Week’s Top Eight Updates
Good morning to all of you out there. I’m happy to see all the readers from our Canadian neighbors, Germany, China, Australia and more… if you think someone might benefit from a read please do share our blog site. I’ve been sipping the coffee this morning as I ponder what I should discuss. The holidays are now truly behind us. The beautiful Christmas tree is now seasoning by the woodpile to give fire starting material as the last years tree does now. We had a touch of warm yesterday that melted some of the snow and had all the animals out enjoying the day and gathering food. I’ve been sharing some old peanut butter holiday cookies with the squirrels each day. Now they look in my windows as if to say – hey now.
So this week has been full of steady work and so I think I will random a few of these updates out there.
- End-of-the-year tax work on the movies. It’s not the most fun you’ll have in film but it comes with the territory. If you aren’t doing that work you’re likely a hobbyist and aren’t accountable for anyone’s money. Hobbyist is fine but when you do start working in film professionally do your required work. I see people who want to just play and I understand that but paying people (which requires tax work), union, insurance, state filings… the biz of showbiz. I want to thank my hardworking team. I’ve said it before, it is not easy to do things right and even with best efforts we make mistakes. But when people don’t even try…
- We’re banking more capital on CDI’s next movie MBF (Man’s Best Friend) and still in talks to assign the final units. We’ve got several projected plans pending what happens in the next few weeks. People think raising money is easy and it is not. Even when you stay on budget, schedule, assured distribution to the marketplace, talented artists – it can still be difficult. I think with the tax change it had many pausing until the new year. But we’ll lock it up soon.
- So “Chasing the Star” has been submitted to ICFF and the Crown Awards by our distributor. It was a strong Christmas season and we’ll start to feel that in the next few months. The biblical adventure is a worthy watch at any time of the year. As Easter approaches BMG will keep pushing both “Forty Nights” and “Chasing the Star” we also are expanding into more foreign territories. I think Germany was most recent. Also what a great fan responses over the holidays. Thank you for all the communications.
BREAKING – So a good case point/example. I was sipping coffee and typing to all of you when I got a communication from one of my producers asking for additional info for our tax reporting. Forty minutes later – I’m back. But it’s why I don’t run the streets hard like I did as a younger man. Business pops up and you have to try to be prepared to keep the train a rolling. More coffee vs whiskey and more tea versus wine but I do still enjoy the sip with company. Being well rested is another key. Many people openly brag about how run ragged they are and how little sleep and such. It’s worn proudly like a badge of honor. But I don’t see a badge nor honor. I see a person admit that their time management is not good and likely most of their endeavors are wrought with mistakes and oversights due to being “tired”… put a spin on tired if you want but it still just plays as tired. Look how hard I work! Maybe look how smart I work is better. It’s the angst of the living artist. Look at me I’m suffering. Yes, when dreams are just outside your reach there is suffering. Usually self-induced suffering because we look at what we want and don’t have versus what we have and use that as steps to a new place. So in 2018 if you’re one of those who takes on too much – do less and do it well versus more and tired. I think you will like the changes it makes around you.
4. The Christ Slayer is locking up VFX and will move into studio for sound and music. The trailer will get a mix before releasing in a couple of weeks. The first poster is also looking to release next month. I’m excited to bring the last chapter of the trilogy to audiences and let them enjoy them individually or together.
5) Wild Faith. Yes. Quite the buzz building over this powerful 1800’s story. That time period is a favorite of many of us at CDI. We watched the most recent pass of the color correction with the theatrical 5.1 surround mix. WOW! Meetings this week about the premiere opportunities and theatrical roll out. I’ve had a few more talks on the TV series and I’m feeling good. Good about the fact that once people are brought into the town of Hastings, Michigan in 1875. Once they meet and grow close to the lovable characters in Wild Faith, that a TV series will happen. I am going to talk to broadcast sponsors also. I would love a MI based series as it would allow us to work with many artists in our state. If this is the first time hearing about this film look up the trailers, Facebook page or website.
6. WEBSITE – Collective Development Inc. is revamping its website to take us into the new years ahead. http://www.cdiproductions.com is still under construction but it will be a place for a) better casting info for people b) A streaming community with interviews, film advice, BTS and a movie watching club. c) Merchandise. I’ve been asked over the years about merchandise. I LOVED it as a kid, okay and as an adult. We will be seeking to enhance this area. Lunch box? Action figure? Posters?
7. The animated division is going to get more attention. Why? As a kid I loved cartoons and so why not. “The Patchwork Girl of Oz” is on Vimeo On Demand and will be releasing to Amazon. We’re also in talks on another collaboration that will be animated. More soon.
8. I’m reading a few scripts and I have several to get back to that I started before Christmas. Most are from past collaborators bringing new projects forth to see if I/CDI would be interested in involvement. Yes. I do enjoy going to work on other’s projects – it really is about the role and compensation is also a factor. I’m also trying to do my daily script writing but actually it’s been only a few times a week. Organize that time. I try to take my own advice.
This is me returning a handful of hours later. That business work can take over that fast. I’m sure I might have missed a few updates but some of the deals are highlighted here. I hope you all have a productive week.
Be good to one another.
DJ
An Artist’s Hope and Other Updates
We had a nice day of sunshine yesterday and that allowed us to get outside and do a little bit of yard clean up. Today the weather is back to wet and overcast but tis the way in Michigan. In a few short weeks we’ll be back in Yuma, AZ to film our third installment in THE QUEST TRILOGY. Let’s examine those films and the journey that these projects take.
The Christ Slayer
The bank account is open and the finalizing of people’s paperwork and getting their investment into the bank is always a task. People are busy but we work on tight timelines. We only have a few units to assign before we’re a fully functional battle station. Paperwork between crew started this week and next week some paperwork on talent will begin. Right now rooms, flights for the pre-prod team are the priority of the production office.
On cast we’re waiting for our schedule this week so we’ll know how many days talent will be required. Casting has been mostly a joy but you always get to those few hard choices. This past week we came to a few casting decisions after some healthy back and forth. We finalized casting on one of our last co-stars, a supporting role and a few featured roles from the AZ area. Each artist brings their unique talents to the screen. I’m so excited about the casting choices that were made.
I’m also happy that because of distribution being in place we don’t need to drop any ‘lure castings’ as I call them. That’s less than ideal casting but it’s done with the possibility that it may help grab the attention of a distributor. I understand why this is done but it can have a backlash. Distributors we’ve spoken with will tell you that certain names are known but they’ve become known for less than inspired product. They spoke of the flood of films that basically takes (Insert animal) and (Insert Holiday) add (Insert lure casting) and repeat. Now, I respect the fact that it’s a business model but I need more to invest myself in. I need a story that means something to me deeply.
