CDI Updates, Looking Ahead – Last Week!
I’m sitting here in Alpena listening to the MSU game on Tony Hornus‘s streaming lap top. The waves outside are primitive and create a sense of relaxation. I was almost going to step out to eat but I had recently returned from doing a ‘pick up’ scene at the nearby military base. We almost settled for a small modest set but we ended up with an epic one. It just takes digging a little deeper. Our CDI producers and keys are damn talented problem solvers. We don’t have any perfect days as the odds of variables is against us. But when challenges do arise we have the tribal power to deal with it. Pivot and move forward. Repeat. Refine. Repeat.
It’s our day off for cast and crew but not producers. I did all the payroll today and still have to do the accounting behind it. Our ‘end of week’ filming consisted of our biggest days filled with action and extras. I’m proud to say we safely and timely, got what we wanted. During one of the scenes a bystander mentioned how the set up looked like a studio film lot. It made me smile. It was pretty trick with us using several classic cars, fog machines and a chorus of action as we filmed one of our most chaotic scenes.
The very next night we filmed in one of the oldest buildings in Alpena. It’s just an incredible building dripping with character. As the screenwriter it exceeded by minds eye picture of the location. Perfect looking both inside and out. We filmed the climatic end of the film there last night and it was majorly charged. The Purple versus the Harsens Island Militia (WW1 vets) – it is a cool piece of historic fiction and the footage looks absolutely epic. EPIC. Thank you Alpena for providing such a wonderful backdrop. Thank you for all the assistance everyone has given in the community. Harsens Island Revenge coming soon! Okay not real soon, but soon enough.
SILENT NIGHT IN ALGONA theatrical fans have been clamoring for a home video release and Dec 1st, 2023 is that date when DVD and streaming will launch. And if we did not release the poster on here yet – enjoy!
This film has been worked on and polished for the home video version. We hope you will enjoy it with your family this holiday season.
WHAT IS NEXT? This is always a very interesting question. Many things have to all line up to take a project from development and move it to pre-production once funding is achieved. Sometimes locations play into the project. But mostly it’s getting all the right elements behind a truly strong blueprint or script. We’ve have several projects in a constant rotation of development. Some have been there for some time as this process can be lengthy and require multiple things to line up. I will enjoy taking a few beats to readjust back into home but I will be back to my development talks shortly after. I love working with our team to get these projects synergized and ultimately funded.
I really want WILD FAITH‘s tv series to launch. We might be onto a few new opportunities there. I might get back to some writing over the winter. HOT ROD LOVE this next summer would be nice. – I’m going to focus on what is here. I have a handful of scenes tomorrow so I’m going to close on this so I can go work my lines before bed. I look forward to speaking to you again next week at our wrap. Maybe a video:)
Until next week! Coffee Cheers!
DJ
HELLO CLEVELAND! Updates From Indie-Gathering and More…
I’m back in my comfy chair sipping on some hazelnut coffee having just returned from a dentist cleaning. I’m writing on this fine Michigan Monday after returning late last night from Cleveland, Ohio. Some of our BEST YEARS GONE team traveled for the 27th Indie Gathering International Film Festival. It was nice to be around storytellers and talk our craft. It was extra special because we were joined by Detroit filmmaker Harley Wallen representing ASH & BONE, a cool horror film that is a true tip of the hat to some classics. I have to say that actress Erika Hoveland gave a funny, disturbing performance in ASH & BONE and does an incredible job in BEST YEARS GONES, as Sylvia. It was cool to have Michigan filmmaking represented and Erika co-starred in both films. Shane Hagedorn, directed and co-starred in BEST YEARS GONE and also had a supporting role in ASH & BONE. Amazing to watch these films almost back-to-back and to see the range of Erika and Shane’s performances. I only appeared in BEST YEARS GONE but I’m humbled to say I received the festivals ‘Best Actor‘ award, for my Gil Gilles performance. Gil, Gil, Gil…he is truly a character and if you have not seen either of these films you can watch BEST YEARS GONE now on Amazon Prime, iTunes, Google and more. ASH & BONE releases in October. Congrats to Harley and his team. Congrats to all the folks at the Indie Gathering. We had some great Mexican eating also. Thank you Melissa Anschutz and Deskpop Entertainment.
Soon I will unpack and likely take a nap. The above film event in Cleveland kept me up past my bedtime. I’ve got a good sleep pattern down and closing down a bar mixer was already over my sleepy time but we had to pass on the 2am to dawn tailgate with grilling and games. If I was 24 I would have been there but…and I’m still tired. We talk about that often. Sleep. Many like to impress folks with how much midnight oil they burn. How hard their grinding. But I can say, that experience and life has shown me that good rest results in better quality use of time. You can say, I worked eight hours straight but how productive were you. Some can do the same work in three focused hours with good rest behind them. Even those meditations, sleep shut down for even 15-30 min can reboot you. Sometimes when flustered people will say, I don’t have the time to take a rest. What results is often mistake-ridden, half-ass work versus taking a few moments and getting better results.
I’ll get my rest on soon enough but I wanted to get some updates out to all of you. BEST YEARS GONE, might have 1-2 more special events planned but it’s now spreading out to different areas of the world on home video.
