CDI Film Updates and Looking Ahead to 2025!

(Composer Dennis Therrian and Director Carl Weyant working on ‘Harsens’)
Good morning friends! I’m sipping the hazelnut coffee and listening to the birds while watching squirrels busily working for the winter ahead. I want to welcome all the new readers from Mexico, New Zealand, Sweden and more. I’ve had a very busy week getting things ready for the upcoming Harsens Island Revenge release and the Wild Faith Christmas shoot. Dennis Therrian our composer and post supervisor has been busy finishing the Harsens Island Revenge score. Directed Carl Weyant (happy Birthday yesterday) has been prepping everything else to go into the film such as the stock footage, VFX and color correction. This week is when we start to pull it all together. We producers have been working the end credits getting those around. It will be a wonderful thing to see this story all together on the big screen. The end is always trying as you pull everything together. We are close, very close.

(In studio as we locked picture now we are close to a final locked movie)
WILD FAITH CHRISTMAS – We are fully cast, crewed and locations locked. We’re still putting a few pieces in play but departments are up and prepping to the shoot in a few short weeks. Insurance will be going up soon and we’ll be getting communications and lodging set. Last week I had the wardrobe items stored at the office picked up. Also the hospitality and health (craft services) items were picked up. Great meetings with some of the companies aligning with us via sponsorship or product partnership. Reinert Pottery will be supplying some of the on-camera items. Anchor Construction Corporation came on board. Welcome! We have a few flights to manage and also we have a trip to NC to pick up props and art director Robert Bradley that just got a LOT more complicated. All part of the process but I’ve also been enjoying getting into the ‘Ben Lily’ mindset. My tops of my toes are raw and sore due to my first multiple hours wearing my trapper boots. I’ll have 10 days of several hours in them so I’m trying to condition my feet now.

Re-Releases-
KNIGHT CHILLS deliverables to Twin Engines Global/Deskpop is almost complete. I just need to digitize some paperwork this week and upload that. But the film, trailers and artwork should all be there. We have been posting some great new screen captures to the FB site. AN ORDINARY KILLER will release soon on HD DVD and streaming in December. People are enjoying DEAN TEASTER’S GHOST TOWN and the special edition park DVD will be available soon.

(2.5 million plus views on Encourage TV)
The season for SILENT NIGHT IN ALGONA and THE QUEST TRILOGY is right around the corner. I’m happy to announce that on ENCOURAGE TV the first of the biblical trilogy FORTY NIGHTS just went past 2.5 million views! Make watching these feel good classics part of your yearly family tradition.

BEST YEARS GONE, LOST HEART and the original WILD FAITH are good Fall classics to watch! I’ve enjoyed some of the communications from fans of these films. I will also add BESTSELLER on the list if you like R rated scare-fests. Again I’ve been so enjoying the season as the leaves are turning and I’ve even enjoyed a few bonfires. I’ve even allowed my thoughts to start to dance around Christmas just a bit.

Looking Forward to 2025
Once we get WILD FAITH CHRISTMAS in the can (Old term from days of shooting on film) – we’ll turn our attention on ROM COMS MUST DIE a fun feature film we’ll do with Travis Hayward at the helm directing. I will be working on updating the WILD FAITH: HASTINGS TV series to happen after the 2nd film. I’m working on show 4 of 8 right now. I also will be finishing a few scripts over the winter and still trying to land another project that would be both the script and production. Once Harsens Island Revenge is locked I’ll have more talks with director Carl Weyant about development. I have a good project in mind for him that might be a good fit. Looking at maybe developing something with Ian Griffin. I’m excited to see where 2025 will lead the tribe.

