Showings, Cycles and Selecting Ones Path
It is a beautiful afternoon here in Michigan. I had a good week overall despite going to two memorials for friends that had lost parents. Conversely, I just found out that a buddy of mine (Casey Sweaten) had a baby boy – well, not him…you understand. So the circle of life is in full motion this week with life and death. I guess this leads me into a few other thoughts I’ve had this week.
Directors/Storytellers
I know many directors out there. Many are doing short format to develop their style and learn how to communicate with crews and talent. Many of those aspiring will never make a full feature film. WHY? It’s hard work. Anyone who has made a feature film can attest to this truth. To work with any real budget you must be a producer’s director. By this I mean able to work within the business limits set by the producer. This ability requires a responsibility by the director to stay on schedule and budget. It requires a self starter who is very motivated throughout the process. A film that has pre-signed distribution must be completed in a pre-determined timeframe. We work towards being tighter and tighter as a production unit because as we continue to enter a distributor/studio relationship we must maintain and improve that reputation of being a reliable source of content.
SUMMARY – Directors must be reliable and time motivated
I have director friends outside CDI whom I’ve done on-camera work with that still hasn’t seen the light of day. (Some almost 15 years) Other’s have been grinding at post-production for years upon years. That’s their accountability to live with to their people. I feel an accountability to my cast and crew along with my investors. Those that do not see that accountability factor makes me sad. Sad because they likely will not work in a true business structure. Others will not thrive because they can’t see beyond personal ambition.
This is hard to grasp but is a secret to at least some of my success.
Let’s see if I can explain – actors tend to think that after years of struggling – once cast – the one film released will make them an instant star – that all the suffering is over. It DOES and CAN happen like that but someone also wins the daily double – daily. It is possible but not good enough odds to build a career from. Actors may not connect with audiences until they get several films down the road. I’ve never had what I would call a home run. Oh, you’re the guy from THAT MOVIE (Home run) but I’ve been a steady base hitter. My market penetration has gotten greater and greater internationally with each film. People have connected/embraced certain roles and so thanks to all of them- I get paid to bring my version of a character to the screen. A major humbling reality from a dreaming kid with a VHS camera who was constantly told he had to grow up someday.
Say when;) That’s for you Tony.
Now directors don’t have as many opportunities as actors. Why? Just numbers. Many cast members and only one director’s chair. From there – quality opportunities are even more scarce. Funding even a quality opportunity is hard. Look at any film school – a room full of directors. Not always true but many do have this desire. How many feature directors in that room? A few perhaps.
Facts I’ve often found to be true with directors
First – Only a few directors will ever actually direct a feature length film. Some may start one but for countless reasons – many don’t finish.
Those that have finished a feature film – they’re in a special club.
Now only a few of these directors who finished had a team behind them that created the quality worthy of distribution. What is that? If X distribution company values your film above and beyond the time and cost required to exploit revenue streams.
One Example for rejected films:
Actor Appreciation – If you view actors as just props and try to replace seasoned talent with volunteers – it will almost always show. If you spend it on cameras spend it on talent. Bad talent shot with a RED EPIC is anything but EPIC. I had to use that camera for the joke. Someone out there is correcting my joke that this or that camera is better…next.
Distributor likes it but do you have the business organization/releases to deliver a film. It can be a bitch – especially to a major studio.
Now pending the performance of their film in the distribution market – many directors will never direct a second feature film.
Why?
It can take a few years to put any clout behind a directors name. It will likely take a half dozen films realistically.
The director may just be unwilling to create product that distributors actually want. I do know of several directors that are just working on things they deeply enjoy. Like painting, drawing or any number of creative releases IF it’s just a hobby that’s cool. But you can’t complain about the system. The system is largely set by audiences. Business is catering to their tastes in order to sell them stories.
What happens often when it’s just starting to work –
Like a band – some production outfits start to get rolling and they change too much, too soon. Someone wants to explore their inner blues and Tommy really wanted to try drums. Two lead singers. Before they can establish themselves as a pattern of success – the band breaks up.
Why all this director talk?
