Hello my friends joining us here. I see new readers last week from Australia, Sweden and India. Hazelnut coffee cheers my friends. We are well into December and the temps here in Michigan have gotten cold. Our Detroit Lions had a heck of a game on Thursday that gave us yet another victory which is nice. We are moving along on editing our most recent WILD FAITH CHRISTMAS adventure. Shane Hagedorn is doing the editing and we have to be about 20 minutes or so into the edit. In the film I felt very comfortable playing trapper Ben Lily. Even though it is 1880 Ben represents a man trying to maintain a place in a quickly changing world. In his world electricity will soon take over the oil lamps and motor cars will start to replace horses. Give Ben a good pistol, knife and horse and he was a happy man. It’s funny that the cycles seem to repeat for every generation.
(The book and audio book series)
GENERATION – I just completed the last narration for the audio book series FOR GENERATIONS TO COME by Ronnie Lee. Some of the books and soon the audio books will be available on Amazon. I’ve enjoyed the read that also gives us a peek into the changing of lives throughout the generations. I could really relate but we all can actually. Things from my childhood in the 70’s are now in the Henry Ford Museum.
(At the studio reviewing Harsens Island Revenge)
We had a great session out in the pine studio where Harsens Island Revenge has been having the sound design and musical score done. It’s our 1920’s bootlegging movie based on the book by Karl Manke. We watched the film with all the VFX, sound and music laid in. We saw a few spots that still need mixing and our director is still tweaking the color correction. As I watched all these things underway I was in awe of the technology. It’s funny that some might assume that because I’m a filmmaker that I’m a tech-head which could be nothing further from the truth. My first computer experience in the 70’s was on a TSR-80 that you loaded with a tape player. I played a few games off floppy disks with our family COMMODORE 64 but never learned any programming. I watched others use all these programs to edit, color correct, sound design and compose music and I shake my head at me taking 30 min just to try and change my Facebook Marketplace location to Lansing after somehow getting stuck on a Florida city location. My script writing software MOVIE MAGIC is the first software I was gifted in the 90’s and I’ve stayed with it my entire life. I don’t know all the in’s and out’s but I can make it work. I’ve never made a website and I still can’t wrap my head around file sizes. Anybody else like that out there?
(Post Supervisor Dennis Therrian amazes me by all he can do and do it with excellence!)
This blog is one of the most tech things I do weekly and I still mess it up often knowing maybe half the functions. I’ve never used EXEL to calculate, for me it’s like old school graph paper. My team has gotten me to a basic level of google use but still I have to have links sent to me all the time. I’m just trying to make it another 30 years if I’m lucky without being swallowed up by a wave of technology. Now AI is entering the game and that is cool if it means in 5 years I can have an R2D2 * unit. (*Star Wars reference) Talking with my attorney this week I’ll eventually I’ll have to move check writing over to auto check writing but as of now I still write hundreds of checks roughly twice a year. Great talk with another friend and his success with crypto. I’m not big into digital and I don’t own any crypto or digital currency and don’t plan to. Nothing against it, I guess I just like to keep it simple. With the editing and the mastering of these film projects using such complex and interesting software it brought these thoughts to the surface. I know I’m not the only one who can’t navigate these complex programs. I can’t even log in properly to my AARP account. I wish I could edit so I could update my actor reels. It has been many films ago since I’ve put anything together. I have played on Instagram making a few reels with music and a few fancy filters and that feels like a success. Check out CDI and my instagram accounts officialdjperry is mine and tribecdi is the company. I really don’t use social stuff except to promote movie stuff daily and keep up with a few friends and relatives. It does help with birthdays! So I wanted those of you out there struggling to keep up with tech to know you aren’t alone. I see others older than I struggle even more although some have a real knack for it all. I still do best with a yellow legal pad, a good pen and a phone that I know how to mostly operate. I’m already several models behind on my phone. As soon as I learn something they change it. Let’s do a summary TOP TEN on updates!
KNIGHT CHILLS plays again in Brooklyn NY at The Spectacle Theater today at 5pm and again Dec 11th (10pm), Dec 14th (Midnight!) and Dec 17th (10pm). On Amazon you can buy the novel. The Blu Ray is for sale also and on 1/31/25 it will start streaming!
As noted I finished my narration for the last book in the series FOR GENERATIONS TO COME by Ronnie Lee. Look it up it is very interesting!
