Producing is NEVER Easy, Acting UPDATES and COMMUNICATION as a KEY
(Just some of the CDI Tribe working on Harsens Island Revenge)
Good morning my friends. I’m sipping the hazelnut coffee and getting a later start due to ‘springing forward’ here in the USA. I’m not sure if they do that everywhere but some like it and others do not. I’m pretty indifferent to it all. I was pretty exhausted at the end of my week from grinding the mental gears. I think the added cold front coming in gave my sinuses a bit of a run but hot tea kept all that at a minimum. Many times you get only the highlights in my blog that show the final outcome. Meaning we did this or that but you don’t always get the in-between or the struggle to get that particular thing done. I’ve been grinding my gears trying to align many things for what we be an added 10-20 seconds in one scene that includes close ups in a period bi-plane with a beautiful wood cockpit that may or may not play on camera. As our Harsens Island Revenge script is written there is a WW1 opening to show Frankie’s (Our lead character) role in WW1 and how it shaped him. A 2-3 min sequence that also makes a statement about war and that war in particular.
(Again just some of CDI Tribe working towards the ‘Silent Night in Algona’ release)
To have the luxury to kill from afar keeps ones morality at a distance but having to kill up close is a different matter. Much like the dark ages where men killed each other up close with arrow, sword, axes and spears the dreaded WW1 was one that still used horses being fazed out by tanks slowly. Also many battles ended in sewage-filled trenches fighting with bayonets and trench knives. That is the horror that sticks with many of those soldiers. To be that close and see the immediate results of ones actions whereas you see the enemies lights go out. I think as they die a piece of the killer dies. A connection of sorts. I’ve been working for weeks to try and first get the location set up and the particulars around it. Add the players which have been hard to get. Not the leads but the ever-important extras who need to be equipped properly. WW1 has been the hardest to find on a budget, all the time periods to date. The best thing which we’ve done in the past is to hire passionate folks who reenact and put together their own kit. Our luck on that and the communication with those connected has been difficult. Add that we are up against a ticking clock to use the military base we had chosen. Why? Ten days prior all members have to be cleared and we are down to days to submit info on folks we have yet to find. Finding the folks alone isn’t hard but having them period dressed and equipped is and so this week we’ll decide if 1) We keep our shoot at the Alpena base 2) We reset the shoot elsewhere likely closer to mid MI giving us an extra week to find the gear and extras. 3) Kill the opening or strip it down to our just lead in WW1 having a slew of fast memories that brings us to the present 1920’s.
(On Set- Harsens Island Revenge)
It can truly be insanity at times and even with the best planning things fall apart or change. And this is all being done on a very tight remaining budget that is precious money that could be used to help launch the theatrical run after the film is complete. Now the film as it starts now is great and kicks off with some action so maybe we are good. Our composer at the first watch loves how it opens. AND we are trying to trim runtime but our proposed efforts is adding runtime. I think you are all getting the gist from my little peek into everything that goes into producing up this films. This is 3+minutes and we produced up 2hrs+ already. So when you see a bullet point of mine on here every week please do not assume any of it was easy. It is not. It gets done because of the talented people involved. People who care about the story. I don’t like to lose and I had to realize that we are in a WIN/WIN situation because the film is already great. We are trying to add sprinkles onto the top. The cake is going to taste great sprinkles or no sprinkles. And the audience will never know that sprinkles were an option.
(Boats that are 100 years old now)
After 2 hours+ of grinding my gears yesterday on something that wasn’t going to reveal itself, I had to just let go awhile. Maybe it is what makes me good at what I do? But yesterday I had to go and just organize in the office for a couple hours. I’ve got many things in motion for the CDI company and the more organized I am the more gets accomplished. Some music. Some organizing. Some chill tea and I regained my balance. Today I have a few conversations and by Weds of this week we’ll know if we are Alpena bound or if we are taking another direction.
