Good morning and Happy Memorial weekend from Michigan, USA. I want to wish everyone and memorable weekend with family and friends. I’ve been doing yard work that past week between all my film duties. In honor of the day let’s start our discussions with our film that has wounded military vets and adoption dogs at the heart of our story.
MBF: Man’s Best Friend
The film is now having music composed. I will be going in this week to do some Voice Over/Narration work. MyCinema has accepted MBF into their booking selection. That is followed by our home video roll-out by BMG. Here are a few of the upcoming release dates. Subject to change by the distributors but likely solid.
We will deliver the final film to our distributor on June 30th.
Public theatrical/TV cable release will be 8/1/19
Digital purchase 9/2/19
Digital Rental 10/28/19
It was enjoyable to watch the work-in-progress with sound design and dialog balanced. It really is a cool film and I promise will have people talking. I’m excited about the audiences who will get to see this film on the big and small screen. There are some amazing performance but some talented artists that I get to call friends and peers.
Official BTS of Man’s Best Friend here plus follow us on Facebook
Do your research. We get many communications on our films from fans and artists wishing to bridge with CDI. If you are really interested in a film or company, research it. We get questions submitted that put people in a bad light. If we just posted a promotional trailer with release dates and we get asked, “When does this film?” “Are you cast up?” – Umm…
Fans get more of an excuse but a simple google by even the most challenged computer users will often yield an immediate answer. Artists seeking work need to be even sharper in your communications because this IS often your first impression. “Do you make features?” “I don’t have a reel but can read something?” Yes. We make features. No reel equals limited experience. Get your game footage. Be prepared. Research. http://www.cdiproductions.com
Part of this might include watching product by the company just as a company will watch your game footage. BOOKED IT!!!!! Have you watched the previous work by this or that company? You might have beat out other talent but failed to vet out the company. Maybe you won the role because others vetted the project and…a polite pass. I know many of these postings are just to help the wounded artist’s ego that gets slammed by rejection on a regular basis. But I would rather have a good table read to scratch a creative itch versus performing in a poor production. Where you put your TIME will determine if you do this as a HOBBY or PROFESSION. You can work on your CRAFT with either path but they are very different. Explore this in your own thoughts. IF you want to work with CDI explore our recent releases – ASHES OF EDEN, BESTSELLER, FORTY NIGHTS, CHASING THE STAR, THE CHRIST SLAYER, WILD FAITH…trust me I do it when looking at working with someone. It saves time, energy and keeps your momentum forward.
WILD FAITH will be coming out for digital rental in June. I think the day after my bday, so on the 24th. DVD pre-sales are popping up like dandelions with the date being July 2nd I’m seeing the most. ADDITIONAL NOTE: These are being released through corporate distribution channels. I do not control every detail of this process. If a release date at a store changes by a week, I cannot do anything.
THE QUEST TRILOGY mentioned above – can all be found on Amazon. I’m curious to read some reviews from people who have seen all three films. I think now people are realizing – it is a TRILOGY. The films can be watched individually but together a better understanding will be granted. FORTY NIGHTS, CHASING THE STAR, THE CHRIST SLAYER – watch them together. I do want to host in our town a theatrical one day trilogy watch. Maybe for Christmas this year. I’m going to try and find out what foreign territories are getting our films. All of you on here represent over 80 countries. I would love for you to all enjoy our art.
LOST HEART – It looked for a while like director Jesse Low was going to get bucked from directing by life but alas he has climbed back in the saddle. Our director of photography is going to be Jesse Aragon who shot The Quest Trilogy and Wild Faith. We love to call him ‘Smooth’ for his camerawork. It will be nice to welcome him back into the state.
We had our 1st pre-production meeting since officially going into pre-pro mode. Cast and Crew spots are being discussed by departments. I have to say, I’m really proud of the developing artists (crew-wise) in the area. That is not to say, actor/artist wise but “back in the day” we always had more actors vs film crews. I think some of those traveling off will find that the equation of more opportunities in ratio to more people wanting that opportunity, makes things about even. So you might as well make a stand in the greatest state in the Union:) Where the mosquito is the state bird. The weather is…random.