SILENT NIGHT IN ALGONA our WW2 Christmas drama is playing select theaters in Iowa but started the Algona run this week. It plays until the 12th unless they extend it. It’s also available to stream or on DVD via Amazon. I got some beautiful feedback from folks that had watched it on the big and small screen. We have started a tradition in Iowa and I hope on TV and streaming it becomes one of your traditions.
I noted that the Harsens Island Revenge screening went beyond great. We need to fix a few credits and do some mixing but it is almost ready for prime time. It really is epic and had some jumping out of their seats with the opening action. We are soon to start working on setting up the Q1 premieres and theatrical runs.
WILD FAITH CHRISTMAS which as noted above is 20+ minutes into the edit. It’s looking to move into music and sound design in Feb with Nov 1st being our targeted theatrical release goal. The excitement surrounding this film is carrying over as many are going to watch the original. Both are going to be beautiful, heartwarming stories that will highlight the best in humanity.
December 15th will be the re-release of the HD version of AN ORDINARY KILLER to streaming. Based upon a true tragedy it highlights the dedicated police work over several generations.
We’ve been doing some final casting on what will be the first directed feature by Travis Hayward and DP by John McGraw! Once that is locked down we’ll start looking at a schedule in Jan/Feb 2025.
I have two other features being developed and evaluated to go into funding mode. Both are very exciting projects and will be great additions to the CDI family of films. One is a period comedy and the other a historical drama.
I’m also lining up a few writing projects for the winter season. When it’s cold and icy nothing like a hot coffee or tea and sitting down to pull from my imagination.
(The view from the post production studio)
WRAP UP: This season has started with much joy. I’ve had a few great reunions with family, friends and our producers reviewing upcoming projects. These projects fill my days and I’m very grateful to be able to do this line of work. When not working on these projects I’m doing general upkeep and organizing. I’ve been turning some of the harvested herbs into oils and tinctures. The most recent was BEE BALM oil. It is good for the skin and any rashes, bug bites and such. I’ve been enjoying SAGE and MINT tea that I harvested. Sometimes I feel I was meant to be born in a more simple time. Maybe the extent of my storytelling years ago would have been around a campfire or maybe on some vaudeville stage. But I was born into this age and I love how many people get to enjoy our collective stories. Our industry is hard. If I was born into the tech world like our youth maybe my actor materials would be stronger because I would be better at doing all this uploads, downloads and such. I’m content to just do what I can do and have faith that I’ll participate in the stories I’m meant to. I no longer yearn for huge projects in far away places. I’m content telling powerful, modest stories with my friends. That’s how it all started back in the day with the VHS camcorder and boom box for the soundtrack. Behind me are the days of shooting on film. A wonderful but stressful tradition I was proud to be part of. And now I do what I’m good at- writing, organizing/managing and becoming. You can’t be great at everything. I just ask people to have patience with me and thankfully my team does. I’m just an old TSR-80 Moving down the Oregon Trail🙂
Hazelnut coffee cheers! I want to once again welcome all our readers worldwide to our short visit. I’ve had numerous business endeavors underway. What I’m facing is one of the most busy release seasons CDI has had in a while. So far this year we’ve seen the home video release of BESTSELLER (NEW review here – https://www.joblo.com/bestseller-review/), BEST YEARS GONE, about to play another event in Cleveland Ohio next weekend. The event is the 27th Indie Gathering International Film Festival and our film is an award winner. We’ve also been nominated for BEST ACTOR (your’s truly) and BEST CINEMATOGRAPHY (Travis Hayward).
Last weekend our concept short SMOKE & MIRRORS played the Motor City Nightmares in Novi, Michigan. The feature-length doc FOR THE LOVE OF CATCH will premiere October 1st in Owosso, MI likely at the NCG theatre before the wide Oct 4th home video release to DVD and streaming. Our WW2 Christmas drama, SILENT NIGHT IN ALGONA just moved into music and sound design. We’re working towards a December 10th premiere in Algona, Iowa followed by a midwest theatrical run. Several of these will have members of our team in attendance and we still might be announcing a few more events. All these positive things pose issues with shooting a fall film.