OTHER UPDATES:
- Going to PR the release dates and info on the premiere for FOR THE LOVE OF CATCH, once locked in.
- VFX, Color Correction, Music and Sound Design on SILENT NIGHT IN ALGONA is in full swing. Interested theatre chains are starting to give their interest. We have to lock down details on the Algona premiere this month. A new theatrical trailer will also be coming in advance of the premiere.
- HARSENS ISLAND REVENGE development work will continue in full. We’ll be looking to lock our dates for next year. Some scouting will happen this year also – so exciting to be able to tell this story. This is another epic period action/drama and it will be one fun ride.
- I am debating a few moves on SMOKE & MIRRORS, our short concept film. We might just post it for everyone to watch. It’s a really cool, stylized piece and I think folks will really enjoy it. We will get around to this feature script in the near future.
- BESTSELLER, the thriller from the mind of Chris Knight is playing to home video audiences. We have a few reviews and interviews coming up. This film really keeps you on the edge of your seat once things start rolling. If you enjoy these kind of spin-chill films, take a watch.
I’m not going to carry on and on today as I need to unpack and catch up on a few things, rest being one of them. I’m glad that I’m making the effort to slow down and enjoy some of the wins. God knows we’ve had our losses. But I’m really starting to realize that these things happen in their own time. I’m trying to be better at being happy for the personal wins. I’ve found in the past that personal recognition often came with resentment and some form of negativity from others. I found it interesting that after winning that ‘Best Actor’ award which was a nice metal medallion on some olympic-like neck strap. Without thinking about it, I just slipped it into a pocket and carried on. I did not wear it around. It wasn’t a decision with myself – should I wear it? Yes? No? I never thought that. I believe I was thinking about the second half of my burrito that the lunch waiter accidentally threw away instead of wrapping up. My acting might be good but my hand communicating isn’t. “Wrap it up in foil please,” came out as “toss it out” please. Okay, I’ve wandered. My point is, that if my getting recognized gets more eyes to watch our collective art or help projects get made, I’m happy. Does my ‘self’ need the personal recognition? It doesn’t appear that way but maybe deep down, I’m sure it does. The writer in me is really proud of all these stories. I’ve had a few nominations on my writing and I do recall that feeling good. Honestly, I did not expect to win. I mean, come on, it’s Gil Gilles. BUT, folks do seem to like ole, Gil. So from Gil and I, I want to give one more whole-hearted thank you. I’m going to go unpack and try to get my flow back in order. I’ll be back with you all on Sunday, our normal day. Until- Coffee Cheers!
DJ
An Amazing Week ‘Stay on Target’ – Focus and Place Your Energy Correctly
I’m sitting and sipping hazelnut coffee as a gentle rain falls outside. The morning started with bacon and eggs and that can’t be bad. I’ve had a very rewarding week and have been basking in a glow for much of it. Lots of good business unfolded this week but the highlight was a producers watch on the film at the media center on the big screen. It was epic and Michigan looked just incredible. It was the first time all us producers had been together in a good long while. And it was a watch full of laughter, tears and joy.
We’ve had a few ‘outsiders’ to the production circle watch the film and I really believe this film has something for everyone. We will use the next few weeks to set up as many theatrical, drive-in and other such event screenings as possible. I feel as we’re evaluated by several TV networks that someone will take an exclusive window before the streaming and DVD home video rolls out. UpTV, Lifetime, Hallmark, ABC – battle of the network stars. Just joking although we use to love watching that TV special.
If you want it to play in your area you need to reach out to the venue and get the name/contact info for mgt. We will be doing a few premieres and I really want it to play LA deeper into the year. Not sure with the state of things it will happen but we will see. I know we will be playing in the area we filmed in White Hall/New Era and would love to play Muskegeon too. So LOST HEART is about to be on the move and whether you see it on the big screen or your personal big screen we hope to bring you a few smiles.
Onto other film news…
THE QUEST TRILOGY (Forty Nights, Chasing the Star, The Christ Slayer) will be getting a powerful new trailer showcasing all three of the films. The idea is to really start to promote the three together. When seen out of order or not seeing all three does effect the overall understanding of the story. As the window for these films (Thanksgiving to Easter) starts I’m excited. I love all the fan mail from around the world these movies have brought. These biblical adventures are a good watch at any time.
WILD FAITH – So exciting developments continue – apparently the film was nominated in 2019 for several categories at some Red Letter Awards. Nominated for BEST ACTOR (Shane Hagedorn), BEST ACTRESS (Lauren LaStrada), BEST SUPPORTING ACTOR (Darby Hinton), BEST SUPPORTING ACTRESS (Christine Marie), BEST SCREENPLAY – (That DJ Perry guy), BEST DIRECTOR and EDITOR (Jesse Low) and BEST PICTURE. Their announcement went unseen and so…just more people feeling the power of this story.
HASTINGS the TV series is under active development and I have a series of talks and proposals that need to go out. As I told our team with the TV series it is WHEN not IF. Stay tuned and some of your favorite characters may be coming back to tell their on-going story.
