New York Time Square – I’ve had success and setbacks. But taking a group of sailors/artists out to sea is always an adventure. Every great thing ever done started as an idea. I’ll tell you something that I see around me that I really like. And this kudos centers on my state of Michigan but extends beyond that. I see DOERS. I see people finishing. I see people reaching. I’m not a better artist. We’re all artists who either create or derive some pleasure from the art of others. Active is always more conditioned than observer. The football player will always be in more condition versus the watcher of football. The artists who stretches his imagination, cooperation and does will always be more conditioned than he/she that watches.
It is hard to make any movie. A bad movie requires lots of work. Try organizing four of your family or friends to go bowling. Scheduling. This happens because of passion and compensation. Being compensated for something you would do for free is golden as a goal. When someone is required for a lengthy stretch of time/days/weeks compensation with agreement is better than free even when you can get it. Bad cold. Flu. Fever. I’ve had it on sets before. But everyone of those artists is working towards the common goal. You take a vitamin C packet. Rest, best you can and wait to be called to set. People not fully committed can and do flake. But I carry a zero tolerance for that. Too much benefitting too many artists at stake. I’ve missed a grandma’s funeral being on set. She encouraged me all through my career, she can and did understand. It is a total commitment to process. I hear horror stories of crew attitudes and walk off’s. I’ve only dealt with those issues in the easiest of days where the rigor of “war/filming” can test everyone’s limits. We at CDI try to be a fertile creative ground to grow within. Not perfect but we strive individually and collectively. Negative folks can allow the positive flow to align them or they are removed from the circuit of energy.
I’ve recently seen a few debates between film producers I know and commercial crew members who dog his hiring practices. Both tried to argue their points while the negative slings and arrows flew. Producing commercials (production service) is very different than film production (investment). Again with said producers, I disagree with his model of business creatively and otherwise BUT he might also disagree with mine. I’m okay with that. I think that producers who produce for profit – narrative story in a VERY competitive field, are entitled to set an offer however they wish. I think compensating will draw more experience to the project. That in turn effects the timeliness, quality or both. But getting that experience is the catch 22 for crew and talent. Who is going to trust a 500k film on the back on a first time actor? How hard is it to land in the director or DP chair of a financier feature film? Sometimes these smaller projects help develop people for the path ahead. You can star in a story without the stress. You get to shoot a film versus being the clap board 2nd AC.
Some productions are in that middle ground because of budget. Yes. I’ve done 4 min automotive commercials with larger budgets than a feature film. Meetings, notes, tweaks…not as exciting as a narrative story. When you mix experience level the goal is to raise people up and not have it brought down. This requires the right leadership in the right place. All this? Maybe bowling would have been easier:) So if you’re making good money in commercial production don’t try to apply that to narrative filmmaking. LOYALTY is what brings crew into the bigger game. It is a two way street. They work to help tell a beautiful story with audience changing power. Those few filmmakers that grow are smart to take their team with them. Some producers do sell out and take this composer who did this or that…this designer is more…they worked on…TRUST ME on this one. Stay with the team that got you there. Now they might need to keep growing with the collective. Soldiers all gotta march. But if someone likes what you’ve built they should respect the builders.
I’ve had a strong week of film business mixed with good times with the new puppy Finn and family. I made beef jerky for the studio and worked on dehydrated apples now. This week I’m going to rack the GRAPE APE wine to the secondary. I put a deer worth of venison into the freezer. Wood cutting for the office stove will continue this week. Let’s do some bullet point film updates.
- The Christ Slayer artwork is just truly beautiful. We’ll be announcing Feb streaming purchase, March DVD, April EVENT SHOWINGS on the big screen across the country. Post work is full steam ahead for the next couple weeks.