(100 year old+ Planes)
Every direction has pros and cons usually ties to money. But in life just like filmmaking people can get frustrated when things you thought were taken care of, tied up, crossed off – start to unravel or come back at you. When you have to readdress something again in the present it takes from your future. Planning and development stop when you have to fix a crack in the foundation. So this 2-3 minutes has been very trying. It can be made harder but lack of communication. I swear we live in an age with more communication and we have become worse at communicating. People put boundaries on their times they work but that is not what we as successful filmmakers do. Now granted not everything is always as time sensitive as I sometimes feel it is but just knowing that it is on someones radar is satisfying. Message received. 10-4. On my list. I don’t like when people don’t acknowledge receipt of a communication. Even if busy. Let someone know because we live in a world of messages going into SPAM etc… COMMUNICATION. I just finished a great series THE BEAR about running a restaurant and it is all communication. “Yes chef” “Behind you Chef” “Corner” – and in soccer the team that communicates is the team that wins. A team with less talented players who communicate better can beat a team with more talented players if they win the communication game. “You have support” “Square” “Give and go” “Keeper’s ball“….My rant is just because I felt the endeavor unraveling despite hard work. In a project even asking “What can I do?” “What still needs to be done?” these things lead to success. And you have to always keep striving to improve.
(On set Harsens Island Revenge)
ANOTHER SIDE-the ACTOR
So above really is about producing up a film or in the case above just a few pick-up pieces. Actors who only act don’t often concern themselves with all that goes on behind the scenes. I can recall working years ago on one of our westerns in NC and while battling with catering and SAG I’m getting calls about an actor friend not liking their boots. Actors tend to just be concerned with their little focus but producing introduces you to the wide world of what it takes to put on a show. Even crew members only see the presentation and as I’ve said before, it is near impossible to pitch a perfect day. You hope the 95% right buys you grace for the 5% that goes wrong. Thousands of things that go right in a day due to the hard work of a few but cries of anguish if catering does a subpar job on vegan side meal or someones magnetic key deactivates on their hotel room. We take accountability but third party and a tech malfuntion should be covered by earned grace. Those incapable of grace are removed on future projects for their own good. Film shoots are more closely related to war versus vacation even when the places we shoot are beautiful.
(Old Men soccer champions)
So on the actor front my new agent sent me an audition for a pilot TV series. I’m use to reading a full script to absorb the character and roll but this is a few sides. I had this talk out in LA with friends who work often out there. I asked it they request or direct their agent towards shows they like? They said they pretty much read everything so their agent doesn’t drop them. I questioned what if you don’t like the show? The story? The Script? Doesn’t matter apparently to many. I wanted to do this read since it was the first thing my new agent sent over. Also I was going to be forced to do an upload and use the actor’s access portal. A good test. I did my read and damn, pretty good. I guess it should be after all these years. I was successful in my upload. I did get a few good notes on how I could subjectively improve the eye line and questioned would a tripod be better. See how the hee-haw that actors go through is the stressful time consuming parts. Second guessing and stressing and I don’t participate in that. I politely declined and said that what I presented I was comfortable with and if the production quality was not up to par I was find with it not being sent forward. The read was actual well liked and sent forward but after I felt a strange feeling likely opposite other actors. SHIT what if I actually get the role. Will I like the script? What if it does get picked up? I have a film lining up this summer that I know the script is good and the role is great. I have soccer season ahead and I’m looking forward to that. I would have to move a dental cleaning off the pilot shoot. WHOA partner:)
(Acting is still my top passion)
I wanted to start looking at some outside projects but I’ve avoided series in the past. WILD FAITH TV series would be different but maybe even after a season I might not enjoy that. I like finishing something. WRAP always makes me feel accomplished. Well, I just figure I will play the hand. Realistically I might not get the role as they’re many great actors and what folks like is subjective. If I do the pilot it still has to be picked up. This is just a few funny thoughts in my head. I enjoyed the practice of the read and technical upload but not knowing the full script/scope/creative team behind it is another place for me. I do believe just like all my outside projects that I will do what projects I’m meant to do. KARMA in India is where I met Carl Weyant, who just directed Harsens Island Revenge. Eric Colley and Hallie Shepherd and Paul Proios on G.P.S. (Watch on TUBI). So I’m going to just stay open to what is meant to be. I’m just staying good and busy but when away as an actor it is much easier and I’m still able to do producer/writer work.
