Pushing Christmas Sales and Prepping to Attack 2018!
I’m sipping coffee on this peaceful Sunday. Beside me is a new 5 gal of Green Goblin 3.0 wine started on Halloween and by 11/4 on the full moon it was bubbling like a possessed spirit had invaded it. See what I did there? The spirit, okay back to the blog. New readers/followers from The Netherlands, welcome. Readers from Israel has been following us and again, thank you. I love this space – open for artists to stop by and listen to a story or two. To get a few updates and let you know that these battles we fight to create our art are natural. Part of the process of healing people with the power of a story. A medium that weaves so many emotions through so many of the human senses.
David Gries in THE CHRIST SLAYER
It’s been a strong week of organization and prepping to move into 2018. New announcements on MBF, our next CDI film. We added David Gries and Shane Hagedorn two other fine artists. I’ve worked with both of them and these roles are in caring hands. March will be a nice mix of old and new talent working together. This coming week I plan to open the bank account. Small steps on the path to production.
THE QUEST TRILOGY
American Film Market is underway and BMG has Forty Nights and Chasing the Star there right now. We made some announcements that the films were making their way to the UK. I also see evidence that Asia might be getting the films next. I was notified of a Singapore government ratings for Forty Nights. I will seek to confirm but I really do hope that our fans to the East can enjoy these beautiful films.
Domestically our recent goal now that we’re past Halloween, has been making people aware of the first two films in the marketplace for Christmas. Amazon Prime now has both FORTY NIGHTS and CHASING THE STAR. Watch them back to back and if you enjoyed them give them a little word of mouth or post a review. I think those films are just starting to travel a long journey of being exposed to artists worldwide.
THE CHRIST SLAYER is the 3rd film in the trilogy and it’s moving right along. We released a still of it being worked on in post VFX. (Here)
This third film will bring things together nicely. The poster is on the 3rd draft and getting stronger with each one. This film is preparing to enter music and sound design in Jan 2018.
For that to go in WILD FAITH needs to come out. The music first draft is DONE save tweaks and end credit roll. We’ll start putting that together now. I have high hopes that once the film is done the full merit of a series will be seen. We’re soon to sit and watch the film with the music in. Right now mixing and balancing is underway. The 10 sec of remaining VFX footage is what we’re dealing with still. But the plan is in motion and I’m confident we’ll complete that shortly.
Knight Chills 20th Anniversary
We’ve also been delivering materials to our distributor for WICKED SPRING. It is an interesting feeling bringing that film to the forefront again. I did that role 17 years ago. Crazy. KNIGHT CHILLS had a new release with the book this year and that is a great little Christmas story. I’m smiling – but I will admit for people who have not been exposed to my work having KNIGHT CHILLS, FROM VENUS or IN THE WOODS be your intro is…scary. Zac, Frank and Alex are all great roles just not current representations. These films like others have gathered fans to which again I’m appreciative. My debate as of late was to accept invitations to participate in Comic Cons on occasion to celebrate these old works. I guess as I pondered it I got a touch of insight into Jeff Daniels who wants to be known for his dramatic excellence but people often just remember DUMB & DUMBER. How many sick, lonely, troubled and just bored people did that film make laugh? Giving relief by way of 90 mins of humor. Who are we to judge what people will enjoy? Hence art is subjective. Also some of these early films had so many rocks thrown at them. Some justified but many just the rise of the troll in this new medium of inter-webs:) I still hear the AOL dial-up. But if people can embrace these films more power to them. At the 15th anniversary to sit in the Alamo theater (Kazoo) and watch people shout, laugh and play the drinking game associated with IN THE WOODS was a joy. As we move through the present towards the future we must always make peace with our past. I’m getting there. I’m looking into the “Appearance circuit” although I’ve always wanted people to see the characters before the actor. I have met thousands of fans over the years and I’m appreciative. Although I don’t appear at many of these events it’s because of new work. I had a distributor friend ask if I was going to be at AFM. (Film Market) Actually I’ve had many ask. I told this person I was in MI overseeing post on two films while we prep for our new one. I would like to attend an AFM in the near future.
In addition to MBF prep we’ve been reviewing and looking at several other CDI & CDI associated projects. I think we’re preparing for another strong slate on films. As always I really do appreciate you stopping by. I hope the season is productive and wish you all a strong week ahead.
DJ
Post-Production & New Developments
A beautiful pic taken by one of our talented crew on set of #wildfaith
It has only been roughly a week since I’ve returned home and it has been a whirlwind of settling back in, winterizing the homestead and handling all the business at hand. The business at hand is…well exciting to say the least.
What business?