- Wild Faith artwork for the theatrical and DVD has begun. Wild Faith will be hitting theaters across the US in 3/1/19, TV cable 4/1/19, digital purchase 5/6/19, DVD 5/27/19
- MBF is now re-focused on the film edit and we’re working to have a first cut by end of the year. The trailer has been getting a great response. Please follow our Facebook site and watch the trailer. https://www.facebook.com/pg/MBFthemovie/videos/
- Tis the season and feel free to take a watch on our other films. FORTY NIGHTS and CHASING THE STAR are the two previous films in The Quest Trilogy.
- LOST HEART is slowly moving down the tracks and will start to pick up steam 1st of the year. Stay tune for more opportunities. Also follow http://www.cdiproductions.com
Okay. It’s time to cap off the hot hazelnut coffee. Make some breakfast and get ready for a good day. Yesterday we went up North for a belated Thanksgiving fest and today is a family bday party. Go Lions!
It has been a week of just beautiful days in Michigan. I was able to enclose my wood shed in with logs from the recently fallen tree. I also took the axe to the older logs and so the stockpile for the office wood stove is growing. I want to welcome our new readers from Ireland and Japan. That is what I love about this blog. Artists, perhaps filmmakers but united here by passion. Invite someone you know to share with us.
Now last week was an unexpected loss of a mentor (Rance Howard) and to all those who reached out – thank you. I’m at a loss of exact words but we met over storytelling on Miracle at Sage Creek and that relationship took us through many stories. I will miss sitting on the patio in Yuma, AZ having a nice Mexican food lunch and just talking.
On set “Forty Nights” with Judy & Rance Howard and T (Tony Hornus)
With my experience I find myself being a mentor more often and losing my own mentors. What a man Rance was working right up until his passing. Bill McKinney (Deliverance) was the same way having filmed 2 weeks before he passed away. I don’t think you retire from being an artist. I am sad that I won’t be able to get Rance’s feedback on The Christ Slayer film. He was so excited about the final chapter of our trilogy. It was a major accomplishment and he loved playing the Devil. He also loved that we took an honest look at the ‘being’ and relationship he shared with others, Jesus in particular. But he will be looking down and I hope he is proud.
The Howard boys several years ago –
I do look forward to working with Clint one day and perhaps Ron and sharing some of the great conversations I had over the years with Rance about his family. I will be sending a nice note to both of them with the trilogy once Part 3 is done and released.
The Christ Slayer is locking up the VFX and edit and preparing to move into post music and sound design with the amazing Dennis Therrian who will once again compose the heart and soul into the story. The first official director’s poster is about to be completed. Also once we hit the new year the PR on TCS will pick up. Right now it’s all Forty Nights and Chasing the Star. They have been doing great over at Amazon and our other fine rental/retailers. Family 7 TV network in the Netherlands will be showing Chasing the Star and soon after I expect Forty Nights. Also I saw some promotional give aways for Chasing the Star to celebrate the release into the United Kingdom. Forty Nights should also be joining our friends in the UK. This time next year all three will be released! Also Chasing the Star will be playing on the big screen in Bedias, Texas at Miller’s Theatre I believe on Dec 7th. I’m very happy about all the developments on these films.
These two knuckleheads from ‘Wild Faith’
Wild Faith – the end credits are almost done. The VFX work is all in and the audio is being tweaked around it while color correction takes place. We did paperwork on all this at week’s end and so if a short time we’ll have all that complete. We will have a finished film VERY SOON. Before the end of the year – Merry Christmas to all of us.
This month we also did some work on other properties to boost them back into the marketplace. ASHES OF EDEN has a few options/offers to rejoin the market. We’ll be making a decision on that this week. A child’s animated feature THE PATCHWORK GIRL OF OZ will be releasing back into the marketplace and FIGURE IN THE FOREST is making a few moves. Our bridge into India is also underway and soon I should have news to report there. In 2018 we will have that bridge open. Many more deals will be put into play.
Where ideas are born…
This week will be several meetings as we bring 2017 to an end. I’m going to cut this short as we’re taking the mom’s to a beautiful turn of the century house for a Christmas event this afternoon. I hope you all get to spend some quality time with your loved ones. Our development work on MBF continues and we plan to move into full preproduction at the end of January 2018.