(BEST YEARS GONE DVD Wrap)
Speaking of writing I saw that Benedict Fitzgerald writer of The Passion of the Christ passed away. I almost had an opportunity to work with him thanks to a friend Isabella Hirt but I was busy with BEST YEARS GONE. Which I’m happy to report can now be seen free with ads on Youtube’s FREE4ALL which is Twin Engine Global‘s new streaming service for non-family and faith films which is Encourage TV. Staying with the topic of writing I’ve been enjoying doing the polish on a script looking to film next winter. I think the funding is there and it is very unique but will be a lotta fun. It is a period piece and will be a lot of fun for all the actors. My second pass is working the descriptions and dialogs for pacing, flow and proper language. I had some talks this past week again about literary representation having had many produced screenplays now doing quite well in the marketplace. We will see said the wise man.
(A published un-produced script of mine on Amazon)
The literary side is developing nicely with several of the CDI projects publishing script and making of books and novels where it applies. I’ve been discussing the deal and discovering extra pieces and pictures to make these releases special. With the backup RAID now functioning we will be able to move into more theatrical and perhaps soundtracks. I will be looking for the right person to run the CDI merchandise site on commission.
(The actual 1920’s not an easy thing to recreate)
To tie into the above and circle back to Harsens Island Revenge – the making of by Adam Towner is looking great. We got a peek when watching the first cut of Harsens Island Revenge which was just amazing. Boats, planes, cars and buildings all helped to create the 1920’s. The world was brought to life by our artists on both sides of the camera. The performances all around are so strong with our young leads David Reardon and Cassie Dean doing such a wonderful job. It reminded me of some of the epic films of days past but with a modern capture bringing the world out of black and white and into full color.
(Silent Night in Algona – watch it if you have not)
This has all been good for me to just let some of this flow out and put order to my pick up shoot options. I have a few phone calls to make to discuss these options. It will all work out as we have some of the best artists within our creative tribe. I will go boldly into the new week and just deal with the cards we are dealt. I want to end by sending the CDI thoughts out to Anthony Hornus and family who lost his mom this past week after a long illness. For many of us our parents are a strong support system. Last time I spoke with her was at the SILENT NIGHT IN ALGONA Owosso, MI premiere and she was very proud of her son. We are all proud of Tony too and I’m deeply sorry for his loss. He will always have his TribeCDI with him. I hope everyone has a productive week. Until next time- coffee cheers!
DJ
Happy Mother’s Day – May CDI Updates
Happy Mother’s Day to all the nurturing ladies out there. It is a slightly chilly Sunday coming off several wet days here in Michigan. The lawn needs a second mowing and I still have to till the garden ground.
This past week has included lots of development work on LOST HEART our next film. We have the last three units to assign before we move into full pre-production. We’ve had several talks and I think the last three will get claimed soon. It also helps that we will be dispersing money back to previous investors. For me, once we lock up the business we can focus on the creative. I had some schedule discussions this week with our 1st AD. It looks like we will shoot July 16-Aug 1st in N. Michigan. In about 2 weeks (or sooner) we’ll start bringing on cast and crew. The bank account is open and I’m awaiting the check book. Once we green light to pre-production the ball will really start rolling. We’ll also be announcing some of the great companies and businesses supporting us with sponsorship. It will be an exciting week ahead for LOST HEART.
We have also had some development discussions on KNIGHT CHILLS 2 which has been in talks for a while. This would be a collaboration and I’ve been working to set up the distribution aspects of the film.
Original KNIGHT CHILLS poster – “Scream” style.
THE QUEST TRILOGY – The entire 3 film series in out on Amazon Prime. You all can now watch all three back to back. FORTY NIGHTS. CHASING THE STAR. THE CHRIST SLAYER. Please do enjoy this extended biblical adventure. I’ve said before that the style was influenced by the Star Wars original trilogy. I look forward to hearing from more of you that have seen all three. They do stand alone but create a greater picture when all three are viewed. Congrats to part 3 THE CHRIST SLAYER for taking 2nd place BEST FILM at the International Christian Film Festival in Orlando, FL.
- I have several sources talking to me about a new series of biblical adventures. We will see what the future holds.
WILD FAITH is now out on Amazon and other platforms for digital purchase. In June we’ll see digital rental and July will be the DVD release. Best Buy, Wal-Mart, Family Video and several outlets will be carrying this fine film.
- Again talks are happening about the possible TV series
MBF: Man’s Best Friend is finishing up color correction and sound design. A work-in-progress link was sent to the theatrical company for evaluation. I was watching the film now with all the dialog balanced and it is really engaging to watch. Music will be starting soon and we’ll also begin working the new full trailer.
