Producing is NEVER Easy, Acting UPDATES and COMMUNICATION as a KEY
(Just some of the CDI Tribe working on Harsens Island Revenge)
Good morning my friends. I’m sipping the hazelnut coffee and getting a later start due to ‘springing forward’ here in the USA. I’m not sure if they do that everywhere but some like it and others do not. I’m pretty indifferent to it all. I was pretty exhausted at the end of my week from grinding the mental gears. I think the added cold front coming in gave my sinuses a bit of a run but hot tea kept all that at a minimum. Many times you get only the highlights in my blog that show the final outcome. Meaning we did this or that but you don’t always get the in-between or the struggle to get that particular thing done. I’ve been grinding my gears trying to align many things for what we be an added 10-20 seconds in one scene that includes close ups in a period bi-plane with a beautiful wood cockpit that may or may not play on camera. As our Harsens Island Revenge script is written there is a WW1 opening to show Frankie’s (Our lead character) role in WW1 and how it shaped him. A 2-3 min sequence that also makes a statement about war and that war in particular.
(Again just some of CDI Tribe working towards the ‘Silent Night in Algona’ release)
To have the luxury to kill from afar keeps ones morality at a distance but having to kill up close is a different matter. Much like the dark ages where men killed each other up close with arrow, sword, axes and spears the dreaded WW1 was one that still used horses being fazed out by tanks slowly. Also many battles ended in sewage-filled trenches fighting with bayonets and trench knives. That is the horror that sticks with many of those soldiers. To be that close and see the immediate results of ones actions whereas you see the enemies lights go out. I think as they die a piece of the killer dies. A connection of sorts. I’ve been working for weeks to try and first get the location set up and the particulars around it. Add the players which have been hard to get. Not the leads but the ever-important extras who need to be equipped properly. WW1 has been the hardest to find on a budget, all the time periods to date. The best thing which we’ve done in the past is to hire passionate folks who reenact and put together their own kit. Our luck on that and the communication with those connected has been difficult. Add that we are up against a ticking clock to use the military base we had chosen. Why? Ten days prior all members have to be cleared and we are down to days to submit info on folks we have yet to find. Finding the folks alone isn’t hard but having them period dressed and equipped is and so this week we’ll decide if 1) We keep our shoot at the Alpena base 2) We reset the shoot elsewhere likely closer to mid MI giving us an extra week to find the gear and extras. 3) Kill the opening or strip it down to our just lead in WW1 having a slew of fast memories that brings us to the present 1920’s.
(On Set- Harsens Island Revenge)
It can truly be insanity at times and even with the best planning things fall apart or change. And this is all being done on a very tight remaining budget that is precious money that could be used to help launch the theatrical run after the film is complete. Now the film as it starts now is great and kicks off with some action so maybe we are good. Our composer at the first watch loves how it opens. AND we are trying to trim runtime but our proposed efforts is adding runtime. I think you are all getting the gist from my little peek into everything that goes into producing up this films. This is 3+minutes and we produced up 2hrs+ already. So when you see a bullet point of mine on here every week please do not assume any of it was easy. It is not. It gets done because of the talented people involved. People who care about the story. I don’t like to lose and I had to realize that we are in a WIN/WIN situation because the film is already great. We are trying to add sprinkles onto the top. The cake is going to taste great sprinkles or no sprinkles. And the audience will never know that sprinkles were an option.
(Boats that are 100 years old now)
After 2 hours+ of grinding my gears yesterday on something that wasn’t going to reveal itself, I had to just let go awhile. Maybe it is what makes me good at what I do? But yesterday I had to go and just organize in the office for a couple hours. I’ve got many things in motion for the CDI company and the more organized I am the more gets accomplished. Some music. Some organizing. Some chill tea and I regained my balance. Today I have a few conversations and by Weds of this week we’ll know if we are Alpena bound or if we are taking another direction.