We’ve been looking at directors with this slate of CDI films before us. In summary a director must prove himself to a producer’s director and execute product that we’ve identified as something the distributor wants. I like to use the example of a well established film director I know. Most of his films have been with 20th Century Fox. He initially had a film get accepted into Sundance. He got a behind-the-scenes directing gig for a big Hollywood name. Soon an opportunity to direct a studio film came up. He stayed on budget, schedule and people liked the film. He’s often given a choice between two or three projects that the studio has approved. He’s done a few smaller personal films and his clout has allowed that. I see directors who want to grow too fast or get stuck -and can’t take the self-inflicted frustration. They don’t ask themselves the hard questions and accept the real situations. Directors like actors must earn the right to creative freedom in the non-hobby world. It’s not an entitlement that comes with the name tag. It’s a business. You want total freedom? 48 hour film challenges are all over the country. Giddy up:)
SUPPLY AND DEMAND or is that SUPPLY and COMMAND:)
Here at CDI we’re really getting into the business of working with distributors and cutting out the shopping aspect. That’s great for investors because the revenue stream starts sooner and we have financial guarantees from distributors to help protect our investors. This exists because of what I was writing about earlier. Professional dependability and quality of our product is what creates the relationships we enjoy.
Collaborations
If you are exclusively into your scripts – you must bring the money at risk with your story. If you accept this situation and want to turn out quality on schedule and budget maybe a collaboration with CDI is a worthy discussion. Raising the $ an undertaking is only the first big battle. Don’t go inexperienced into important endeavors. Be honest in your accessment of your team.
In-House
We’re making films that distributors want and that is the way it will remain. I’m getting too old for spec films/shopping and at higher budget that’s not a responsible action. (Filming without distribution) So I’ve been sitting down with lots of filmmaker/directors. I was happy to sit down with another on Friday. A young man who is paying equal attention to SHOW and BIZ. He has completed his first feature and it has landed initial distribution. It was scary for him being out there facing the rejection. They had enough quality onscreen to pull it above the other films struggling for attention – and because of that, got a good starter deal.
We’ve got both types in CDI – directors with pet projects – that if they bring the bank we’ll make that film on schedule and on budget. Additionally CDI is picking/creating projects based on distribution/marketing meetings.
It is a tough game. We debate these things with ourselves where art and business meet. I enjoy bringing to life other people’s characters/stories. As a writer I love to see my own story brought forth but only if the product is in demand. We make collective art for the collective masses. I know several directors that only get excited by what they pen. If that becomes the routine you better keep writing and get it into development. I think this is on my mind because I was asked twice about directing this week. I don’t “desire” to direct. I don’t want to take an experience and building opportunity from someone really trying to get ahead and would appreciate it beyond words. If you want to see my directing go to indieflix and watch the first three shows of “Supermodel Showdown” – enjoy:) I have enough hats and I’m not looking to direct.
Film Updates
DJ Perry as Donnie in ASHES OF EDEN
ASHES OF EDEN is holding on our domestic home video street date. We’re in negotiations on a TV deal and so we’re open to adjusting our release pattern. Additionally I’m told it is playing Oct. 17th and 18th at the Sun Theater in Grand Ledge, MI. Check online this week for times.
Funny thing – Also in Grand Ledge, MI – on Oct 15th we’re kicking off a monthly art mixer at Sanctuary Spirits distillery. It’s $5 at the door- starts at 6:00 and at 8:00 (sundown) we will be playing our smoky mountain western that was released by Lionsgate. Come watch “Dean Teaster’s Ghost Town” and mingle- see some of you there!
On November 1st at THE WROUGHT IRON GRILL in Owosso, MI we will be showing BESTSELLER. Author Chris Wright/Johnathan Rand will attend. It will be a nice event at another cool venue brought to you with our friends at RED WHITE and BLUE Project. I’m trying to close on a run at the Alamo theaters in K-Zoo and we are working towards a Detroit area showing.
Sequels
I’ve been reviewing the KNIGHT CHILLS book that will release with a reissued film. All this is to prep for KNIGHT CHILLS 2 in development. The script is being actively worked on and casting talks have started.
We have kicked up development on CHASING THE STAR which is set to film in Feb 2016. Our talent initially approached thus far have loved the script. This is a follow up to “40 Nights” that is chugging down the post production line. We will be starting music on “40 Nights” soon. VFX work should be finalizing in a few short weeks and color correction can begin. It’s all very exciting. The 3rd film in this trilogy is about half way done. We will have a 1st draft by the end of the month.
I’m enjoying the fall immensely. Next week I will be making a batch of wine I will call RETURN OF THE GREEN GOBLIN. If you’ve been lucky enough to try the GREEN GOBLIN wine you’ll be excited by this news. I also have a new beer brew batch to mix up. I’m healing up nicely from a brutal soccer season. Acting – If the right acting project comes along great – but right now I’m just focusing on our end-of-the-year business and prep for 2016.
