“Strategy without tactics is the slowest route to victory. Tactics without strategy is the noise before defeat.” ― Sun Tzu

Posts tagged “Wild Faith

Finishing and Beginning – A Cycle of Creating

Good morning from chilly Michigan. We have new readers from Canada and the Netherlands, welcome. This morning I spent an hour organizing and cleaning through emails and I still did not get through it all. I’ve enjoyed my little dude Finn this morning. He has brought major joy back into our household in 2019 and for that I’m thankful.

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Let’s go with a bullet point update

  • MBF: Man’s Best Friend – In two days 415k views of our promo piece with Animal Planet – of course a puking squirrel can get millions of views so…but we’re just happy so many of you are being exposed to this amazing film coming in 2019 from Collective Development Inc. and Bridgestone Multimedia Group. WATCH IT HERE: https://www.facebook.com/AnimalPlanet/videos/366247313928139/UzpfSTE5MTM1MDI2MzU1ODk3NDE6MjIyMTExMTY4ODE2MjE2Ng/ and we just might have a special surprise for you in the months ahead. What else happened with Duncan on his trip to Corunna/Owosso, Michigan to film? It would make a good show;) Editing on the 1st cut is almost done.

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  • Wild Faith – last month of western film was delivered with our celebrity narrator (preparing for a TV series) and a remastered picture. Keep an eye out for the various time versions of theatrical teasers for social media. Why? Wild faith will be riding back into theaters  across the country in March. I think millions could benefit from this powerful film. I had a close friend of many decades tell me that Wild faith was their favorite film of ours to date. I have seen first hand the effects of this film on people’s hearts and minds. So I’ll hope that the number of screens is on the numerous end of the spectrum. I’ll have lists of when’s and where’s in the coming weeks. Be sure to follow our social media FB site for Wild faith and all our films. JOIN US HERE: https://www.facebook.com/WildFaithMovie/

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  • So you’d think that the above news would be enough to make one feel beyond humble and grateful but the good news continues. The Christ Slayer is complete and is being rendered all together for delivery. It was the biggest scope film in The Quest Trilogy consisting of Forty Nights, Chasing the Star and now The Christ Slayer. It feels great to have finished the film itself but finishing the three films is the realization of a longtime goal. They can be enjoyed as stand alone films but have a greater storyline embedded into the three films. I think Chasing the Star has a clearer conclusion if you’ve seen Forty Nights. And you could enjoy The Christ Slayer stand alone, but it will feel much more full if the other two films have been seen. There are some reoccurring characters in the stories that become richer if you’ve watched all three. So they’ve already cut theatrical social media promos and the movie will be on the big screen in April. FOLLOW US HERE “The Quest Trilogy” – https://www.facebook.com/The-QUEST-Trilogy-933210800141426/

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  • We’ll be forming the LLC for our next endeavor LOST HEART. We’ve got our first investor/EP excited to move forward so I have to play catch up. Our LOI to distribute from our distributor is now in place. This includes a full first look theatrical evaluation due to the partnership. We’ve got some returning stars from past CDI films and a few new faces too. We’ll finalize casting once everything is in place. I’m really excited about this next project and it will be fun, powerful and thought-provoking. Our PR on this will start rolling on this in a few short weeks.

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  • From the CDI vaults, a much-anticipated sequel has been getting some real attention. We’ve had a few exploratory development talks with a few parties but this is starting to gel. It would give a new director an opportunity to do his first feature that already has an awaiting audience. A director, a pair of new fresh-faced co-stars, a few nostalgic faces and the game could be afoot.

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Josh “The Ponceman” Perry and DJ Perry – The Christ Slayer this Easter!

Additionally I’m happy to report receiving the first paycheck of 2019. Freelance or the art of creating a paycheck each and every year is not for everyone. As one year ends we all wonder if another year of income will materialize. So that first one is always nice. I’m happy to report this one is from a new client, a major book publisher. This book runner, which I assume is much like a show runner, went to see Wild Faith. From there she watched a few other films I had written and reached out. I was asked to be a contributor in a book of horse stories. Having done a good number of westerns, I have a few good stories. From those two stories I contributed I was asked about contributing to two other books. I’m enjoying all the writing. I’ve been having some discussions on literary representation. I’ve done past deals just off personal relationships and attorneys but having someone actively seek/bid work-for-hire or sell off scripts I have, but don’t plan to produce, would be perfect.

