I’m sitting here sipping coffee and watching my squirrel buddy Gordy prepping for the high winds we are going to have. The last week was a combination of busy business and family business. I’ve been out of grandparents for a while but have enjoyed the company of my significant other’s grandparents. We lost one – a grandmother who was the center of the family. She had a long 89 years and her service was really nice. The family all came together and now they will have to re-adjust. We all have to keep doing that as we move forward. It once again made me see how special the work we do actually is. And the journey is also just as important as the destination. Let’s look at a few updates from the week.
LOST HEART – This is the film being pulled together to shoot in late April/May time frame. This past week we announced the addition of Mr. David Gries and Dean Teaster playing a major character at two different ages. We welcome them aboard.
Also this week we’ll be announcing the 1st casting call notice for this role. It will be posted on http://www.cdiproductions.com
We are looking for someone who resembles this picture. It is playing our main character at a younger age. It is a paid role and we’ll accept both union and non-union submissions. So you heard it here first. More casting calls will follow.
This week we’ll be announcing two new actresses joining LOST HEART. Both have worked with CDI on different films. We’ve also began some TOP SECRET model work:) We had one of our producers up North starting some initial talks. I, as the writer started by dialog and script note review with our director Jesse Low.
A learning note on this point – When I work with a director it is line by line, page by page because I want the director to REALLY understand the characters. Once they are fully understood we can change certain locations or interactions but they will respond in character. As a producer you want less page count. As a writer – the colorful descriptions might help cast and crew immerse themselves into the world. It is a balancing act whereas a director can strip it down to bar bones because they have shots and such in mind. But for landing quality talent it helps to paint the world. As I stated last week, I would not sign onto a film without reading the script. Maybe a Star Wars flick would be the first but the project I backed off from was not a Star Wars flick. When it has inexperience involved the need for a GREAT blueprint (script) becomes even more important. Also once I sign off the script to the director the writer goes on vacation. Even when actors ask me questions I try to redirect them to the director. Writers need to let go at a point. Many have issues doing just that and that causes problems on projects. So in development get all that solidified with your director. That is what we’ll continue to do next week. Here is Jesse Low working on WILD FAITH with DP Jesse Aragon.
Let’s MOVE to the WILD FAITH movie. This week was working with the distributor as they prepare for the theatrical release and the DVD/streaming to follow. This coming week we’ll announce and release the new poster art for WILD FAITH. I’ve been holding my breath waiting for the artwork. Once I saw it my first two impressions were – 1) Classically Beautiful 2) Lauren LaStrada is going to LOVE this cover:) There is my tease. Coming (back) to theaters this March! Remastered. Enhanced. Ready to Rock!
The month after on April 19th THE CHRIST SLAYER will roll out into theaters. I’m trying to make sure that Harkins gets it in AZ. That way all our Yuma, AZ family can watch it on the big screen for Easter. For those that want to watch now it can be seen on Amazon Prime, Google Play, Christian Cinema (and the list will keep growing) DVD will release March 4th so add it to your collection. People who have been sending ‘fan mail’ I greatly appreciate it. I love how into the story they are. You can watch these films as a stand alone but they also tell a story as a trilogy. The Devil and Angels story runs through all three. As more people realize the thread between all three films it will become more interesting to read people’s thoughts on the trilogy. I’ve seen the same few type ‘hate’ posts. Usually at Jesus. OK. If you don’t believe in Jesus, just enjoy the story. ROCKY and APOLLO CREED did not exist as real people but they still inspired determination, self-belief and the power of love for generations of viewers. If you live for Jesus, I hope you enjoy the film. It is not a documentary or a bio-pic but a story. The issue I see that stems from pockets of religious denominations is that they fight over details (the devil is in the details) and miss the entire meaning of the story. I read someone lamenting the darkness in Chasing the Star. Um…King Herod’s rule was dark. That is what I liked about The Passion of the Christ. The reality of crucification was played out and it was much darker than the pageants plays of the day. Someone commented negatively on the Magi, obviously not knowing the actual history. That is why that film felt important. Everyone knows the statues out front of the nativity scene but few really knew anything about them. Our take is not 100% as history often exists in fragments. Anyway, I’m very proud of the three films. Those that let themselves enjoy the story will take something away, their path matters not. So watch FORTY NIGHTS and CHASING THE STAR and follow it up with THE CHRIST SLAYER.
