New York Time Square – I’ve had success and setbacks. But taking a group of sailors/artists out to sea is always an adventure. Every great thing ever done started as an idea. I’ll tell you something that I see around me that I really like. And this kudos centers on my state of Michigan but extends beyond that. I see DOERS. I see people finishing. I see people reaching. I’m not a better artist. We’re all artists who either create or derive some pleasure from the art of others. Active is always more conditioned than observer. The football player will always be in more condition versus the watcher of football. The artists who stretches his imagination, cooperation and does will always be more conditioned than he/she that watches.
It is hard to make any movie. A bad movie requires lots of work. Try organizing four of your family or friends to go bowling. Scheduling. This happens because of passion and compensation. Being compensated for something you would do for free is golden as a goal. When someone is required for a lengthy stretch of time/days/weeks compensation with agreement is better than free even when you can get it. Bad cold. Flu. Fever. I’ve had it on sets before. But everyone of those artists is working towards the common goal. You take a vitamin C packet. Rest, best you can and wait to be called to set. People not fully committed can and do flake. But I carry a zero tolerance for that. Too much benefitting too many artists at stake. I’ve missed a grandma’s funeral being on set. She encouraged me all through my career, she can and did understand. It is a total commitment to process. I hear horror stories of crew attitudes and walk off’s. I’ve only dealt with those issues in the easiest of days where the rigor of “war/filming” can test everyone’s limits. We at CDI try to be a fertile creative ground to grow within. Not perfect but we strive individually and collectively. Negative folks can allow the positive flow to align them or they are removed from the circuit of energy.
I’ve recently seen a few debates between film producers I know and commercial crew members who dog his hiring practices. Both tried to argue their points while the negative slings and arrows flew. Producing commercials (production service) is very different than film production (investment). Again with said producers, I disagree with his model of business creatively and otherwise BUT he might also disagree with mine. I’m okay with that. I think that producers who produce for profit – narrative story in a VERY competitive field, are entitled to set an offer however they wish. I think compensating will draw more experience to the project. That in turn effects the timeliness, quality or both. But getting that experience is the catch 22 for crew and talent. Who is going to trust a 500k film on the back on a first time actor? How hard is it to land in the director or DP chair of a financier feature film? Sometimes these smaller projects help develop people for the path ahead. You can star in a story without the stress. You get to shoot a film versus being the clap board 2nd AC.
Some productions are in that middle ground because of budget. Yes. I’ve done 4 min automotive commercials with larger budgets than a feature film. Meetings, notes, tweaks…not as exciting as a narrative story. When you mix experience level the goal is to raise people up and not have it brought down. This requires the right leadership in the right place. All this? Maybe bowling would have been easier:) So if you’re making good money in commercial production don’t try to apply that to narrative filmmaking. LOYALTY is what brings crew into the bigger game. It is a two way street. They work to help tell a beautiful story with audience changing power. Those few filmmakers that grow are smart to take their team with them. Some producers do sell out and take this composer who did this or that…this designer is more…they worked on…TRUST ME on this one. Stay with the team that got you there. Now they might need to keep growing with the collective. Soldiers all gotta march. But if someone likes what you’ve built they should respect the builders.
I’ve had a strong week of film business mixed with good times with the new puppy Finn and family. I made beef jerky for the studio and worked on dehydrated apples now. This week I’m going to rack the GRAPE APE wine to the secondary. I put a deer worth of venison into the freezer. Wood cutting for the office stove will continue this week. Let’s do some bullet point film updates.
- The Christ Slayer artwork is just truly beautiful. We’ll be announcing Feb streaming purchase, March DVD, April EVENT SHOWINGS on the big screen across the country. Post work is full steam ahead for the next couple weeks.
- Wild Faith artwork for the theatrical and DVD has begun. Wild Faith will be hitting theaters across the US in 3/1/19, TV cable 4/1/19, digital purchase 5/6/19, DVD 5/27/19
- MBF is now re-focused on the film edit and we’re working to have a first cut by end of the year. The trailer has been getting a great response. Please follow our Facebook site and watch the trailer. https://www.facebook.com/pg/MBFthemovie/videos/
- Tis the season and feel free to take a watch on our other films. FORTY NIGHTS and CHASING THE STAR are the two previous films in The Quest Trilogy.
- LOST HEART is slowly moving down the tracks and will start to pick up steam 1st of the year. Stay tune for more opportunities. Also follow http://www.cdiproductions.com
Okay. It’s time to cap off the hot hazelnut coffee. Make some breakfast and get ready for a good day. Yesterday we went up North for a belated Thanksgiving fest and today is a family bday party. Go Lions!
The chilly fall has settled into Michigan making sipping coffee or hot cider even more enjoyable. Now is when I have to start thinking of the winter ahead. The stuff that will have to be put away and stored. The firewood for the coming snow. Even the change of clothes to heavier layers, is a normal process in Michigan. I think last week we discussed something which was the delay in shooting our next feature by a quarter. The funds are there and so many would want to rush to production, the fun part. But, we’re putting the icing on the cake for a wonderful distribution deal on WILD FAITH. It has been a touch slower since I’ve had the joy of working with the Hollywood agent system. But, in the end it will be worth it and will directly have an effect on the TV series. Upcoming 2019 will see the major organizing of the release and push on the series. We are planning to shoot in Michigan. Likely a series of shows shot in a tight production block. It’s new waters for me so I’m learning something new every day.