This week I’ll continue my conversations with the possible agent for literary and talent. I’ve also had a few independent script writing opportunities arise. I will be exploring that. I’ve been pulling together my materials both as a writer and as talent. I’ve enjoyed the response from all of you to mountain man Ben Lily and of course ole J.C. from THE CHRIST SLAYER. I’m looking forward to making a deal so that some of my future negotiations concerning acting and script can be handled by a 3rd party.
I’m asking my readers here to take a watch and leave a review. You can comment here as well. I’m going to wrap things up here. Eat a little something and we’re taking the mother’s to the zoo today. I look forward to a fun day of family stuff before back at it tomorrow. I have to work on writing out checks and dispersing to our backers. I really do love writing checks. To our artists, our backers – it always feels good. Again I don’t think I’ve ever been able to pay an artist their true worth but we do compensate and create.
Keep plugging along and we’ll chat again next week.
DJ
Losing Luke Brown and Seeking New Balance
This Sunday has been a change for me. Balance is such a key to happiness and we all seem to strive for that balance daily. In filmmaking – my main artistic medium, it’s about giving your all to a story and after recharging. There is more time spent in development, pre-production and post-production after filming. How you spend that time can do much to influence your productivity. My family, friends and my furry pack have always helped give me peace and recharge
We proudly had the ‘Brady Bunch’ pack consisting of three cats and three dogs. Almost two years ago we lost our elder dog Joplin. She lived a long 15.5 years, longevity for a Rottweiler. Two months ago, we lost Jameson, our eldest cat who grew from a shy, scared cat to a chill-relaxed adventurer. He passed after a long life and was joined by his brother Dmitri, whom I affectionately call the gray rat. Last Monday what we thought was a tooth infection turned out to be much worse. So Monday at the day’s end, he was laid to rest next to his brother.
My life was/is changing. Some who know me well, know that our silly, funny, happy boy Luke (Our youngest dog) has fought various life threatening illnesses for the last three years. We gladly sacrificed many social outings and gatherings so we could tend to and enjoy our borrowed time with our buddy. Monday night Luke’s journey started to get harder with the onset of some more serious neurological issues from his tumor on his head. As we treated him over the last 5 months his quality of life was very good. His attitude was always happy and adventuresome. He loved his walks in the woods and his couch cuddles. He never feared the hospital and remarkably brought joy to everyone there.
He was strong, brave and loyal, and I took lessons from him everyday. He had beat the odds so many times and after the second illness I prayed that his body would know health again, and for a while he did. But when in pre-production on MBF: Man’s Best Friend we discovered he had a cancerous tumor in his sinus. Here I was producing a story inspired by my ‘Mr. Brown,’ that showed the positive effects dogs can have on all of us, especially our wounded service men and my boy has what? I did love watching the incredible cast and crew work hard to capture our story, but my heart was breaking. It worked for my role of Paul, but with so much work to launch a film, it was an ironic shame that I could not fully enjoy it.
Soccer season this year also brought my 1st ever bone injury to my right wrist. That slowed my roll with typing and all activities requiring my right hand. So at the homestead we’ve got the one-arm gimp and tumor-head, taking care of each other and getting by. The new script LOST HEART was going slow, but I worked it with my buddy beside me. I often read aloud to him and while his feedback was limited, it always helped me. I know that a Fall shoot means a last paycheck for all our cast and crew before the holidays. But while Luke’s decline in health was slowed by treatment, I could see the direction of it. We knew the battle was for time, not a total win. There was no way I could leave my loyal buddy to go off and film. I know it was selfish when I looked at the whole but it’s what I had to do. I hope others will understand. If you don’t understand, I feel bad for you, because you’re missing something.
Luke had a wonderful past couple weeks that included walks at his favorite nature park, which was a Sat. morning ritual. A Sunday cookout with his grandma’s, which he loved so much. Last Monday is when we lost our Dmitri, and that is also when Luke had his emerging issues intensify. The location of the tumor and the meds used to help were also likely hindering him. Vision and coordination loss started to develop, with episodes lasting longer, more often. By Weds, the fight was real. So many times he had bounced back. His body was still so strong, so maybe – HOPE. His will was there to fight a bit longer but it was not meant to be. A great dinner of venison and rice followed by an unexpected walk to the park. (His idea) He had not wanted to go to the park, or perhaps could not, for weeks, but that night he did. He wanted to lay out in the warm breeze, listening and smelling the birds, squirrels, the wind in the pines, the softball game cheers and kids laughing. It was really nice.