MBF: Man’s Best Friend – I’ve been reviewing the first cut and making suggestions. The film is very good. I’m out on a limb playing a wounded Marine. I feel that gravity because I represent the actual wounded. I can say that so many of my peers gave incredible performances. Maybe one of the best from Dean Teaster (played the Preacher in Wild Faith), Anschutz, Abell, Gries, Hagedorn, Most, Nations…I could go on. I think people will be happy with their involvement. I did get emotionally hit at the end of the film so I know it works. But we’re just working the story for pace. A few scenes to cut into later or cut out early. We’ll work toward a lock at month’s end with dialog clean up being the first task up for post audio/music.
Aside from this list of things to do – I’ve been writing out checks to investors and residuals to talent on some of our films. I’ve been prepping to do some VO work on a commercial project. I’ve got a few meetings in the next few weeks to discuss possible collaborations. So, I’m just going to keep putting one foot in front of the other. Merchandise creation is under discussions. Sponsorship for the new film, the CDI website or even my blog. I’ve been trying to get that coffee sponsor. One big bag of coffee beans a month and I’ll put your company logo on here. And I’ll speak kind words about it weekly:) DING! Magnifico – only my Philippine DN cast/crew friends will understand that.
Pre-Order on Amazon now!
Have a great week ahead!
New York Time Square – I’ve had success and setbacks. But taking a group of sailors/artists out to sea is always an adventure. Every great thing ever done started as an idea. I’ll tell you something that I see around me that I really like. And this kudos centers on my state of Michigan but extends beyond that. I see DOERS. I see people finishing. I see people reaching. I’m not a better artist. We’re all artists who either create or derive some pleasure from the art of others. Active is always more conditioned than observer. The football player will always be in more condition versus the watcher of football. The artists who stretches his imagination, cooperation and does will always be more conditioned than he/she that watches.
It is hard to make any movie. A bad movie requires lots of work. Try organizing four of your family or friends to go bowling. Scheduling. This happens because of passion and compensation. Being compensated for something you would do for free is golden as a goal. When someone is required for a lengthy stretch of time/days/weeks compensation with agreement is better than free even when you can get it. Bad cold. Flu. Fever. I’ve had it on sets before. But everyone of those artists is working towards the common goal. You take a vitamin C packet. Rest, best you can and wait to be called to set. People not fully committed can and do flake. But I carry a zero tolerance for that. Too much benefitting too many artists at stake. I’ve missed a grandma’s funeral being on set. She encouraged me all through my career, she can and did understand. It is a total commitment to process. I hear horror stories of crew attitudes and walk off’s. I’ve only dealt with those issues in the easiest of days where the rigor of “war/filming” can test everyone’s limits. We at CDI try to be a fertile creative ground to grow within. Not perfect but we strive individually and collectively. Negative folks can allow the positive flow to align them or they are removed from the circuit of energy.
I’ve recently seen a few debates between film producers I know and commercial crew members who dog his hiring practices. Both tried to argue their points while the negative slings and arrows flew. Producing commercials (production service) is very different than film production (investment). Again with said producers, I disagree with his model of business creatively and otherwise BUT he might also disagree with mine. I’m okay with that. I think that producers who produce for profit – narrative story in a VERY competitive field, are entitled to set an offer however they wish. I think compensating will draw more experience to the project. That in turn effects the timeliness, quality or both. But getting that experience is the catch 22 for crew and talent. Who is going to trust a 500k film on the back on a first time actor? How hard is it to land in the director or DP chair of a financier feature film? Sometimes these smaller projects help develop people for the path ahead. You can star in a story without the stress. You get to shoot a film versus being the clap board 2nd AC.