I saw a cool little saying burnt into a wood plank the other day- something like,

“If the winds won’t agree with you, pick up the oars”

2019 my friends. I hope the winds will be at your back taking you closer to your dreams and goals. But if the air is still and stagnant and your boat sits idle, pick up them oars and get rowing. Life is short so don’t be afraid to fail. But do give your BEST EFFORT, always.

Talk at you next week.

DJ

 

 

 

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Getting Rolling in 2019!

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Good morning. It is 2019 and we’ve started a new turning of the wheel. The holiday season was enjoyable spending time with family and friends. I want to welcome our new readers from Israel and France, we’re so happy to having you join us. Like everyone else I’ve been planning ahead to the new year and also working hard to finish our two films THE CHRIST SLAYER and WILD FAITH for their theatrical 2019 release with our new partners. Once these get off the desk so to speak we’ll focus on getting our locked cut of MBF and increase development work.

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I hope to get theatrical locations and dates here soon but know that people are just getting back to work. The remastered WILD FAITH is having distributor poster art done and promotional trailers for social media. Same with THE CHRIST SLAYER with the promotional pieces and the poster art is already completed. This is an exciting time of what and see – but I can say, as we do final review on THE CHRIST SLAYER for credits, what an awesome job by all our CDI artists. Nathaniel Nose and Dennis Therrian really pulled it all together. I’m so very proud of our artists on all three films. As the last one readies to roll out, I only hope audiences are able to take something away from it. It is a beautiful story and everyone should be proud to have this one on their resume for a lifetime.

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Outside of film direct, I spent a good part of three days prepping for the moving of a storage shed onto our property. As a company we’ve started to gather items that make production a lot easier. I’m going to use it for storage of items from 5 gal water containers to 100 cup coffee makers. A CDI trailer will likely be the next step to be used during productions. Maybe a craft service food truck, whoa…settle down there DJ:)

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I’ve been working to help prep a friend for their first feature film directorial and of course LOST HEART development will start to pick up speed. Several discussions have taken place with this film and we have some good attachments.  “Strong drama, good humor with a dash of suspense and action – just like a good trip up North in Michigan!” We’ll start making some PR announcements in a few weeks concerning this movie.

I’m going to finish this up and get on with a few things today. I’ve got a busy week ahead and hope the same for all of you.

Be good to one another in 2019!

DJ


Wrapping up the 2018 Year – Looking Ahead to 2019

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New readers from Samoa and China joined us last week. I know that the filmmaking experience (resources, distribution, audiences) changes slightly from culture to culture. But at the heart of it we are passionate beings who love engaging in the storytelling experience either as listener/watcher or teller. I love being a creator and being an audience member. So yesterday basically two years to the day we finished the final elements to THE CHRIST SLAYER. Our director Nathaniel Nose came in and we polished the final mix/design with our incredible Dennis Therrian. His musical score is absolutely one of his best. The complexities and grandiose arrangements take you back to the classic days of Hollywood. We worked with Mr. Sundberg on our color correction, conforming and final composition. Last night at the office we shared a few beers and looked at the wide-screen, color corrected final master. A few of the final VFX shots have to be rendered into the timeline but I was blown away. Jesse Aragon, our DP did a wonderful job. This was the final film in The Quest Trilogy and is likely the largest scale production to date. CHASING THE STAR had more animals but the VFX in THE CHRIST SLAYER makes it the largest scope to date. Both the director and I liked the epic inspiration of Lawrence of Arabia and that soundtrack was with me in Yuma, AZ when we filmed.

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The previous day we tweaked a few Mother Mary lines. This film has some powerful female characters in it. Especially the roles played by Melissa Anschutz and Christine Marie, who appear as they’ll be co-starring in a CDI film this spring. Brittney Risner and Carl Weyant give a classic Hollywood love relationship. And Josh Perry, will simply steal hearts. Amazing supporting performances across the board by Dean Teaster, David Gries, Bob Shepherd and more.  Taymour Ghazi, Shane Hagedorn and my departed mentor Rance Howard brought the power one last time. Rance’s performance might be his last feature film role he ever performed. The final scene we share together in the film was our swan song to working together. I’m very proud of it. We talked for hours about that final scene. He made notes and adjustments – just two costars working out our motivations. I recall being so proud of Rance and feeling how special it was, never guessing it would be our last story together. Now all the elements will start to be pulled together for an upcoming delivery to our distributor. We’ll soon get to see how audiences enjoy this film as it travels to theaters and to home video. Stay tuned for CDI’s most epic adventure yet this Easter season.