The return of ‘Smooth’
Here is some real – many in this new day and age will seek the shortcut, the better market, the easier path. When Michigan was timber rich there was no easy path. Pioneers made their own path. R.E. Olds pioneer. Barry Gordy, pioneer. (The Last Dragon, Sho-Nuff) Two Men & A Truck and countless business empires built here. The MICHIGAN spirit is the spirit of a pioneering people. Build it here. Now some will say that certain people moved away with their success. NOTE THIS! Next time our state looks at injecting the film scene with policy look within first. Reward a company for years of business and keeping it at home. In-State film grants over incentives to outside projects or at least balance it. I saw great crew members driving vans and incredible actors being extras and drinking the juice. Possibility to learn and get a check – for sure. But the ceiling was your zip code. Ten groups given 500k each could do much for our community. Should outrages success find me – look for something like this to happen. It might not be via the State of Michigan but Collective Development Inc. is a Michigan company and wants to see development in Michigan.
OK. Back to LOST HEART:)
Rumors of Don Most joining “Lost Heart” – Inquiring Minds Want To Know!
Lodging an army is a task. Add a limited budget and summer availability and you have a challenge. We are luckily in a place where our locations are not confining so we’ll plant our lodging flag first and move out from around that.
We plan to start making official offers to our talent once the new schedule is set with our actor days. Some crew talks are underway and we’ll be working towards locking that up in the next couple weeks. We’ll work to conclude our final investors and sponsors that are supporting this film endeavor. Even a few good product placement talks whereas a brand will get millions of eyes upon it. If you have a service or good you are pushing and wish to purchase some marketing lets communicate.
I’m about to go prep for a day of grilling and chilling. Burgers and brats was the request for today. Also going to sip some PP&J beer from Elk Brewery in Grand Rapids, MI. They just might end up being a sponsor:) If you have not tried it, do. Kufner. I’m coming after you and your water brand:) Have a wonderful day and remember those that served.
Top of the morning to you all on this frosty, spring-like Michigan day. It is also St. Patrick’s Day and being that I’m largely Scot/Irish I’ll be toasting to your health today.
“May you have all the happiness
and luck that life can hold—
And at the end of all your rainbows
may you find a pot of gold.”
My college alumni team Michigan State University advances in their Big 10 Championship and will play U of M today. Go Green!
I also subbed in for the last indoor soccer game last week with my new team. Nice guys and I look forward to a fun season. It was good to run the engine hard and get those running legs working again.
(He WAS so small — about 50lbs and growing)
My little boy Finn is growing like a weed and giving us joy every day. Now the ice tundra is leaving us we can enjoy a lot more yard time. I especially enjoy the outdoor meetings at the fort that includes dart playing.
Today we will have the mother’s over for corn beef and cabbage and I’ll be drinking a few PB&J Porters from my friends at Elk Brewery in Grand Rapids, Michigan.
To the film updates…how about a TOP TEN for the BIG TEN tournament today.
(Mr. Trace Adkins)
- The cat is out of the bag (what a bad saying) Mr. Trace Adkins has joined our WILD FAITH movie endeavor. You can read about it here. https://www.prlog.org/12759600-country-music-stalwart-trace-adkins-joins-collective-development-incorporateds-wild-faith.html
- The first of the theatrical screenings announced in Grand Rapids, MI – Get your tickets here. This is remastered and should be a great viewing experience. https://celebrationcinema.com/film-info/woodland-mall/wild-faith
- May 6th is the WILD FAITH DVD release and I’m hearing in Walmart in June or July. Did I tell you how much I love the cover art? I do.
- We have just gotten word on The Christ Slayer that will be showing at the International Christian Film Festival. We’ve been nominated for 4 awards that we’ll PR this week. 1) Most Inspirational 2) Best Film 3) Best Director (Nathaniel Nose) and 4) Best Supporting Actress Melissa Anschutz – I’m super proud of our cast and crew. DVD and Streaming available now – in theaters starting April 19th.
- Upcoming director of LOST HEART Jesse Low and I are so close to a final script. I have a review once I finish this blog. It is really fun script – emotional and funny.
- LOST HEART Location scouting and vendor talks continue while our producers work to lock in the final investments. Northern Michigan is such a beautiful place. It will be great to have it in front of our cameras.
- Also with LOST HEART we’ll be announcing the addition of two knuckleheads to the cast, Mr. Shane Hagedorn and some guy, DJ Perry:) We’ll both be playing supporting players in this fine story.
- MBF: Man’s Best Friend has a locked picture edit and is moving into sound and music with Dennis Therrian. The story is really moving and I’m thrilled by the final story.
- Once MBF is moved over to sound the final VFX and Color Correction work will begin. Once that is complete we will cut a new trailer from the edited and color corrected footage.