Some productions are in that middle ground because of budget. Yes. I’ve done 4 min automotive commercials with larger budgets than a feature film. Meetings, notes, tweaks…not as exciting as a narrative story. When you mix experience level the goal is to raise people up and not have it brought down. This requires the right leadership in the right place. All this? Maybe bowling would have been easier:) So if you’re making good money in commercial production don’t try to apply that to narrative filmmaking. LOYALTY is what brings crew into the bigger game. It is a two way street. They work to help tell a beautiful story with audience changing power. Those few filmmakers that grow are smart to take their team with them. Some producers do sell out and take this composer who did this or that…this designer is more…they worked on…TRUST ME on this one. Stay with the team that got you there. Now they might need to keep growing with the collective. Soldiers all gotta march. But if someone likes what you’ve built they should respect the builders.
I’ve had a strong week of film business mixed with good times with the new puppy Finn and family. I made beef jerky for the studio and worked on dehydrated apples now. This week I’m going to rack the GRAPE APE wine to the secondary. I put a deer worth of venison into the freezer. Wood cutting for the office stove will continue this week. Let’s do some bullet point film updates.
- The Christ Slayer artwork is just truly beautiful. We’ll be announcing Feb streaming purchase, March DVD, April EVENT SHOWINGS on the big screen across the country. Post work is full steam ahead for the next couple weeks.
- Wild Faith artwork for the theatrical and DVD has begun. Wild Faith will be hitting theaters across the US in 3/1/19, TV cable 4/1/19, digital purchase 5/6/19, DVD 5/27/19
- MBF is now re-focused on the film edit and we’re working to have a first cut by end of the year. The trailer has been getting a great response. Please follow our Facebook site and watch the trailer. https://www.facebook.com/pg/MBFthemovie/videos/
- Tis the season and feel free to take a watch on our other films. FORTY NIGHTS and CHASING THE STAR are the two previous films in The Quest Trilogy.
- LOST HEART is slowly moving down the tracks and will start to pick up steam 1st of the year. Stay tune for more opportunities. Also follow http://www.cdiproductions.com
Okay. It’s time to cap off the hot hazelnut coffee. Make some breakfast and get ready for a good day. Yesterday we went up North for a belated Thanksgiving fest and today is a family bday party. Go Lions!
It has been a week of just beautiful days in Michigan. I was able to enclose my wood shed in with logs from the recently fallen tree. I also took the axe to the older logs and so the stockpile for the office wood stove is growing. I want to welcome our new readers from Ireland and Japan. That is what I love about this blog. Artists, perhaps filmmakers but united here by passion. Invite someone you know to share with us.
Now last week was an unexpected loss of a mentor (Rance Howard) and to all those who reached out – thank you. I’m at a loss of exact words but we met over storytelling on Miracle at Sage Creek and that relationship took us through many stories. I will miss sitting on the patio in Yuma, AZ having a nice Mexican food lunch and just talking.
On set “Forty Nights” with Judy & Rance Howard and T (Tony Hornus)
With my experience I find myself being a mentor more often and losing my own mentors. What a man Rance was working right up until his passing. Bill McKinney (Deliverance) was the same way having filmed 2 weeks before he passed away. I don’t think you retire from being an artist. I am sad that I won’t be able to get Rance’s feedback on The Christ Slayer film. He was so excited about the final chapter of our trilogy. It was a major accomplishment and he loved playing the Devil. He also loved that we took an honest look at the ‘being’ and relationship he shared with others, Jesus in particular. But he will be looking down and I hope he is proud.
The Howard boys several years ago –
I do look forward to working with Clint one day and perhaps Ron and sharing some of the great conversations I had over the years with Rance about his family. I will be sending a nice note to both of them with the trilogy once Part 3 is done and released.
The Christ Slayer is locking up the VFX and edit and preparing to move into post music and sound design with the amazing Dennis Therrian who will once again compose the heart and soul into the story. The first official director’s poster is about to be completed. Also once we hit the new year the PR on TCS will pick up. Right now it’s all Forty Nights and Chasing the Star. They have been doing great over at Amazon and our other fine rental/retailers. Family 7 TV network in the Netherlands will be showing Chasing the Star and soon after I expect Forty Nights. Also I saw some promotional give aways for Chasing the Star to celebrate the release into the United Kingdom. Forty Nights should also be joining our friends in the UK. This time next year all three will be released! Also Chasing the Star will be playing on the big screen in Bedias, Texas at Miller’s Theatre I believe on Dec 7th. I’m very happy about all the developments on these films.