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I’m excited for everyone to get back to the office in 2019. I will be ready for a slight rest from the intensity of final post. You work end credits so hard knowing that by Murphy’s Law some misspelling or missed ‘thank you’ or name will take place. If your ever on the receiving end of that – know the filmmakers likely did not intend that. I had one situation that was suspect only because the misspelling came after working on a project whereas one producer on that project was NOT brought back on a film CDI was hired to reshoot. Either way, it showed a disregard for my brand ability to draw my audience to that film. No business reason why, so perhaps it was a true mistake or maybe it was personal. I don’t hold a grudge, but it makes me less likely to work with that company again. I passed the second time I was invited but it was partially timing, pay rate and the role also.

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Integrity matters.

When in post this week, I was sent a news story that a Detroit-based – I struggle for the right word. I will use filmmaker, because he has made films. But in a promotional news story for FOX he claimed to be a producer on our CDI Ghost Town movie, our 2006 Lionsgate film. SMALL ISSUE  – he wasn’t. He did not exist in pre, prod, or post production and was caught trying to do some head shaking actions in conjunction with this film. I didn’t really like, nor trust this person from day 1 and tolerated him out of respect for one of my producers until that head-shaking point. After that, I was done with him. Easy enough. These people burn themselves out as their true nature is revealed. But I would never go on a TV interview and openly lie and use it to promote myself. I was questioned if I should have legal bring it down. I might. But the justice in all this is I get calls on people about their character, integrity and true place in the film community as I see it. Yes. My opinions and sometimes my direct knowledge of someone’s actions. I’m always honest. I warn or endorse people simply by saying if I would work with this person or not. I’ve been contacted often. It’s a small film community and I do know many people who trust me to shoot them the straight skinny. And I have.

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I recently had a great discussion about what another peer filmmaker is developing. All of it was heavily tainted in my mind all because one of his close partners. I’ve had first hand experience with that person and actually let them go. Not a bad person at all. I just would not risk any further capital on his efforts. Would you re-enter a situation with negative elements/variables? This fellow filmmaker lamented the often true statement of how every set he’s worked on has had the cancer of negativity. I’ve had a few “negative” situations like this over the years but those elements were isolated and corrected or dismissed.

Bottom line. This is not some vanity game for me but a noble tradition of storytelling. I’ve been blessed to have several great crews working with us but that all starts at the top. That means conducting good business, constantly streamlining your communication and having a solid battle plan. I believe in our artists and I’ve grown as an artist with many of them. We don’t participate in these popular film challenges, although they teach new crews excellent finishing skills. One friend, had his possible award-winning short disqualified because run time ran over by seconds. He could have either A) Organized a social media gripe that his team was treated unfairly for petty seconds of overrun or B) Accept responsibility that as team leader it was a costly mistake made by their team or him. In football they say it’s a game of inches. So start taking accountability as a new year’s resolution and watch the new growth happen.

I’m in hopes to discover a few good projects, properly funded to come act on this year. I also have to connect with the script/role as you always should. Aside from that, I plan to produce 2-3 features with CDI this year. I’ve had many new folks reach out about financial involvement and we’ll entertain those interested parties once I’ve addressed my current backers with opportunities. Beware of any investors that also bring too many strings attached. Sometimes those strings can be the downfall of a project. I’ve seen it happen.

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We’re around the 1.3 hour mark on MBF and should have first cut in a few weeks. I would love to lock a cut by the end of Jan. we will see where we sit very soon. I think many of you enjoyed the behind the scenes MBF short we released on Christmas Eve.

WILD FAITH new art, theatrical dates and more should be announced soon. It’s heading back to big screens in March across the country. Home Video dates follow close behind. Those dates can be found on the FB, official Wild Faith or IMDB sites.