With five films rolling out and there is a lot of work between all these releases. The question is pertaining to our upcoming slate of films. I’m mostly talking the development of HOT ROD LOVE. We’re still in talks about major locations and we still have investors to bring on-board. We’ve got set time-lines to meet with all these tasks in order to film this year. The issue is that next year might be already full of projects, but HOT ROD LOVE could possibly move to the other side of winter. I’m ready and wanting to film but we’ve got so much business around these film roll outs. It might be better to focus on the releases first and start clean in the near year. Our producers will have some important decisions to make in the coming weeks but it’s all good. But these are the things I deal with. My personal goals usually take a back seat to the TribeCDI needs, and I don’t mind. We’re seeing the success of the other CDI films, as our audience circles grow. I’m excited about the future of all these projects and proud of the artists and supporters who made them happen.
THOUGHTS/ADVICE – At least twice in my film news watching, I saw posts that I almost commented on but I don’t engage on walls. Sometimes, I’ll direct message but I don’t ever post to get attention save purposeful PR posts. I’ve seen people take film jobs only to complain about them on social media. Often broadcasting blunders like being late or just complaining in general with some weak justification. This doesn’t encourage hiring or rehiring. I get it. Movies are hard to make. Our journey is not for everyone. On the indie level where many of us live and create, it can be even harder. If you find yourself overly unhappy in filmmaking, consider something else.
Paying your dues is real. I’ve seen discouraged actors unhappy with paying their dues, threaten to quit. People often will rush to try and support them, but the truth is many who get ahead do so on persistence where others fall. Success is often built upon other people failing and quitting. The “Oregon Trail” of actors and filmmakers. Climbing atop the bodies of the fallen to get higher. Every major acting hub has the “actors ghettos” where failed birds of a feather flock together to complain about their stagnation and set backs. Usually they have many other people and things to blame. While I have talent, I also earned, often via sacrifice, the ability to develop my talents. I’ve outworked many people and continue to do so today. I tip my hat to the others also fighting for their art but the harsh truth is, if you don’t have persistence, you will likely fail. Success in this business needs a severe dedication and that is not for everyone.
Lot’s of interviews, reviews and PR releases ahead on the slew of projects coming to or now in the marketplace. If you have any of these podcasts, fanzines and whatnot and wish to interview any of our folks reach out. If you’ve streamed and seen any of the films please do review on the film’s IMDB.com page or the platform page like Amazon Prime. We’ve got a few cool ones lined up and I’m sure we’ll do more. Maybe even a few more fun video PR releases like we did with BEST YEARS GONE. Next up will be several of the CDI team going to Ohio next weekend. I will note that I’m looking forward to seeing ASH & BONE written by Bret Miller (Chasing the Star) and produced by a product outfit outta Detroit led by Harley Wallen. I’ve had the pleasure of sitting down with him on a few occasions and I look forward to celebrating with him and his team. Erika Hoveland, co-stars in both the films and so that has to be exciting for her. ASH & BONE, plays shortly after our own film and it’s great to have two Michigan film companies represented. Their projects keep getting stronger, much like our own, because they keep earning the opportunity to grow. Did I mention persistence? It is key. We’ll be celebrating soon. My team is on me about savoring and enjoying the wins. To stop always jumping right back into the TO DO and take a few moments to appreciate the HAVE DONE’S. They are right and I will work to get better at it. I also don’t always like the spotlight only on me. I know that the direction, my co-stars, the camera work, the music and the value of having flowing coffee on cold nights- all played into me being able to BECOME the role. But I am appreciative and I’ll take the time to soak in it for a few moments. We all have things to work on.
MORE MISC UPDATES & BIZ
I’m about to start work on book 8 of an audio book series this week. That is always fun because it’s just me and my coffee. After last weeks soccer match win our team has one more game before playoffs. We earned our solid 2nd place and we hope to make it to the finals and beat the one team who has beat us twice. Our chickens are doing great. The garden plants have taken off. The hops are massive this year. I might try to finally bottle the FRANKENBERRY wine just in time for fall. I also have everything for a new beer run- yes I make beer and wine.
I’m looking to seal up some paperwork on another script writing/producing project very soon. Maybe even this week but these things often happen in their own time not our desired time. But I’ve been gathering research material in prep of this next writing endeavor. I’m very excited about the subject matter but will wait until the ink is dry to talk about it.
