and of course the CDI website at http://www.cdiproductions.com
THE QUEST TRILOGY: FORTY NIGHTS, CHASING THE STAR, THE CHRIST SLAYER – In the often confusing world of biblical storytelling apparent by the multitude of denominations that all claim some sort of pedigree over the others – we distilled the parables to the heart of a teaching. We tried to fill in the gaps to have it make sense to those who require logical connection. A good story can enlighten us to new lessons, ideas and actions within our lives. These films don’t participate in the “our denomination is better than yours” mentality. These are stories that anyone can take something away from if they have never stepped foot in a church or cracked a bible. I listed to a bit of a mainstream podcast that for the most part made fun of the films. But he kept encouraging the other reviewer to watch it so they could make fun of it together. They watched them out of order and went into the watch with their cup full. That is a term we used in martial arts and refers to the zen idea of emptying your cup so you are open to learn and listen. Not to what the other person tells you is true but what you “discover” and “feel” to be true for you. Anyway I get the “rip it apart” mentality trying to be funny (I was 20 before) but these films have a good dose of “CIRCLE OF IRON” to them. That was a film of a spiritual journey written by the late, great Bruce Lee. If you are picking apart small things you are missing the story. Bruce said something about focusing on the finger instead of where it’s pointing to the moon. What is missed is all that heavenly glory. Something to that effect. If you like films that make you think you might enjoy these historic fiction films.
WILD FAITH – This week brings me back to the develop of the ‘Hastings’ TV series. Of our distributor’s films WILD FAITH was again the top viewed on several platforms. I’m speaking with possible TV networks to commit and have several more to explore. If you have not seen this film please do and see what everyone is talking about. The TV series will have many of your favorite TV stars from past years. This type of family programming is in demand and we hope to help fill that void.
MBF: MAN’S BEST FRIEND – This film continues to engage and create discussion with audiences. I’m so proud of this film and I hope we get to showcase it in LA this fall. I want to thank all our men and woman who proudly serve.
SILENT NIGHT IN ALGONA – A handful of years ago I worked with Rance Howard (Ron’s father) as my consultant on a powerful story about WW2 German POW’s in one of the many small mid-west prison camps. The project had many up’s and down’s that can happen when too many cooks are in the kitchen. I left the project and it stalled out but now several years later with our script, plans are being made to shoot this in 2021. MBF’s Anthony Hornus will direct. We have over half the budget officially committed as of last week and we’re putting together our presentational packages. I’m excited to see CDI tackle the WW2 era. We’ll be doing some upcoming PR on this but like always you get it first here.
THE HISTORY OF CATCH-CAN WRESTLING – As a lifelong student of the martial artists I’m fascinated by all the warrior arts. From ancient times to present day the art of wrestling has continued. Now CDI in association with The Red, White & Blue Project is helping to produce and distribute a documentary film with current world champion Curran Jacobs as the host. Some will remember him from MBF as the young defense attorney for Paul Landings. If you have any interest and want you or your company to support this doc-film please do reach out. I’m excited for this collaboration!
I’ve gotta refill the ole coffee cup and get something to eat. Keep working on your art, your dreams and be kind to your fellow humans. I hope July is a kind month to us all and I’ll look forward to speaking with you all next week.
DJ
DJ Perry's Official Blog 'Clawing My Way to the Middle' 