I’ve been in the trenches hard-working on these new films to bring them out of post. Once I get a few days rest here while our tech guru’s assemble and deliver – development will continue full ahead. I also plan to set my goals in writing for the new year and see how close I came to last year’s goals. Have a great wrap up to your year. Be safe and plan your 2019 approach. If you would be so kind you can take a watch on our past and forthcoming films. Handcrafted from our family to yours.

Have a great Sunday!

DJ


Merry Christmas – Holiday Updates

Today is the 23rd of December – the final days of 2018 are coming to a close. I’ve been bouncing between the sound studio where the final touches are being done to THE CHRIST SLAYER. Our director will be coming in to work the final mix after Christmas. Speaking of – we’ve had one of three family Christmas gatherings. Yesterday we enjoyed a good meal and opened presents with my brother’s young ones. We had a good time and from there I went to a yearly holiday dinner at The English Inn, a cool turn of the century manor house turned into a restaurant. Prime rib was my choice as I only eat red meat a handful of times a year. I felt a little sluggish this morning likely due to the Guinness beer added on top, but it was a nice holiday treat with old friends.

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Today will be spent getting things around for the other two Christmas gatherings. I will be stoking on the fire in the office stove, trying out my new boiling vessel to make mulled spice wine. I do love that we got a powder of snow which makes it all so much more pretty.

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Some journeys will be finishing up, such as The Christ Slayer and new journeys lie ahead. I’ll start talking to our investors about our new film projects. LOST HEART which has distribution lined up will be setting up for a spring shoot. We’ve been looking at cast and directors.

Also some moves are being made on the much-anticipated sequel to CDI’s 1st film KNIGHT CHILLS. We’ve been reading new possible leads and discussing the script. Lots to set up before we would shoot this one but good development taking place. More on this soon.

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Also this year I want to package the original 4 CDI films into a DVD collection (Knight Chills, From Venus, Heaven’s Neighbors, Figure in the Forest) – the early years. Put BTS and interview material on there. Maybe do a few educational retrospectives. Because they were filmed in standard def many of these are having a hard time finding new distribution. We’ll see.

Merchandise is another 2019 goal – I want to see more of this. We might be pulling together the backers for this endeavor.

Representation – I have had several regional agents in the beginning. I’ve had CA/LA agents both large and small. In the recent years I’ve just rolled with legal and handled my own business. I cannot help but think that more could be done with the right representation. I will explore this more in the new year. I’m excited to get back in front of the cameras. This year wide audiences will get to enjoy Jesus (again) in THE CHRIST SLAYER, Ben Lily in WILD FAITH and Paul Landings in MBF.

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Speaking on MBF – we’re looking to release a BTS piece created by David Gries, directed by Mel Anschutz and shot my Graham Turner during our shoot. We’ll release either Christmas Eve or Day, maybe sooner:) The film’s first edit should be close to being complete. We’ll do a fine edit in the new year.

I’ve said it before but in advance on part 3 of The Quest Trilogy (The Christ Slayer) releasing, I would ask you all to watch Forty Nights and Chasing the Star. They are an excellent watch for the holiday season.

I’m going to fire up the creative engines and get to making new art. I do hope to be approached for participation in new creative acting endeavors. This might be the year RACHEL, RIFLE, FAMINE and a few other films launch. I also plan to produce 2-3 films this year with CDI.  What I’m meant to do, I will. Work hard and have faith in your path.

I’m going to get back to finishing up things here. My new furry boy Finn helped me rack the new GRAPE APE wine this past week. We had a little early sampling on our Viking Day this week. It’s our day of friendship and wood chopping. SKOL. I hope each and every one of you has a wonderful Christmas. Let the spirit fill you and be good to one another. Keep some of this holiday cheer and carry it through the year with you. Allow others to have their opinions. Listen as much as you speak. Look for unity with your fellow citizens.

Peace to you all.

DJ


Discussions on Compensation and Advanced Release Dates

Good morning and welcome including our new readers from Bahrain. It is a peaceful morning with hazelnut coffee and a sleeping puppy. Michigan is foggy but without snow currently. I’ve been balancing all my post work, development work and family activities. First I will comment on a request for insight on a work question in-state (Michigan) in regards to compensation.

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The symbol of the KNIGHT CHILLS franchise.