What followed was a rough night and thankfully the next morning was the most beautiful Fall day. He was done fighting and was resting peacefully. We had a doctor come to the house and with cool breeze blowing in the windows, wrapped in his favorite blanket, head on his most beloved stuffed animal, he opened his good eye looking at his momma holding his head, daddy holding his paw – he put his head back down with full love and trust and left his broken body behind. He also left a huge hole in our hearts and daily life. Everyday was a smile, a tail wag and something silly that always reminded you not to take your setbacks to serious. He was an inspiration on how to live each day.
I’m happy that his frustration over a body that no longer wanted to respond was very brief. At the end he had peace with his two remaining sisters and his momma and daddy with him. I will miss all of our furry pack that we’ve lost but Luke taught me so many lessons that I will hold onto. My final polish on the ‘LOST HEART’ script as I read him each line, was almost done. I had stopped to devote my full time and attention to him. I slept with him on the floor for the last few nights because his vanishing sight made our brave boy nervous. I’m sad but filled with new motivation moving ahead. We never took any of his good days for granted. I will carry that into my future day-to-day where I do cherish each interaction, be it business, friendship or both.
I KNOW how bad many of you WANT it. What is IT to you? Expression of your art, words, craft? Fame, money and appreciation? I’m here to tell you, don’t sacrifice everything. I recall being tethered to a pager back in the day. It always came first. I see that behavior in the upstarts of today with cell phones. It’s like a self-imposed tether – like what people wore after legal trouble. It’s like people have forgotten that the phone is a tool that works for you, not the other way around. Gather a ‘TO DO’ list and do all your phone and/or computer work all at one time. Aspiring actors/filmmakers can get requests from all time zones often bringing the Hollywood pressure of dangling opportunities. Whereas someone “needs something like yesterday” only to have something sit on a desk for weeks. What was sacrificed to get that summary to that desk to sit for weeks? A sports game of a sibling or child? Storytelling around a kitchen table with family? Hanging with lifelong friends?
Since I was a young boy I loved telling stories. Upon discovering that a lucky few could actually create make-believe as a job, cemented by direction, gave me my dream. But I could never sacrifice everything else for that dream. I did not move to Hollywood, NYC or any of the other places that people always said I had to go to in order to MAKE IT. Why? I LOVE, LOVE, LOVE, LOVE what I do as an artist but I did not love it more than the people in my life. So, a battle to compromise and do both was and IS a battle worth fighting for. I want to create memorable stories and characters in timeless movies but I don’t need to climb onto any A lists to feel accomplished. Many climb very high only to find themselves alone. Think on all this.
We’re adjusting to life whereas our past stories, memories and lessons are what we have left of Luke. Next week LOST HEART will get the final polish. The wrist is almost healed and getting stronger. I look back and feel like I did right by my buddy as he would have for us. I feel full of grace, compassion and appreciate for life and those we share it with. It’s again why you should examine your circle and remove negative, toxic elements and be the change you want to see. Lot of drama in life amplified by social media and 24/7 ‘Breaking News’ environment. Unplug. Listen. Communicate. Laugh. Be loyal like a DOG to those around you. Trust, is a learned behavior and if you’re a tribal leader of artists – take this role serious. Don’t let the lure of shortcuts hurt or kill what could be lifelong friendships. Ask anyone who has joined a team of CDI artists in telling a story and you’ll know what I’m talking about. Beyond making our days, I want to make lifelong memories for cast and crew. Laughter and Love.
Next week I will have more updates on the films. THE CHRIST SLAYER, WILD FAITH, MBF all have amazing things happening. We’re focused on finishing these stories and bringing them to audiences. We’ll be moving into official development on ‘LOST HEART’ for Spring 2019 this month. I want to continue to try and move people’s human-emotional compass in a positive direction. I’ll be making some great announcements moving forward but today I want to just sit on these words. I’m sorry if you’re here more for the film updates versus listening to my ramblings. Those updates will return next week. Thank you everyone for joining me here to share a coffee and listening.
Be good to one another. Love one another.
DJ
DJ Perry's Official Blog 'Clawing My Way to the Middle' 