“On schedule, on budget and our projects bring high artistic value.” That’s how we’re described by distributors and why we’ve been developing our ongoing business. I’ve said it before, you need to streamline your operation so that you can work with marketing teams whose job is to put the film into the marketplace. No excuses.
T Rex and DJ Perry (Moses & Jesus) “innocent role”
As I’ve done before I’ll give you a hint to the upcoming casting along with a story. First one of the roles WAS hard to find because it possesses a quality you can’t easily manufacture. In this case it was the “innocent role” which in “Forty Nights” was our T-Rex/Moses and in the upcoming “Chasing the Star” was filled by the amazing actor Logan Kishi. Thinking outside the box led me to looking at a certain spectrum of talent. From there I saw an actor who shared by last name. I looked at his materials along with dozens of others actors but kept coming back to the one with the famous last name:) His humor was right on point with the writing and he had that IT factor people talk about. In moving down the road in the casting process we discovered this talent had a sibling who also is an established actor. Another read for another role and BAM it has become a family affair. I’m excited that these two siblings will get to share in this journey together. People may assume I’m casting from family but I’ve never met these two brothers with the cool last name:) If we are related it’s buried up in the in the limbs of the ole family tree.
Two local actors who’ve participated with us before in Yuma, AZ have landed featured extra parts that while small are very important. (As all roles are) I’m sure they’re excited to be participating and we’re excited to have them.
In summary – We’re moving forward strong. I’ve been spending time with the story and it’s a joy to be able to imagine the talent in the roles on the page I’m reading. I’m looking forward to seeing old friends and making new ones. I am also looking forward to a little sunshine and Mexican food!
A few of the co-stars of the upcoming “Chasing the Star”
Chasing the Star
I’ve been assembling information for our end credits. This week we’ll also start moving over photo elements to the distributor. We should get our street date set in the coming weeks. I’m excited for audiences to get their first peek at the film. I’m trying to make it possible for our friends at Champion Church to see the film before we roll cameras on “The Christ Slayer”. They’ve helped us in so many ways as part of our Yuma team and I like to give them a special treat as a thank you.
DJ Perry as Jesus in “Forty Nights” 4/4/2017
Forty Nights
The Easter stuff is slowly making its way out and that brings us closer to the 4/4/17 release date. The nice part about this release is that we’ll create a nice flow between the releases of the three films.
Once “The Christ Slayer” releases around Easter 2018 my hope is to see the three films play together or over three nights on television. I’m anxiously awaiting the new artwork which I hope to see this week. Fingers crossed.
Lisa Lauren Smith drives the drama as Haddie in #WildFaith
Wild Faith
We’ve had many people reaching out about this film. I sincerely think we’ve got some gold with this film. The energy while making it was just powerful and cast and crew alike brought their A game. This week we’ll be seeing the first full cut of the story. I would say I’m excited but that would be an understatement. Keep following us and I’ll keep you updated after the first watch.
I’m not going to wax on about development at this time. Truth is I have much to turn my attention to and so I will cut this short. All of us artists appreciate your time and attention and in a few short weeks and months ahead we hope to entertain, educate and inspire you with your stories. That is an artist’s hope.
Be good to one another.
DJ
Updates and Director Announcement
Francine York & Elvis
THOUGHTS
I’m sipping HOT coffee on this freezing and frigid day in Michigan and I’m going to enjoy a few moments chatting with all of you. The New Year is underway and even one week into the new cycle I’ve observed several things. First 2016 did see several iconic people pass on. I lost an Aunt a few days after Christmas after a long 90+ years of life. She is the one I arranged to meet with Willie Nelson and she got sick the night before. If you haven’t heard that story – I met Willie and his troupe in Eureka Springs when filming “Book of Ruth” because he and Dan “Grizzly Adams” Haggerty were old friends. On that same note Dan passed on in 2016 and that was a sad day. There was discussions with a studio of my involvement in helping to revive his popular series. It was not meant to be.
But overall 2016 was a great year business-wise with two new feature films in the “can” and a new deal between CDI and a distribution studio BMG. In the new year my father lost another brother – an exemplary kind and generous family man a few days ago. Additionally, I had worked on “Miracle at Sage Creek” with Francine York, best known by my dad for “Girls, Girls, Girls” with Elvis but she has a long and impressive resume. She and I were in a scene together and I remember in the make up trailer she kept looking at me. I asked if something was wrong and she replied, “If I was a 100 years younger” and laughed. She told me a few Elvis stories and signed a picture for my dad’s man cave. I followed her social media posts as she loved to watch old movies and tell great stories. When she passed I posted a simple note about the passing of a classy lady on her FB site. People (fans I assume) or more like one in particular just started ranting. PROOF! PROOF! Now in this day of fake news and false reports of death I understand but this person was just crass. That just brings me to the point of social media 2017. I was born well before social media and I view that as a strength. Let me try to explain…
THE ONION
People do not slowly get to know one another anymore – like peeling the layers of an onion. Getting to know people use to be like reading a book slowly learning things they share or differ upon. Now it’s more like a resume of everything all at once. Like online dating – I almost did it once at the start of it but it seemed too odd. What happened to opposites attract? With all the peer pressure created by social media I’m not sure this happens anymore. Compatibility matches? I mean, if someone just had all their attributes listed something is going to run against the grain. Oh, my God! They like rap music. Oh, they love cats. Oh, they like boxing or guns – barbaric. People can get accepted or disqualified by their lists which leads to segregation of people into groups. In the old days you could be friends with someone for weeks, months before you found out that they were Muslim or Jewish, as if it mattered. People are more often looking at how they are different versus alike and often attack those people who are different. You hate this person’s politics but what if they are a good parent. Maybe they give dinners to the homeless and volunteer…I think when you just try to look at a person as a list of LIKES, DISLIKES and GROUPS you don’t get the full picture.
