Today is the 23rd of December – the final days of 2018 are coming to a close. I’ve been bouncing between the sound studio where the final touches are being done to THE CHRIST SLAYER. Our director will be coming in to work the final mix after Christmas. Speaking of – we’ve had one of three family Christmas gatherings. Yesterday we enjoyed a good meal and opened presents with my brother’s young ones. We had a good time and from there I went to a yearly holiday dinner at The English Inn, a cool turn of the century manor house turned into a restaurant. Prime rib was my choice as I only eat red meat a handful of times a year. I felt a little sluggish this morning likely due to the Guinness beer added on top, but it was a nice holiday treat with old friends.
Today will be spent getting things around for the other two Christmas gatherings. I will be stoking on the fire in the office stove, trying out my new boiling vessel to make mulled spice wine. I do love that we got a powder of snow which makes it all so much more pretty.
Some journeys will be finishing up, such as The Christ Slayer and new journeys lie ahead. I’ll start talking to our investors about our new film projects. LOST HEART which has distribution lined up will be setting up for a spring shoot. We’ve been looking at cast and directors.
Also some moves are being made on the much-anticipated sequel to CDI’s 1st film KNIGHT CHILLS. We’ve been reading new possible leads and discussing the script. Lots to set up before we would shoot this one but good development taking place. More on this soon.
Also this year I want to package the original 4 CDI films into a DVD collection (Knight Chills, From Venus, Heaven’s Neighbors, Figure in the Forest) – the early years. Put BTS and interview material on there. Maybe do a few educational retrospectives. Because they were filmed in standard def many of these are having a hard time finding new distribution. We’ll see.
Merchandise is another 2019 goal – I want to see more of this. We might be pulling together the backers for this endeavor.
Representation – I have had several regional agents in the beginning. I’ve had CA/LA agents both large and small. In the recent years I’ve just rolled with legal and handled my own business. I cannot help but think that more could be done with the right representation. I will explore this more in the new year. I’m excited to get back in front of the cameras. This year wide audiences will get to enjoy Jesus (again) in THE CHRIST SLAYER, Ben Lily in WILD FAITH and Paul Landings in MBF.
Speaking on MBF – we’re looking to release a BTS piece created by David Gries, directed by Mel Anschutz and shot my Graham Turner during our shoot. We’ll release either Christmas Eve or Day, maybe sooner:) The film’s first edit should be close to being complete. We’ll do a fine edit in the new year.
I’ve said it before but in advance on part 3 of The Quest Trilogy (The Christ Slayer) releasing, I would ask you all to watch Forty Nights and Chasing the Star. They are an excellent watch for the holiday season.
I’m going to fire up the creative engines and get to making new art. I do hope to be approached for participation in new creative acting endeavors. This might be the year RACHEL, RIFLE, FAMINE and a few other films launch. I also plan to produce 2-3 films this year with CDI. What I’m meant to do, I will. Work hard and have faith in your path.
I’m going to get back to finishing up things here. My new furry boy Finn helped me rack the new GRAPE APE wine this past week. We had a little early sampling on our Viking Day this week. It’s our day of friendship and wood chopping. SKOL. I hope each and every one of you has a wonderful Christmas. Let the spirit fill you and be good to one another. Keep some of this holiday cheer and carry it through the year with you. Allow others to have their opinions. Listen as much as you speak. Look for unity with your fellow citizens.
Peace to you all.
New York Time Square – I’ve had success and setbacks. But taking a group of sailors/artists out to sea is always an adventure. Every great thing ever done started as an idea. I’ll tell you something that I see around me that I really like. And this kudos centers on my state of Michigan but extends beyond that. I see DOERS. I see people finishing. I see people reaching. I’m not a better artist. We’re all artists who either create or derive some pleasure from the art of others. Active is always more conditioned than observer. The football player will always be in more condition versus the watcher of football. The artists who stretches his imagination, cooperation and does will always be more conditioned than he/she that watches.