(100 year old+ Planes)
Every direction has pros and cons usually ties to money. But in life just like filmmaking people can get frustrated when things you thought were taken care of, tied up, crossed off – start to unravel or come back at you. When you have to readdress something again in the present it takes from your future. Planning and development stop when you have to fix a crack in the foundation. So this 2-3 minutes has been very trying. It can be made harder but lack of communication. I swear we live in an age with more communication and we have become worse at communicating. People put boundaries on their times they work but that is not what we as successful filmmakers do. Now granted not everything is always as time sensitive as I sometimes feel it is but just knowing that it is on someones radar is satisfying. Message received. 10-4. On my list. I don’t like when people don’t acknowledge receipt of a communication. Even if busy. Let someone know because we live in a world of messages going into SPAM etc… COMMUNICATION. I just finished a great series THE BEAR about running a restaurant and it is all communication. “Yes chef” “Behind you Chef” “Corner” – and in soccer the team that communicates is the team that wins. A team with less talented players who communicate better can beat a team with more talented players if they win the communication game. “You have support” “Square” “Give and go” “Keeper’s ball“….My rant is just because I felt the endeavor unraveling despite hard work. In a project even asking “What can I do?” “What still needs to be done?” these things lead to success. And you have to always keep striving to improve.
(On set Harsens Island Revenge)
ANOTHER SIDE-the ACTOR
So above really is about producing up a film or in the case above just a few pick-up pieces. Actors who only act don’t often concern themselves with all that goes on behind the scenes. I can recall working years ago on one of our westerns in NC and while battling with catering and SAG I’m getting calls about an actor friend not liking their boots. Actors tend to just be concerned with their little focus but producing introduces you to the wide world of what it takes to put on a show. Even crew members only see the presentation and as I’ve said before, it is near impossible to pitch a perfect day. You hope the 95% right buys you grace for the 5% that goes wrong. Thousands of things that go right in a day due to the hard work of a few but cries of anguish if catering does a subpar job on vegan side meal or someones magnetic key deactivates on their hotel room. We take accountability but third party and a tech malfuntion should be covered by earned grace. Those incapable of grace are removed on future projects for their own good. Film shoots are more closely related to war versus vacation even when the places we shoot are beautiful.
(Old Men soccer champions)
So on the actor front my new agent sent me an audition for a pilot TV series. I’m use to reading a full script to absorb the character and roll but this is a few sides. I had this talk out in LA with friends who work often out there. I asked it they request or direct their agent towards shows they like? They said they pretty much read everything so their agent doesn’t drop them. I questioned what if you don’t like the show? The story? The Script? Doesn’t matter apparently to many. I wanted to do this read since it was the first thing my new agent sent over. Also I was going to be forced to do an upload and use the actor’s access portal. A good test. I did my read and damn, pretty good. I guess it should be after all these years. I was successful in my upload. I did get a few good notes on how I could subjectively improve the eye line and questioned would a tripod be better. See how the hee-haw that actors go through is the stressful time consuming parts. Second guessing and stressing and I don’t participate in that. I politely declined and said that what I presented I was comfortable with and if the production quality was not up to par I was find with it not being sent forward. The read was actual well liked and sent forward but after I felt a strange feeling likely opposite other actors. SHIT what if I actually get the role. Will I like the script? What if it does get picked up? I have a film lining up this summer that I know the script is good and the role is great. I have soccer season ahead and I’m looking forward to that. I would have to move a dental cleaning off the pilot shoot. WHOA partner:)
(Acting is still my top passion)
I wanted to start looking at some outside projects but I’ve avoided series in the past. WILD FAITH TV series would be different but maybe even after a season I might not enjoy that. I like finishing something. WRAP always makes me feel accomplished. Well, I just figure I will play the hand. Realistically I might not get the role as they’re many great actors and what folks like is subjective. If I do the pilot it still has to be picked up. This is just a few funny thoughts in my head. I enjoyed the practice of the read and technical upload but not knowing the full script/scope/creative team behind it is another place for me. I do believe just like all my outside projects that I will do what projects I’m meant to do. KARMA in India is where I met Carl Weyant, who just directed Harsens Island Revenge. Eric Colley and Hallie Shepherd and Paul Proios on G.P.S. (Watch on TUBI). So I’m going to just stay open to what is meant to be. I’m just staying good and busy but when away as an actor it is much easier and I’m still able to do producer/writer work.