MBF: MAN’S BEST FRIEND – So for the first time since all this virus lock down I went for my dental clean. The receptionist is married to the dentist and they have seen all the films for several years now including his daughter. I got my temp taken and they gushed on how much they LOVED MBF and that it was their new favorite. She admitted that tears were shed watching the movie. I have to say this little exchange made my day because it reminded me that daily our stories are having an impact on people. The receptionist was former military and said usually she is yelling at the screen because of the things they do wrong in military films. She exclaimed that we really did our research because it was spot on. Again I’m so happy the military community respects the performance and the film.
SILENT NIGHT IN ALGONA – MBF director Anthony Hornus will be directing this WW2 era drama. We’re still in the development phase but things are coming together nicely. We are still looking for German and/or German speaking actors. Also we will be doing a national casting for the young boy lead in the film this fall.
SMOKE & MIRRORS – This is shaping up to be a great little show piece for the forthcoming development of the feature. Directed and edited by Nathaniel Nose (The Christ Slayer) this 12-15 min piece is another great CDI period piece. Early 1900’s – great location, car, clothes and a cast of quirky characters. I have some post discussions this week. David Gries is the lead in this short and again shows the amazing and talented folks we have the honor of working with. The poster art is also being worked on and we’ll release that once completed. A new CDI page will be coming to http://www.cdiproductions.com (Subscribe to the Tribe)
Victoria Jackson returning to the Tribe in ‘Best Years Gone’
BEST YEARS GONE – Were going to be meeting to identify the VFX shots and such that can be filmed before the main circus. We are still targeting end of Oct pre-prod and Nov shoot. Lots of talks with sponsors and such about this film that will be a great addition to the TribeCDI films. We have more cast and crew to announce and we’ll be doing that starting this week where we’ll meet the ladies from Gal’s & Ghouls:)
FOR THE LOVE OF CATCH – CDI is helping produce a documentary film about the history of catch-can wrestling. We’ve got a lot of great people appearing in the doc to discuss their passion for this old fighting art finding a new golden age. More meetings before cameras start rolling. With my love of martial arts this is a pure joy project for me.
WRAP UP
I could go on about other projects either getting new releases or new development but I think you have a good picture of the situation. CDI is on the move and will just keep doing what we do. Music, Animation and many other exciting things will be happening at CDI in the near future. We keep adding to the tribe and the projects keep growing in number and scope. I saw a few posts this week about and from a MI company having all kinds of issues with one of their “producers” whose job should be to eliminate issues not create them. But once I saw who they were talking about it all made sense. Again just be careful who you create with. It should be a wonderful experience and not marked by drama and nonsense. As I watched all the LOST HEART cast and crew names scroll down the big screen I was deeply moved. From organizing after-school video camera shoots to where I am now is just…amazing. I am so thankful to be on this journey and with such amazing artists. If you like the style of storytelling CDI has gotten known for you will not be disappointed in CDI’s new offering LOST HEART. We’ll see you soon:)
Stay safe and be good to one another! Have an amazing week. Stay on target. Focus. Direct your energy to what you can control, enhance, organize and don’t forget to laugh daily.
DJ
Getting to Know the CDI System and Project Updates
Good morning! I’m writing you from the deck of my patio that has hop vines wrapping around all it. (The pic above from the spring) The squirrels are busy picking the last of the ripe mulberries and birds are singing while playing in the bird baths. Without question the coffee sits beside me flooding me with the wonderful taste of hazelnut. If I cannot find a coffee sponsor in the next few years I just going to open a coffee business. I have to try harder with some of the local Michigan roasters.
The office fridge might have seen its last days. It’s almost fully defrosted and we’ll see once we plug it back in if it lives. If it’s dead I’ll be getting a more fuel-efficient replacement. The one now was from my buddies basement where we would skip class at MSU, drink beer, play pool and listen to jams. It’s been a worthy chiller of beverages so we will see.
This week was a hot, humid wave that’s not really to my liking. It was followed by just a few extremely beautiful days consisting of warm air and cool winds. During the heat wave I got a lot of writing and paperwork done while watching the various nations go at it on the World Cup soccer field. Let’s look at a few of the movie updates.
I’m happy to say that the domestic home-video deal on the 3rd film in The Quest Trilogy – THE CHRIST SLAYER is signed. It will join parts 1 & 2 at Bridgestone Multimedia Group. The Christmas theatrical will be followed by an Easter home video release. I’m excited to have all three out there together which will reveal more about the overall storyline. Interweaving of the story arc goes through all three stories/movies. IF you have seen part 1 (Forty Nights) or part 2 (Chasing the Star) please do leave a review on amazon or IMDB and leave what you took away from it. I think people unaware that it was a trilogy felt part 2 kind of left them hanging – well it was meant to. The next few months will see things heating up PR-wise on part 3 with more BTS and still photos releasing. It really is an epic way to end the trilogy. I know Dennis Therrian will do another incredible score. The VFX work coming in is just incredible, not surprising as their previous work included BLACK SAILS (One of my favorite series) and ROGUE ONE just to name a few. They built models and created digital matte paintings just for this film. This film was a really cool step for us as a company allowing us to use as many VFX shots as we did. I have director Nathaniel Nose to thank for all that.