Judgement is EVERYWHERE. That kind posting I did honoring my peer/acquaintance passing away was JUDGED. I don’t have to prove anything – I was just leaving a note to HER, like signing an obituary board. I don’t know how anyone has real friends anymore with everyone so judgmental. And people putting themselves out there on social media to strangers lures judgement. I have always liked the statement “He who lives in a glass house should not throw stones at others.” I hate to tell you but we all live in glass houses of the self. All I see is the rioting of glass houses smashing left and right. Judgement is often fueled by hate and we’re all human and make mistakes. Hateful, judgmental people wait for any opening to attack someone. It truly is sad and I don’t see this trend going away if people participate. Another small example – my mother is new to the whole internet experience yet she enjoys the interaction with past friends. She sent me a story that Bob Denver (Gilligan’s Island) had passed away. She knew as a child I enjoyed that show and she did it out of love. Now Bob died many years ago and I was going to crassly point that out to her. (Pause, think, feel) I erased it. I almost took something done out of love and judged it with a negative. Instead I thanked her and pointed out he had passed some time ago. But others had already jumped to point out her lack of research. I guess in 2017 I’m going to participate even less in the social judgement. I have grown to love the UNFOLLOW button. I kind of have a three strikes of negativity rule and GONE. You cannot remove all the negativity but you can create your own sacred space and create positive good from there. Time better spent enriching people, lifting people and understanding people.
Try it and see how your life changes. If you took all these social media “rants” and put them together in a year’s time…I know people who’ve talked of writing a book but tell themselves “That’s too big a task – I could never…” yet at year’s end they’ve written a book worth of repetitive negativity and judgement. So when you wonder how I get so much done it’s just about my use of time. Use your time to create not just spread hate. Anyone can point out the obvious but it takes a powerful person to bring real change. Be that person.
FILMS
I spewed on for a while above but I think that storytelling is practicing what I preach. Tell a story- entertain, educate, enlighten people. That is what we try to do here. Let’s look at a few updates and I can let you get about your day.
Actor Dean Teaster (Preacher Collins) in #wildfaith
WILD FAITH
Above is an official STILL from the movie. It is my friend/actor Dean Teaster and his character represents much of what we spoke about in our opening. He is the preacher in the small town of Hastings but he has become blinded by emotional pain. This film has the opportunity to be a great force for unity and positive change. We might have a rough cut by month’s end. I’m so proud of all our cast and crew. Stay tuned!
THE QUEST TRILOGY
FORTY NIGHTS
After our digital and limited release in 2016 with Lightworx we’ve penned a new release deal with BMG for a worldwide release. It will start rolling out on 4/4/17 and new artwork and a digital remastering is underway. We were under a rush with Wal-Mart on the first release and so we’re happy to have this larger opportunity.
Editing on #Chasingthestar
CHASING THE STAR
This follow-up film is almost complete. VFX and credit work is underway and we’ll be meeting this week over the rollout. I’m thinking maybe May theatricals and our wide release with BMG will be in September. I’m so very excited about this story. The film cut is powerful and shines a light on events that have passed into myth. Next week after our meeting I’ll have more to share on this film.
THE CHRIST SLAYER
My ongoing deal with BMG is based upon our ability to stay on budget, schedule and to bring a high level of creativity to these films. This starts with the script but quickly moves to the creative captain – the director. On these films, and all films actually, the trick is the right pairing. I know many talented directors but it is about who FITS. It includes their grasp on the material, being producer friendly (biz trumps art) and their ability to infuse the story with their special vision. I looked at many directors and their work. I spoke to a few – some knowing what I was inquiring about and others did not. Jesse Low was the perfect person to bring “Forty Nights” to life on-screen. When I started communications with Bret Miller for the good part of a year – he had no idea I was looking at him as the director of “Chasing the Star” and that was the key. He was never trying to find the right thing to say to land the job. I knew from certain scenes in his previous film that he could bring a mood and tone to our film. With one film left in THE QUEST TRILOGY, I had lots to consider with finding the right director. As always, with a calm mind, I was led to the right choice. I had worked with this director as an actor and he’s worked with me as an editor. His experiences over the last few years in Los Angeles prepared him for this film. His personal experiences led him back to Michigan and after multiple discussions over the material we had found our third director. I want to introduce you all to Nathaniel Nose. He is a fellow MSU graduate and one talented director/editor. We will be doing a press release this week but as always you heard it here first. I’m excited to once again be working with an old friend and he’ll enjoy the great team of artists we’ve assembled. Thank you to Nathaniel Nose for going on this journey with us. I will leave all of you with this news and hope that you’ll all stay warm and make 2017 a great year. Be the best you .
DJ
Mr. Nathaniel Nose – director of “The Christ Slayer”
‘Wild Faith’ Feedback & More…
I’m sitting in my big leather chair by my electric fire – The Candleberry Candle and sipping the hazelnut coffee. I’ve got sleeping dogs around me happy to have me back into the fold of the pack.
Shane Hagedorn rolling with the Collective Development OG’s:)
I’ve just returned from running with another pack of artists filmmakers creating an 1800’s action drama. I can honestly say it was some of the best fun I’ve had in many years. It reunited me with many friends and artists some that worked together last in this genre a decade ago.
Production Designer Jen Raine & Art Director Austin Two Feathers
It introduced me to a slew of new artists who I think appreciate the Collective Development Inc. approach and take to filmmaking. We use to do this as children for free – the make-believe. And now to pay people to create that same fun but with bigger toys and doing it day after day until we get our puzzle pieces. I got to observe seasoned film warriors work side by side with what will be the next generation of film warriors. I saw people realize that within a powerful problem solving group strong art can be born. I saw people forget past dealings with others and give us a chance to be a positive experience. I’m developing key crews and key to me starts with a 100% positive attitude. You can make several mistakes giving your best effort and from me you will get mentoring and compassion. That positive attitude is hard for many to keep in this industry – you don’t have to dig far to hear the horror stories. I’m a person who dislikes having my time wasted, who does? I’ve got several ways I can waste my own time and still enjoy it – I don’t need waste imposed upon me. I do shun people who purposely waste my time with unreasonable. Do I have any examples to help illustrate? Perhaps…
A mix of acting talent on set #wildfaith
THE BAD
One acting role in our recent film underwent several discussions before falling to a very talented, 200% positive (through the roof) ready for success gent. The first major look came by association – one of our producers had worked with this person. A read that was strong and a direction was set – but full disclosure of a change in residence lost this person the role.
Another option – a young hopeful gives a good read but ultimately has no vehicle. I’m not judging, but as an actor I can say that a phone and car are the two things you need to thrive in our smaller regional market.
Opportunity knocks again – As a talent when you get a call from a company that based on your previous work wants to hire you again – slam dunk? Not quite – instead of an easy transaction of business someone suggests a string of silly actions – not anything a production in pre-production can or will handle. It also speaks poorly of this persons maturity, character and true dedication to do what you need to do until your craft is accepted.
THE GOOD
This casting string really created a well needed lightness to the pre-production talks. CDI is ran primarily by actor/producers and individually we’ve all had and some continue to have the struggles that come with acting. To see three actors shoot themselves in the foot was offset by the enthusiasm of the one who got to call BINGO!