I’ve also been prepping some of the past CDI films for streaming and home video release next year with our friends at BMG/Deskpop Entertainment. That is always a task when added onto all the other things we’ve got in motion. But it will all get done. We chip away. We take a few more steps. Success is a process. And with that final nugget of wisdom, I’m going to say goodbye until next week. I will be getting back to Michigan late on Sunday next week so I’ll be posting next week on MONDAY. I’ll be reporting fresh from the Ohio Indie Gathering, which will be fun. I have a memorial today for a friend who passed and after I will be spending time with some family and friends. Appreciate your family and friends and live each day as full as you can. Until next week, coffee cheers!
“Making movies requires faith in yourself, your team and something higher”
I’m sipping Michigan Cherry coffee this morning and trying to wrangle cats over here. Anyone who says producing is easy is lying. We might make it look easy at CDI but it isn’t. Well the raising of funds isn’t. We have a good deal of funds committed to our next film endeavor LOST HEART but we have a little to go. It is hard because you cannot just advertise that you are looking for investors in violation of SEC laws which most filmmakers are unaware of. Also getting investors to understand the timelines and how you’re trying to make windows work. In Yuma, AZ it was the desert and the fact that past a certain point it was 100-120 degrees. In Michigan shooting especially up North its dancing around Memorial weekend and the 4th of July weekend. The schedule of stars and key elements required. I am eager for the studio production deal. I have a few that are in talks and that would essentially have us producing with studio money whereas they own the copyright. I’m game for that if it means not having to slog through the funding process every time.
“The payoff for all those painful, stressful times can be immense”
EVERY independent filmmaker knows this issue. 99% of the contact with filmmakers is that have an idea, maybe a script but not the funds. They film on spec, they attend a slew of festivals in hopes of enticing that distribution deal. I use to do all that and it is hard. The festival trail is the Oregon Trail of indie film and the trail is littered with the bones and buried bodies of artists who had big dreams. I’ve made it to the middle of the pack whereas no more festivals required to lure the distribution deals. But the next step is even more exciting and we are getting close. But that said, it is still hard.
“Development can be draining but it is the foundation to every film story told”
I’ve learned to look at a story in a deeper spiritual way – that it will be what it was meant to be. The artists that were meant to be involved will be. If someone steps out of the flow that creates an amazing opportunity for new artists. I’ve been the replacement actor before. I like to keep teams of artists growing and evolving but again it is hard to launch a project. We do it often but every one of them has been a task, painful at times. I have joked on the last few projects at the hardest times, that I should just tend bar at the Moose Lodge down the road. I have some great stories that I could share for years with the patrons playing KENO and sipping suds.
“The beauty of Michigan will be on full display in LOST HEART”
LOST HEART will either shoot in May or July and I will know Tuesday by how the chips fall. The key is once you have enough fuel/funds that you also have enough prep time. We’ve done a lot of ground work but you are limited until you can make hard offers. I will be opening the bank account as now we have all our paperwork around. Our committed funds will start flowing in this week and the ship is getting prepped to travel. BMG will once again be distributing so no shopping of the film required. We have a small handful of roles to finalize but cast and crew will be approached once our film dates are set. I’ve talked to some of you and I look forward to creating with you. The point is lots of work go into the launch so appreciate that next time you are sailing along making a film. OK. I will hold off on retiring to the Moose Lodge to bartend:)
“Wild Faith is worth a trip into town, don’t forget to water your horse”
WILD FAITH – Thank you Grand Rapids and Biloxi, Mississippi for the cinema run. I’m told West VA might be the next place that our western can be seen on myCinema’s roll out. That film will start to appear for pre-order DVD on various sites. Here are just a few
Moving towards Easter we have a few films to talk about but this was a neat discovery. The film I helped produce and costarred in years ago BOOK OF RUTH, Journey of Faith is in one of my favorite midwest chains – Meijer. A good time to pick up a copy for your DJ Perry collection:) I saw it right over on Lake Lansing yesterday when picking up some ink.
“Dan Haggerty and I on Book of Ruth, RIP my ole friend”
Our Easter film THE CHRIST SLAYER is heading to select theaters with myCinemaon April 19th. If the big screen is not your thing or getting out and about is hard, you can rent/buy on digital streaming or DVD now on various sites.
It looks like Biloxi, Mississippi will also be playing THE CHRIST SLAYER on the big screen starting April 15th. I’m sure tickets will start selling soon. (See Below)
We hope the film is made available to many more of you. Contact your theater and have them book via MyCinema!