- Last week I recorded two commercial voice over pieces. It went great and I hope the client is happy. I know the director was so we’ll see. Again, feel free to approach me with a project just come with an offer. This is not a hobby for me it is how we put bread on the table and wine in the glass. (Actually I make wine)
(Looking ahead to the new roles)
I’m going to wrap this up so I can refill the coffee cup and get to my LOST HEART review. Have a great end to your weekend. Be safe and have a productive week ahead.
Sunny Sunday in Michigan although it is beyond chilly and only going to get colder. I’m happy to be up and about after a week of being under the weather. I was sick with a touch of the stomach bug that was going around when I was finishing post work on THE CHRIST SLAYER. A week of healthy and I got hit with a come and go fever riding with a head cold. I was mainly just achy and weak with sinus pressure and a deep cough. Now only a touch of the cough remains. I dislike being sick (who does?) as I always have lots going on.
I recently had an invite to be on camera for a young director I really like. I had to turn down his offer because it did not come with money. On the same day, I had six hours of business tax prep work that I did instead. That’s why I see some merit and perhaps fun in the hobby-side of the filmmaking game going on but it’s truly such a vast different game from what a few others are doing.
I think I have to just accept that filmmaking for some is like playing golf. They don’t play in the pro circuit earning but just enjoy swinging the clubs with friends. But if you do have your eye on the pro circuit you need to direct your energy and efforts towards that and those who are striving to that end. The longer you play in the hobby arena that’s lost time where you’re not prepping for the big game. You’re not learning the lessons that come with the true business of filmmaking.
Crowdfunding in film with only a few exceptions is just playing. It hurts many who never learn to pitch or to earn. I see people spouting with no idea of securities law just shotgunning for investors. People tote in their PR being professional but ride without insurance or workman’s comp. They’ve never done all the accounting, the 1099’s and K-1’s1099 and everything that comes with being a professional filmmaker. Now some will evolve but most will not. If you don’t have your chain of titles and releases, no major distributor will want to touch your endeavor.
I’ve stated that I work very hard on the business and still make the occasional mistakes. That is part of learning. So when I see people not even trying to step up business-wise it’s sad. Artistic talent that could grow into more is hampered by the business or lack there of. I’m wishing you all luck, sincerely. I want to see castings that pay more that IMDB credit and food. I would love to work a few days here and there on projects with new artists but their business has to be there. Otherwise it’s all just pretend. So when your career is not going how you want it stop pretending you don’t know why and look at what you’re doing. It’s kind of along the lines of that doing the same thing and expecting different results. Make 2019 different!
I had a conversation with a fellow filmmaker about a few recent postings. If someone says in their listing, ANY EXPERIENCE or NO EXPERIENCE NEEDED – pass and pass. That is a red flag of the quality of work. What they’re willing to accept. That might be okay for a community theater posting but don’t look for professional talent to come knocking. I know what we look for and it’s not Uncle Pete who thinks he wants to try something new. Or someone just looking to fill their spare time. So pending your own goals, vet the opportunities.
I do occasionally watch videos of artists as we’re always looking for possible additions to the CDI tribe. Most often in these videos I see inconsistent quality because of holes in cast or crew experience, poor story or inferior equipment. I’ve seen aspiring talent that puts something forth that frames themselves poorly. I’m not trying to knock anyone as we all start somewhere and I’ve been through it all. I recently saw someone spotlighted in a post. I don’t know this person but they often post about their projects. So I take the time to click thinking I might get a glimpse at what they can do in front of a movie camera. Instead I get cheesy selfies being used as promotional material. To someone who doesn’t know this person it doesn’t say hire me, it says waster of time. And it frames the person in a poor light – literally.
That’s my little insight and I hope a few of you use it to better your year. One solid project is better than 5 weak projects in terms of exposure. OK. Let’s look at a few CDI film updates.
THE CHRIST SLAYER is DONE! This film is not the largest budget project I’ve supervised but in scope it was a beast. We had VFX happening in Canada which included digital matte’s and model building. Sound design in period pieces is always harder since you have to shrub any sounds that don’t belong. The same goes for visuals. This film was delivered last week and it will play theatrical events in April. It will be available on the lead up to Easter both on DVD March 4th and streaming after that. If it plays in a city near you please treat yourself to seeing this on the big screen. I will let you know when theatrical show dates appear.
In March WILD FAITH will also be hitting theaters across the USA before releasing to home video. I also think we’ll be getting the new artwork very soon.