Be prepared actors. (Take 2) Be prepared actors. Not just in your craft but in your professionalism. Not fixing that car because it is a pain in the butt. Not getting a job with flexibility of schedule. Don’t help yourself fail in an industry that is already difficult. By taking care of your business you can be ready for when opportunity knocks. Organized. Prepared. Ready to succeed.
MORE GOOD:)
We had a key position whereas because of a change in our shoot locations we had to make a change. One person visiting Michigan on another endeavor got a call and within two hours was onboard. They started the next day. Opportunity knocked and it will likely result in another hiring in the spring.
I’ve seen people I’ve hired before return with new battle hardness that made me smile. I saw the few situations we had handled with calm professionalism. Now some may have experienced their first feature run and decide short format is more their pace. Feature shooting is harder, longer and requires a different mental and physical endurance. With our larger budgets we often had additional on location pre production and additional shoot weeks. So to all my crew that traveled with us – I’m tipping my hat. To the ones there all the way through – be proud that is a true benchmark.
One additional planned day of battle footage and a few powerful moments with our films lead Shane Hagedorn. It was a really cool experience to see Shane ride this story out. He made it his and brought such a cool edge to the role. Our Lisa Smith who plays opposite him was such a find. Many of the actresses had a great take on the lead role. This actresses brought it out in Shane, it showed. The children, the outlaws, townsfolk, circus folks all cast with care and it shows.
My humblest respect to my fellow producing team – 1st AD Nate Robertson who TCB (Takes care of Business) on set and the staff who handles everything behind the scenes from accounting to PR and everything in between, we are ONE TRIBE. Jesse squared (Jesse Low & Jesse “Smooth” Aragon) what an honor to story tell with you both again.
Jesse squared (Jesse Low & Jesse “Smooth” Aragon)
Check us out on Facebook
http://www.wildfaiththemovie.com
“Wild Faith” coming 2017
I had a chance to see the first rough trailer for “Chasing the Star” and it exceeded my expectations greatly. I think because we’re dealing with a topic that people have such a limited insight to – how do we present that? And I think it was done in a beautiful fashion. Music is complete and dialog clean up is underway with sound design. VFX work is also underway. Bret Miller and CDI have a great follow-up with part 2 of THE QUEST TRILOGY.
Which brings me to part 3 – This week I will be starting to put the business together on “The Christ Slayer” to shoot in the spring. More intense talks on this film in the coming weeks.
“40 Nights” is flowing in the positive direction and this week we’ll be discussing marketing efforts with Lightworx about “40 Nights” and the trilogy moving forward.
I’m going to go finish unpacking my vehicle that was packed up “Beverly Hillbilly’s” style – just needed a rocking chair on top:) Have a great fall morning and keep moving forward. Dare to dream. Create don’t hate.
DJ
A Great Experience – Artists Making Michigan Proud!
This morning before the sun came up I was slipping into my buckskins to go travel back in time to one of Michigan’s coolest historic villages in Hastings. I also got to sit atop a fine animal and perform one of our scenes in “Wild Faith” shooting now. Today marks the end of week one and so far we have kept our schedule every day which is a huge compliment to this hard-working crew. We also have had cast in that were ready to rock and roll with their scenes. People today were so excited they were whooping and hollering coming out of wardrobe. I love the excitement of all the artists working on the project. We’ve had some great guests visit such as the local prosecutor and even my father. He has watched all this develop since I was a young lad playing with the camcorder with my neighbor buddy Darrel Folkert. It has been a wonderful week with actors Lana Wood (Diamonds are Forever) and Darby Hinton (Daniel Boone) visiting for a few days to shoot their scenes. They LOVED the town of Hastings. Our large extra days are behind us and the other days should be a bit easier logistic-wise.
In Other Film NEWS
Pureflix On-Demand
“40 Nights” is now on PUREFLIX On Demand joining “Book of Ruth” and soon “Ashes of Eden” will premiere on that platform.
“Chasing the Star” has the music in place and is now working to finish sound design and VFX. That poster and trailer I promised should be arriving soon!
From the motion picture “BESTSELLER”
This is the ideal season for something scary like “Bestseller” or any of our darker themed films – so turn off the lights late at night and enjoy one of those films.
I’m working to finish the last of cast/crew payroll here and might have to return to set for one last shot today on horseback. So I’ll leave this one short and with a beautiful pic of Lana Wood & Darby Hinton, also feel free to check out the developing site for http://www.wildfaiththemovie.com
Have a great week ahead!
DJ
Forge Your Destiny, Manifest Your Mythology
One of the locations for the upcoming CDI feature “40 Nights”
Hazelnut coffee is a flowing and soon it will be snowing and…welcome to 2016! I got up nice and early and had some communications with our post supervisor. We have a final “40 Night” audio file (music, sound design, mixed) and visual file (color corrected with intro/outro and VFX) and overnight they were “baking” the two together into one final film. That will be uploaded to the gent who has mastered the DVD for mass reproduction. Monday morning he gets the Closed Caption file to insert and move on to the manufacturer. From there the creation of DVD’s and shipping to the warehouses. So we are close to having a COMPLETED movie.
Last night I was working on my answers to a Yuma Sun interview. We’ve also got a few more story requests from magazines coming in. I’m starting to move these to the distributor so the PR department can organize. We will also start looking at event showings of the film leading up to the national March release. Once we have our screening link they will start their oversea sales.
DJ Perry as Jesus in the biblical drama “40 Nights”
This coming week we’ll start pulling things together on “Chasing the Star” the second film in this QUEST TRILOGY. We had a big production meeting yesterday and it looks like a few days of our schedule will be shot in Michigan. The bear share will be in Yuma, AZ but a few sets make sense to shoot here on our home turf.
I’m happy to announce that our final script in the series has a first draft. We will be announcing that project once we announce “40 Nights” done and “Chasing the Star” prepping to film. I think we’ve found 2 of our 3 magi leads. We’ve been centering in on many other roles and I’m excited to see this project come together. It is a beautiful story and will be an excellent film that I can only hope will become a Christmas classic.
Boards at the Celebration Cinema giving local showtimes
It is funny I had a conversation with another distributor this week on a different project. They were VERY aware of “40 Nights” and expressed how deeply they wished they had that film. We would do X, Y and Z = coulda, woulda, shoulda. I had to paint a very clear picture for him. They stated before that advances and guarantees were not their thing because they did not need to. Why? Because they have new filmmakers who need a way into the marketplace. I know the filmmakers behind one of their upcoming titles. The director is a good guy. He has unfortunately attracted a local parasite… Anyway, the distributor has that product versus our “40 Nights” because he didn’t put his money where his mouth is when he could have. I had to politely, but directly, shut down his debate. One organization came with action (A 3 film deal) and one has just big talk – after the risk of production was over. “40 Nights” and all three films have a deal in place. This was done BEFORE we started filming the first one.