If you are going to Easter treat yourself and your family by watching The Christ Slayer you might as well watch FORTY NIGHTS and CHASING THE STAR also. Again a great review of THE QUEST TRILOGY which includes all three films.
The Quest Trilogy Review
w.truemythmedia.com/articles/thequesttrilogy
MBF – dialog clean up is underway with the audio master Tricky T:) I’m really excited about this film because of the topics and messages within. VFX and color correction will be up next for the visual team. Follow us at –
I’m going to close here. it was a great week of business and getting things cleaned up about the yard. I’m ready for the snow to say its final goodbye. Today my college MSU has a big game so I’ll likely be watching that. Good green! Keep chipping away at your goals and dreams. If it was easy everyone would do it. Talk at you next week.
Again Michigan is covered in a blanket of white snow. I know that many of you are from various parts of the world. Welcome readers from S. Korea and Burma. How wonderful that all these artistic people have found our little corner of the internet. My hazelnut coffee is going down easy and I’ve got a list of updates on several of the projects. This morning I did take a stroll through the Facebook which has kind of replaced the newspaper sadly. I usually find science articles to read and enjoy certain animal posts that highlight how intelligent and soulful animals truly are. Where to begin?
I commented on a fellow filmmaker’s vent this morning. In short – a disdain for people who have more resources or who falsely claim experience. It’s a problem but one that usually works itself out. We use to lovingly refer to it as The Oregon Trail. For us older people it was a TSR-80 game. But in real history it was a rugged journey that resulted in many dying and being buried along the Oregon Trail. We use that saying to describe the many in our business who perished along the trail.
Many people have long-wondered what the “trick” is at CDI to producing their content. First, there is no trick. It is a logical checklist of work that must be done in a particular order. You can refine that over time but this takes an effort. Good management of people is something that you cannot buy for yourself. There is no piece of equipment you can purchase that will motivate good work flow. Some of the secrets, if you wanna call it that are…
Hire artists firsts not friends – you can become friends (True definition not Facebook’s) through shared art, dependability, accountability and positive collaboration. But to assign/hire someone unqualified for a crew or cast role out of friendship hurts the collective endeavor and often the friendship. Don’t set people up to fail. Don’t let preventable failure lower the quality of your projects or worse yet – kill it. I think for young filmmakers that is where these 48 hour film challenge things help. With a youthful generation of highly creative, technology-adept youths INTERPERSONAL COMMUNICATION is a learned skill. It is easy to be disrespectful, behind a computer. But these comments in the real world to a real person, can get you kung fu’d, fired or create a poison in an otherwise productive creative atmosphere.
Chiefs. I’m talking to company owners. I’m talking to producers, director and keys. You all set the tone for the environment. Define the roles ahead of time. Don’t figure it out as you go. Producers have months or years of development work before any camera roll – use it. Creative MUST respect the Business machine and the business must respect the artistic contributions that will elevate it above being a mere formula genre film. Only strong leadership can walk this balance between the two and enforce this kind of collaboration. NEED vs WANT…KNOW the DIFFERENCE.
Follow Through – this means the same in micro as in macro – for anyone in the chain of execution. You NEED people with follow through or they’re simply a negative – excuses not withstanding. It does not matter what the creative potential of an individual is if they’re not able to follow through. This should always disqualify/limit a person from leadership. Now you can put creative slackers under a disciplined key so they can be exposed and maybe learn from leadership. Ego will sometimes make them reject the chain of command if they feel they are a superior artist. The best artist in our world has follow through and a “best effort” positive attitude. Again, the best artist is not always JUST the best artist but the best artist with follow through. If a creative caterer made half a crew lunch = fail. Someone at go time had collected only half the props = fail. Wrong instructions as to where to park support vehicles = fail. Hundreds of things a day can cause strife on a film set if your team is not properly prepared. Be prepared.
Help is not weakness – many people have not learned the many important lessons from managing projects of various sizes and budgets. People need to know when to say NO or to seek out and hire the proper experience. But either greed or fear of loss of power, causes many to sell themselves onto projects that they are truly unqualified for. F- YOU DJ! YOU GOTTA START SOMEWHERE! Okay. Settle down, I hear you:) Now in the beginning, I might have been one of those people. But, I did qualify as a doer of many other things. Some of these things small and some large in other areas of my life. I have always been someone who has a natural drive to GET IT DONE if I’m behind something. Investors saw that eye of the tiger in me. Investor interest seldom comes from a fancy fluff package or a regurgitation of business buzz words – more often that investor see’s or feels something in you that was/is akin to his own inner fire.