With both of these films finished we’ll be turning our attention to MBF. The Animal Planet promo was viewed over 420,000 times and I do hope they run the show next season where Duncan visited the set in Corunna, MI. We’re close to our first edit. From there a few tweaks and onto music and sound design. We’ll be delivering the film June 30th to the distributor. It looks like a theatrical followed by the home video run.
DEVELOPMENT of the new CDI films is underway. We’ll be launching the IMDB and putting our summary packages together. LOST HEART is next up so stay tune.
Okay. I’ve got a pork roast in the crock pot. I’m going to go check on that and do a few other things to get ready for the week ahead.
Have a great Sunday and we’ll chat next week.
Good morning! I’m writing you from the deck of my patio that has hop vines wrapping around all it. (The pic above from the spring) The squirrels are busy picking the last of the ripe mulberries and birds are singing while playing in the bird baths. Without question the coffee sits beside me flooding me with the wonderful taste of hazelnut. If I cannot find a coffee sponsor in the next few years I just going to open a coffee business. I have to try harder with some of the local Michigan roasters.
The office fridge might have seen its last days. It’s almost fully defrosted and we’ll see once we plug it back in if it lives. If it’s dead I’ll be getting a more fuel-efficient replacement. The one now was from my buddies basement where we would skip class at MSU, drink beer, play pool and listen to jams. It’s been a worthy chiller of beverages so we will see.
This week was a hot, humid wave that’s not really to my liking. It was followed by just a few extremely beautiful days consisting of warm air and cool winds. During the heat wave I got a lot of writing and paperwork done while watching the various nations go at it on the World Cup soccer field. Let’s look at a few of the movie updates.
I’m happy to say that the domestic home-video deal on the 3rd film in The Quest Trilogy – THE CHRIST SLAYER is signed. It will join parts 1 & 2 at Bridgestone Multimedia Group. The Christmas theatrical will be followed by an Easter home video release. I’m excited to have all three out there together which will reveal more about the overall storyline. Interweaving of the story arc goes through all three stories/movies. IF you have seen part 1 (Forty Nights) or part 2 (Chasing the Star) please do leave a review on amazon or IMDB and leave what you took away from it. I think people unaware that it was a trilogy felt part 2 kind of left them hanging – well it was meant to. The next few months will see things heating up PR-wise on part 3 with more BTS and still photos releasing. It really is an epic way to end the trilogy. I know Dennis Therrian will do another incredible score. The VFX work coming in is just incredible, not surprising as their previous work included BLACK SAILS (One of my favorite series) and ROGUE ONE just to name a few. They built models and created digital matte paintings just for this film. This film was a really cool step for us as a company allowing us to use as many VFX shots as we did. I have director Nathaniel Nose to thank for all that.
I will use that example in discussing development work at CDI. I’m trying to make more time to sit down with people in our field. Directors, actors and those trying to produce content. From the earliest days of CDI it was about bringing cards to the table. CDI is an actor/producers company looking to tell powerful stories. Currently we have momentum behind my scripts – distributors like the content and final product. Talent loves the style and depth of the characters and situations. We also have some talented writers within our ranks. ADVICE – IF you’re bringing a script to the table the best thing is to also bring the money.
BUT THIS IS THE HARDEST PART! Yes. I know this. After many years in this industry – a truth is – every NEW variable could lead to new advancements OR disaster. The wrong crew or cast can be devastating to the overall quality of the final product. I’ve been scrutinized because I would rather pay a broader crew base a modest wage versus overpay a name talent, at the expense of the crew. It’s a difference of opinion in business models and a happy medium does exist. I feel a larger name can move more initial units but a bad movie with a larger name will also die off quickly. I had to turn off a multimillion dollar film lately. It was long, plodding (nice camerawork) but after an hour plus we still had 45 min plus minutes to go. We didn’t care about any of the characters. That’s the result of either a poor script or just bad chemistry as you know they had a huge crew base. I’m saying that I would rather have a modest, long-term success with a good movie vs a flash hit with a bad film. How long before it gets lost in the shuffle of bad films? What do you have to show for all that hard work years later?
OK. I went slightly off topic. But anyone new is a wild variable, and therefore a risk. Skill is only part of the equation whereas personality/character is the other big factor. Do they play well with others? Positive? Respectful? I’ve had others say “so and so” is a great artists but grumpy or aloof and that’s just how they are. Well, they can go be that somewhere else. I have reduced all this down to a simple saying – Always be a sail and never an anchor.