(Dane DeFord and Robert Bradley in Maggie valley, NC)
WRAP UP-
I’m about to go look into some eggs and bacon before doing some more yard work. I think inside the Fall stuff might come out. Tomorrow I’ll be pulling prop weapons to be handed off to our armorer Bart Ketner for the upcoming shoot. This week I’ll be tying up many of the loose ends and taking us closer to our end of the month move to Alpena.
My thoughts are still with all the good people trying to rebalance their lives after the storms. And I am concerned a tad hearing about two more storms moving towards the coast. I feel bad for the displaced, the dead and the pets too which are in over-crowded shelters.
I hope you all have a peaceful Sunday and allow yourself a recharge. I’m looking forward to seeing my brother and a few friends later in the day. I’ll be back at the business bright and early in the morning. I’m at the end of the coffee pot so that is where I’ll end this. Be kind to one another even if the world politics has you with differing opinions. I’ll be ready for that to all be done and over with.
Coffee Cheers!
DJ
FREE4ALL, Mother’s Day, Roger Corman and NEW Project Development Updates!
Coffee Cheers! Welcome new readers from Saudi Arabia, Philippines, UK and more! I’ve said it before but I love how our readers are from all over the world. I want to start by saying Happy Mother’s Day! I don’t know if the entire world participates in this day but they should. Happy Mother’s Day to mine. She is getting over from a cold she caught in Las Vegas and so a raincheck on a grill out. I also wanted to recognize the loss of an icon filmmaker with the passing of Roger Corman at age 98. He helped launch so many careers and stories into the world. I aspire to be such a force for storytelling and giving people opportunities. Development is one of our main phases we are in right now. It is a tricky phase and the hardest part for many filmmakers. Financing is part of the phase but it is so much more. Incoming checks on the films are starting to arrive and once they are all here we process them through our internal accounting to payout to our investors. That is coming up in the next few weeks. The amount received is always an ebb and flow by time of year, holidays and movie watching trends.

When speaking on development we’ve got projects at four different budget levels. What effects the budget level is number of shoot days, number of actors, locations and travel/lodging considerations. We currently have some funds committed to our film budgeted at the 3rd level. This is due to actors and crew from different places who would be flown in and lodged. These costs with also catering are major costs to a production. Many smaller films shoot at locations where actors and crew can drive in and work and drive home. But getting all your cast and crew from the same small area is an issue at small budgets. We are going to keep pushing on our level 3 film but if the mountain is too steep we will look at one of 2-3 smaller scope projects. We are having some good ground work come together on Level 4 films or budgets quite a bit larger due to the scope. But those level 4 films are being planned for 2025.

(The DVD Double Feature from the CDI Classic Collection)
Additional development has been underway on a music video which I’m helping to produce and will shoot this week. We are also putting the ground work together on a series of documentary films. A good amount of energy has also been directed at the restoration, remastering and resetting of distribution on the CDI Classic Collection. KNIGHT CHILLS has new streaming poster and trailer work being done. FROM VENUS has new poster artwork being worked on. Restoration tests on HEAVENS NEIGHBORS and FIGURE IN THE FOREST are underway. Both of these have issues in format or with the ‘film look’ that was all the rage in those early days of video filmmaking. AN ORDINARY KILLER is part of a fundraising campaign with The Red, White and Blue Project a non-profit for Veterans and their family members. A Remastered HD DVD Special Release is being done with Two Average Joes the powerful podcast that deals with true crime. GHOST TOWN, our smoky mountain western is being put back out into the marketplace this Summer! For fans of the now closed down theme park Ghost Town in the Sky this movie will be a treat. As you wait you can enjoy this new trailer cut for the new 2024 release! The film is an exciting story and we’re excited to bring it back out to you!
WATCH IT HERE: https://youtu.be/Z1eubAgHvOY?si=nTwcBSHJiUNBth-P

Speaking of cool promo videos- our distributor of many of the films TWIN ENGINES GLOBAL which is the home of Encourage TV for all your family films now has launched FREE4ALL/Deskpop if you enjoy the edgier films. Here is a promo for their new channel and BESTSELLER is right out front. Also BEST YEARS GONE can be watched free with ads. WATCH THE PROMO and subscribe to their channel!
WATCH HERE: https://www.facebook.com/share/v/tbA3t1Uu2rvaPYxd/?mibextid=WC7FNe
We are planning many new promotional events and interviews to get the word out on the films to new audiences. It is a year of streamlining and organizing that is needed every few years as we continue to grow. I have a great team around me and that is what makes it all possible.

Harsens Island Revenge – I’m happy to report that music is being composed and a new theatrical poster is being worked on. As if that wasn’t exciting enough we have the first official trailer preview being worked on also. GW Burns, our production designer did a great ‘Making of’ poster that showcases some exciting and dramatic moments. We will take a temp on our post process in July and try to set some premiere dates but we have to get closer. We have to be able to see the light at the end of the post production tunnel.