Be good to one another!
For the first time in many moons I have missed my Saturday blog. We are filming “40 Nights” a biblical era drama in Yuma, AZ. It has been a wonderful shoot but also a taxing one to my body. Shooting up in the mountains on uneven ground wearing sandals. Temps that peak around 90 degrees mid day and lots of dialogue to put forth in character. I’ve been behind on PR releases that are prepared and ready to roll out. I’ve had day after day of great scenes working with friends old and new. Here is the new .com website for the film
We will be announcing the distribution for this film very soon. We had multi companies wanting this movie and we settled on the deal we wanted. We’re excited about everything surrounding the project. The movie is slated for a 2015 release.
The post on BESTSELLER is finishing up for its May premiere. It looks as if we’re going to have additional ASHES OF EDEN theatrical showings in AZ before the national home video release in May.
Lots of new developments on releases and upcoming projects but I have to wait for the PR releases to fully announce. So I’m going to hop off here and jump onto those releases. One more week to go on this project with lots of talented artists participating.
Keep clawing your way to the middle:)
Hello friend, fans, peers and lovers of the artistic journey. It has been cold in Michigan with an early snow and now icy rain is joining the party. Thankfully the coffee is brewing and I’m cozy and ready to share some of the updates and stories from the week. My weeks are often filled with success and setbacks and I think we all have that. Patience is also another quality that takes time to master. I’ve often described it as the difference between a pulse and a ray. A ray requires a steady stream of focus and it drains from the source over time. In the simplified example, “The watched pot never boils”. Now the pulse is putting the focused energy into a focused action and letting it go. If you submit your script, resume, project or whatever to an opportunity – do so and let it go. If it consumes your every thought very little will get done on other fronts. If fate doesn’t make that opportunity happen you have to deal with the rejection or deal just not working out. (I like to adopt the mentality that I will do what I was meant to do) Also you have to rebuild some momentum from zero. But if you are always creating new opportunities you get a constant flow of pulses going. I adopted the idea of taking one positive action a day to further my goals. That has now grown into a day full of positive things done but the returns are real. The opportunities that don’t work out are always balanced out by several things to do work out. Each week it is hard to be disappointed about something that did not happen when so much good did happen. Once you get this flow going it is hard to stop. Honestly only health issues can halt this flow and that is why it is important to spend time to maintain yourself. If you adopt these ideas as your own you will notice major improvements.
I’ve had some great talks this week with motivated individuals doing some great things. Jon Osman, is the director of “The Terrorist” and he is a driven man. You have to be to create feature film. It is even more effort to create good content. It is all about your associations and collaborations. Now he has had his success and setbacks but in the end he will stand tall. That is just how he is and I’m interested to see what he creates beyond this. I’m excited that we will see our collaboration come out in 2015. Some will want to get ahead by taking the low road but I can tell you that while the high road may take longer, the journey will be better.
I’m disappointed often in people’s actions. People who lie in business. People who hoard credit. People who don’t take self accountability. People who are unprepared. People who oversell their abilities.
I often get treated respectfully because I give respect and if you are going to share my space I expect respect. But I do base a lot of my character judgement upon how people treat other people. How does that director speak to that product assistant? How does an actor treat the crew and vice versa? I’ve seen overblown egos in action. It often covers up weakness. I’ve seen the dudes wearing sunglasses inside at night. I’ve seen the girls who expect diva treatment. Weak. Weak. Excessive self E pic = weakness. I’m not sure people really look at why they do certain things. Compulsion? I know people who react the same way in every alike circumstance. They have to twist and make themselves inclusive to a discussion in some way. They wait for someone to stop talking so they can speak. It is like bad acting. They are waiting for a cue to start talking but they have listened and heard nothing. I’ve had weakness in my life and I’m sure I still do. But I live by KNOW THYSELF. I seek to know why I do certain things and if it’s healthy for me? Look at your actions and see if you can become stronger in character.