These two knuckleheads from ‘Wild Faith’
Wild Faith – the end credits are almost done. The VFX work is all in and the audio is being tweaked around it while color correction takes place. We did paperwork on all this at week’s end and so if a short time we’ll have all that complete. We will have a finished film VERY SOON. Before the end of the year – Merry Christmas to all of us.
This month we also did some work on other properties to boost them back into the marketplace. ASHES OF EDEN has a few options/offers to rejoin the market. We’ll be making a decision on that this week. A child’s animated feature THE PATCHWORK GIRL OF OZ will be releasing back into the marketplace and FIGURE IN THE FOREST is making a few moves. Our bridge into India is also underway and soon I should have news to report there. In 2018 we will have that bridge open. Many more deals will be put into play.
Where ideas are born…
This week will be several meetings as we bring 2017 to an end. I’m going to cut this short as we’re taking the mom’s to a beautiful turn of the century house for a Christmas event this afternoon. I hope you all get to spend some quality time with your loved ones. Our development work on MBF continues and we plan to move into full preproduction at the end of January 2018.
Be good to one another!
Good afternoon everyone. I want to welcome our new readers from Ireland and Spain. See there are artists like ourselves in every corner of the planet ‘Clawing the way to the Middle‘ – and we share some of the same challenges. I’ve often referred to these films like children and it is true. As an actor/producer I have found myself often divided about what I want and what is best required/wise for a project. In those cases you put the child (Film) before your personal. I’ve been working hard with our CDI team on the new film knowing we would roll into pre-production/production either before the holidays or after. From a company owner – to film before means we could be filming something else after the holidays. From a producer stand point – more prep is always good. Flights after holidays will be cheaper versus before, schedules and such. From the actor point of view I’ve been working to “peak” at the right time. Those into athletics will understand the peak. It could be both physical (looking a certain way for a role) and mental (getting more tuned in to that life). I was prepping for the first possible shoot window. We have a work flow that we follow that is based on best chance success for the film. We’ve been bringing on the financial backers and we’re roughly half solid. But with required prep time to bank everything plus cast/crew contracts, travel etc…we have an evaluation deadline of Monday. I will evaluate everything at that point and decide if we will move focus to after holidays.
People might be surprised that I too feel the same creative itch every other actor feels. I feel like the ‘Call to Races’ has sounded and I’ve been brought to the starting gate. Now…do we get to run or do we get led back to the barn for a few more weeks? In these situations – I’ve seen projects fly together in six months and I’ve seen development hell that dragged for a dozen years. Faith in the knowledge that a story WILL be told when it’s time for that story to be told helps. I’ve seen other groups ill-equipped to launch a ship do so anyway, led by passion. Note, many ships have ran aground the rocks because of lapse in judgement and passion. So at end of business tomorrow the course will be set. I’m actually starting to feel better as the actor if I have to return to the barn for a short stay. I bottle up that energy and use it for when I do get to go into ACTION. I’m so excited by this new story and that grows harder with each film. After you’ve played so many roles – you’re looking for that one moving role. Paul Landings in MBF is that role. If an “after the holidays” shoot turns out to be the case – audiences will get to meet our upcoming cast week by week in our PR. Our talent will enjoy the holidays while sinking into their upcoming roles. You’ve been introduced to Tim Abell and Tony Becker in our last press release. Two amazing actors and just wait until you meet our other artists. This project is gaining strength as more people are exposed to our powerful story. It is the way of things.
With Shane Hagedorn
The Quest Trilogy
Forty Nights will play Texas in November followed by Chasing the Star on the big screen. We will start to release these cool art pieces focusing on the trilogy starting with Forty Nights, this week. Also I’ve got meetings upon meetings this week concerning Chasing the Star which has numerous PR campaigns gearing up by our distributor. I also know that this week we’ll be putting the final touches on the first of many foreign licenses. I finally got to hold the two DVD’s in my hands. What beautiful packaging BMG did. When I was proofing the films for delivery to Texas I had to just smiled. Watching them play out back-to-back was just eye-opening. I’ve been doing this a long time now and these projects are surely something to be proud of. It feels like just a few years ago I was getting friends together after school with the video camera to make our silly films.