SILENT NIGHT IN ALGONA – Our true story WW2 drama boasted one of our largest theatricals and marketing campaigns to date. The home video flow is showing us that we’re making good strides. Mainly just off our DVD sales, we’ve paid off our marketing costs and will start directing returns back to our investors. From here on out we’re entitled to a greater return having allowed the marketing campaign. Those efforts are going to be reflected in the streaming and we hope foreign licensing. Starting next quarter we’ll start seeing the licensing returns from an on-going TV deal. As I said before, I was in hopes this TV licensing would be a lump sum payout but this deal will give a good payback floor every quarter for several quarters to come. Add on top the ongoing DVD, streaming and foreign and we think we’ve got a strong horse in the race. Now that the home video is launched we want to remaster the theatrical file for the 2024 Christmas season. A common question we get is – will CDI be filming again in Iowa? The answer is we are working towards that end with two projects in development there!

WRAP UP: This week will be the continued push to finish post work and the prep of past CDI films to reenter the market. Last week saw the great steps. It’s all one step at a time. I spent the weekend outlining a new script story that is based on one of our most popular films. I’m in the process of creating a few follow ups to some of the favorite CDI films. I’m in a good habit and flow of screenwriting and I want to keep at that while I do have the time. I love when I return to previously created worlds and working with now beloved characters. What CDI films would you love to see a second installment of? Speaking on that- I know for a while I was talking about the RE-RELEASE of IN THE WOODS, including the new director’s edit. I’ve been waiting for Terror Vision to release some info about it. But I did have conversations this past week with Mr. Drzick and the sequel script for IN THE WOODS 2 is underway.

CDI is also partnering with Mr. Drzick and his new company over the CDI literary properties. Next up will be the KNIGHT CHILLS script and making of and also the novelization. All this to go with the streaming release I’m targeting for this fall. We’ve agreed upon the deal and we’ll put pen to paper this coming week and get that part of CDI officially rolling. Several books and scripts will be releasing with great interviews from the artists who brought these films to life.

I’m going to wrap this up and go have myself a few eggs. I’m also going to hit the local flea market and see what treasures I might find. Last week I found two great old promo cards for the old King Kong and Bela Lugosi’s Dracula. I also recently got some studio promo stills from the old KUNG FU TV show which was/is one of my favorites. I love to find gifts and little treasures many that end up being props in films. I got the yard looking good after the major rains but it is growing daily so I’m working to keep up with it. I love all the plants growing and when not chained to the desk I love being out in nature. I’ll leave you with a beautiful pic from Dean Teaster‘s property of the Northern Lights.
Until next week be good to one another!
DJ
Producing is NEVER Easy, Acting UPDATES and COMMUNICATION as a KEY

(Just some of the CDI Tribe working on Harsens Island Revenge)
Good morning my friends. I’m sipping the hazelnut coffee and getting a later start due to ‘springing forward’ here in the USA. I’m not sure if they do that everywhere but some like it and others do not. I’m pretty indifferent to it all. I was pretty exhausted at the end of my week from grinding the mental gears. I think the added cold front coming in gave my sinuses a bit of a run but hot tea kept all that at a minimum. Many times you get only the highlights in my blog that show the final outcome. Meaning we did this or that but you don’t always get the in-between or the struggle to get that particular thing done. I’ve been grinding my gears trying to align many things for what we be an added 10-20 seconds in one scene that includes close ups in a period bi-plane with a beautiful wood cockpit that may or may not play on camera. As our Harsens Island Revenge script is written there is a WW1 opening to show Frankie’s (Our lead character) role in WW1 and how it shaped him. A 2-3 min sequence that also makes a statement about war and that war in particular.

(Again just some of CDI Tribe working towards the ‘Silent Night in Algona’ release)
To have the luxury to kill from afar keeps ones morality at a distance but having to kill up close is a different matter. Much like the dark ages where men killed each other up close with arrow, sword, axes and spears the dreaded WW1 was one that still used horses being fazed out by tanks slowly. Also many battles ended in sewage-filled trenches fighting with bayonets and trench knives. That is the horror that sticks with many of those soldiers. To be that close and see the immediate results of ones actions whereas you see the enemies lights go out. I think as they die a piece of the killer dies. A connection of sorts. I’ve been working for weeks to try and first get the location set up and the particulars around it. Add the players which have been hard to get. Not the leads but the ever-important extras who need to be equipped properly. WW1 has been the hardest to find on a budget, all the time periods to date. The best thing which we’ve done in the past is to hire passionate folks who reenact and put together their own kit. Our luck on that and the communication with those connected has been difficult. Add that we are up against a ticking clock to use the military base we had chosen. Why? Ten days prior all members have to be cleared and we are down to days to submit info on folks we have yet to find. Finding the folks alone isn’t hard but having them period dressed and equipped is and so this week we’ll decide if 1) We keep our shoot at the Alpena base 2) We reset the shoot elsewhere likely closer to mid MI giving us an extra week to find the gear and extras. 3) Kill the opening or strip it down to our just lead in WW1 having a slew of fast memories that brings us to the present 1920’s.