LESSON
If you want quality product like what I’m offering you have to speak with action (A deal). I’m about done chasing deals after the fact – except maybe in associated projects. So TALK IS CHEAP. I’m not looking for short cuts or pie-in-the-sky promises. I just want solid business partners to grow with. I’ve also discovered that our production outfit is rare. We do ambitious material with a proven market audience. We stay on schedule and budget. (Ask the E.P.’s on “Ashes of Eden,” “Bestseller,” “40 Nights”) And our turn around on finishing “40 Nights” is ten months. FYI: All three of those above films will release during the 1st half of 2016.
These success stories have led to more projects being brought to our table to consider producing. Even with $ attached and acting offers, you must look at the material, the people attached and pay close attention to strings attached. 95% of the issues we’ve ever had come from people we did not choose but had put upon us as part of a deal. I’ve said NO to a lot recently because a paycheck is not worth just my time. I have a purpose. I am a storyteller and we want to create good product.
Funny that same conversation with the distributor – he stated, I left some money on the table. Did I? Their business model is only around money-grabbing one off’s, which is fine I guess. They want, action spy flicks or family films with dogs and horses. I told him while we’re creating product to be profitable I would much rather have a solid film with long term success and credibility versus a “flash in the pan” sale that dies once they realize beyond the poster and opening credits the film is…subpar. I stated, if money was all I was chasing I would not be in our business. There is much easier ways to make money but I don’t want to look back at my career at 80 years old and see I just made mindless reality shows (Some I do watch) or bad exploit films. “A HORSE FOR EASTER” or “ST. PADDY PUPPY” – now I know people who do these films just like knock off slates that follow the studio mega hits. I just want more from my career when I look back. I’ve been creating for 20 years now and I can dream of making a few classics. Several films such as “Figure in the Forest” are still playing TV after several years. That longevity to me is success and so I will stay upon my path and try to create original product.
I guess it all goes back to creating your own mythology. You are defined by what you act in, produce, write and ultimately do – so keep that in mind. Also don’t be distracted by haters or what anyone thinks. They all have their own issues. I loved the article that someone wrote in response to a Huffington Post reviewer commenting on the new Star Wars film. Too many people willing to just stir the pot and create noise to get attention. All those people involved with the new Star Wars still made a movie whose merits will be debated for a lifetime. The goof who just tried to rip apart the film flaws is just an angry little-minded person. Somewhere along the line he got knocked down and never got up.
On set of the thriller “Bestseller”
That was one of my 2016 changes I made. As always, several fools in our field doing bad business. I pointed out to one of my producers ranting on a valid point, THAT person has to wake up and be THAT person. If you’ve wronged people, you’ve likely slept poorly. You’re likely living in partial hiding from people looking for you because of unkept promises or criminal activity. Their bridges are burning all around them and they have not an ounce of the one thing they so badly yearn for – RESPECT! It is nowhere to be found. WHY? Because you have to earn it. You can’t demand it. So while I don’t have any enemies there exists enemies to our business. I’ve risen above most all of that. I focus on our own. I likely won’t be paying attention when these people implode. I do feel a bit sorry for the person they could have been. But you reap what you sow.
MAKE A CHANGE!
Off for more coffee and maybe some breakfast. Have a great weekend and productive week ahead. As always, thank you for your time.
DJ
Showings, Cycles and Selecting Ones Path
It is a beautiful afternoon here in Michigan. I had a good week overall despite going to two memorials for friends that had lost parents. Conversely, I just found out that a buddy of mine (Casey Sweaten) had a baby boy – well, not him…you understand. So the circle of life is in full motion this week with life and death. I guess this leads me into a few other thoughts I’ve had this week.
Directors/Storytellers
I know many directors out there. Many are doing short format to develop their style and learn how to communicate with crews and talent. Many of those aspiring will never make a full feature film. WHY? It’s hard work. Anyone who has made a feature film can attest to this truth. To work with any real budget you must be a producer’s director. By this I mean able to work within the business limits set by the producer. This ability requires a responsibility by the director to stay on schedule and budget. It requires a self starter who is very motivated throughout the process. A film that has pre-signed distribution must be completed in a pre-determined timeframe. We work towards being tighter and tighter as a production unit because as we continue to enter a distributor/studio relationship we must maintain and improve that reputation of being a reliable source of content.
SUMMARY – Directors must be reliable and time motivated
I have director friends outside CDI whom I’ve done on-camera work with that still hasn’t seen the light of day. (Some almost 15 years) Other’s have been grinding at post-production for years upon years. That’s their accountability to live with to their people. I feel an accountability to my cast and crew along with my investors. Those that do not see that accountability factor makes me sad. Sad because they likely will not work in a true business structure. Others will not thrive because they can’t see beyond personal ambition.
This is hard to grasp but is a secret to at least some of my success.
Let’s see if I can explain – actors tend to think that after years of struggling – once cast – the one film released will make them an instant star – that all the suffering is over. It DOES and CAN happen like that but someone also wins the daily double – daily. It is possible but not good enough odds to build a career from. Actors may not connect with audiences until they get several films down the road. I’ve never had what I would call a home run. Oh, you’re the guy from THAT MOVIE (Home run) but I’ve been a steady base hitter. My market penetration has gotten greater and greater internationally with each film. People have connected/embraced certain roles and so thanks to all of them- I get paid to bring my version of a character to the screen. A major humbling reality from a dreaming kid with a VHS camera who was constantly told he had to grow up someday.
Say when;) That’s for you Tony.
Now directors don’t have as many opportunities as actors. Why? Just numbers. Many cast members and only one director’s chair. From there – quality opportunities are even more scarce. Funding even a quality opportunity is hard. Look at any film school – a room full of directors. Not always true but many do have this desire. How many feature directors in that room? A few perhaps.
Facts I’ve often found to be true with directors
First – Only a few directors will ever actually direct a feature length film. Some may start one but for countless reasons – many don’t finish.
Those that have finished a feature film – they’re in a special club.
Now only a few of these directors who finished had a team behind them that created the quality worthy of distribution. What is that? If X distribution company values your film above and beyond the time and cost required to exploit revenue streams.
One Example for rejected films:
Actor Appreciation – If you view actors as just props and try to replace seasoned talent with volunteers – it will almost always show. If you spend it on cameras spend it on talent. Bad talent shot with a RED EPIC is anything but EPIC. I had to use that camera for the joke. Someone out there is correcting my joke that this or that camera is better…next.