I’m going to wind this down but have a great weekend.
DJ
CDI’s Smoky Mountain Western released domestically by Lionsgate
Decisions, Distribution and TO DO’s
DJ Perry as Jesus in “40 Nights”
Another beautiful Saturday. The coffee is now gone and we’ve moved into watching MSU football. I’ve grown to enjoy the game over the years. It is a series of short-term goals versus my game of soccer that is a constant flow with a goal. Our soccer season ended and I really enjoyed the play. Now I let the legs heal and start my strength training. Okay many of you here are tuned in to hear about the films and the challenges making them. Let’s look at some of my recent decisions I’ve been faced with.
Our “Chasing the Star” script (version 1) is done and out to several key players. This is the second biblical film in our 3 pic series. “40 Nights” was the first and that film should be done late November. Now due to script it will mostly shoot in AZ. This film has the commits to finance and so pre-production work will be starting. But due to the heat of the desert that dictates when we shoot. We are looking to shoot a few weeks earlier than “40 Nights” to make it easier on cast and crew.
Part 2
We have a western-era film we want to shoot in Michigan. It has a good amount of money committed to it but we will only move forward with full funds in place. This is a good policy but required when you have distribution in advance. You want to be reliable for delivering your product. Now we have X amount of producer pre-prod work and also on-location pre-production before the shoot. I wanted to get the film in the can (hard drives) by the holidays. We are getting closer to that decision-making deadline. It is hard because the artists all like to work and the biz of it is everyone getting a final paycheck before the holidays. That’s ham on a table that toys under a tree for people, but the best choice has to be made for the film.
Now if our date comes and we don’t have all the filming fuel we need we will push the film to the other side of “Chasing the Star” in May. That would be a nice time to film and give ample time to close the financing. That is happening but can it happen in our timeline? We will see.
As noted “40 Nights” is moving down the post production line. “Bestseller” is getting ready for the Nov 1st, Owosso, MI shooting. It is also being delivered to the national distributor as is “Donors”. I need to call Jon Osman, our director on “The Terrorist”.
In other news I came off “Chasing the Star” scriptwriting and flowed right into the third film script. It was there and I almost couldn’t stop it from flowing. I’m grabbing legal pads and just scribbling notes at all times. I’m excited about these three but also excited to go finish out a few other scripts.
Sir Kallio stalks in “Knight Chills”
I will have news here soon on “Knight Chills” book and film reissue. Sound track deal still needs my attention. So I have crossed a lot off my TO DO list but many things still remain. We have “Ghost Town” getting ready to play at Sanctuary Spirits in Grand Ledge, MI and we will be doing this once a month. It is a meet and greet for fans and fellow filmmakers. I’ve been trying to get out and meet some of the other fine talent in our state. This helps in casting and crewing when required. We’ve been reviewing reels for several weeks and are excited by some of what we’ve seen. REELS! Make those reels actors!
I hope to see some of you Oct. 15th (Grand Ledge) we are digging out and selling some classic “Ghost Town” swag. We had an entire product line for a few years at Ghost Town in the Sky theme park in Maggie Valley, N.C. so that should be fun. Also I will be in Owosso, MI November 1st and I heard author Chris Wright will also be doing an appearance/signing for his Johnathan Rand children’s books (“American Chiller”) earlier that afternoon.
Enjoy the rest of your weekend and go MSU!
DJ
Production, Play Offs and Pre-Buys
It is half time of the MSU game and we’re teaching the Air Force team a thing or two about football. It has been rainy but we are getting back to the nice fall weather. We’re still pulling good from the garden and BLT sandwiches have been great. Tomorrow we have our first round of soccer play-offs. Last week we had a tough game but beat the team 6-4 after losing to them prior by a goal I believe. I had my first goal of the season which was great because I play defense. So we will hit it hard tomorrow and see what happens. We play a very good team. Beatable but very good.
This week was very productive. First, I’m very happy to announce my official first draft of “Chasing the Star” is done. It is the 2nd film in our 3 film deal with Lightworx Entertainment. The 1st movie in the series is “40 Nights” it’s now in post sound. I’m going to start doing some video updates at our distributors request.