(On Set- Harsens Island Revenge)
It can truly be insanity at times and even with the best planning things fall apart or change. And this is all being done on a very tight remaining budget that is precious money that could be used to help launch the theatrical run after the film is complete. Now the film as it starts now is great and kicks off with some action so maybe we are good. Our composer at the first watch loves how it opens. AND we are trying to trim runtime but our proposed efforts is adding runtime. I think you are all getting the gist from my little peek into everything that goes into producing up this films. This is 3+minutes and we produced up 2hrs+ already. So when you see a bullet point of mine on here every week please do not assume any of it was easy. It is not. It gets done because of the talented people involved. People who care about the story. I don’t like to lose and I had to realize that we are in a WIN/WIN situation because the film is already great. We are trying to add sprinkles onto the top. The cake is going to taste great sprinkles or no sprinkles. And the audience will never know that sprinkles were an option.

(Boats that are 100 years old now)
After 2 hours+ of grinding my gears yesterday on something that wasn’t going to reveal itself, I had to just let go awhile. Maybe it is what makes me good at what I do? But yesterday I had to go and just organize in the office for a couple hours. I’ve got many things in motion for the CDI company and the more organized I am the more gets accomplished. Some music. Some organizing. Some chill tea and I regained my balance. Today I have a few conversations and by Weds of this week we’ll know if we are Alpena bound or if we are taking another direction.

(100 year old+ Planes)
Every direction has pros and cons usually ties to money. But in life just like filmmaking people can get frustrated when things you thought were taken care of, tied up, crossed off – start to unravel or come back at you. When you have to readdress something again in the present it takes from your future. Planning and development stop when you have to fix a crack in the foundation. So this 2-3 minutes has been very trying. It can be made harder but lack of communication. I swear we live in an age with more communication and we have become worse at communicating. People put boundaries on their times they work but that is not what we as successful filmmakers do. Now granted not everything is always as time sensitive as I sometimes feel it is but just knowing that it is on someones radar is satisfying. Message received. 10-4. On my list. I don’t like when people don’t acknowledge receipt of a communication. Even if busy. Let someone know because we live in a world of messages going into SPAM etc… COMMUNICATION. I just finished a great series THE BEAR about running a restaurant and it is all communication. “Yes chef” “Behind you Chef” “Corner” – and in soccer the team that communicates is the team that wins. A team with less talented players who communicate better can beat a team with more talented players if they win the communication game. “You have support” “Square” “Give and go” “Keeper’s ball“….My rant is just because I felt the endeavor unraveling despite hard work. In a project even asking “What can I do?” “What still needs to be done?” these things lead to success. And you have to always keep striving to improve.

(On set Harsens Island Revenge)
ANOTHER SIDE-the ACTOR
So above really is about producing up a film or in the case above just a few pick-up pieces. Actors who only act don’t often concern themselves with all that goes on behind the scenes. I can recall working years ago on one of our westerns in NC and while battling with catering and SAG I’m getting calls about an actor friend not liking their boots. Actors tend to just be concerned with their little focus but producing introduces you to the wide world of what it takes to put on a show. Even crew members only see the presentation and as I’ve said before, it is near impossible to pitch a perfect day. You hope the 95% right buys you grace for the 5% that goes wrong. Thousands of things that go right in a day due to the hard work of a few but cries of anguish if catering does a subpar job on vegan side meal or someones magnetic key deactivates on their hotel room. We take accountability but third party and a tech malfuntion should be covered by earned grace. Those incapable of grace are removed on future projects for their own good. Film shoots are more closely related to war versus vacation even when the places we shoot are beautiful.