OK. I need to save a little wisdom:) But I try to keep a pulse on this Michigan film community. I see positives and negatives. Michigan has always fought the ‘backwoods’ mentality given to us by Hollywood. Funny thing is much of the Hollywood elite is midwestern. But I will say that I see improvements. Tax incentives gone – my opinion – it never should have been about drawing work to Michigan but development of work from within Michigan. But it did help legitimize filmmaking as an acceptable title here in Michigan. Ask old-timers and MI filmmakers from the 80’s and 90’s, about being called a filmmaker. It was like telling your family you want to be an astronaut. It was usually met with a sideways stare and a loss of words.
Now people don’t sideways stare at me they simply want to know when the next film releases. They tell me they have young children interested in filmmaking. It’s great to see the parent support of these young dreamers. I burned out on festivals a decade ago but I respect all the great festivals our state has to showcase, network and nurture our creatives. I watch the yearly migration to the west coast where people learn that the increase in opportunities is usually matched by the increase in applicants. But many have to experience it. I will be out there for a week on some business this month. I’m looking forward to seeing some friends and associates. Oh, and the sun. But after a few I must return home. Home is Michigan.
Shane Hagedorn’s big shoulders to carry his first feature
WILD FAITH
We master the film off this week and I’ve got some meetings coming up over home video/foreign. The TV series is something that I’ve been aggressively chasing. I think it would be great for Michigan. I know a few other TV series working to get traction. How great would it be to have a string of TV shows happening. We’ve also been hard at work on securing theaters. We’ll be announcing soon as several deals are almost done. I do truly love the genre and I think it would be great to see weekly as a show. Once you watch the movie let me know.
WICKED SPRING
If you cannot wait and need a fix of 1800’s action/drama our Civil War film “Wicked Spring” is getting a re-release 16 years later. 18 years from when cameras first rolled. We shot the pre-war and war stuff in two separate shoots and areas. I’m waiting for the streaming link to go live on amazon. 2/5/18 is supposed to be digital release date. DVD’s on 3/5/18. Here is the new cover that the distributor settled on. It has one of my favorite pics from the shoot and it is of Anthony Hornus, who played the Union commander. Also that’s Michigan’s Brad Egan front and center marching forth.
Look for this cover that has the remastered film. Also the DVD includes a 45 min Making of that is a wonderful look back at producing 18 years ago. Please do take a watch.
Forty Nights and Chasing the Star are working into more platforms and networks. The push will start for Easter sales. I’m excited that the poster and movie trailer for The Christ Slayer part 3 is almost done. As if the excitement of “Wild Faith” wasn’t enough this first full trailer will allow BMG to start promotions. It is amazing the scope of it all and it brings the greater story of the trilogy together and answers many questions.
SIDE NOTE: Forty Nights is part one and if you don’t know I play Jesus. I’m over due on a few character reels but this one was hard. When you’re in about 70 min of a 88 min film or so and you are looking for 2-3 min sizzle it can prove to be…difficult. My actor/filmmaker buddy Shane Hagedorn knew I’ve been very busy the last few years working on the whole. He surprised me with a character reel of Jesus. I will be sharing that with you all in the coming days. I always ask that one good role just gets me one more. This will come in handy as I’ve got a few things in the works hence the LA trip.
ACTING
Many have asked me what’s next for me on-screen. As we’re always working on delay – this year you can watch me as mountain man Ben Lily in “Wild Faith” and reprising my role as Jesus in “The Christ Slayer” film. I’ve got some good film role options that I’m not at liberty to discuss. It might be the year that several development collaborations pop. I can say that the main focus for me is MBF. (Man’s Best Friend) We’ve accepted collaboration with a military non-profit http://www.theredwhiteandblueproject.org/ that has done some great things in the past for our soldiers. They want to off-set some of our military cast/crew costs and create an educational aspect. That aside we’re trying to complete financing on this project and we’re getting close. I am excited about this project and I think so will you once you find out more about it. Here is our social media site.