(BEST YEARS GONE DVD Wrap)
Speaking of writing I saw that Benedict Fitzgerald writer of The Passion of the Christ passed away. I almost had an opportunity to work with him thanks to a friend Isabella Hirt but I was busy with BEST YEARS GONE. Which I’m happy to report can now be seen free with ads on Youtube’s FREE4ALL which is Twin Engine Global‘s new streaming service for non-family and faith films which is Encourage TV. Staying with the topic of writing I’ve been enjoying doing the polish on a script looking to film next winter. I think the funding is there and it is very unique but will be a lotta fun. It is a period piece and will be a lot of fun for all the actors. My second pass is working the descriptions and dialogs for pacing, flow and proper language. I had some talks this past week again about literary representation having had many produced screenplays now doing quite well in the marketplace. We will see said the wise man.
(A published un-produced script of mine on Amazon)
The literary side is developing nicely with several of the CDI projects publishing script and making of books and novels where it applies. I’ve been discussing the deal and discovering extra pieces and pictures to make these releases special. With the backup RAID now functioning we will be able to move into more theatrical and perhaps soundtracks. I will be looking for the right person to run the CDI merchandise site on commission.
(The actual 1920’s not an easy thing to recreate)
To tie into the above and circle back to Harsens Island Revenge – the making of by Adam Towner is looking great. We got a peek when watching the first cut of Harsens Island Revenge which was just amazing. Boats, planes, cars and buildings all helped to create the 1920’s. The world was brought to life by our artists on both sides of the camera. The performances all around are so strong with our young leads David Reardon and Cassie Dean doing such a wonderful job. It reminded me of some of the epic films of days past but with a modern capture bringing the world out of black and white and into full color.
(Silent Night in Algona – watch it if you have not)
This has all been good for me to just let some of this flow out and put order to my pick up shoot options. I have a few phone calls to make to discuss these options. It will all work out as we have some of the best artists within our creative tribe. I will go boldly into the new week and just deal with the cards we are dealt. I want to end by sending the CDI thoughts out to Anthony Hornus and family who lost his mom this past week after a long illness. For many of us our parents are a strong support system. Last time I spoke with her was at the SILENT NIGHT IN ALGONA Owosso, MI premiere and she was very proud of her son. We are all proud of Tony too and I’m deeply sorry for his loss. He will always have his TribeCDI with him. I hope everyone has a productive week. Until next time- coffee cheers!
DJ
Filters of Attitude = Finding Your Balance
The hazelnut coffee taste so good on this chilly Sunday morning. We got a record setting 13 inches when the snow storm came through. We might get a bit more later in the day. I for one love the beauty of the snow but I’m ready to move on to Spring. We had a “Viking” day chopping wood to keep the wood stove roaring. I’m excited to implement many new improvements to the property this year. Our moving of veggies and herbs to raised beds and turning the garden into chicken land has been fun. They are fun to watch like little Dinosaurs.
I want to say that everyday that I read about someones untimely passing it reminds me to love what I’m doing and the people I’m doing it with. That is professionally and personally. I know friends and family that have lost pets, parents, grandchildren and even one past film peer was announced to have passed away. I was not extremely close with him but exchanged communications over the years when either of us has a new success. The sad thing about the last mentioned loss was that it may have happened by their own infliction. I’ve had a few friends over the years that fight real mental battles with themselves. I think on some levels we all do but some cope poorly where others eventually find their way out of the forest.
I’ve had dark days in my past whereas my parents divorced after 30 years putting me in the middle and my acting career was struggling. Michigan’s film scene in the late 80’s and into the 90’s was lacking. I see folks complaining about a lack of opportunities today and chuckle. Today is like a sea of opportunity versus the 90’s. Also post tax incentives the term filmmaker became legit to the common everyday person. Much of my darkness was knowing what I wanted but not having any guides or mentors in that field. My dearest mentor, my father, was rightfully concerned. I had essentially came home and told my father I was going to be an astronaut. Again something made more realistic thanks to the billionaire space race. But he knew how easy life could be if I took the easier road, the practical road. His concerns came after several years yielded very little, in his mind. Failure can affect people different.