The Christ Slayer is the 3rd film in the trilogy and not long ago audiences were treated to the powerful first trailer. Directed by Nathaniel Nose, this film is having VFX work done and will move into post sound/music in Jan. But I’ve also been lucky enough to see some concept drafts of a new poster. That is on-deck and we’ll have something for you real soon. Stay excited:)
With Tony Hornus
Wild Faith – The VFX work continues and music is now at roughly 60 minutes. I’m excited about watching the next phase with music. It was strong to watch with just sound design and now music will just make it all soar. The goal is to have the film completed by years end.
I had mentioned that we would also start releasing some of the films from the CDI library with Bridgestone Multimedia Group. That is happening and we’ve got a deal before us now. So next week I should have an announcement.
I finished reading the KNIGHT CHILLS book that also has a film link. I cannot say how fun it was to read the book by David Hayes. I’m also in talks to possibly attend one of my first comic cons supporting this book. The book is based on the screenplay by myself and Jeff & Juanita Kennedy. I am trying to move the filming of Knight Chills 2 higher up on the production slate. There are plans in motion:)
OK. Well I’m going to sign off here. I need to look at caulking this roof that covers the firewood. I think the office will be getting a nice wood stove fire tonight. Yesterday my alumni school MSU taught UofM the law of the jungle. I hope everyone has a good week ahead.
A beautiful pic taken by one of our talented crew on set of #wildfaith
It has only been roughly a week since I’ve returned home and it has been a whirlwind of settling back in, winterizing the homestead and handling all the business at hand. The business at hand is…well exciting to say the least.
I cannot elaborate completely because paperwork is underway and you don’t want to talk about deals before they are closed. What I can say is that the deal affects all our G, PG, PG-13 type material in our CDI library. I’m preparing reports and first returns on “40 Nights” to our investors. What this film, the trilogy and the new “Wild Faith” film has done is brought an opportunity. An opportunity to take everything to the next level. In this new deal “40 Nights” will be the first property to benefit as a new, larger push is about to be put behind that film. We did not have big P&A money behind that film and so it came out into the marketplace without a bunch of proclamation about the film being this or that. But the film has struck a chord with many people and now a larger corporation wants to step in and elevate the awareness of this film, the trilogy and beyond.
This deal will benefit some of the past films in the library for sure such as the “Wicked Spring” re-release that I had an opportunity with not to long ago but decided to hold. That will turn out to be a good choice. I see several films getting a new push into the marketplace. I’m glad that we spent the last couple years prepping the library because when opportunity knocks. (You know the saying) Now I was harping on actors in my last blog about not being prepared. I had a lot of people thank me for this common sense advice. If someone was going to get a job at a park as say a life guard. You would need to work out your own transportation. Your Parks & Recreation employer would not send a driver or pay your bills so you can…work. It sounds silly even writing it but that stuff happens in our industry. The rumor that our career field is a dumping ground for broken, misunderstood souls that don’t fit into the norm is only a romantic fable. You can be quirky, unique and artistic but you must have a common denominator of respect and ability to get-it-done and NOT be a flake. I’ve met so many of those types who want to act like the art is all that matters. Well, when using other’s money and having timelines that other businesses plan and spend around – flakes are quickly removed. My advice – don’t be a flake. If you commit, follow through. We’ve talked about that before – once I commit it doesn’t matter if I agreed to $100 or $10,000 you will get my very best. I’ve corrected people who have said, they only got paid this amount so they’ll only returning this amount of effort is acceptable. WRONG. Acceptable way to remove yourself from the climb. Why? Steps behind you is a passionate, struggling artist(s) willing to give everything they have. The day I don’t give 120% on-screen is the day some other artist would have been the better choice. I pick projects and roles I love. I bring the passion every time and so should you if you want to succeed.