DJ Perry as Jesus in the biblical drama “40 Nights”
The “Chasing the Star” script has the same depth and power that I loved about the first one. And I’ve almost got the third one mapped out. I thought they might be stand alone films and they are BUT…they do connect. I’m excited for a few people from “40 Nights” who might bring roles back in this second film.
A couple of actors who had small parts might be given larger roles in this follow up. We’ve also been looking at and discussing many actors for this film. We are looking mainly in the AZ and CA area whereas talent can drive to our location. Many more crew people will get a 1st look at the script this coming week. Anyway, I’m happy this draft is complete and now some scheduling/budget work can be done.
Melissa Anschutz and DJ Perry in BESTSELLER
“Bestseller” is gearing up for an event showing in Owosso, MI take a look here please.
https://www.facebook.com/events/418482248357126/
as “Will Burnett” in GHOST TOWN
We also have an October 15th event showing of “Dean Teaster’s Ghost Town” in Grand Ledge, MI just outside Lansing. An event page will be forthcoming. We will be doing a movie a month and use the time to interact and meet some of the local film community.
CDI Associated production releases Oct 13, 2015
“Ashes of Eden” releases nationally Oct. 13th and we should have word on some of the foreign territories we will be releasing to. Here is one retailer releasing it Oct. 20th
This is the 1st teaser poster on “Donors”
I hope to have home video release dates for everyone on “Donors” and “Bestseller” but we don’t have those yet. “40 Nights” would like to welcome THE GARMAX GROUP for their platinum sponsorship.
You will see their logo in front of the film. We might seek one other promotional sponsor for that opening billing. We are starting to look at some marketing. The licensing management deal is done. Also trying to lock distribution on soundtracks. Always something that needs to move forward on the TO DO list.
We also are closing in on finalizing the financing on a western era script. We have to get it done within a certain timeline or else we have to move it to the other side of “Chasing the Star” but we are pushing. I would love to be playing a rugged role in the fall/winter here in Michigan. It just might happen. We are prepping to play as we speak.
I hope you all enjoy the rest of your weekend and proceed on to a great week ahead.
DJ
Events, Upcoming Films and Fall Updates!
It took me a while to sign in to my blog here. There are so many media communication sites. I get communications coming from all sides. Email is still the best way to contact me but even that is getting more complex. This morning we had a great breakfast in what use to be a train station in the late 1800’s early 1900’s. The chill today is perfect for all the football on deck. MSU, my alumni school plays in a few short hours. Lions on Sunday plus last regular season soccer match before play offs. It was another grinding week but extremely productive. Let’s look at a few of the wins this week.
I’m working the last few pages on “Chasing the Star” our follow-up biblical drama. I was so happy about how the “40 Nights” script evolved and how it translated to the screen. This follow-up has distribution and it appears all our funding commits are in place. So we are looking to return to AZ and film our second film for Lightworx Entertainment.
“40 Nights” has been exciting because we are now seeing dialogue cleaned up/balanced and environmental sound design. I got the signed paperwork on our licensing deal for management of merchandising. This movie should be complete end of November.
Now we have a partially funded western also being distributed worldwide by Lightworx. Not only will it be a feature film but used as a pilot for a TV series that we hope to shoot in Michigan. We have been in talks with several actresses over a lead role. Also some great Hollywood celebs may come out to participate. Funding talks continue and we have a real strong shot at doing this film before the holidays hit.
Development talks for films beyond April 2016 are underway but I also have a few projects to act in that I’m watching to see when their schedule lands. The C.U.J.O. movie has been talked about prior and also my management is targeting a strongly anticipated TV series. Not sure if we’re looking at a guest starring or being a regular but I would be happy with either one.
NEW Poster art for “Wasteland Tales of the Desert Part 1”
WASTELAND poster is being sent and the director has been trying to target festivals that focus on Science Fiction. I also want to get updates on THE TERRORIST (Release dates) and DEAD QUIET (Premiere dates).
From the motion picture “BESTSELLER”
“BESTSELLER” is having an event showing at the Wrought Iron Grill in Owosso, Michigan on November 1st. An EVENT PAGE coming soon! “BESTSELLER” is also being delivered to our distributor as is “Donors” so when I have release dates I will let everyone know.
In Lansing, MI we are kicking off a monthly CDI film screening starting in Oct. 15th at Sanctuary Spirits in Grand Ledge. I think it is $5.00 cover at door and the opening film is “Dean Teaster’s Ghost Town” – a smoky mountain western. It pits the two mountain men from DELIVERANCE – Bill McKinney & Herbert Cowboy Coward against one another.