(Old Men soccer champions)
So on the actor front my new agent sent me an audition for a pilot TV series. I’m use to reading a full script to absorb the character and roll but this is a few sides. I had this talk out in LA with friends who work often out there. I asked it they request or direct their agent towards shows they like? They said they pretty much read everything so their agent doesn’t drop them. I questioned what if you don’t like the show? The story? The Script? Doesn’t matter apparently to many. I wanted to do this read since it was the first thing my new agent sent over. Also I was going to be forced to do an upload and use the actor’s access portal. A good test. I did my read and damn, pretty good. I guess it should be after all these years. I was successful in my upload. I did get a few good notes on how I could subjectively improve the eye line and questioned would a tripod be better. See how the hee-haw that actors go through is the stressful time consuming parts. Second guessing and stressing and I don’t participate in that. I politely declined and said that what I presented I was comfortable with and if the production quality was not up to par I was find with it not being sent forward. The read was actual well liked and sent forward but after I felt a strange feeling likely opposite other actors. SHIT what if I actually get the role. Will I like the script? What if it does get picked up? I have a film lining up this summer that I know the script is good and the role is great. I have soccer season ahead and I’m looking forward to that. I would have to move a dental cleaning off the pilot shoot. WHOA partner:)

(Acting is still my top passion)
I wanted to start looking at some outside projects but I’ve avoided series in the past. WILD FAITH TV series would be different but maybe even after a season I might not enjoy that. I like finishing something. WRAP always makes me feel accomplished. Well, I just figure I will play the hand. Realistically I might not get the role as they’re many great actors and what folks like is subjective. If I do the pilot it still has to be picked up. This is just a few funny thoughts in my head. I enjoyed the practice of the read and technical upload but not knowing the full script/scope/creative team behind it is another place for me. I do believe just like all my outside projects that I will do what projects I’m meant to do. KARMA in India is where I met Carl Weyant, who just directed Harsens Island Revenge. Eric Colley and Hallie Shepherd and Paul Proios on G.P.S. (Watch on TUBI). So I’m going to just stay open to what is meant to be. I’m just staying good and busy but when away as an actor it is much easier and I’m still able to do producer/writer work.

(BEST YEARS GONE DVD Wrap)
Speaking of writing I saw that Benedict Fitzgerald writer of The Passion of the Christ passed away. I almost had an opportunity to work with him thanks to a friend Isabella Hirt but I was busy with BEST YEARS GONE. Which I’m happy to report can now be seen free with ads on Youtube’s FREE4ALL which is Twin Engine Global‘s new streaming service for non-family and faith films which is Encourage TV. Staying with the topic of writing I’ve been enjoying doing the polish on a script looking to film next winter. I think the funding is there and it is very unique but will be a lotta fun. It is a period piece and will be a lot of fun for all the actors. My second pass is working the descriptions and dialogs for pacing, flow and proper language. I had some talks this past week again about literary representation having had many produced screenplays now doing quite well in the marketplace. We will see said the wise man.

(A published un-produced script of mine on Amazon)
The literary side is developing nicely with several of the CDI projects publishing script and making of books and novels where it applies. I’ve been discussing the deal and discovering extra pieces and pictures to make these releases special. With the backup RAID now functioning we will be able to move into more theatrical and perhaps soundtracks. I will be looking for the right person to run the CDI merchandise site on commission.

(The actual 1920’s not an easy thing to recreate)
To tie into the above and circle back to Harsens Island Revenge – the making of by Adam Towner is looking great. We got a peek when watching the first cut of Harsens Island Revenge which was just amazing. Boats, planes, cars and buildings all helped to create the 1920’s. The world was brought to life by our artists on both sides of the camera. The performances all around are so strong with our young leads David Reardon and Cassie Dean doing such a wonderful job. It reminded me of some of the epic films of days past but with a modern capture bringing the world out of black and white and into full color.

(Silent Night in Algona – watch it if you have not)
This has all been good for me to just let some of this flow out and put order to my pick up shoot options. I have a few phone calls to make to discuss these options. It will all work out as we have some of the best artists within our creative tribe. I will go boldly into the new week and just deal with the cards we are dealt. I want to end by sending the CDI thoughts out to Anthony Hornus and family who lost his mom this past week after a long illness. For many of us our parents are a strong support system. Last time I spoke with her was at the SILENT NIGHT IN ALGONA Owosso, MI premiere and she was very proud of her son. We are all proud of Tony too and I’m deeply sorry for his loss. He will always have his TribeCDI with him. I hope everyone has a productive week. Until next time- coffee cheers!
DJ