I had a situation I addressed whereas on a project (Not mine) a mistake was made. I actually saw lots of mistakes while participating but I always look at experiences as learning. I see things right or wrong and incorporate that into my own operations. I do admit I see more wrong than right but that is not always the case. It is a good case example of a project that will be the sum of its parts. All the artists involved will affect the final product. That is why I’m very picky. Now you will give opportunities to someone and they will rise or fall pending their passion and dedication. On this one project I noted how a few artists had been attributed to failure on another project. I was met with a somewhat defensive, even noble defending of their character. I wasn’t passing judgement on character but on empirical evidence. We can choose to not discuss previous actions as someone might rather not hear others shortcomings. That is fine. But they still exist. I use this info in making decisions to create better teams of artists. So this information was not shared and these elements/variables were highly praised and defended as vital in their creative process. Out of respect – I let this topic go but upon viewing the final results – I will stick with my original assessment. In a totally unrelated conversation I told someone – if you keep using the same variables in your equation don’t be surprised when you keep getting the same results. If you’re happy with that equation and results – great. But if you’re not – you need to look at changing variables to get different results. None of it for me is personal. It is my work. It’s no different from when I was coaching a team. Setting goals and having individuals strive to achieve them is no different from when I taught martial arts. Filmmaking is a team dynamic whereas individual artistic ability is blended with others to achieve a goal in storytelling. A film will always be as good as a sum of all its parts.
As we discussed – if you are going to DO you might as well try to do the very best you can. Pride in craftsmanship is something we should all strive for. As we know much of art is subjective but side by side quality often becomes clear. We all have had those moments of frustration – I recall more than one time on ASHES OF EDEN a computer may have warranted an Elvis treatment. He was rumored to have gotten mad and shot out a TV. I guess he could easily afford a new one:) In those moments where you are tempted to say, GOOD ENOUGH. It is those people who suck it up and say, NO. LET’S DO THIS RIGHT. That is what will define character and elevate others to a new level. Get a team full of people like that and you’re end quality will soar. These lessons seem more common sense versus some mystic wisdom but it is funny who it often eludes people. Note that most of the talk here is about the SHOW vs the BIZ. I often talk on the BIZ as many lack that but the SHOW is often the fun part. It is those trying times where it is NOT fun. Example – Ugg! Those lights are in the truck parked down the road and it is snowing. Do you A) Try to bounce some natural light and get an acceptable shot. B) Walk your ass and get those lights. I have people who will often say, “I GOT IT” and they are off. But many will just wing it and when the shot comes out uninspired – well? This can be said about Art Direction, Camera moves and about every position. It might be a pain in the ass to get a small genny up so coffee can be made but how much more productive is a crew with hot coffee in the cold? It might be the thing that makes that person run and go get the light from the truck versus just shoot it as is. It is why passion is so important to our crews. If it is just a job go work elsewhere and make better money and easier work for sure. People who think filmmaking isn’t hard work they just don’t know.
OK onto some UPDATES!
ASHES OF EDEN – This is prepping for our early 2015 release. Very excited to share this film. I’m proud of the craftsmanship.
WICKED SPRING is getting a 2015 Special Edition release. More official PR soon!
DONORS just signed a domestic deal for 2015! More official PR soon!
KNIGHT CHILLS novel for 2015 to go with a new release. A sequel? Maybe:)
IN THE WOODS – 15th anniversary release starting with the UK
THE TERRORIST – Final post work for a 2015 release!
BESTSELLER – Post work is moving good. We expect an early 2015 premiere and theatrical run. Some good early interest!
WASTELAND: Tales of the Desert – This film is in Pre-Production and will shoot the 1st part of this collection of Sci Fi/Western stories in December.
Foreign sales talks are underway and I’m excited to get many of our films to new audiences.
Development on several films are in full swing. We’re excited to be announcing some of these as they move into pre-production but you all will just have to wait:) One reason is because the in boxes get slammed with submissions as soon as word gets out on a new film.
OK. I’m going to get some things done before watching MSU play some snow football this afternoon.
Have a great weekend and even better week!