So with these sit downs – I’ll be getting to know people and informally evaluating to see if they would ever work well into our system. The CDI system. What does that mean? Well…these films were not the result of some money thrown together to rush together a film – perhaps with no accountability. I shudder when I hear of all the films being done with no script or the script is just an afterthought. I recall one time an actor friend telling me they were on set and the director was having them write the script on the spot. He called it interesting and I called it incompetence. I guess it was both. But here we’re taking on investment capital and we must give best efforts. This company was founded on best efforts and striving to always be better. CDI today is built upon its earliest endeavors. Future CDI endeavors will be built on current endeavors. This is a tradition not a hobby. Not a film challenge but an evolution. This is a business that works in deep creative waters. My expectations of myself and the producers/directors are high. My expectations of the cast and crews are high. If you are not serious about the process and the end result – off the deck. No point in trying to sign up here.
Now some people just don’t know any different but once shown a better way they are willing to adapt and thrive in a more structured endeavor. Others can try to drag negativity or bad habits from previous experiences but I’ve been doing this a long time. If you start to feel like that anchor, stating obvious problems versus presenting viable solutions, being a sail – I’m going to drop you at the next island. Lose your professionalism and respect and the immediate gangplank walk could be your fate. I don’t fire often but I’m more than willing to do what needs to be done. That said, every firing has been a failing on my part. A failure to properly evaluate someone before a hiring or just failure to lead that person to a better way of co-existing on a film set. Management is something I enjoy because I’ve had the opportunity to create the environment that I want to work in. The environment that allows the best creative juices to flow.
I guess in summary – you could be involved in a CDI association or collaboration IF you have your own funds and seek a machine (production unit) that runs like a CDI film. Now $ still rules so if you bring a majority of the production funds, unless decided differently in contract, we consult or bring options to arising issues. That controlling entity makes the final decisions. Those decisions need to be made with wisdom and balance or trouble can quickly develop. I think I make fair decisions and I’ll say, I’ve made unpopular decisions. But I think it’s about working to be able to see the big picture. Not being drawn in by the ego into trying to force something to fit that does not. Don’t say yes to things that should be told no.
I had productive talks this past week with an experienced director talking about possible CDI collaboration. Our management at Collective Development Inc. was recommended to him. We shared mutual Hollywood horror stories usually stemming from fast-talking, car salesmen-like distributors and wanna be producers, mucking things up. Much of this proposed collaboration will just depend on pros, cons and schedules. I have another past producer collaborator getting close to having his next financing. He wants my involvement again. Evaluate: Content, Script, Schedule… All these variables when kept in-house tend to run very smooth. Adding these outside variables are where most issues lie. Most of the rough waters are in the associated projects but that is also where collaboration exists. But make sure they are a good fit. So I have more phone calls and meetings this week to network and get to know a few folks working hard telling their stories.
WILD FAITH – Lots of exciting happenings here. The home video deal is being worked on while we discuss the option of also launching a TV series. I am really pushing hards on this as I love the character I play. I love the world we built. I love the talent (both sides of camera) and know we would incorporate lots of Michigan talent into the various shows. We’ve been working to set up some additional theatrical showings and we wanted to look at showings in LA and/or NYC. The costs involved were steep and for me I’m watching the bottom line versus the red carpet strut. But I’m happy to say we’ll be screening at the AMC in Burbank as part of the invited line up at the Burbank International Film Festival. I think I’m going to make the trip and my LA-area amigos can finally see one of our films on the big screen. It plays great theatrically and I will enjoy the conversation with film friends after. You too can join us on Sept 8th in Burbank. Read about it here-
Our last film Man’s Best Friend is having the post materials organized as editing is about to begin in full. The opening credit sequence was heavily discussed and that is being worked on. We will also start having more solid talks about the 1st teaser trailer. Also trying to get the right color correction on the first stills before we start releasing those. The story is in puzzle form and soon we’ll start to assemble the film.
I’ve really been enjoying the writing as of late. I’ve taken a few good script concepts and I’m infusing/weaving that into what will likely be our fall film. It’s been refreshing to be back into the imagination and putting it to page. Some location scouting and ground work is also being done. I will say that the initial script concept was to be shot in another state. I was so happy with our last crew that I am revamping the script to Michigan. I’m sincerely thinking we can convince a few of the MBF crew to return:)
Well, it’s a beautiful day and I might spend a little time engaging in some writing. We will also likely go walk a flea market. I love what you can find at those things. I often find props or things that a story might hinge around. No soccer today as we have a BYE week before starting the second half of the season. Next weekend I have a class reunion which will be interesting. I did actually see a Michigan-based, non-CDI project casting that caught my eye. I asked a few questions and we’ll see if any chemistry exists. If not, I’m happy to wait until fall. I do have a script to finish.