Distributor likes it but do you have the business organization/releases to deliver a film. It can be a bitch – especially to a major studio.
Now pending the performance of their film in the distribution market – many directors will never direct a second feature film.
Why?
It can take a few years to put any clout behind a directors name. It will likely take a half dozen films realistically.
The director may just be unwilling to create product that distributors actually want. I do know of several directors that are just working on things they deeply enjoy. Like painting, drawing or any number of creative releases IF it’s just a hobby that’s cool. But you can’t complain about the system. The system is largely set by audiences. Business is catering to their tastes in order to sell them stories.
What happens often when it’s just starting to work –
Like a band – some production outfits start to get rolling and they change too much, too soon. Someone wants to explore their inner blues and Tommy really wanted to try drums. Two lead singers. Before they can establish themselves as a pattern of success – the band breaks up.
Why all this director talk?
We’ve been looking at directors with this slate of CDI films before us. In summary a director must prove himself to a producer’s director and execute product that we’ve identified as something the distributor wants. I like to use the example of a well established film director I know. Most of his films have been with 20th Century Fox. He initially had a film get accepted into Sundance. He got a behind-the-scenes directing gig for a big Hollywood name. Soon an opportunity to direct a studio film came up. He stayed on budget, schedule and people liked the film. He’s often given a choice between two or three projects that the studio has approved. He’s done a few smaller personal films and his clout has allowed that. I see directors who want to grow too fast or get stuck -and can’t take the self-inflicted frustration. They don’t ask themselves the hard questions and accept the real situations. Directors like actors must earn the right to creative freedom in the non-hobby world. It’s not an entitlement that comes with the name tag. It’s a business. You want total freedom? 48 hour film challenges are all over the country. Giddy up:)
SUPPLY AND DEMAND or is that SUPPLY and COMMAND:)
Here at CDI we’re really getting into the business of working with distributors and cutting out the shopping aspect. That’s great for investors because the revenue stream starts sooner and we have financial guarantees from distributors to help protect our investors. This exists because of what I was writing about earlier. Professional dependability and quality of our product is what creates the relationships we enjoy.
Collaborations
If you are exclusively into your scripts – you must bring the money at risk with your story. If you accept this situation and want to turn out quality on schedule and budget maybe a collaboration with CDI is a worthy discussion. Raising the $ an undertaking is only the first big battle. Don’t go inexperienced into important endeavors. Be honest in your accessment of your team.
In-House
We’re making films that distributors want and that is the way it will remain. I’m getting too old for spec films/shopping and at higher budget that’s not a responsible action. (Filming without distribution) So I’ve been sitting down with lots of filmmaker/directors. I was happy to sit down with another on Friday. A young man who is paying equal attention to SHOW and BIZ. He has completed his first feature and it has landed initial distribution. It was scary for him being out there facing the rejection. They had enough quality onscreen to pull it above the other films struggling for attention – and because of that, got a good starter deal.
We’ve got both types in CDI – directors with pet projects – that if they bring the bank we’ll make that film on schedule and on budget. Additionally CDI is picking/creating projects based on distribution/marketing meetings.
It is a tough game. We debate these things with ourselves where art and business meet. I enjoy bringing to life other people’s characters/stories. As a writer I love to see my own story brought forth but only if the product is in demand. We make collective art for the collective masses. I know several directors that only get excited by what they pen. If that becomes the routine you better keep writing and get it into development. I think this is on my mind because I was asked twice about directing this week. I don’t “desire” to direct. I don’t want to take an experience and building opportunity from someone really trying to get ahead and would appreciate it beyond words. If you want to see my directing go to indieflix and watch the first three shows of “Supermodel Showdown” – enjoy:) I have enough hats and I’m not looking to direct.
Film Updates
DJ Perry as Donnie in ASHES OF EDEN
ASHES OF EDEN is holding on our domestic home video street date. We’re in negotiations on a TV deal and so we’re open to adjusting our release pattern. Additionally I’m told it is playing Oct. 17th and 18th at the Sun Theater in Grand Ledge, MI. Check online this week for times.
Funny thing – Also in Grand Ledge, MI – on Oct 15th we’re kicking off a monthly art mixer at Sanctuary Spirits distillery. It’s $5 at the door- starts at 6:00 and at 8:00 (sundown) we will be playing our smoky mountain western that was released by Lionsgate. Come watch “Dean Teaster’s Ghost Town” and mingle- see some of you there!
On November 1st at THE WROUGHT IRON GRILL in Owosso, MI we will be showing BESTSELLER. Author Chris Wright/Johnathan Rand will attend. It will be a nice event at another cool venue brought to you with our friends at RED WHITE and BLUE Project. I’m trying to close on a run at the Alamo theaters in K-Zoo and we are working towards a Detroit area showing.
Sequels
I’ve been reviewing the KNIGHT CHILLS book that will release with a reissued film. All this is to prep for KNIGHT CHILLS 2 in development. The script is being actively worked on and casting talks have started.
We have kicked up development on CHASING THE STAR which is set to film in Feb 2016. Our talent initially approached thus far have loved the script. This is a follow up to “40 Nights” that is chugging down the post production line. We will be starting music on “40 Nights” soon. VFX work should be finalizing in a few short weeks and color correction can begin. It’s all very exciting. The 3rd film in this trilogy is about half way done. We will have a 1st draft by the end of the month.
I’m enjoying the fall immensely. Next week I will be making a batch of wine I will call RETURN OF THE GREEN GOBLIN. If you’ve been lucky enough to try the GREEN GOBLIN wine you’ll be excited by this news. I also have a new beer brew batch to mix up. I’m healing up nicely from a brutal soccer season. Acting – If the right acting project comes along great – but right now I’m just focusing on our end-of-the-year business and prep for 2016.
I’m going to wind this down but have a great weekend.
DJ
CDI’s Smoky Mountain Western released domestically by Lionsgate
Production, Play Offs and Pre-Buys
It is half time of the MSU game and we’re teaching the Air Force team a thing or two about football. It has been rainy but we are getting back to the nice fall weather. We’re still pulling good from the garden and BLT sandwiches have been great. Tomorrow we have our first round of soccer play-offs. Last week we had a tough game but beat the team 6-4 after losing to them prior by a goal I believe. I had my first goal of the season which was great because I play defense. So we will hit it hard tomorrow and see what happens. We play a very good team. Beatable but very good.
This week was very productive. First, I’m very happy to announce my official first draft of “Chasing the Star” is done. It is the 2nd film in our 3 film deal with Lightworx Entertainment. The 1st movie in the series is “40 Nights” it’s now in post sound. I’m going to start doing some video updates at our distributors request.