The first film CDI did KNIGHT CHILLS was unpaid cast and crew with us spending money on gear, food, props, FX (we crashed and blew up a car). Everyone was in the same boat. We were not even sure if we could shoot a feature film but intended to give our best effort. In the beginning a group of people with little or no resume experience may group together to take that first step.

On our second film we started paying cast and crew. Not extras and not PA’s but everyone else was paid what the budget could support. I will tell you that paying artists cast and crew is one of my favorite things to do. I remember an actor crying in a van when I handed out the first week paychecks. For this person and many it was the first paycheck these people had every received for their art. The act of paying was more important than the numbers scribbled on it. It was giving artists hope, pride and dignity after countless rejections in our business. In 1999 the film scene (Ha!) was much different. The opportunities many have now just did not exist. The only benefit I saw from the tax incentives was the acceptance of the “Film Business” in Michigan as a legit careeer path.

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To this day we pay all our cast and crew but not PA’s and Extras. We feed and take great care with the extras and that’s where we meet many future cast mates. We create tiers for keys and department crew. We also have a two tier pay for union and non-union talent. Our feature rates are lower versus commercial rates. As I noted last week I believe one is an investment and one is a service. We’ve had a few outspoken crew people spoiled on a few good commercial payouts complain about rates. To these people – just pass. Don’t torpedo your ship because you can’t make a rate work for you. These people might have debt, high cost of living (beyond your means) or any other reason why they need to say no. But that’s not everyone. Also the positions on feature film sets are earned early on and crews often grow with the company. Those people who say “I’ll catch up later when you have larger budgets” often won’t. Because loyalty does mean something. If you’ve been the Director of Photography when they had nothing they will likely want to keep that DP as they move into larger budgets. Often if a crew gets out of line there are hundreds that would jump at the opportunity. But you have to be a company that finishes and releases films. People grow tired of putting blood, sweat and tears into a project that never finishes. I’ve got a couple of films I’ve been paid for but they never finished. A waste.

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I like to say we will be defined by what we say NO to. I say NO a lot but politely as some people are just not where I would like them to be creatively. I know other companies and producers who do things very differently. Attacking them isn’t going to help and until you’ve raised funds and been responsible for millions of dollars – your opinion is pretty weak. That said, if you want to make your projects better, paying experience up front will keep you from paying for mistakes. Experienced actor means more options in editing versus that’s our one good take. Out of focus camera. Things left on set because art department last looks didn’t see something. Lack of hair or clothes continuity – all lack of experience.

My goals aside from making our days and getting our puzzle pieces (scenes) – I want every artists to 1) Have a lifetime experience that they will fondly recall like going to Summer Camp. 2) Become more effective in their craft and/or communication 3) Have pride in the final art

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I’m not following anyone else’s business model but what we’ve developed over two decades seems to work well. I do think that audition notices should discuss compensation up front. Artists should not waste valuable time reading scripts, memorizing lines and putting down reads for something they will not participate in because of no pay. I will not work for free. I have a few times in the beginning because I wanted to get the experience and I wasn’t bringing the experience. But now I bring experience and distribution opportunities for any film I’m in. Like many of us I have life bills so I no longer work without compensation. I also like when a project is compensating everyone because the quality is almost always higher. I don’t really want to act with someone’s Uncle Phil that they threw in because he had the day off.

Like many in today’s society it’s easier to cast stones. I often see condescending messages back and forth that really is just strutting for an audience. If you don’t like the way things are done be the change. Raise the funds and do it right. Lead by example not by running your social media mouth. Bad producers will quickly get a bad reputation and when nobody wants to work with them, they disappear. I know many in this state that if they disappeared from the scene things might be better. Some bad eggs have already left the state because they burnt all their bridges and need new grounds to BS. If your experience is beyond a production not paying, just give a PASS. This allows a new talent/crew an opportunity to step up and learn. But people do pay dues. No certificate from a film school or program is going to automatically get you in a key position. Doing a great job will certificate or not. Now they have many great programs so the students come out with experience. But they too might have to work free or discounted to get the experience needed to move forward. OK. Enough on that subject.

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BULLET POINT UPDATES AT COLLECTIVE DEVELOPMENT INC.