Tomorrow we’ll announce via PR our recent Crown Award and the Burbank International Film Fest win for ‘Best Faith Film’ and while I would have loved to have it gone against all the films – they work by genres. But WILD FAITH is just an accurate look at 1870’s life. As the screenwriter I did not add any overdue FAITH. People we’re just more living in tune with their faith during that time period. Life was more wooly and I think people had more life and death encounters be it disease, drought, famine, bear attacks – you get the point. I love the faith and inspirational themes. ROCKY being one of my favorite illustrations of that. On his way to the fight – the father priest throws down and few blessings. Yes. ROCKY could be a faith film and it would have surely won ‘Best Inspirational’ as I’ve seen it inspire masses and I’ve been inspired by that film. My point is, I’ve never set out to make a ‘Faith Film’ and I’ve never set out to not make a ‘Faith Film” – I’ve told a story. Characters in almost all stories are confronted by a situation that tests their faith thus the relatable conflict.
Dorothy in The Wizard of OZ must find her faith. Indiana Jones fights to keep his faith versus his scientific reasoning, Men vs shark in JAWS, puts faith out there to be chewed upon as a topic. I think every film made about mankind has faith woven into it. So, is it that the content must have X amount ‘faith’ in it? Judges in chairs that spin around and hit a button if your film has the required ‘faith’? I appreciate it mostly, the acceptance to our films. But because the story, characters, situations, lessons were all something that were touched upon. That shed a bit of light on our faults projected onto a screen, so we can better understand ourselves. Deep. I know. Occasionally, I feel quite grand with my profession, pride like a good woodworker, or any other artist. Mostly, I still feel like that kid, make believing with my neighborhood friends living out our own STRANGER THINGS life.
I’ve changed some in my screenwriting, I’ve noted. My earlier self was darker, heavier and nihilistic. My mom often questioning, why I kept dying in my films. Now, I’ve always had a funny, lighter side to my personality, ask anyone who really knows me. But, most of my writing came in my moments of solitary. Also writers in Michigan benefit from our long winters but the end result is often PSYCHO or THE SHINING writing in nature. Those previously mentioned films are two of my favorite for the season. Another side note: I do want to do another horror film but it has to be good. By good I mean story. Creating horror films in the handful of story formulas is like a rite of passage. The lovers of that genre cannibalize the artists with dastardly reviews. But meet them in person and they’ve always been very nice. Maybe because they saw you on camera foaming at the mouth and swinging an axe. Anyway, I was saying that I enjoy the laughter and smiles. I recall many showings of WICKED SPRING whereas people wept in the theater. We did that with our story. But I see so much negativity and anxiety with people not coping to our new world. A world where we’re more communication-connected than ever before BUT we’re not. FRIENDS have a new definition thanks to FACEBOOK but my definition stays the same. I want to be part of making people think, smile, laugh and still occasionally cry, if that comes with an enlightenment.
The ‘Faith Film’ anti-goodhousekeeping seal of quality is being shattered as more storytellers (without labels) are returning to tell stories that their grandmother, mothers and fathers would enjoy. Ben Hur (The Original) and Ten Commandments (The Classics) were always on TV when we had our family Thanksgiving, Christmas or Easter gatherings. There are great organizations that are rising to recognize and award this kind of content. I always worry about censorship, we can choose to watch what we want. But if a demand is there, look at the rise in METV, Heroes & Icons, and the rise of the faith market. People are casting their votes with their rentals and purchases. I feel most honored by the online communications from viewers having powerful emotions invoked from our stories. It is a dream to have holidays where the films play and families bond over a watch. My goal is to make a few classics. All of them might not make it but we’ll give our ‘best effort’ every time.
I was reminded yesterday when inquiring about a director whom a close associate had worked with – their last film isn’t done. It hasn’t been completed in a matter of several years. As an actor, I’ve got two films shot in recent years, one a co-starring role, not finished. I’ve got a call, meeting, catch up with a director friend who’s trying to finish one of two projects we did together in the very distant past. It bothers me occasionally talking someone’s new project(s) when those people have loose strings to tie up. There are many films about that don’t interest me as a viewer, but I always tip my hat to finishing. Finishing is a skill needed in this industry, without it, suffering. But it sounds like my old friend is trying to finish, so that’s a good thing.
This week I finished my first solid draft on our next script with BMG entitled LOST HEART. In meetings with our distributor, they really liked a concept made easier that I had written something in the same vein. But I wanted to apply some of the growth I had made mentioned above. Same log line but different script. I had a wonderful time creating this story and it became so alive with characters and a world, other’s will long to visit. Jeff Kennedy and I, my partner in CDI, semi-retired – always had that as a goal. To create a world and invite people inside it. The CDI first five – really helped hone this craft. You have to BELIEVE in the world. Another 2019 goal is to get Jeff Kennedy back into a director’s chair. I have a few good ideas but they will require a good pow wow or two.
MBF has been in editing. They shot a few pick up establishing shots and transitions this week. Always good to do this once you get into the edit and really see what could be added. This film I’m so proud of. It showcases and pleads for better treatment of our war vets and dogs, that can heal us. We continue to release official stills from this film. For now the spotlight is given to…
THE CHRIST SLAYER!
Find our social media site on Facebook – lots of updates.
Part 3 has a bold name. But the title has a meaning that audiences will discover, maybe not what they thought. I’m excited to say that Part 3 of The Quest Trilogy is coming all together. I watched a recent 5k work flow version with 98% VFX. Color Correction and conforming still lie ahead. ADR, music and sound design are steadily under construction. I’ve been working with the distributor and their marketing team as we prepare for release in early 2019. I was really happy with the story, smiling throughout. I love watching artists friends give moving performances. That’s what we want deep down. To captivate and transfer that emotion via story. This will be an exciting watch and so again, catch up – parts 1 (FORTY NIGHTS) & 2 (CHASING THE STAR) on Pureflix, Amazon Prime, Google Play, Christian Cinema, Parables TV….and so on. To our cast and crew, it will be worth the wait.
Okay, time for a pumpkin spice english muffin and another coffee.
Have a great Sunday!