Welcome to the start of the week my friends. I’m sipping the java in hopes of rising above this exhaustion. I had six days of tooth/jaw ache that I thought might be a cavity causing intense pain, lack of sleep, focus – if you’ve had a tooth issue you know. My dentist went out of the state for the weekend and so I tried to manage the pain only semi-successful. Also, the day before Thanksgiving we peacefully put our eldest dog to rest. It had been coming and was sad but also the right thing as it was time. Our pack of family love got a little smaller but I like to think that our past furry children are just scouting up ahead for us all. The night before our last “Wild Faith” shoot I dislodged a pokey seed from behind my wisdom tooth and the sharp zapping pain immediately left. Now the nerves seem to be falling back in line but I have not experienced that much pain that I can recall. Not in martial arts or soccer smashes and clashes and all cause by a little seed. We laughed that it was like the thorn in the lions paw. Okay, let’s talk film.
Shane Hagedorn and Martez Moore on set #wildfaith
Yesterday was our final day of shooting on our family western ‘Wild Faith’ and boy did we go out with a BANG, or many of them. It was our Civil War flashbacks with our lead Shane Hagedorn and Detroit-based actor Martez Moore who played opposite him. We had a couple of great re-enactor groups with us providing wonderful backdrop. The 12th South Carolina and the 4th Michigan brought their A-game. We had a great cannon team out with “Goldie” that shook the ground. I also enjoyed the visit with the property owner Irene Hosking, almost 99 years old. She was a nurse in WWII stationed in Australia and the surrounding area. She was born in 1918 and her first transportation was horse and buggy. Imagine all that she has seen in her many years and our troops gave her a wonderful welcome at lunch. Minus a few stuck vehicles in mud we had a smooth shoot. It was wonderful to see some of the crew back. With Jesse Aragon not able to return for our one day pick up it was wonderful to work with Craig Harmer again from the ‘Bestseller’ movie. The film is now officially in post-production. We will be releasing more behind-the-scenes photos followed by stills. And before Christmas audiences just might get a sneak peek.
‘Goldie’ was quite impressive and put out a blast you could FEEL in your bones.
THE QUEST TRILOGY
Final negotiations on the new 2017 push with ’40 Nights,’ the first in the trilogy. Also audiences were treated to their first look at the second film ‘Chasing the Star’ – so if you missed it – enjoy.
40 Nights trailer
And the second film…
Chasing the Star trailer
And now the business of development on the third film is starting.
So post-sound work will be finishing on ‘Chasing the Star’ as editing moves forward on ‘Wild Faith’ and I’m so very proud of all the artists on both sides of the camera.
I also want to thank Tom Quintana who sent me one of his quality hand-shaped hats. I will be doing a photo shoot for him and I’ll be sure to put a few of those pictures here. It was a wild weekend of emotional and physical pain. It was a weekend of family, friends and filming. The one thing I will say is don’t be afraid to fail. Get out there and make it happen. I appreciate each and every one of you who take the time to stop here each week.
Have a great week ahead!
I’m sitting in a nice silence after returning from a family birthday event that featured MSU TV. Now my father and I both graduated from MSU and so I like the tradition. I’ve always liked that MSU could beat anyone on a given day but most of the time were underdogs. In the recent years they have become the team to beat. I do like how they keep their humble class and whip ass. I’m proud of how they represent. I was sitting outside on the porch of the office watching the night sky. I see some comparisons to filmmaking. I’ve always wanted to wear pride behind our company name. I try to run a fair ship and make dependable, creative content. I know that many that have worked with Collective Development Inc. have felt the teamwork and professional respect we try to extend. Many haphazard production entities can whirlwind a location or town and create an unwelcome environment for future productions.