  • Visit us at http://www.cdiproductions.com
  • MBF: Man’s Best Friend is closing in on a 1st rough cut of the film. The first trailer was well received and the distributor is already talking theatrical.
  • We are planning to release a BTS for MBF on Christmas Eve or Christmas Day as a thank you to our cast and crew.
  • WILD FAITH will have a PR announcement later this week. We will be announcing a new wider theatrical release – they’ve been working on creating the short marketing trailers. The film will release into theater’s starting March 1st I’m told. More info here soon.
  • WILD FAITH poster art is being worked on by the distributor. TV/Broadcast release will start 4/1/19
  • WILD FAITH digital purchase 5/6/19 on Amazon and other platforms
  • WILD FAITH DVD sales will be 5/27/19
  • WILD FAITH digital rental with be 6/24/19 * day after my bday:)
  • Streaming Networks SVOD (Netflix) and AVOD (Hulu) in early 2020

Part 3 of The Quest Trilogy – THE CHRIST SLAYER was announced with release dates. Here is the PR release from this past week. Read about it here.

https://www.prlog.org/12744411-the-christ-slayer-poster-and-release-dates-announced.html

Our distributor also released the poster art.

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The film is looking and sounding amazing. It is one of the largest production value films we’ve tackled. The music honestly is some of the very best I’ve heard in our projects. But Dennis Therrian our long time composer is growing like all of us at CDI. We’ve just about got all the dialog and sound design completed. Here is me in the studio fixing a few lines.

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This past week has also been development. We’ve got a few 2019 projects coming together. LOST HEART is being prepped for a Spring shoot. Talks on finally shooting KNIGHT CHILLS 2 have advanced. Also a few other exciting scripts that are being polished to possibly be put in the production line. Some exciting news about all this in the new year.

I’m going to go make some breakfast and go explore a bit with the new furry son Finn. Luke would have been very proud of this little gremlin:)

Have a great Sunday and a productive week ahead.

DJ

 

 


Weighing In on Feature Film versus Commercial Production. Release Dates!!!

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New York Time Square – I’ve had success and setbacks. But taking a group of sailors/artists out to sea is always an adventure. Every great thing ever done started as an idea. I’ll tell you something that I see around me that I really like. And this kudos centers on my state of Michigan but extends beyond that. I see DOERS. I see people finishing. I see people reaching. I’m not a better artist. We’re all artists who either create or derive some pleasure from the art of others. Active is always more conditioned than observer. The football player will always be in more condition versus the watcher of football. The artists who stretches his imagination, cooperation and does will always be more conditioned than he/she that watches.

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It is hard to make any movie. A bad movie requires lots of work. Try organizing four of your family or friends to go bowling. Scheduling. This happens because of passion and compensation. Being compensated for something you would do for free is golden as a goal. When someone is required for a lengthy stretch of time/days/weeks compensation with agreement is better than free even when you can get it. Bad cold. Flu. Fever. I’ve had it on sets before. But everyone of those artists is working towards the common goal. You take a vitamin C packet. Rest, best you can and wait to be called to set. People not fully committed can and do flake. But I carry a zero tolerance for that. Too much benefitting too many artists at stake. I’ve missed a grandma’s funeral being on set. She encouraged me all through my career, she can and did understand. It is a total commitment to process. I hear horror stories of crew attitudes and walk off’s. I’ve only dealt with those issues in the easiest of days where the rigor of “war/filming” can test everyone’s limits. We at CDI try to be a fertile creative ground to grow within. Not perfect but we strive individually and collectively. Negative folks can allow the positive flow to align them or they are removed from the circuit of energy.

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I’ve recently seen a few debates between film producers I know and commercial crew members who dog his hiring practices. Both tried to argue their points while the negative slings and arrows flew. Producing commercials (production service) is very different than film production (investment). Again with said producers, I disagree with his model of business creatively and otherwise BUT he might also disagree with mine. I’m okay with that. I think that producers who produce for profit – narrative story in a VERY competitive field, are entitled to set an offer however they wish. I think compensating will draw more experience to the project. That in turn effects the timeliness, quality or both. But getting that experience is the catch 22 for crew and talent. Who is going to trust a 500k film on the back on a first time actor? How hard is it to land in the director or DP chair of a financier feature film? Sometimes these smaller projects help develop people for the path ahead. You can star in a story without the stress. You get to shoot a film versus being the clap board 2nd AC.