I will use that example in discussing development work at CDI. I’m trying to make more time to sit down with people in our field. Directors, actors and those trying to produce content. From the earliest days of CDI it was about bringing cards to the table. CDI is an actor/producers company looking to tell powerful stories. Currently we have momentum behind my scripts – distributors like the content and final product. Talent loves the style and depth of the characters and situations. We also have some talented writers within our ranks. ADVICE – IF you’re bringing a script to the table the best thing is to also bring the money.
BUT THIS IS THE HARDEST PART! Yes. I know this. After many years in this industry – a truth is – every NEW variable could lead to new advancements OR disaster. The wrong crew or cast can be devastating to the overall quality of the final product. I’ve been scrutinized because I would rather pay a broader crew base a modest wage versus overpay a name talent, at the expense of the crew. It’s a difference of opinion in business models and a happy medium does exist. I feel a larger name can move more initial units but a bad movie with a larger name will also die off quickly. I had to turn off a multimillion dollar film lately. It was long, plodding (nice camerawork) but after an hour plus we still had 45 min plus minutes to go. We didn’t care about any of the characters. That’s the result of either a poor script or just bad chemistry as you know they had a huge crew base. I’m saying that I would rather have a modest, long-term success with a good movie vs a flash hit with a bad film. How long before it gets lost in the shuffle of bad films? What do you have to show for all that hard work years later?
OK. I went slightly off topic. But anyone new is a wild variable, and therefore a risk. Skill is only part of the equation whereas personality/character is the other big factor. Do they play well with others? Positive? Respectful? I’ve had others say “so and so” is a great artists but grumpy or aloof and that’s just how they are. Well, they can go be that somewhere else. I have reduced all this down to a simple saying – Always be a sail and never an anchor.
So with these sit downs – I’ll be getting to know people and informally evaluating to see if they would ever work well into our system. The CDI system. What does that mean? Well…these films were not the result of some money thrown together to rush together a film – perhaps with no accountability. I shudder when I hear of all the films being done with no script or the script is just an afterthought. I recall one time an actor friend telling me they were on set and the director was having them write the script on the spot. He called it interesting and I called it incompetence. I guess it was both. But here we’re taking on investment capital and we must give best efforts. This company was founded on best efforts and striving to always be better. CDI today is built upon its earliest endeavors. Future CDI endeavors will be built on current endeavors. This is a tradition not a hobby. Not a film challenge but an evolution. This is a business that works in deep creative waters. My expectations of myself and the producers/directors are high. My expectations of the cast and crews are high. If you are not serious about the process and the end result – off the deck. No point in trying to sign up here.
On set of the thriller “Bestseller”
Now some people just don’t know any different but once shown a better way they are willing to adapt and thrive in a more structured endeavor. Others can try to drag negativity or bad habits from previous experiences but I’ve been doing this a long time. If you start to feel like that anchor, stating obvious problems versus presenting viable solutions, being a sail – I’m going to drop you at the next island. Lose your professionalism and respect and the immediate gangplank walk could be your fate. I don’t fire often but I’m more than willing to do what needs to be done. That said, every firing has been a failing on my part. A failure to properly evaluate someone before a hiring or just failure to lead that person to a better way of co-existing on a film set. Management is something I enjoy because I’ve had the opportunity to create the environment that I want to work in. The environment that allows the best creative juices to flow.
I guess in summary – you could be involved in a CDI association or collaboration IF you have your own funds and seek a machine (production unit) that runs like a CDI film. Now $ still rules so if you bring a majority of the production funds, unless decided differently in contract, we consult or bring options to arising issues. That controlling entity makes the final decisions. Those decisions need to be made with wisdom and balance or trouble can quickly develop. I think I make fair decisions and I’ll say, I’ve made unpopular decisions. But I think it’s about working to be able to see the big picture. Not being drawn in by the ego into trying to force something to fit that does not. Don’t say yes to things that should be told no.
I had productive talks this past week with an experienced director talking about possible CDI collaboration. Our management at Collective Development Inc. was recommended to him. We shared mutual Hollywood horror stories usually stemming from fast-talking, car salesmen-like distributors and wanna be producers, mucking things up. Much of this proposed collaboration will just depend on pros, cons and schedules. I have another past producer collaborator getting close to having his next financing. He wants my involvement again. Evaluate: Content, Script, Schedule… All these variables when kept in-house tend to run very smooth. Adding these outside variables are where most issues lie. Most of the rough waters are in the associated projects but that is also where collaboration exists. But make sure they are a good fit. So I have more phone calls and meetings this week to network and get to know a few folks working hard telling their stories.
WILD FAITH – Lots of exciting happenings here. The home video deal is being worked on while we discuss the option of also launching a TV series. I am really pushing hards on this as I love the character I play. I love the world we built. I love the talent (both sides of camera) and know we would incorporate lots of Michigan talent into the various shows. We’ve been working to set up some additional theatrical showings and we wanted to look at showings in LA and/or NYC. The costs involved were steep and for me I’m watching the bottom line versus the red carpet strut. But I’m happy to say we’ll be screening at the AMC in Burbank as part of the invited line up at the Burbank International Film Festival. I think I’m going to make the trip and my LA-area amigos can finally see one of our films on the big screen. It plays great theatrically and I will enjoy the conversation with film friends after. You too can join us on Sept 8th in Burbank. Read about it here-
https://www.prlog.org/12716952-west-coast-premiere-of-wild-faith.html
Our last film Man’s Best Friend is having the post materials organized as editing is about to begin in full. The opening credit sequence was heavily discussed and that is being worked on. We will also start having more solid talks about the 1st teaser trailer. Also trying to get the right color correction on the first stills before we start releasing those. The story is in puzzle form and soon we’ll start to assemble the film.