Be good to one another!
A week ago I was waking up early in Kalamazoo to return from our 15th anniversary showing and deal announcement on IN THE WOODS. I have a few more public events coming up soon. I do plan to attend the showing of STANDING POST that was done by one of my long time collaborators and features three actors I respect. I’m also happy that the crowd surrounding the East Lansing Film Festival will get a chance to see ASHES OF EDEN and also get some exciting news for the film. I am happy that this inspirational film will reach even more people. LOCKED IN A ROOM thrilled some folks in Canton last week and I got some great communications from fans watching stuff on VOD. On TV as I type is the making of John Carpenters HALLOWEEN. 21 days and 325,000 with Donald’s pay being 25k. I’m enjoying seeing how much fun those actors had making that little film that would be a king classic in the genre. It was also slammed hard when it first came out. John said much of it was from other artsy filmmakers unhappy they could not get the exposure and release they felt they deserved.
This past week had some of my people working hard to get things in order on BESTSELLER. We are planning time for the director and DP to come in and share ideas. I think we are growing close to a finished film on THE TERRORIST. We only have a few left in the pipeline. Which brings us to DEVELOPMENT.
I’ve got WASTELAND ahead of me this December and we launched the Facebook site where we will be featuring updates in cast, artwork and props. I’ve had some great meetings with a few people over the last couple weeks as CDI looks to increase the army. I look for smart, positive people with passion and willing to work hard. I’ve built everything in this industry I have brick by brick with few if any handouts. I found other like-minded people and together we faced battles – won some, lost some and moved forward.
As our sales team has been licensing films in the library we have been looking at franchising a few of the films. It is no secret that Lynn Drzick is interested in doing another IN THE WOODS. If the right script is agreed upon it may happen. Also VP of CDI, director Jeff Kennedy and I have had talks over KNIGHT CHILLS and we do have a rough idea of a follow-up. I may be paid to write a script that I’ve had in my head for many years for an associate this November. Discussions on several scripts that already have distributor interest and in some cases guarantees continues.
On some of these smaller scope projects I’m looking at upcoming filmmakers who have yet to reach an international level. I’m looking at people who don’t want to do this as a hobby but as a career path. Many of these people have personal ideas/scripts that can be enjoyable for a small pocket of fans but often does not lead to bigger things. While some are content with making films for fun many in the cast or crew have greater aspirations.
It’s a stairs step process to get to these levels of film success. By success I mean having a title that has sold tens of thousands plus units or is in rotation on TV networks or available in different countries. Once you start to take steps if others around you aren’t willing to do the same you sometimes have to distance yourself creatively for a while. Maybe just until they evolve to that next level. If you’ve done a string of quality projects and have started to frame yourself as a professional you cannot slip back. By you saying NO, you may be one of many that helps them evolve. This is hard when you know the people but if they are doing it for fun and you are building a career – conflict of interest. I’ve explained to a few friends in the field (not truly in the BIZ) I cannot just come play for fun. I spend that time on paid projects or developing paid projects. When you win as a producer you win for many artists. When a film breaks out into the international market the resume of all those artists increases. I don’t always feel that some artists, usually the young, fully appreciates this fact. The wages may be modest, the hours long but to have a credit on a film that really gets into the marketplace is so valuable. So take pride in your work and be happy that you are working on something that will help you. If you start out in our field just for the money you’re in the wrong field. There is good money to be made but it comes in time through hard, collaborative work.
For the last few years I’ve been gone on set shooting during October so this has been wonderful to be home. Like I said earlier, I would rather spend time developing and finishing projects of quality versus just doing to do projects that are just fun. I do things for fun (Reading, soccer, archery, guitar, brewing) and I often find filmmaking fun BUT since I am accountable and use investment versus donations – I take my work very serious. I’ve been in development talks with Shane Hagedorn (ASHES OF EDEN) and we plan to do a 2015 film. Add in the handful of other projects developing and the new year could be filled with exciting projects. I look forward to incorporating some new people into the tribe. I look forward to working with my tried and true. I look forward to sharing our stories with fans around the world. Right now, I’m looking forward to some more coffee, some breakfast and MSU putting a whoop on U of M.
Have a great weekend and be good to one another.