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BTS of “40 Nights” – the camp of John the Baptist

Some productions are in that middle ground because of budget. Yes. I’ve done 4 min automotive commercials with larger budgets than a feature film. Meetings, notes, tweaks…not as exciting as a narrative story. When you mix experience level the goal is to raise people up and not have it brought down. This requires the right leadership in the right place. All this? Maybe bowling would have been easier:)  So if you’re making good money in commercial production don’t try to apply that to narrative filmmaking. LOYALTY is what brings crew into the bigger game. It is a two way street. They work to help tell a beautiful story with audience changing power. Those few filmmakers that grow are smart to take their team with them. Some producers do sell out and take this composer who did this or that…this designer is more…they worked on…TRUST ME on this one. Stay with the team that got you there. Now they might need to keep growing with the collective. Soldiers all gotta march. But if someone likes what you’ve built they should respect the builders.

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I’ve had a strong week of film business mixed with good times with the new puppy Finn and family. I made beef jerky for the studio and worked on dehydrated apples now. This week I’m going to rack the GRAPE APE wine to the secondary. I put a deer worth of venison into the freezer. Wood cutting for the office stove will continue this week. Let’s do some bullet point film updates.

  • The Christ Slayer artwork is just truly beautiful. We’ll be announcing Feb streaming purchase, March DVD, April EVENT SHOWINGS on the big screen across the country. Post work is full steam ahead for the next couple weeks.
  • Wild Faith artwork for the theatrical and DVD has begun. Wild Faith will be hitting theaters across the US in 3/1/19, TV cable 4/1/19, digital purchase 5/6/19, DVD 5/27/19
  • MBF is now re-focused on the film edit and we’re working to have a first cut by end of the year. The trailer has been getting a great response. Please follow our Facebook site and watch the trailer. https://www.facebook.com/pg/MBFthemovie/videos/
  • Tis the season and feel free to take a watch on our other films. FORTY NIGHTS and CHASING THE STAR are the two previous films in The Quest Trilogy.
  • LOST HEART is slowly moving down the tracks and will start to pick up steam 1st of the year. Stay tune for more opportunities. Also follow http://www.cdiproductions.com

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Okay. It’s time to cap off the hot hazelnut coffee. Make some breakfast and get ready for a good day. Yesterday we went up North for a belated Thanksgiving fest and today is a family bday party. Go Lions!

Happy Sunday.

DJ

 

 

 

 


Thoughts On Casting and December Updates.

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So with the weather change in Michigan from bitter cold to wet and warm, my sinuses were bugging me this morning. I also had to play ref for doggie wrestle-mania. Also with the snow melting I had to do some puppy proofing in the yard. Little Finn is starting to explore, dig, patrol and eat sticks, bark, mud. I had to harvest up the remaining wild grapes because grapes can cause kidney failure. He started some puppy classes and Daphne, our older dog has been teaching him good and bad. Before Luke got sick Daphne and he use to play fight every day. She is a touch out of shape but Finn is making her exercise daily. They are quickly becoming good siblings. Our only regret is that Luke did not get to take on a parenting role with a new little one.

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In between playing referee and doing work we’ve had TCM playing and I’ve enjoyed watching the many classic films. It is funny now how we can watch the credits and so many names are lost to me. I’m a lover of film and I still don’t recognize certain names that I’m sure were common household names at one time. But that is why we seek to make a few classic films that stand the test of time. To create those few roles that people will talk about for decades to come. I feel like I’m just coming into my prime as a storyteller both as an actor and producer. I also feel like my writing is finally being acknowledged and that’s a gift. But all the recent success is built upon many years of hard work.

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The symbol of the KNIGHT CHILLS franchise.

I think 2019 is finally the year to do the EARLY YEARS OF COLLECTIVE DEVELOPMENT which will be part film education. I would like to include the four first CDI films and the BTS and maybe a few retrospective interviews which might go on the social media. But before Michigan had a film boom it was truly a barren landscape with just a few filmmakers making a go at it. But KNIGHT CHILLS, FROM VENUS, HEAVEN’S NEIGHBORS and FIGURE IN THE FOREST were our learning years and we paid close attention to the business. I would like to package them up into a definitive collection.