I’ve really been enjoying the writing as of late. I’ve taken a few good script concepts and I’m infusing/weaving that into what will likely be our fall film. It’s been refreshing to be back into the imagination and putting it to page. Some location scouting and ground work is also being done. I will say that the initial script concept was to be shot in another state. I was so happy with our last crew that I am revamping the script to Michigan. I’m sincerely thinking we can convince a few of the MBF crew to return:)
Well, it’s a beautiful day and I might spend a little time engaging in some writing. We will also likely go walk a flea market. I love what you can find at those things. I often find props or things that a story might hinge around. No soccer today as we have a BYE week before starting the second half of the season. Next weekend I have a class reunion which will be interesting. I did actually see a Michigan-based, non-CDI project casting that caught my eye. I asked a few questions and we’ll see if any chemistry exists. If not, I’m happy to wait until fall. I do have a script to finish.
Be good to one another!
DJ
Keys to a more successful 2018
Well Winter has fell upon Michigan for sure with a good amount of beautiful and chilly snow. If it is going to be cold I really do enjoy snow. It is brighter and I love the look it gives to everything. Yes, it makes the hazelnut coffee taste that much better. Christmas is only a few days off but we’ve been enjoying the season everyday. Where do I even start with all this? STAR WARS (No Spoilers I PROMISE) has been front and center with the media and most folks. I had the pleasure of watching the latest installment yesterday. It was made extra special because I attended a showing with my lady, I put girl elsewhere and some people thought I had a hidden love child. My brother and his wife and my friend of about 40 years whom recently moved back to the area to work at MSU. We saw the original 40 years ago together and to have him there again was very special to me. I enjoyed the film very much. Now as an artist I really try to avoid too much judgement. I’ve been to art museums where a few tin cans and some string displayed about is called art. I saw a waste of space but respect the decision to present it. I know that for me the prequels don’t work but I’ve enjoyed these new films made by fans of the originals like myself. I think that sometimes less is better but again that is just me. I sat and watched the end credit roll and smiled as we’ve been proofing our end credits on WILD FAITH. For all intent and purpose the movie is complete. We’ll be watching the final proof here soon at our post-house. Color correction was the final tweaking being added and that was almost complete. The film actually required very little due to the quality of the photography from Jesse Aragon and our team. We’re doing the final sound/music on our theatrical trailer. We plan to release it between Christmas and New Year. I was sincerely thrilled by the cut. I watch a lot of trailers as they are one of my favorite things to watch. A visual synopsis and a tease. This movie is exciting and I hope that audiences out there will also enjoy the efforts of many wonderful artists. SOON:)
The reports have been coming in on the first two films in our ‘Quest Trilogy’ and it is quite amazing. The few off reviews I’ve seen either stem from someone wanting a Hallmark film vs a Chuck Heston style Christmas drama. CHASING THE STAR is our EMPIRE STRIKES BACK. All three films are purposely done in a STAR WARS style with the camera work and epic music. A few that are unaware that it is a trilogy are surprised by our ending of CHASING THE STAR but if you watched FORTY NIGHTS it makes perfect sense. You don’t need to watch them together but they do all fit. Fans of FORTY NIGHTS who were unaware of the trilogy aspect have been thrilled to find out there is three interconnecting stories. 2018 will be the lighting of the PR campaign on the 3rd installment THE CHRIST SLAYER. I think once the news of the three stories being a trilogy becomes wide-spread – many will re-watch with joy – as they pick out the strands that bind them all together. All in all the trilogy is one of the great accomplishments in my life. I’m very appreciative of all the artists who participated. I will be thankful for them my entire life and I hope some of them do take pride in their involvement. We created something special.
Here is the trailers for all three films again.
I’ve spent a good amount of time organizing and prepping for the year ahead. I’m trying to have a smooth end of year tax season with the films. The business responsibilities behind all these projects. When people invest in your endeavors there are many tasks that go along with that. Filmmaking is fun but there is a lot of biz that goes with the show. That is why when people don’t respect that fact I don’t respect them. For many their work ends when the film is done. For the executives it does not end for many years. So next time you’re on a film as cast or crew give a little consideration to those people who make it possible for you to be there working.