I cannot elaborate completely because paperwork is underway and you don’t want to talk about deals before they are closed. What I can say is that the deal affects all our G, PG, PG-13 type material in our CDI library. I’m preparing reports and first returns on “40 Nights” to our investors. What this film, the trilogy and the new “Wild Faith” film has done is brought an opportunity. An opportunity to take everything to the next level. In this new deal “40 Nights” will be the first property to benefit as a new, larger push is about to be put behind that film. We did not have big P&A money behind that film and so it came out into the marketplace without a bunch of proclamation about the film being this or that. But the film has struck a chord with many people and now a larger corporation wants to step in and elevate the awareness of this film, the trilogy and beyond.
This deal will benefit some of the past films in the library for sure such as the “Wicked Spring” re-release that I had an opportunity with not to long ago but decided to hold. That will turn out to be a good choice. I see several films getting a new push into the marketplace. I’m glad that we spent the last couple years prepping the library because when opportunity knocks. (You know the saying) Now I was harping on actors in my last blog about not being prepared. I had a lot of people thank me for this common sense advice. If someone was going to get a job at a park as say a life guard. You would need to work out your own transportation. Your Parks & Recreation employer would not send a driver or pay your bills so you can…work. It sounds silly even writing it but that stuff happens in our industry. The rumor that our career field is a dumping ground for broken, misunderstood souls that don’t fit into the norm is only a romantic fable. You can be quirky, unique and artistic but you must have a common denominator of respect and ability to get-it-done and NOT be a flake. I’ve met so many of those types who want to act like the art is all that matters. Well, when using other’s money and having timelines that other businesses plan and spend around – flakes are quickly removed. My advice – don’t be a flake. If you commit, follow through. We’ve talked about that before – once I commit it doesn’t matter if I agreed to $100 or $10,000 you will get my very best. I’ve corrected people who have said, they only got paid this amount so they’ll only returning this amount of effort is acceptable. WRONG. Acceptable way to remove yourself from the climb. Why? Steps behind you is a passionate, struggling artist(s) willing to give everything they have. The day I don’t give 120% on-screen is the day some other artist would have been the better choice. I pick projects and roles I love. I bring the passion every time and so should you if you want to succeed.
THE CLIMB
I always talk of the team building because I am building a team of positive artists that in a well-organized setting their best work can come forth. After “The Christ Slayer” this spring the budgets will start climbing. Rates will nudge up and some departments might add depth. I’m not a person who steps over people – I develop people. That’s part of the deal that is happening now. As we grow, if our working relationship was good positive and drama-free that invite will likely come again. Ask yourself if you were a sail or an anchor to a project. As highlighted before in pre-production one potential hire didn’t like the pay rate and rather than just a polite pass they decided to burn the bridge. I know a few other producer/directors who worked with this person and I’m curious as to their experience. I actually felt a touch bad for this person I don’t know. Because I know when too many doors close that person is often faced with finding something to support themselves with and also try to maintain happiness in a non-filmmaking field. So when presented with a paid opportunity that has the possibility of making you happy, embrace it, they are rare. Many will never make it in our industry and will be faced with that reality of “what do I do with my life” – In hindsight, I considered granting this one person a special thanks. Their public rant actually helped us making more people aware, willing and wanting to work for a sub-contracted rate, actual pay. We were offering much more most, what so many often endure and again we paid. Not just in food or copy of finished film (if ever completed) or IMDB credit. We weren’t asking other artists to CROWD FUND our movie. We simply did what we could do financially – fairly and across the board. Again I will use the life guard job as an example. If you were looking at getting hired at the public swimming pool and what they were offering didn’t work for you – would you politely decline or would you spout off to some Parks & Recreation Coordinator killing your chance of ever working there? Right…Filmmaking should be given the same respect – producers talk and “black listing” is really just coming to a sound conclusion to avoid potential troubling issues be it a poor customer service vendor, an unprepared cast member or negative or unprofessional crew. Again…be a sail NOT an anchor.
Onto other updates
CHASING THE STAR
We talked about what is happening with “40 Nights” and obviously that will also benefit the other two films in THE QUEST TRILOGY. Met on Friday with Dennis Therrian our composer and sound design and he was thrilled by the new directions taken in this film. Bret Miller and Dennis Therrian came at the project from two different places but once they met in the middle – something beautiful happened. This is true artist collaboration at its best. It stems from RESPECT. Give it, to get it. Easy lesson but many cannot grasp it. The film is in sound design and VFX and the trailer is getting close. It’s really gripping and powerful and I’m excited for audiences to see it.
WILD FAITH
Footage is being organized and I have it on good word that the first few scenes are being assembled and it’s exciting. We’ll be preparing a sneak look for our new corporate partners. The direction of creating our series took a few major steps forward. NOTE: It would be about a four-month commitment of time to produce ten shows. So we will see how this unfolds but what a great thing for Michigan if it happens. I’m so proud of the cast and crew.
THE ACTOR
The film that I acted in and helped with is making its debut at the AFM next week. If you’re a buyer looking for a cool NYC based action/thriller this film should be looked at for licensing. Look up Adler Entertainment and arrange a sit down.
Official Trailer
Post-Production and New Development work is underway. Stay tune for many new developments.
Be good to one another.
DJ