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Signing for fans at the 15th anniversary showing of IN THE WOODS

Another area that I want to focus on is merchandise with our films. It’s something that I truly enjoyed throughout my life and I would like to be part of that tradition. I’ve had big ideas but like most filmmakers I’ve always been under financed. That is changing and I would love to put some of those plans in action. So feel free to drop a note here about any ideas for merchandise that you would like to see.

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This week many projects were taken to the next level. In 2019 we’re going to see three CDI films move out strongly into the marketplace. We’re now on the front lines of a new theatrical partnership our distributor has put together. I’m awaiting the home video dates on WILD FAITH that has been delivered to the distributor. Tomorrow the re-mastered theatrical version of WILD FAITH will go to the theatrical partners. I’m in hopes to have a much more detailed announcement next week. We are still putting the final touches on a few deal points. But it will be all worth the wait.

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MBF has had a good showing at the first film markets. The feedback I received was commenting on the professional quality and strength of the story. Our first trailer was put together somewhat in haste due to a sudden demand for a first look after Mipcom. It was decided to spruce up the AFM teaser and release it as a first trailer. I’ve had many people reach out who support our military and/or dogs to comment on the story. This will be a wonderful film with a strong message and we look forward to bringing it to everyone. There is an initial interest in a limited theatrical release – more to be discussed once we get the film further done the line.

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THE CHRIST SLAYER – If you’ve watched FORTY NIGHTS and traveled into King Herod’s lands in CHASING THE STAR, the next journey is coming. The Quest Trilogy will be complete with part 3. We’ve been working hard in the studio and the film is now sounding great! The picture is just epic and now the music is matching. Sound design is so much fun adding wind, animals, crowds, creaks, sails, swords and the list goes on. We’re adjusting dialog where it’s needed to create great from good. Post is a serious process that really seperates the professional from the amateur. It takes time to get there and those watching our films would notice a steady progression. Now when we sit in the IMAX watching it on the big screen I’m always taken back to those early days. Keep moving forward.

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LOST HEART is the film that is slated to be on deck for Spring 2019. A funny heart-warming drama that also deals with a few serious topics. Add a large dose of Michigan charm and I think we’ll have another great film. It will again be distributed under our deal with BMG. I’m also looking at Summer and Fall films and I know it will be a productive year ahead. I think we’ve found a few of our actors and some are returning favorites. We’ll be posting on this film as we enter the new year.

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I’m going to also use the winter to finish a few of my other scripts including my Sci-Fi script. I’ve had a few people talk to me about commercial and non-commercial projects in the new year. Again if your script is good. You’re financed and compensating your talent, and you think I fit something, run it by me. I know, I’ve offended a few people with passes on projects in the past, but it was done politely.  We are defined by what we say NO too. When I say YES, I put my all into it. I’ve got a few projects that I put a lot of myself into and they never got finished. A couple were well compensated projects but still the art is buried. So I look for quality and people who can finish.

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Speaking on this. I recently saw a project that looked interesting but before someone rearranges their day or even does a read, especially as a co-star or major role, I think signing a non-disclosure to read a script is in order.  If I have not worked with the group before, I do ask that the project be funded. Because reading, really reading can take 1-2 hours and if that time is spent, it should be worth it. There are exceptions, but I’m talking cold auditions for unknown parties. The response of “compensation is pending role and will be discussed if role offered” or “script provided only if cast”…whoa! What if the talent dislikes the script. Hours driving, memorizing, reading only to drop out after a read because of a poor script/blueprint. I don’t like my time wasted or to waste other’s time but will often do a quick “sketch” off sides if the story interests me. If they like the sketch the next step is to read the entire script if the film is funded. Nothing like those inexperienced filmmakers trying to raise 3.2 mil to do their first film. That’s like me and a few buddies building a spaceship out of lumber and junk to fly to Mars. Not likely. So, I’m going to remain open to working with some new folks but if you approach please do have your ducks in a row. I’m happy to see that happening with some of the Michigan groups. I’m beyond happy to see the success both in business and storytelling.

And with that…I’m going to make some lunch and do a few things around the house ands get ready for another great week. It has been a great mix of business and catching up with family and friends. I hope you also enjoy your day and have a great week ahead.

DJ