I had a meeting not too long ago where I asked and was informed of the recent work this person had been doing. It almost always comes with a preface that it (the work) was done for a small fee or free because it was for a friend. I’ve found that this is usually said to give some leverage to ask, suggest or hint that they would appreciate more money on one of our next projects. I hear this story year after year from many people. Some of these same people are the first to say something if we overlook something while busy or it did not quite meet their expectations, but have been again paid, paid, paid and paid. But you find out that these people are still waiting on compensation for previous friend films or again worked free as a favor to a friend. Are these people/friends really friends helping to move that person in their career? Maybe. But when they are doing all these low/no paid gigs it puts more pressure on them to push us for more $$. I wonder at what point do I/we earn a bit of give in the name of friendship? Who is helping to pay their bills? Who is concerned with them staying in the game as a working artist? I’m not saying you cannot or should not do favors, I’m just saying that financial hardship from taking too many no pays should not fall upon those who do pay. We pay in tiers equally and not just pay 3-4 people and try to go all volunteer on the rest of the crew with no pay to talent. Our product has a certain quality because we pay for the artists we need. The rates are smaller vs commercial because the crew and cast is MUCH bigger. We’re climbing back to some of the larger budgets we once had but I still occasionally hear the moans. I’m climbing the ladder again responsibly and my advice would be treat those who pay you like gold and do less free projects. My ‘friends’ in the business are those who have compensated me and allowed me to survive and continue to move forward in our difficult business. Just a thought to put out there for 2018. And lastly, this is straight truth advice. NEVER turn down a modest paycheck offer by informing someone you’ll “wait for the larger budgets/rates”… I can say directly that when the bigger budgets are there, those individual(s) who made such a statement will not get that call. Some of those will turn around and again work for no pay again for a friend. In this industry you have to bet on winning horses. Because when those ‘friends’ bottom out and leave the industry – as I’ve seen hundreds do, they will not be concerned with their ‘friends’ – this is truth. Ponder that as you enter 2018. I’m not saying, don’t do favors. I’m just saying ‘friends’ can also be those that allow you to earn and grow in this business.
As for 2018 – we’re getting closer to locking up our business on MBF (Man’s Best Friend) our next CDI film. This week we gathered more paperwork and money and we still have a way to go in the week’s ahead. Additionally we’re developing a couple westerns, a TV series, a new biblical trilogy and a couple animated projects. It will be a good year. This week I’m filming for a non-profit which will be nice. I’m planning to get back on my writing schedule too which has gotten off track.
Okay. I had to take care of a few things. But again another little observation. A few years ago I met the nicest man working on an animated children’s movie of “The Patchwork Girl of Oz” with his modeling based upon the original illustrations from the 1st public domain book. His passion reminded me of everything good about being an artist. It took a few years of watching, giving notes and tweaking. We polished it with the same music and sound design love we give our feature films. The film is now getting ready to start rolling out to Amazon and other platforms. I do a little instagram promotion and of course some aspiring comic illustrator had to throw a stone. I took a glance to see who this all mighty person was to make such throw away declarations on someones hard work. Not a bad illustrator, but I’m sure unaware of the hard journey and the actual illustrations from the 1913 book. Likely a frustrated illustrator unable to get his foothold in another hard industry. I only guess this because successful people don’t usually throw such negative barbs. They appreciate where they are on the journey and that others are working their way. One of his personal descriptions was “All around good guy” – Hmmm…I guess our definitions are different. Also in our circle – if you watch an old black and white film with subpar effects or whatnot respect and recognize that these people were working hard just like we do now with more limited tools but imagination none-the- less. You can apply that to the new Star Wars films. I’ve seen the haters. If it is not your cup of tea don’t drink it and move on. I like TRAILER PARK BOYS Canadian TV series and have for many years. We use to get bootlegged VHS copies recorded from Canadian TV. Now many years later the show has found its way into the US pop culture. But go watch CART BOY or their earliest stuff. High production values? No. But the heart was there and they evolved – some out there would definitely not find this to be their cup of tea. So move on. So many people want to enforce their opinions but when it is tinged with jealously or just spite it’s sad. Many are just frustrated artists. If they happen to find any success the irony is they will just have their work attacked by people who were just like them.
Social media has just made people brash. I try not to comment anything that I would not say directly to that person. And also know when it won’t do any good. I’ve seen features that I did not really enjoy by aspiring filmmakers but I KNOW what it takes to finish a film. The art can improve but if you cannot complete a workflow and the film, you will not evolve. So just consider being a bit more classy and a little less assy. I made that word up. Because you could be the stick today and the pinate tomorrow.
I vent these few things only because I truly want to see 2018 be more positive for people. The rise in mental issues/depression that I see touted in the news doesn’t surprise me as the seas of negativity are everywhere. But you don’t have to swim in it. I can promise you that once I hit publish on this blog and it posts I don’t come back checking it each hour for acceptance or to see who dislikes it. I won’t even have the computer back on until the morning when I start in on my list of business TO DO’s. I don’t notice if I lose followers, friends or care how many shares, likes or whatnot. StarMeters up or down, doesn’t matter. I’ll be spending time with family and friends. Laughing, sharing and living. Don’t let life pass you by as you stress over acceptance. Be you. Be good to others. Create don’t hate. Be happy.
Be LOVE.
DJ
Free Tea Tree and Thanksgiving Updates
A light dusting of snow covers the ground and I’m sipping at the hazelnut coffee (not sponsored yet) and reflecting back on my busy week. I want to welcome our Romanian and Indian readers to the blog. On the Indian front we’re having some great conversations about getting some of the CDI films there and also about a few collaborations on scripts we have.