DJ Perry as Jesus in the biblical drama “40 Nights”
The “Chasing the Star” script has the same depth and power that I loved about the first one. And I’ve almost got the third one mapped out. I thought they might be stand alone films and they are BUT…they do connect. I’m excited for a few people from “40 Nights” who might bring roles back in this second film.
A couple of actors who had small parts might be given larger roles in this follow up. We’ve also been looking at and discussing many actors for this film. We are looking mainly in the AZ and CA area whereas talent can drive to our location. Many more crew people will get a 1st look at the script this coming week. Anyway, I’m happy this draft is complete and now some scheduling/budget work can be done.
Melissa Anschutz and DJ Perry in BESTSELLER
“Bestseller” is gearing up for an event showing in Owosso, MI take a look here please.
https://www.facebook.com/events/418482248357126/
as “Will Burnett” in GHOST TOWN
We also have an October 15th event showing of “Dean Teaster’s Ghost Town” in Grand Ledge, MI just outside Lansing. An event page will be forthcoming. We will be doing a movie a month and use the time to interact and meet some of the local film community.
CDI Associated production releases Oct 13, 2015
“Ashes of Eden” releases nationally Oct. 13th and we should have word on some of the foreign territories we will be releasing to. Here is one retailer releasing it Oct. 20th
This is the 1st teaser poster on “Donors”
I hope to have home video release dates for everyone on “Donors” and “Bestseller” but we don’t have those yet. “40 Nights” would like to welcome THE GARMAX GROUP for their platinum sponsorship.
You will see their logo in front of the film. We might seek one other promotional sponsor for that opening billing. We are starting to look at some marketing. The licensing management deal is done. Also trying to lock distribution on soundtracks. Always something that needs to move forward on the TO DO list.
We also are closing in on finalizing the financing on a western era script. We have to get it done within a certain timeline or else we have to move it to the other side of “Chasing the Star” but we are pushing. I would love to be playing a rugged role in the fall/winter here in Michigan. It just might happen. We are prepping to play as we speak.
I hope you all enjoy the rest of your weekend and proceed on to a great week ahead.
DJ
Film in Michigan, Financing and the SECRETS
What a great week. We had some good rain here at week’s end which has been great for the garden. We ended up with tomatoes, beans, peas and beets planted. I also had to fortify a wood tee-pee structure that has veggies planted within. I had to make sure our dogs could not get in and dig as they so love to do. I also have been doing some work on the two-tier pond. All these things play into the overall as it provides a great atmosphere to sit and take biz calls. This week I had some meaningful talks with my management, new filmmakers and also a few distributors. Let’s look at a few project updates…
BESTSELLER
We also just concluded our BESTSELLER theatrical run in Grand Rapids, MI to some great response. The film is about to move to additional cities and I’m glad that so many want to see it. I had several great communications from audience members and I’m happy that we as artists did our job. People are being thrilled by this Michigan based thriller and we are all…thrilled.
ASHES OF EDEN
The distributor has announced the official release date in October and showcasing the new DVD art. It’s starting to appear as a pre-order in select retailers now. We will promote these rental/retail sites as we get closer.
40 NIGHTS
This coming week we’re preparing to sit down with our FX supervisor and plan out the required shots. We will also tweak the final film edit as we plan to move into post sound in July. We’ve been pulling promotional stills and have started working the 1st trailer. I’m excited to watch this one move down the production line. Stay tuned!
DJ Perry as JESUS in 40 Nights
FILM IN MICHIGAN (My Opinions)
There has been a lot of news and anger flying around about the state of the filmmaking in Michigan. Now dear vendor friends such as David Lowing, lumber yards, hotels and many more such suppliers will certainly suffer some loss with the incentives gone. I see many people seriously upset about the tax incentives getting nixed. My initial hope was that the incentives would focus on the development of FILMMAKERS.
Education?
Previously I had helped construct a program whereas the arts (filmmaking) could be put on par with sports at the university level. Our program was well received by everyone from president down until it got to professors. Too many wanna-be chiefs with too little actual experience. TRUTH.
Maybe Government could be the answer?
The hope with the ideal government program would have been to assist business-minded (Read that part again) filmmakers to get to the next level. Controlled grants or matching funds programs for film corporations operating in Michigan for 5-7 years. Again I have many ideas on how we could have developed our creative force here. But importing was the agenda set with our incentives. Some of our best people on both sides of the camera would only find use as back ground extras, van drivers and production assistants. Good if you have zero experience and want a peek within – but these people I’m speaking of are highly experienced and working in non-challenging studio positions.
Filmmaking Added to The Vocabulary
All that the film incentive did in my world was make the word filmmaker legit in our state. When I started out we only had a handful of narrative filmmakers. People who didn’t recognize the industry in Michigan now saw enough headlines to put the word FILMMAKER out there.
New Growth
I think every young person unclear about what they wanted to do with their life loved the idea of filmmaking. To play with technology and create stuff to impress other people is enticing. But the business of it is not nearly as fun for most and that kills most careers. They don’t teach the business like they should.
Advice
SUPPORT THOSE THAT LOVE THEIR STATE. These people will plant and nurture seeds.
SUPPORT THOSE WILLING TO SUFFER THE HARDSHIPS OF LEARNING THE BUSINESS OF FILMMAKING. (Sorry social funding/hand-outs don’t count) ACCOUNTABILITY IS SOMETHING THAT MUST BE LEARNED! Mentors from the business community please help these people.
Interconnected
EVERY failed film project in our state that wasn’t self funded (By the artist) HURTS the whole state industry. Those that have disposable income to invest (Note they made their $ not begged for it via fundraising) will recognize a solid business plan. They see some of themselves in this young upstart. NOTE TO MANY – They also can see through BS. Many failed artists think they were/are smarter (in biz) than everyone else – they are not. The person who is being invested in is just as important as what is being invested in.
Character, integrity and responsibility. (People invest in this)
Peer Accountability
Artists need to hold one another accountable. But unfortunately for many in the local scene the worst offenders are also some of the best networkers. (Kind of) This often creates a fear of being blacklisted by the local networkers. But in my experience these people are rarely associated with the best projects. Why? Experienced people explore before hiring. The projects that do end up with these people are often not something to be missed – chances are strong for a disaster. I like to call it dodging the bullet. I’ve almost signed onto a few projects that I would have regretted.
Investors
Now – when an arts supporter/investor takes a burn on a venture they will surely communicate that to a wide circle. It may be it on the 19th hole of a golf course or some charity function. Often an industry/community can get defined by some of the worst participating in it. I have seen official statements made by individuals that I know – they don’t speak for me.