I always talk of the team building because I am building a team of positive artists that in a well-organized setting their best work can come forth. After “The Christ Slayer” this spring the budgets will start climbing. Rates will nudge up and some departments might add depth. I’m not a person who steps over people – I develop people. That’s part of the deal that is happening now. As we grow, if our working relationship was good positive and drama-free that invite will likely come again. Ask yourself if you were a sail or an anchor to a project. As highlighted before in pre-production one potential hire didn’t like the pay rate and rather than just a polite pass they decided to burn the bridge. I know a few other producer/directors who worked with this person and I’m curious as to their experience. I actually felt a touch bad for this person I don’t know. Because I know when too many doors close that person is often faced with finding something to support themselves with and also try to maintain happiness in a non-filmmaking field. So when presented with a paid opportunity that has the possibility of making you happy, embrace it, they are rare. Many will never make it in our industry and will be faced with that reality of “what do I do with my life” – In hindsight, I considered granting this one person a special thanks. Their public rant actually helped us making more people aware, willing and wanting to work for a sub-contracted rate, actual pay. We were offering much more most, what so many often endure and again we paid. Not just in food or copy of finished film (if ever completed) or IMDB credit. We weren’t asking other artists to CROWD FUND our movie. We simply did what we could do financially – fairly and across the board. Again I will use the life guard job as an example. If you were looking at getting hired at the public swimming pool and what they were offering didn’t work for you – would you politely decline or would you spout off to some Parks & Recreation Coordinator killing your chance of ever working there? Right…Filmmaking should be given the same respect – producers talk and “black listing” is really just coming to a sound conclusion to avoid potential troubling issues be it a poor customer service vendor, an unprepared cast member or negative or unprofessional crew. Again…be a sail NOT an anchor.
Onto other updates
CHASING THE STAR
We talked about what is happening with “40 Nights” and obviously that will also benefit the other two films in THE QUEST TRILOGY. Met on Friday with Dennis Therrian our composer and sound design and he was thrilled by the new directions taken in this film. Bret Miller and Dennis Therrian came at the project from two different places but once they met in the middle – something beautiful happened. This is true artist collaboration at its best. It stems from RESPECT. Give it, to get it. Easy lesson but many cannot grasp it. The film is in sound design and VFX and the trailer is getting close. It’s really gripping and powerful and I’m excited for audiences to see it.
Footage is being organized and I have it on good word that the first few scenes are being assembled and it’s exciting. We’ll be preparing a sneak look for our new corporate partners. The direction of creating our series took a few major steps forward. NOTE: It would be about a four-month commitment of time to produce ten shows. So we will see how this unfolds but what a great thing for Michigan if it happens. I’m so proud of the cast and crew.
The film that I acted in and helped with is making its debut at the AFM next week. If you’re a buyer looking for a cool NYC based action/thriller this film should be looked at for licensing. Look up Adler Entertainment and arrange a sit down.
Post-Production and New Development work is underway. Stay tune for many new developments.
Be good to one another.
Hello to everyone out there. I’m sipping away at my coffee on this beautiful day in Michigan. It has been a doozy of a week for most as more of our pop culture icons have passed away – Chyna, Prince. I think as we age and we see our actors, musicians and artists pass away if really reframes the world. It is why we as artists must also strive to step up and fill a purpose. A purpose to educate, entertain, comfort and encourage people in various ways.
The past weeks have been exciting with audiences purchasing/renting “Ashes of Eden” and “40 Nights” and now “Donors” has been released. I’ve had “fan mail” and communications every couple hours over the films. I think because of the main role in “40 Nights/Jesus” more of the feedback has been about that film but “Donnie/Ashes of Eden” and “Dr. Savior/Donors” are both worth meeting. The Walmart sales have been very strong in pockets but not across the board, so we have to just keep pushing the PR and redistribute stock internally to the stores that are moving more DVD’s. FishFlix, Amazon.com and others have been selling out online but restocking quickly. Ask your local retailers and that will help spread the distribution patterns. “Ashes of Eden” and “40 Nights” are now HD Digital On Demand so you can watch immediately.
ON DEMAND – Here are links…
ASHES OF EDEN
Feel free to leave reviews at any of these sites, IMDB.com, Amazon.com as these all help push the films.