Speaking of sponsors – Maple Holistics approached me about possible endorsement. I have a select list of products that I’ve got deals with. These often are passed down to our cast and crew in the form of gifts such as our awesome product from The Candleberry Company. I used the tea tree shampoo for this past week and I have to say I like it. I liked the texture, the tingle and it left my hair feeling very clean. You too can try for yourself and they’ve provided me a link below. Enjoy. Tell them DJ Perry sent you:)
First Showings, Winter Snowing’s and What’s to Come!
Ah! Nothing like a good steaming cup of coffee on a snowy Saturday. I think I’ve been good at trailblazing ahead in filmmaking and not sweating the nay sayers. I DO care about our audiences and I DO care about the artists I work with. I want them to be proud to be part of a Collective Development project. The films have always been made with passion from the very beginning. So last night on the big screen, we did our first showing for our Michigan-based cast and crew of “40 Nights” that traveled to Yuma. A few significant other and special guests attended but I wanted to keep it intimate and low key. The theatrical version will be a more powerful 7.1 mix but even stereo, the film played powerful. What it will mean to each of you – that is what peaks my curiosity.
I wanted to share that screening with some good people – and we did. Thank you so much to the Lansing Media Center for hosting our cast and crew showing last night. It was great to see it on the big screen. Yuma, AZ-area cast and crew get ready. I’m very excited to show everyone there VERY soon.
Also we’re entering another phase in the filmmaking journey. I compare finishing a feature film to dropping a kid off at the bus stop, ready for their first day of school. At home, you can feed the child all the encouragement, love and preparation before the harsh world has contact. Our child is now on the bus. Creatively, what is – IS. Now the debates can rage – love it, hate it – why didn’t someone fund my film versus this…like I said in a post, “stepping out of the darkness where the masses wait with rocks or roses”-
“40 Nights” – the 1st film in the QUEST trilogy.
Audiences will decide. I shift to business mode arranging things that will assist exposure of this film. My biggest regret on “40 Nights” after watching in studio was that it lacked P&A to show in theaters around the world. I thought it would play epic – last night at our first private viewing – it did. Much is credited to the capture of beautiful locations and the skilled hard work of our production team. A special credit to the vision of our director who translated the story from page to screen.
Feel free to sign up your local theater, church or venue for a screening opportunity. The page is on the http://www.40nightsthemovie.com website.
BTS of “40 Nights” – the camp of John the Baptist
My upcoming director and editor on the second film got to attend the showing. I wanted to show them for weeks the cut of “40 Nights” as we prepped for part 2 “Chasing the Star” BUT I wanted them to see it EPIC. I wanted them to get to experience the world and I think they did just that. This second adventure will also be one for the books. Getting ready to chase the star:) Building the team.
Team –
I’ve talked about this before. I’m blessed with having played team sports from a young age. My father was big into sports and so that was part of my life. You rise and fall together and you participate in witnessing what can be done with proper COMMUNICATION and COLLABORATION. Coordination is that synergy between it all and the lines run on professional respect. That is, respect for the story, that will all bear their names. As stated, my goal is to have my cast and crews be proud of the participating. These teams can develop over time but I’ve realized, some don’t really know what a team truly is. I am going to give an example and perhaps it will help someone, somewhere.
1st official teaser poster from the 2nd film in the QUEST Trilogy
Three films with fixed budgets are contracted. A team is hired for project one. Project done. Proposed hirings again for project two from project one – A few want more compensation. (Who doesn’t) But the trilogy was outlined – it is a business plan. Now the end game goal, is to take the three completed films to sell NEW development at a studio or TV network. Or just raise budgets to reflect ROI from the trilogy films and move forward with a new slate. Budget increase will equal pay increase. Okay, everyone should be with me.
As a producer,I HIRE, yet as a writer or actor I’m often, THE HIRED. If you made an offer for a short time commit at lower rates (I did not say FREE nor for IMDB credit). These are rates with transportation, lodging, food and such. Now as an actor, would working under your assumed rate, on a short term project, by a company that hires repeatedly or on a regular basis. That sounds good.
To me, the quality has to be at a certain level for acting consideration, but I think when possible that quality should also be looked at by crews. I know many do pick and choose very carefully where to put their artistic heart. I understand schedule conflicts – why work always wants to land on one another versus nose to tail? It just does. But doing a project, that I believe in for a smaller rate. I’ve done it. And it won’t kill my yearly income by working a few days under rate. I have often nurtured relationships that would grow and expand in scope and budget over the years. The movie BOTTLE ROCKET shot immediately to mind. Several creative individuals that collaborated and still collaborate.
Back to the job offers, I watch people work on a series of free projects and turn around to tell me a rate offered is too low. Do I carry the burden that this person chose to play versus work? Other client(s) that did not pay? Whatever the case, now someone behind in bills, pushes to get more $$. Now, I’ve been successful as an actor because I respect the long game. A career of building respectful relationships that when the large paycheck opportunity comes along that person is happy to give it, because you gave so much when they had so little. Respect is real power. I give people a clean slate to make their own respect. Together I invite people to travel on a journey of storytelling. I’ve dedicated my life to following this path. I will be direct and people understand, I’m looking at the end game. A finished film. A story made by a team of artists. One that I can only hope everyone is proud to have worked on. Enough of this ramble.