A certain amount of punishment and failure can break some and force them into a secondary or pie-life. Pie-Life is when you work X amount of the pie to earn shells and beads ($) so you can freely enjoy the remaining part of the pie, your life. A few years in the real world and most have sufficiently built a standard of living prison around them that forces them to stay the course with the survival job, pie-life. For others of us that have “it” (passion) bad and refuse to let go no matter how much rough ground they’re dragged over. I felt like Indiana Jones being dragged behind that Nazi truck hauling the ark. (Raiders of the Lost Ark) I climbed hand over hand up the whip, climbed on the truck’s bumper, over the side, kick in the doors, punch and throw the driver out and took over the truck. BAM!
If someone can do something else occupational and be happy living the ‘pie life’ or even something close to contentment, do it. But if you are stricken with that passion that will not leave you, embrace it. By that I mean stop being half-ass and whining and do those things you were afraid to try. Pull your confidence, self-worth and inner fire from your own personal well and don’t just try to pull energy from people. When people feel your personal geothermal-like creative energy, they will be drawn. People who draw energy from the masses is a slave to the masses. Now artists create for the masses but often to show a perspective. Life is all about perspective and perception. What we perceive can be seen via positive or negative filters. A failure might be seen as negative but in deductive reasoning it can be a positive. An elusive goal might have just been made easier to obtain as certain roads are found to be dead-ends. No more time wasted or spent. Although some will get caught in that loop, beware.
So the negative of loss that I see each day ever since we’ve all become so much more inter connected as a society, can be a positive fuel to live and pursue dreams and goals. I’m so proud of one of my associates who set out to write and take a few children’s books to market and he has. Tomorrow isn’t promised. A beautiful and haunting statement. Life is a mysterious and short phase of existence and so I would ask that those out there questioning, stay the course. Ride life and learn whatever lessons you can but best of all is learn to be the best you. I’ve said this before, the path to your dreams sometimes lies in helping others with theirs. I know some people will say I’ve helped their journey immensely and others will say, I have not. The truth is you can’t help everyone. You can inspire by your actions to pass it on. I’ve had mentors and I try to mentor. But I come from that martial arts background and sports. To take valuable time from some teachers you have to be prepared and focused, ready to learn. You can apply that lesson to teachers in school. Respect that they are there to try and teach you.
Let’s bring this around to movies, my favorite medium. It also includes some of my favorite artists, filmmakers. Last week we were treated to the announcement that BEST YEARS GONE was multi-nominated and won a few awards. The biggest award being BEST PICTURE which is great because it embodies the collective effort.
SILENT NIGHT IN ALGONA is soundly in post. A BTS (behind the scenes) video is being worked on and the first look teaser is being outlined. Meanwhile the feature is being cut with the first rough being done by mid March. We’ll keep rolling out some new photos while we wait for these first videos.
HOT ROD LOVE is the next CDI picture and we’re looking to prep in May and shoot in June. It’s a heartfelt comedy that has many classic 70’s and 80’s influences. We’re putting our investor/sponsor presentation materials together, but the truly exciting news coming this week is the announcement of a director and Dir of Photography- Mr. Shane Hagedorn and Travis Hayward. This re-teaming is building on the previous chemistry of BEST YEARS GONE, coming to home video starting in June. Our #1 goal with BEST YEARS GONE was to have fun filming. The Covid lockdowns had beaten everyone down and the humor and fun making the film translated to the final product. That laughter is the big take away from the theatrical playdates thus far. The world needs more laughter right now.
WILD FAITH: HASTINGS – More great discussions on this TV series spin off. I have follow ups first thing this coming week. It is going to happen, I’m just trying to follow the best road to production that keeps the integrity intact. Have you seen the feature WILD FAITH? Take a watch. Leave a review on imdb.com or the film’s amazon page and let us know if a sequel interests you. I love the idea of how many folks will be involved should the tv series happen.