The other part of my MSU comparison was just the tenacity that the teams are known for. I feel like that attribute, which existed before MSU, but was further honed by a university that exemplifies these traits. I think MSU has been playing up and down to their opposition. U of M has looked good but the Spartan mentality is not like others. Also with those few seconds I noted those who did not go to MSU start to waiver tonight when the chips were down. But those that went to MSU knew not to mourn until the battle is over. To the last second you fight to move forward. Breaking into the film industry is a battle and one that many lose. But for those who stand at the last twilight of a battle and go that last round – sometimes a foe falls. An obstacle is removed. A challenge is overcome. As I sat looking at the night sky I took several deep breaths and embraced that spirit. Along time ago I drew my sword and started my march forward. Other like-minded people asked if they could walk with me. Respect one another. None of that drama that follows so many of these powerfully, creative egos were allowed to walk with us. If you feed on that strife your path is elsewhere. Films are hard enough and should never be made worse by those variables. So a good team of people who don’t QUIT and you never know.
ADVICE: don’t quit.
It’s a really big read into the character of a person. Before trusting any budget upon an artist you have to know you aren’t dealing with a quitter. I know some talented artists that I just can’t hire. They quit on a task – large or small it doesn’t matter. Only the risk changes. If you give up easy – you’ll be working in some field outside filmmaking – just a matter of time. Filmmaking is not for quitters. They are a breed to themselves. They all have some internal, creative calling. Some will engage creativity where they can and try to keep the storytelling beast in a cage. Others will go full tilt. Here is where you must have a good plan of action or you’ll moth to the flame. For some this is just an illustration for a lifetime of frustration and for others it is literal. See you on the other side Smiling Joe.
In summary – good job MSU!
“Dean Teaster’s Ghost Town” kicked off our screening arts mixer every 3rd Thursday at Sanctuary Spirits in Grand Ledge, MI. It was a good look back at our first western with CDI. It was released with Lionsgate and was the #1 western rental for 7 weeks. Top 10 for 17 weeks. More than all that it featured some great talent on both sides of the camera and was one of the most beautiful places I have ever shot a movie. Maggie Valley/Cherokee N.C. – We will announce the November movie on Monday. If you have any requests send me a shout out:)
“Ashes of Eden” is preparing to announce some news about TV broadcast but you can still catch it in select theaters. It played today and will play again tomorrow at the Sun Theater in Grand Ledge, Michigan. If you have not checked out “Ashes of Eden” on the big screen this is a great theater to watch it in. Classic!
“40 Nights” – I’m waiting to hear this week about VFX updates. Also the film INTRO is soon to be underway. More sound design and dialogue clean up has been done. I’m excited for the musical score to begin. I’m ready to share this film with the world audiences.
“Chasing the Star” – the script is in the hands of several actors. The feedback has been wonderful. We’re looking into locations and preparing to film in Feb 2016. We will start hiring in December once the film is up and running. Our “40 Nights” director Jesse Low is attached to director our western in 2016. This has us looking at several possible directors. The second script in our deal with Lightworx is essentially about the quest of three magi.
“Bestseller” is gearing up for an event Nov 1st in Owosso, MI. I enjoyed this week at a dental cleaning – my dentist was all smiles when he told me he saw one of my films. I asked which. He said that he and his wife saw “Bestseller” at Celebration Cinemas. He said, “you were really intense – we loved it.” I thanked him for taking the time to go see it and promised him not to trash his office Franklin style. He was happy.
I’ve been closing in on finishing two scripts. One being the 3rd in the biblical film series. The other is Knight Chills 2. Two VERY different film scripts to be sure. I enjoy the writing and look forward to finishing those two up. Additionally just doing some budgeting work and we’re finishing up some other sales work. But I’ve also been enjoying the fall. It is getting frosty and I saw my first snow flakes today. Winter is Coming (CUE Game of Thrones music)
I’m sure I missed maybe an update or two but I need to kick my feet up. I hope you all enjoy the rest of your weekend.
The coffee is tasting great on this fine morning. I have to say that the last two weeks have been extremely busy but also productive. Let me think of something that transpired this last week that would be a good lesson to illustrate.
BE DEFINED BY WHAT YOU SAY NO TO
Equally – as much as one can become defined by what they do they can also be defined but what they don’t do. Inaction can be a good or a bad thing pending. It is why great care should be taken in choosing to participate or not. IF you look at what we do as just a hobby, sport, recreational, way to belong/meet people – YES tends to be used more freely.