I’m going to cut this short as I have some work to attend to and I want to finish a polish on a script. I’m almost there. That script is the 3rd film in the QUEST TRILOGY, “The Christ Slayer”…
Have a great Saturday! Keep clawing!
DJ
Star Wars: The Artist Awaken (No Spoilers)
DJ Perry at waters edge while shooting “40 Nights”
So literally I just came back from watching STAR WARS The Force Awakens – I will not give any spoilers here, I promise.
I will talk about how at 7 years old I was changed by what I saw on screen with the original STAR WARS. I’ve never had any lack of imagination and that film set a generation soaring. It had that cathartic effect they talk about with the ancient Greek drama plays. It was almost an enlightening of sorts and I was thankful to be part of that. I wanted to be Han Solo when I was seven and Han was likely one of my 1st “roles” played in basements and backyards with couch cushions formed into our own “Falcon” spaceship.
At about the same time we – me and all my friends also got into DUNGEONS & DRAGONS. Epic tales, heroics and overcoming trials and tribulations – it all fed into what would push me into my career. I feel blessed to be a storyteller. I spent the back end of this week watching actors speak words I had scripted. It’s always magic to see artists of all ages from many places perform/pretend/be – doing what you also love to do.
Today with STAR WARS, I got to go back and be inspired – to drink at the creative fountain that started me down this path. It was a different experience today – I am also a storyteller. I work with artists who gather footage the same way by overcoming issues and gathering pieces of a cinematic puzzle. That will be edited into a final story. Blending it with sound and music and mixing into a final product that will hopefully move and inspire others.
What will become of mankind? The Devil & Jesus debate the fate of mankind.
It is no secret – the QUEST TRILOGY that we’re currently producing is directly stylistically based on Star Wars. That was part of the original pitch – the stories of that time period easily lend themselves to the heroes journey as Joseph Campbell would say. Our 1st in the series “40 Nights” is almost done. It was one of the most challenging roles for me and it wasn’t. Once there in the moment it was easy to be where I needed to be. But the meditations and self discovery of the man was complicated. I’m so proud of everyone involved. We have a large retail order awaiting us and so we were asked to move up our time table on finishing the film.
1st official teaser poster from the 2nd film in the QUEST Trilogy
We’re prepping the ship to shoot the second film “Chasing the Star” which centers on the quest of the magi. I was feeling pressure finishing “40 Nights” and prepping “Chasing the Star” but why exactly? I meditated on that quite a bit as of late. Here is what I learned about myself.
- Every time you declare to make a film you have a chance to fail. I’ve succeeded more times than failed but those occasional failed projects do haunt you.
- The more success you have the more that pressure to not fail haunts you. When you have nothing to lose it is easy to be brash.
- Every film has so many moving parts and seldom do they all happen in perfect sequence.
- Scripts that require a near perfect sequence can be frightening
We require shooting when the desert is not at peak. “40 Nights” had some hot days and the final day hit 100 degrees. I’m trying to shoot earlier to make things easier. But can individuals do what they need to do in a given time? My job is to make sound choices that will result in success. We had a western nearly ready to shoot this fall with 75% of the funds. With winter and the holidays looming we pushed likely to a fall shoot. Now all these things have to fall into place to shoot BEFORE it becomes hell on earth in the Yuma desert. I was concerned about any bumps that result in a push because the desert heat doesn’t care. We need to let go of what we can’t control and work with what is before us. So we’re trying to get us prepped for late Feb/early March 2016. We will see if we can do that. I put so much pressure on myself because of how many artists are helped when we succeed. I don’t like to let people down more especially – our people. But I thought there had to be something even greater. What is that pressure, urgency and such? More meditation. The answer
- Every project pushed, delayed, stumbled is one film less that I’ll produce in my lifetime …and I may mourn that one day. I could have done one more.
I can say that casting on “Chasing the Star” has been full speed ahead. We’ve gotten many, many reels and our director asked for several reads. We’re focusing on our three magi leads right now. Soon we’ll begin working on our supporting cast. We might have found 2 of our 3 main leads. That is exciting for anyone who has been involved with casting. Not finding the right cast has shelved many films. So we’ll see if those attachments become solid in the next couple weeks.
(Russ Clark in “DONORS”)
We had to correct something on “Donors” that caused our distributor to push that release from Feb. to April 2016. For artists waiting on that film to release two months can feel like another two years. Patience is a big thing in this business.
ASHES OF EDEN
“Ashes of Eden” TV and national release will also be in April 2016.
“Bestseller” and “40 Nights” both seem to be releasing in March 2016.
I’m closing in on a first draft of the third film in our QUEST TRILOGY. I almost typed the name – but I think we need to wait. Did I mention PATIENCE:) But I’ve had some exciting talks with cast on that third film. I even released the rough first 36 pages and that gripped the actors. It ties all three together nicely.
I’m also planning to finish the KNIGHT CHILLS 2 script here soon. I’ve just been beyond busy. I had word that things are moving along strong on C.U.J.O. and I’m reading a few possible scripts. (For acting not producing)
It’s bitter cold here in Michigan after some unnatural warmth. Stay warm. Stay safe. Happy Holidays! Go see STAR WARS The Force Awakens and dare to dream!
DJ
DJ Perry's Official Blog 'Clawing My Way to the Middle' 