The WEEK ahead-
This week is wrapping up end-of-year tax materials for the films. I actually got almost all my personal tax stuff around. This year has been quite smooth so far thanks to our amazing team. I’ve also been keeping my daily screenwriting happening. I’m deep into another comedy script from a treatment I’ve been bouncing around for years. I’ve got my next work-for-hire script/production coming up. It is an adaptation from a book, which I’ve almost finished. I’m really excited about the time period and the storyline. One other work-for-hire script/production is in discussion. Everything in their own time. But I find these cold days are the best for screenwriting.
Last week we talking about video game development and more which haven’t advanced too much in the past week. I got buried in numbers for a few days. But several projects including animation and a music video are in development. It is a busy time but as we discussed prior, get doing- if that is your calling. I have lots to work out in the coming weeks as we’re also in some serious production talks that could be a multi-year commitment. I laugh, because it’s all really a multi-year, lifetime commitment. It’s all a process to try and streamline funding and production. Balance. It’s all about balance. I’m going to bring this to a close. I have some writing to attend to and a few things to do around the homestead.
Be good to one another and coffee cheers.
DJ
ARTISTS Around the World, Updates and Award Nominations
Good morning my friends – coffee cheers. (Above: Movie lunch pails – one day:) I loved seeing all the readers that dropped by last week and from so many different countries. Interesting talk recently that the artists in all countries likely exist in an alike mind space. This started from watching the live action Mulan. I really enjoyed it. Of course I’m a martial artists and I also love the history and traditions of the asian countries. The media backlash was over some of the film being filmed in areas of China where the treatment of some people there has been in question. My point is that I can assure that most of the artists in China are not the ones committing these actions. Politicians and corporations are where the differences often lie. Again I think that art is one of the best forms of communication still working. I think it is through storytelling and art that people try to change things by changing the hearts of the people. Iran. That was brought up and I am sure that there are many wonderful Iranian artists and many are likely not in step with their government. Artists have been persecuted in many places over the corse of history for illuminating people in a way that often goes against the agenda of politics. Don’t get me wrong, artists have their issues and running a country of diverse people is never easy. But the film Mulan had beautiful locations and maybe that is why certain things were filmed at certain locations. Story-first we call it. In telling our story we try to do what is best for the story not politically motivated. Also I do understand financial reasons for location choice. I just like to look at the sum of the parts. In any endeavor using many people – having a story to focus upon brings out the best in each person. Their best artistic qualities end up showcased. Again that’s why we embrace the ‘collective development’ of individuals versus a ‘cancel’ mentality. On our sets a respectful attitude is required and any course corrections to transgressions would be attempted and often the flow is resumed. In a few situations we’ve let people go but when that has happened I’ve owned that as a miss or a loss. A kid who had to be sent home from summer camp because a staff couldn’t nurture the good kid within. A student who quits never to return to the dojo is on the sensei – he failed to nurture the student properly. An athlete who has to be removed from a team shares that failure with his coaches. Just a few thoughts. I’ve had beautiful fan mail and invites to visit their countries from people all over the world. Those places I would be honored to visit but being honest, some places have me nervous. The nervous apprehension is not stemming from the artists. So in conclusion, if a group of people geographically create something in an area where some in power have misstepped should all the people, all the artists be held accountable? And yes. I’m sure the artists in some of these places object to things they don’t agree with, much like here in the USA. But many elsewhere are met with bullets in response to their objections. So let us praise positivity in story wherever it’s told.
Onto some film updates. First this week we starting to announce some of the ICFF 2021 Nominations which is for films of faith, family and inspiration. Positive stories:) We were fortunate enough to again be chosen for several nominations with LOST HEART. First is my favorite award nomination next to ‘Most Inspirational’ which THE QUEST TRILOGY garnished. BEST FILM – I love this because again as mentioned earlier it represents the collective artistry of the tribe.