IF you are doing it as a career (main income) the YES becomes something that only happens after much exploratory conversations.
Let’s look at three things that will most definitely get a NO
1) “Experience not needed” – Yes. I’ve seen this on casting posts. I would not hire an electrician, a plumber or a dentist with this mentality. It says that a person or company has not yet grasped how valuable cast is to a final project. And it has to be CAST as a whole. One powerful performer surrounded by stiff, clueless performers will ruin a scene. You must take care with ALL your casting. And yes, experience is preferred.
2) State that the project is PAID or not right off. It respects the time of artists. Professional established talent will not work for free. If a professional talent took time to read your script and perhaps do a read – what a waste of time if it is revealed to be a credit thing. Now IF you have zero credits – do it. Fight for 30-60 seconds of great footage that can sell you onto professional films. Most of those hobby films have bright moments they just can’t keep that throughout the film. So, save yourself time and ask about PAY right away. The common come back is WE WANT PASSIONATE ARTISTS WHO CARE ABOUT THE ART VERSUS THE MONEY. Guess what? WE WANT A PRODUCTION COMPANY THAT CARES ENOUGH ABOUT THE END PRODUCT THAT THEY HIRE WHAT THEY NEED. I was about to use a camera as an example of paying for what will serve a film best BUT… I see people get nice cameras and bad glass (lenses) so that example is not going to work. Another good example is like the ultra low SAG films that use union and non-union. Non-Union for an actual role doesn’t mean we don’t pay because we don’t have to. We pay all main talent union or not because we want strong talent. In summary – once established don’t work for free.
3) SCRIPT – recognize that the script is the blue print by which every department works with. First ALWAYS read a full script before accepting a role. If the script is poorly formatted or too short/long in page count for a feature that equals TROUBLE. Someone who has it all “up here” or we “make it up as we go” – RUN!
Lack of proper script, pay or understanding of the importance of experience will always get a NO from me. I know that a few smug artists (while misguided I do still consider you artists) will argue that they can use all volunteers, not pay and make up a script on the fly and still succeed. That formula has a small % of success. Magazines will raise up and praise those that do succeed despite themselves. But that is not the norm and they never showcase the countless failed artists and the messes they created often with others money. So if you broke all those rules and you still got a powerful piece with major distribution – congrats. I look forward to seeing your masterpiece.
Okay, how about we get onto some updates? Yes!
This week we were working on some distribution artwork for “Donors” and “Bestseller” is next on deck. The domestic deals on these two films are done and 1st quarter of 2016 will see these release. “Bestseller” additional theatricals are in the works.
I don’t have all the details but worldwide on “The Terrorist” was signed. I enjoyed the people I worked with on this film very much. It was one of the hottest summers on record and that was less than cool. But the final film is what matters and we have something special to share.
“Ashes of Eden” – We might have a special encore showing in a theater before it releases on Oct. 13th with Lightworx Ent.
PRE-BUY LINK – Add to your collection
“40 Nights” – the kick off release of the trailer kicked off a lot buzz. Some of the business talks in the wake of this has been exciting. Buyers are starting to get their first look and next week we finalize the licensing management agreement. If you want to create product to sell using the “40 Nights” brand feel free to reach out and I will put you in touch with the right parties. We have some interested parties already and the opportunities are building.
The film tweaks have been made and the transition to full post audio music and sound design is underway. The work starts Monday and I’m beyond thrilled.
This week look for an exciting announcement with “40 Nights” and onto development.
We have been getting some great acting reels in from talent around the country for a pair of upcoming CDI projects. The 1st being a western and the 2nd another biblical drama. It will also get announced that the western has been given a letter of intent by Lightworx for worldwide distribution. They are already on board the 2nd biblical film as part of our 3 picture deal with them.
I’m enjoying having the distribution in place ahead of time. I enjoy the collaboration with the people selling for us. It is nice to discuss things in the script stage. Watch for many more announcements on these two films.
OK. Off to deal with BUDGET rental car charge on my production credit card. I’ve had issues with them on two different times. I think it might be time for a company move to another rental company.
Always something:) Have a great weekend!