It is hard to make any movie. A bad movie requires lots of work. Try organizing four of your family or friends to go bowling. Scheduling. This happens because of passion and compensation. Being compensated for something you would do for free is golden as a goal. When someone is required for a lengthy stretch of time/days/weeks compensation with agreement is better than free even when you can get it. Bad cold. Flu. Fever. I’ve had it on sets before. But everyone of those artists is working towards the common goal. You take a vitamin C packet. Rest, best you can and wait to be called to set. People not fully committed can and do flake. But I carry a zero tolerance for that. Too much benefitting too many artists at stake. I’ve missed a grandma’s funeral being on set. She encouraged me all through my career, she can and did understand. It is a total commitment to process. I hear horror stories of crew attitudes and walk off’s. I’ve only dealt with those issues in the easiest of days where the rigor of “war/filming” can test everyone’s limits. We at CDI try to be a fertile creative ground to grow within. Not perfect but we strive individually and collectively. Negative folks can allow the positive flow to align them or they are removed from the circuit of energy.
I’ve recently seen a few debates between film producers I know and commercial crew members who dog his hiring practices. Both tried to argue their points while the negative slings and arrows flew. Producing commercials (production service) is very different than film production (investment). Again with said producers, I disagree with his model of business creatively and otherwise BUT he might also disagree with mine. I’m okay with that. I think that producers who produce for profit – narrative story in a VERY competitive field, are entitled to set an offer however they wish. I think compensating will draw more experience to the project. That in turn effects the timeliness, quality or both. But getting that experience is the catch 22 for crew and talent. Who is going to trust a 500k film on the back on a first time actor? How hard is it to land in the director or DP chair of a financier feature film? Sometimes these smaller projects help develop people for the path ahead. You can star in a story without the stress. You get to shoot a film versus being the clap board 2nd AC.
Some productions are in that middle ground because of budget. Yes. I’ve done 4 min automotive commercials with larger budgets than a feature film. Meetings, notes, tweaks…not as exciting as a narrative story. When you mix experience level the goal is to raise people up and not have it brought down. This requires the right leadership in the right place. All this? Maybe bowling would have been easier:) So if you’re making good money in commercial production don’t try to apply that to narrative filmmaking. LOYALTY is what brings crew into the bigger game. It is a two way street. They work to help tell a beautiful story with audience changing power. Those few filmmakers that grow are smart to take their team with them. Some producers do sell out and take this composer who did this or that…this designer is more…they worked on…TRUST ME on this one. Stay with the team that got you there. Now they might need to keep growing with the collective. Soldiers all gotta march. But if someone likes what you’ve built they should respect the builders.
I’ve had a strong week of film business mixed with good times with the new puppy Finn and family. I made beef jerky for the studio and worked on dehydrated apples now. This week I’m going to rack the GRAPE APE wine to the secondary. I put a deer worth of venison into the freezer. Wood cutting for the office stove will continue this week. Let’s do some bullet point film updates.
- The Christ Slayer artwork is just truly beautiful. We’ll be announcing Feb streaming purchase, March DVD, April EVENT SHOWINGS on the big screen across the country. Post work is full steam ahead for the next couple weeks.
- Wild Faith artwork for the theatrical and DVD has begun. Wild Faith will be hitting theaters across the US in 3/1/19, TV cable 4/1/19, digital purchase 5/6/19, DVD 5/27/19
- MBF is now re-focused on the film edit and we’re working to have a first cut by end of the year. The trailer has been getting a great response. Please follow our Facebook site and watch the trailer. https://www.facebook.com/pg/MBFthemovie/videos/
- Tis the season and feel free to take a watch on our other films. FORTY NIGHTS and CHASING THE STAR are the two previous films in The Quest Trilogy.
- LOST HEART is slowly moving down the tracks and will start to pick up steam 1st of the year. Stay tune for more opportunities. Also follow http://www.cdiproductions.com
Okay. It’s time to cap off the hot hazelnut coffee. Make some breakfast and get ready for a good day. Yesterday we went up North for a belated Thanksgiving fest and today is a family bday party. Go Lions!