CDI’s Smoky Mountain Western released domestically by Lionsgate
I think Sanctuary Spirits will have some great whiskey specials. They have an apple and maple whiskey that is really good. I love their gin also. Not only can you have drinks there but you can buy bottles to take home. EVENT PAGE COMING SOON!
DJ Perry as Donnie in ASHES OF EDEN
“Ashes of Eden” is gearing up for a release in less than a month. Here is a pre-sale link for BEST BUY
http://www.bestbuy.com/site/ashes-of-eden-dvd/27981334.p?id=3374781&skuId=27981334
We will provide more ways for you to see this fine film in the weeks ahead.
In summary…working hard to finish up and deliver our current slate. We have some of the next slate funded and working on the ones after that. We are at a good place – working with distributors and making films to release directly into the marketplace. I’m really enjoying this new work flow. We will finish up this slate of films and look at moving to a few larger films. Patience is a virtue.
Have a great weekend and spend some time with friends and family.
GO MSU! Go LIONS!
DJ
Enjoying the Struggle & Updates
What a week with the friday morning/afternoon being a touch chaotic. The communication flow between people is one of the utmost important aspects of filmmaking. Let’s jump into some of this since I have running around this morning and I’m attending a wedding this afternoon.
BESTSELLER is a picture lock providing our director is happy with her small insert today but I think we’re onto the next phase. The materials are being moved about to their new destination and I’m excited for the scoring of the music to begin. We will be announcing that formerly this coming week but you heard it here first.
ASHES OF EDEN also has PR waiting to come out. We’ve been waiting for the theatrical link to go up at Emagine Entertainment so we can start heavy promoting our Sept 19th start dates. So if you are from the East side of the state of Michigan and want to see what all the hype is about – your chance is coming. Canton and Novi is where we will start the release and we’re also working towards setting up a showing in the Owosso, MI area. We had an amazing run with AN ORDINARY KILLER there and think people there would love the new film.
And speaking of AN ORDINARY KILLER it may be one of the films returning to theaters from the CDI library. I see GHOST TOWN also making a run in the coming months. If you have not seen either of these films on the big screen you are missing something.
AOE (ASHES OF EDEN) is also close to closing its 1st TV deal and we are in final stages of negotiations on the DVD, VOD National deal for 1st quarter 2015.
I have a new VOD multi national deal interested in several of the CDI library. We will do a test run with a few titles and see how that goes.
Thoughts from the week –
APPRECIATION
I still stand by the fact that many of the youth today don’t know how many more opportunities in our business exist now compared to a decade ago or so. I see more kids who have classroom experience but their real world experience is still playing catch up. Example – doing shorts, commercials, music videos and such do NOT fully prepare you for 3-5 weeks of feature filming shooting. It’s a self battle with endurance, focus and teamwork. I had to have a firm conversation or two this week with people over little issues. I think there can be a lack of appreciation of what it truly takes to produce a film properly. The UNSEXY parts of the business – the paperwork, accounting and on-going work opening up new opportunities to release. But this is what I do for a living and I love it. I’m extremely serious about my film work and the art we create because at one time even the idea of doing motion picture work was seen as a joke. Now our films get done with quality all while trying to create the best crew experience you can within a closed environment like a film set. I try to be fair and work with people and their issues or explain why I cannot. But if people start becoming too much of an issue – they just need to go work elsewhere. I know many people who found new respect for what we do once they had to go work on a less than organized film set. I’m not talking short films – where some say “I did this short and it ran perfect.” GREAT, it was 3 days! Come talk to me when you’re deep into week three and see how the ship is doing. Feature filmmaking is a long distant run not a sprint. Also being a pain in the you know what is an easy way not to get invited to sail next time around. I use to feel for the few bad apples but I try not to now. Some people do something silly and they just need to learn the hard way. When you have a lot of people doing the right thing you can’t waste too much time on that one person or so hurting themselves. It is often best to cut them loose and let them learn elsewhere. Knowing your craft is NOT enough. You having the right attitude is what is valuable.