You must build bridges. But only with good character people in like minded partnerships. There’s a company that was presented to me by a close associate. This company does various services in the commercial industry. For about 18 months they were presented to me and finally we met. A few guys trying to carve their artistic path out from a sea of creatives. So on a project this company ended up doing two services for us and it was done with quality. A first step in a new relationship. Now a second project follows with a new creative director and only one of the two services would be required. One of the services was being covered as a result of direct negotiations with the director before filming or even hiring. Another advantage is the second task has more time to allow this one service to be done. A second step in a new emerging creative relationship – WAIT! In my opinion, one partner there did the service we had no need for. Now this opportunity would allow whomever does the second service a real chance to shine. This is not high pay but t’s not free, and it surely gives more creative than a commercial project. I’m about people who want the opportunity to participate with our artists but I feel like some of my time was wasted during those 18 months where I was being told these guys were eager for an opportunity to grow with us. So it goes.
MORE ADVICE ON WORKING FOR CDI
Most all hirings come from recommendation and standing accountable. Finger pointing and blame shifting is the worse thing you can do at CDI. There is not much of that because we pull those weeds. Strength comes in admitting a situation got the best of you. By recognizing that it shows strength and wisdom. I’m also looking to put people into a long term working relationship. Some of our people have been with us 16-20 years and counting. Once we work with someone I’m looking at…
1) Attitude – this is priceless. Are they CAN DO positive people? Do they inspire others? This also means sincere talk over gossip/poison. Keep your vulgar jokes and such until wrap and you’re with your friends. If you have experience over someone see that as an opportunity to share/teach not gloat. Be that valuable person.
2) Artistic passion – this is a drive to do something outside the cogs and wheels of society. It’s both divine and humbling all at once. Powerful enlightening stories that can give ease and escape to others in high stress jobs. Humbling in the fact that if you create a poor scene nobody flatlines on a table. Passion is a MUST in all our hires. If you are not passionate about a certain position DON’T do it. If you do it poorly or by dragging your feet, those attributes will be applied to your overall character.
3) Dependability – I once had a talented director work within a crew (Not directing). He failed at his tasks by the worse way – quitting. I like this person just fine but by policy I cannot risk any money behind this person going forward. If they quit at something small they could quit at something big. Another recent example also had a key crew member quit before starting a project in a poor way. This character example again makes him not suitable for re-hire. I like this person greatly and friendship wasn’t taken off the table. But the communications became less (none) because he knew I had less to offer him. On a positive when this person had to be replaced on the fly one of our “tried and true” stepped up into a position they had not done and won. It was an example of stepping up and that is likely why he’s been with us almost two decades.
4) Leadership – The last line I typed above ties into this bullet point. Upon working with us on a film, people will be evaluated in a few ways. Did a KEY step up and problem solve within his department? Did they keep their department on budget? Did they keep their department organized? Did they use all their resources? Attitude? Sometimes we hire a key that in retrospect needs to be placed under a more experienced key on future films. This is usually someone who really tried just lacks the organization skills and leadership, but worked hard. In some non-keys, we realize the hard work and notice leadership attributes that may lead to a promotion on upcoming films. Some people after the fact are evaluated and deemed a no rehire.
NOW if you’ve worked for us on a film and a second call to action hasn’t come it’s often not anything personal. It’s sometimes about finances, such as how many people can be flown here or there. It can be keys that surround certain directors and are requested. I guess I wanted to put this out there because crew like cast are artists. Actors are usually quick to think that something they did or did not do is why they were not hired. Sometimes it is an AGE or a LOOK thing. Crew feels the same thing at times so I wanted to shed some light. Rates of course are another factor but if I like working with a company I try my best to maintain that relationship. When you get out of line someone hungry is there to take your place.
“Chasing the Star”
OK. “Chasing the Star” is in editing and we also plan to have a first teaser in the coming weeks. Here is our new font to put into our teaser poster.
We’ll be having lots more promotional stuff rolling out soon. I’ve just finished polishing the 1st draft of the third film in our QUEST TRILOGY. That has been sent to the first few people to look at. I had great talks with our distributor this week on THE QUEST TRILOGY and I’m excited moving forward. VERY EXCITED!
Keep moving forward my friends. Be the person they want to hire and hire and hire…
Have a great weekend. Our first soccer game is today so I’m ready to do battle again this season. Happy Spring!