On a personal level I’m enjoying the collecting of these screenwriter nods. When acting was my main push and I guess I would say it still is. I use to downplay the screenwriting not wanting to be seen as a screenwriter who acts. But these days I’m 100% confident is just being the artist I am with multiple avenues to create. As an actor, I’ve had the pleasure of trying to utter some pretty bad dialog in some questionably written scripts. Often by some good directors who’s art of screenplay wasn’t on the same level. But that means a director directing and actors acting with a poor blue print. To have a chance at executing a good story you need a strong blue print. This is why I’ve done less and less outside work. I KNOW great material is out there and good teams to execute production but getting those circles to all align can be difficult. There is so much that can hinder a film production the script should not be one of them. So I’ve been poking about and having a few discussions on literary representation. I would like to see a few stories go be created by others. To have other artists and tribes make a go at telling a great story because of a solid blue print. We can only create so many stories as a company. So I look forward to creating a few wonderful vehicles for actors and teams out there in the world.
Congrats to Jesse Low. One of the other instinctual things a producer(s) have to do is try to marry the right story to the right director. It is an art. Just like management. Casting. Crewing. If working as many with a zero budget it’s making the best hand with what you have. On the low budget you do have choices. In a way the best choices, because you will only attract artists who love the story and/or filmmakers. Also development – after several features – the relationship flow with Jesse Low has become tight. Coffee Cheers to many more!
A film will LIVE or DIE but the leads. So many wish the opportunity but it is not easy. It is why I cringe when someone says, “I might try acting, sounds fun.” Acting is more a calling (or a disease) versus a fun thing to try. The medium of film requires even more focus as things are often in random order and the multiple takes can be draining. Many actors and actresses don’t have the endurance to do it. That is why shorts are a good build for cast and crews. Features are a longer journey and requires pacing, prep and hyper-focus.
Melissa Anschutz went above and beyond – allowing audiences via her national PR appearances to hear about her personal battles immediately following filming. This reached, touched and helped many people with alike tragedies in their lives. She is very deserving of both these awards so a big congrats to Melissa and thank you for all you do to help the tribe of artists. You’re an inspiration to many out there.
CDI has been blessed to have many very successful artists join our tribe and storytell with us. These folks have such great projects behind them that when they branch out to work with anyone they take a real chance. At CDI we don’t play ‘star’ that is for the red carpet for those who wanna play that – this is storytelling. I’m so appreciative of the artists who bring their very best. No phoning it in. They BRING IT. I do love how Tarantino brings great names from previous successful stories that maybe haven’t been seen in a while and showcased fresh, powerful new performances. We do that. We work hard to provide the most professional experience and to encourage the best set to create. I’m so happy for Victoria Jackson and Don Most for their nominations in the supporting roles. If you watch the film LOST HEART you will realize how deserving them are. Often a fest might give a nod because of the star power it brings but these nominations are right on. They both give performances that audiences will remember for years to come. It shows that Happy Days and SNL were just early stepping stones and they are still the artist they ever were and with experience, even more talented now. Congrats.
Now we come to this. I want to say that I have to get better about accepting such things. I truly enjoy other people getting recognition so that they will want to come out and play next time asked. Last year I was nominated for ‘Paul Landings’ as the Best Actor in MBF and took great pride in that since Paul represents our wounded military vets. Now ole ‘UFO Worldwide’ Reporter Niles Cass doesn’t seem as dramatic or deserving but I am still deeply honored. Two different tone films which is made more interesting since at ICVM at NBR (Crown Awards) in June (Texas) they have narrowed down to 5 top films nominated for Best Film and MBF and Lost Heart are going head-to-head because of the Covid lockdown last year. Proud of both stories just very different.
I wanted to share another special recognition that LOST HEART received. Congrats to my brother from another mother Ponceman. Working with Ponce a second time was just a pure joy. Might have to make it three times;)
I could do some additional updates but it is getting late and I need a shower after waking up and pushing myself in the strongman contest. This coop was MUCH heavier than I thought but the Amish don’t play. This is not like the previous coop which was nowhere as heavy duty. New chickens arrive next weekend.