SUCCESS CAN BREED RESENTMENT
This week I also had conversations with people who are not quite feeling the love in their new-found success from some around them. I explained that if you have not transitioned to FULL TIME filmmaking/acting and are working a day job – many may secretly resent you. Why? Because they wonder why you can’t just be happy being as they are. Why do you feel like you need to do something greater? How dare you think you are better than me? To others you can often be that “in your face” reminder of the dream that he/she let go. Did they really want to go to coach sports? Did they always dream of owning a coffee shop? It’s harder to strive for true happiness. Some people can truly be happy playing their part in a job while others see it as a stepping stone to their dreams. If you can be happy in a 9-5 job that is a blessing. For some, they feel compelled to create. It doesn’t make creators any better it’s just what they feel a need to do. Often it creates self suffering for the artist in the journey but can lead to great satisfaction. You just can’t expect everyone to support your journey. When I see people throwing negativity I feel bad for them because it they put that same energy into their own dreams they would be much better people. It would help them be better people for sure. Instead they are the negative ones always casting stones. Keep smiling and keep moving forward.
IN SUMMARY
It was just one of those weeks but it ended with true progress and some very promising news. There may be times where you walk against the blowing wind trying to slow you down. I say don’t pee against the wind and just keep walking steady. That’s what the week felt like but now things seem quite at peace.
Enjoy the struggle. If it was easy everyone would do it.
DJ
April Preview, Announcements & The Artist Within
What a week it has been and how nice to be sipping coffee and spending a few moments with all of you. The snow has just about all melted save a little pile here or there. The birds are out and I notice green starting to work its way back in. I think if I was going to touch on a small lesson today it is about the SHOW and the BIZ again. The artist may want to do the SHOW but the BIZ must make sense. I recently had a film that was interested in me as their lead. They were light on funds and so I reduced my rates to work with them because I really liked the script. Their efforts were made and a TV Network even offered to give an advanced contract that would cover my wage. The issue was adjustments to the script. This would have gotten them the lead they wanted plus advanced distribution deal. That means others would follow. At the end of the day they decided they wanted to keep the script so they could do festivals. Why do people do festivals? Exposure and the hope of a distribution deal. The avenues previously created with distribution have grossed over a million dollars. So instead of money for a bankable lead with assured distribution they want to go to festivals. I think these are wonderful people I do but I really don’t have time for people who are just doing this for a hobby. That is unless they want to pay really well. I mean famous bands play personal birthday parties if the price is right. Okay Bob Barker I will send you a dollar. So each of you have a balance to achieve between artist and taking care of business. If people started saying “Hey come into the office and work today. We aren’t going to pay you but it will be fun.” I’ve got time for fun which usually includes grill and chill with family and friends, archery, guitar, soccer… I’m lucky enough that I love my WORK but it is MY WORK. Are you a professional or a hobby actor/filmmaker? There is nothing wrong with being on that end of the stick if that is what you decide you want for yourself. If you don’t like your current employment and want to do this art as WORK you must make smart choices. Sometimes that means knowing when to say NO.
As a recent release suggested “SOUL EATER” the prequel of “The 8th Plague” is in active development. We are looking at locations that right now point at a Michigan shoot. We have also been in talks with a director and several distributor partners.
We also have been locking up development work on a western era film that we do plan to shoot this year. Many of the cast are in place but there is still a handful of roles. We are also looking at expanding this into a TV series. I’m excited to share this info but not quite yet. The film is out to a few other star actors and so we will keep a lid on all this for now.
Poster art went out to Parables Network and I think they are close to releasing “Figure in the Forest” and “Wicked Spring” to their subscribers. I think these and other films are going to get a lot more exposure.
The digitizing and editing on our TV series shot in Costa Rica is underway. The PR work is underway that will announce CDI Television and its show line ups. It has been fun to re-live that journey and I can say we have some great footage surrounding some great talent.
I also got to oversee some of the new music score for http://www.donorsthemovie.com and I was very happy with it all. It really is coming to life with the music and it is one of my favorite aspects of the post process. Niki Saletta who stars in the film does an amazing job.
Aside from all this work we have “Ashes of Eden” getting closer and closer to an edit. I’m extremely proud and happy about this film. We just released “Road to Eden” about the making of. Check it out at http://www.ashesofedenmovie.com
April is upon us and that will bring an Owosso screening of “Outside the Wire” with music acts and such on April 6th which I plan to attend barring any unforeseen events. Also coming up is the theatrical release and DVD launch party for “Realizism” which I think is the 16th in Grand Rapids. I will comment with more info as we get closer. And with that I say to you all get out and enjoy the SPRING!
DJ
DJ Perry's Official Blog 'Clawing My Way to the Middle' 