Respect earns Respect
When someone refuses to RESPECT and take the challenge of producing serious thus creating a mess – the insecure masses are still there to smile, hug and handshake at their next mixer. These fiascos mean that Michigan filmmaking has once again been defined and not in a good way. That’s why Michigan cast and crew are mostly not respected – I know that as truth as someone who does a fair amount of west coast business. I’ve fought the “Backwoods Michigan” view held by others my whole career. It was easier back than to defend the lack of work versus incompetence of work.
How can we improve this?
DON’T BE AFRAID TO SAY – NO! If the biz doesn’t add up say – NO.
Too big of a script, too little $, too few days – SAY NO PRODUCERS! You can’t remake the laws of the universe. People accept impossible tasks and I have to think it is for the paycheck. It’s like if you knew the ship the Titanic was going to sink how much would someone have to pay you to go for a ride? How much to charge a live firing squad?
EXAMPLE:
I have one project I co-starred in and finished all my scenes several years ago. It’s stuck in that in-between HELL. The result of a fight between the management entities of the film project. It’s hard because of all the hard work that many artists put into that project/film. I feel bad for all the artists but even more for the investors. They are victims of bad business. As just talent I just have to let things be. As a producer I wish they would have found me. If I had said, yes – they would have a film on schedule and on budget.
More Advice
If you can’t manage a group effectively – DON’T PRODUCE. I could not be a DIT on a film. So I don’t accept a job as one. Same with producers but it is a flashy title and so many are drawn to it – moth to flame.
If long set hours are not for you on a non-union crew job – SAY NO.
I’ve just allowed my thoughts to roll out but I think in summary I see the death of the film incentives and perhaps office as a new beginning. A new chapter could rise from the ashes. Let the fly-by-night people seek scraps from another table. Once the grumbling stops creative circles will start to look ahead.
CDI
With the exception of when a script requires a certain location – we always consider Michigan. FACT: Collective Development Inc. will be making films in Michigan and incentives and/or film office is not required for us to do so.
As you form your circle of filmmakers – dedicate the time to learning to do it right. I heard a story this week that a film group didn’t want to learn SAG union paperwork because it was too much red tape. I’m not a union cheerleader but what is “too much” to advance your career and learn? Learn the process!
HOLD your people accountable! Producers hold your cast and crew accountable. Cast & Crew hold your Producers accountable. We all make mistakes and set life is NOT a vacation or PERFECT but stand accountable. A full cast and crew should not have to lodge in one room – Poor planning. Tents are not acceptable crew quarters – Poor planning. Late. Unprepared. Lack of pre-production – failure is worn by all. Failure is a step towards success ONLY if you don’t keep making the same mistakes.
The Secret
I hear people asking about my SECRETS – The SECRET is if the business doesn’t add up – pass.
Inexperience in key areas + unreasonable schedule/script = PASS
Someone with a track record of bad producing = PASS
Dodgy answers or avoidance of answering questions directly = PASS
No plan of action after film is done “Get into some high-profile film fest” = PASS
If nobody would say YES to a poorly planned project they would be forced to re-evaluate a project and make modifications. Respect. Accountability.
Wrap Up
The incentives can come – go – come again and I truly won’t miss a beat. I’m a filmmaker who works with talented artists. I always strive to make things better. We make mistakes and try to always correct and learn from them. I hold EVERYONE of our artists on a project accountable and hire problem solvers not complainers. Your time working with us can be one and done or decades pending what YOU do. (Or don’t do) I may not be everyones friend but those artists that I work shoulder to shoulder with – who respect their contributions and take pride in their final work – we all share something greater than friendship. Craftsmenship. A tradition of storytelling. We share that film as our collective work at that point in our lives/careers.
I had a lot of words and I tried to put an order to them. We have a family event this afternoon so I’m going to bounce off here. These are but my OPINIONS for those that wish to read them. You can apply these principles despite what state or country you live in. Artists are an insecure lot and that gets exploited so often. But work hard and believe that your artistry will find the proper outlet. Just remember you are more often defined by what you say NO to versus what you say YES to.
Have a great weekend!
DJ
Wrap, Distribution & What’s Next…
Yesterday we wrapped yet another motion picture. The term “in the can” doesn’t apply any longer but “on the drives” or some term would. We rolled in here three weeks ago from Michigan and with the collaboration of many artists both sides of the camera we once again did what we do. We finished on budget, on schedule and with this particular film the distribution deal is signed. “40 Nights” will be distributed by Lightworx Entertainment. The faith-based company is operated by Randy Maricle, the former VP of Operations & Marketing at Pureflix. I got to know him over the last few years and I was impressed by how he helped push “Gods Not Dead” into the marketplace. We had a couple of offers on “40 Nights” and while Lightworx not only offered the best deal – they also sweetened the pot. They have entered into a deal for me to write and produce two additional biblical era movies. I think I already know what the second one will be and have a few ideas on the third. But one step at a time. This film will immediately move into post and we have an aggressive release schedule ahead. Our distributor made a trip to the set on one of our big market days and got to see all the extras at work plus the animals. It is the kind of film that both my grandma’s would have truly loved. I think this film will find its way into the hearts of many and be a favorite for years to come. It is EPIC. 
So now we wrap up the circus. We are having a wrap cook out today provided by the community who has been extremely supportive of our efforts. I think they saw the magic of what was happening. This film is the second I’ve had shot in this area and I think when it gets cold in the Michigan this might become a destination. I also saw a few great locations for our westerns. So I’m certain that we will be returning to film here in the future.
BESTSELLER music should be getting close to done. I can’t wait to return home to do a watch/listen through that film and get ready for our 1st showings in May. May also looks like it will be the month of the special WICKED SPRING showings in Grand Rapids, Michigan. May is also the National release of ASHES OF EDEN. This stretch into Summer is going to be busy with film releases and premieres. I also heard that DEAD QUIET is making its way through post production looking at fall showings.
We have a commercial project to shoot when I return and otherwise just overseeing all this film flow will be the focus. I also had a couple of acting offers present themselves. Right now I’m thinking about home, family and my own bed:) I’m also in negotiations to write a script for a company later this year so that is always fun. I like writing – just me and my coffee on the patio.
So that is the short recap. I’m very proud of the hard work by all our cast and crew here. Only a pair of longer days due to the desert sun which was our biggest monster. I think when we shoot here next time a month or two earlier will allow things to run even smoother.
Stay tuned for lots of more exciting updates in the weeks ahead!
DJ
DJ Perry's Official Blog 'Clawing My Way to the Middle' 