Casting and crewing talks have been going great on the WW2 drama. This week we’ll announce two more leads in the main family joining actors Curran Jacobs and Cassie Dean. One is a beloved tribal member and the other a wonderful actor who will work with CDI for the first time. Our German reads have been exciting! We have other roles locking in and many to still explore.
BEST YEARS GONE is going to be traveling this week to our post studio with Dennis Therrian. Nathaniel Nose has done a wonderful job. We’ll know this week if he’ll be cutting the trailer. The Battle of the Bands runs until the end of April and we’ve had some great submissions. I plan to announce another judge this week joining Joe Pullin and John Two Hawks. I’m so excited to get onto this next phase. I look forward to spending some time at the studio in the pines. I think I might have to be on grill duty also.
I’m going to wrap it up here. I know I likely missed a few updates but I think we hit upon enough. I was a bit behind last week on emails, calls and even contract review (Monday:) But this week will be a good catch up. I hope each and everyone of you have a productive week. Be good to one another.
Coffee Cheers!
DJ
A Season Begins – Holidays Ahead
Good morning everyone. Coffee skol!
With business, it’s been a crazy week but also exciting at the same time. Personally it was a mixed week with a memorial yesterday for my aunt. It was great to see all my cousins and uncle but the bubbly laughter of my aunt was missed. We are hosting a second puppy playdate today to see how our remaining dog Daphne interacts. We’re looking to bring another member into our little pack this month. The holidays are hectic but our personal schedules slow which allows for some bonding and training time.
The snow will soon come to lower Michigan and I’ve been working in the yard to try to winterize. Our Viking Thursdays have been cutting some wood for the fort/office wood stove. We had some good visits around burning logs this past week. Let’s discuss some of the battles from the past week.
I like to stay ahead – prep for upcoming things. Our distributor had a good response to MBF at mipcom and wanted a teaser first look at footage for AFM. I don’t like rush jobs but in two days the team pulled together a trailer for AFM. We need to sit back and fine comb the footage. A tailored music score needs to be added along with a re-recorded Voice Over. We are looking to have that done but at the same time we’re trying not to disrupt the work flow on – THE CHRIST SLAYER.
I’ve seen the rough DVD poster art that BMG is using at AFM. I like it. It’s a slightly different style from the first two and features some of the characters from the film. I know that is pretty common and some like that and others do not. Either way it’s very polished. I like our teaser poster and I look forward to sharing the DVD art soon. I have not seen the entire wrap. I hope to have theatrical info on the film so we can PR the entire release schedule.
WILD FAITH is also part of those theatrical talks. We’re also working the home video deal. That includes the celebrity narrator we’re adding to the film. We almost had that recorded in LA last week. We had a studio on stand by and I was coordinating between agent and our director. Shooting on a project running over nixed that session and now we’re looking at Nashville next Tuesday. I’m in hopes we can close that down soon. Another great 2019 release!
LOST HEART development is ongoing. What I like about this film is a zany group of characters whose antics and actions offset the heavier aspects of the script. It has several solid messages woven into the fabric of the script. It is more grounded versus some of the other more high concept stories.
I’m also enjoying my writing on the Sci-Fi project that I recently spoke to a distribution company about. The literary agent review will continue into 2019. The stories I wrote for the book collection of horse stories is prepping for release. I’ve got to return some paperwork on payment this Monday. I’m looking forward to more book contributions in 2019 also.
Our other holiday films FORTY NIGHTS and CHASING THE STAR are starting their holiday season. DOVE streaming, UpLift Network and more are featuring some of the stories. I’ve stated before in was a dream to have the trilogy play together every holiday season. Last year the first two films were playing often in rotation and I’m exciting to be adding the third THE CHRIST SLAYER. From Nov 1 – Easter is going to be a fun ride.
Fun also not just because of the business but because of friends and family. I’m going to end this so I can get cleaned up. We have the puppy play date followed by a family bday get together. We’re also putting away the ghosts and goblins and the Thanksgiving stuff is coming out. The squirrels are loving the remains of Halloween. Those pumpkins will not go to waste. Have a great week everyone.
DJ
DJ Perry's Official Blog 'Clawing My Way to the Middle' 