“Strategy without tactics is the slowest route to victory. Tactics without strategy is the noise before defeat.” ― Sun Tzu

Posts tagged “MBF

Theatrical Updates and CDI’s NEW Film

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It is a chilly Sunday and even colder air and snow will soon be coming our way. I’ve got my Oswald’s Bear Ranch coffee cup full of piping hot hazelnut coffee. I want to welcome our new readers from Italy and the Philippines. This last week has included getting our http://www.cdiproductions.com site in line for the next 9 years. I’ve also been working with our team to get the end-of-the-year tax stuff around. A few remaining things to put forth to the accounting firm but getting close. Also my tech savvy associates are working to bring me into the google-age. These shared documents are really making it easier to archive and work with others.

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THEATRICAL 

We’ve done our own limited set ups in the past but now we’re involved in a new partnership program with our distributor BMG. I’m seeing 3/23/19 is when the platform release for Wild Faith is to begin. 4/19/19 is what I’m seeing as the release date for The Christ Slayer. Once I have a list of cities and theaters I will pass that along ASAP.

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HOME VIDEO 

Now with Easter Passover being the backdrop for The Christ Slayer the streaming and DVD will release prior. It is a film that is truly worthy of being experienced on the big screen. Feb 1st will see the film be available on Amazon. The DVD can be pre-ordered now at Amazon for a March 4th release.

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Pre-Order here and streaming will be available Feb 1st 

https://www.amazon.com/Christ-Slayer-Josh-Perry/dp/B07MG14J9H

https://www.christiancinema.com/digital/movie/the-christ-slayer

DOVE has awarded it their seal and you can read the review here –

https://dove.org/review/15069-the-christ-slayer/

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WILD FAITH artwork should be releasing soon.  This is the first time that we’re not directly in control of the theatrical. That is exciting but also has us waiting on info to pass along.

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MBF: Man’s Best Friend – This film is close to the first cut as of yesterday. I’ll be doing a front credit breakdown so they can start timing that out. The movie will move to music and sound design last day in Feb. I’m excited to see this story come together.

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LOST HEART – I’ve been speaking with directors as our team moves down the development pipeline. We’re putting our paperwork together so we can start bringing on our interested investors. Targeted casting has been taking place and we’ll be announcing those people soon. We’ve launched the film on http://www.imdb.com and we’ll be adding as we go. We’re targeting April to shoot in Northern Michigan. It is a great story and I know we’ll have a great time telling the story.

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I’m going to wrap it up here soon. I might pour another hot cup of java and follow-up on some PR. If you want to do a story on either of the upcoming releases (The Christ Slayer, Wild Faith) let me know. Thank you all for your continued support.

DJ

 

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Know your Goals for 2019

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Sunny Sunday in Michigan although it is beyond chilly and only going to get colder. I’m happy to be up and about after a week of being under the weather. I was sick with a touch of the stomach bug that was going around when I was finishing post work on THE CHRIST SLAYER. A week of healthy and I got hit with a come and go fever riding with a head cold. I was mainly just achy and weak with sinus pressure and a deep cough. Now only a touch of the cough remains. I dislike being sick (who does?) as I always have lots going on.

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I recently had an invite to be on camera for a young director I really like. I had to turn down his offer because it did not come with money. On the same day, I had six hours of business tax prep work that I did instead. That’s why I see some merit and perhaps fun in the hobby-side of the filmmaking game going on but it’s truly such a vast different game from what a few others are doing.

I think I have to just accept that filmmaking for some is like playing golf. They don’t play in the pro circuit earning but just enjoy swinging the clubs with friends. But if you do have your eye on the pro circuit you need to direct your energy and efforts towards that and those who are striving to that end.  The longer you play in the hobby arena that’s lost time where you’re not prepping for the big game. You’re not learning the lessons that come with the true business of filmmaking.

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Crowdfunding in film with only a few exceptions is just playing. It hurts many who never learn to pitch or to earn. I see people spouting with no idea of securities law just shotgunning for investors. People tote in their PR being professional but ride without insurance or workman’s comp. They’ve never done all the accounting, the 1099’s and K-1’s1099 and everything that comes with being a professional filmmaker. Now some will evolve but most will not. If you don’t have your chain of titles and releases, no major distributor will want to touch your endeavor.

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I’ve stated that I work very hard on the business and still make the occasional mistakes. That is part of learning. So when I see people not even trying to step up business-wise it’s sad. Artistic talent that could grow into more is hampered by the business or lack there of. I’m wishing you all luck, sincerely. I want to see castings that pay more that IMDB credit and food. I would love to work a few days here and there on projects with new artists but their business has to be there. Otherwise it’s all just pretend. So when your career is not going how you want it stop pretending you don’t know why and look at what you’re doing. It’s kind of along the lines of that doing the same thing and expecting different results. Make 2019 different!

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I had a conversation with a fellow filmmaker about a few recent postings. If someone says in their listing, ANY EXPERIENCE or NO EXPERIENCE NEEDED – pass and pass. That is a red flag of the quality of work. What they’re willing to accept. That might be okay for a community theater posting but don’t look for professional talent to come knocking. I know what we look for and it’s not Uncle Pete who thinks he wants to try something new. Or someone just looking to fill their spare time. So pending your own goals, vet the opportunities.

I do occasionally watch videos of artists as we’re always looking for possible additions to the CDI tribe. Most often in these videos I see inconsistent quality because of holes in cast or crew experience, poor story or inferior equipment. I’ve seen aspiring talent that puts something forth that frames themselves poorly.  I’m not trying to knock anyone as we all start somewhere and I’ve been through it all. I recently saw someone spotlighted in a post. I don’t know this person but they often post about their projects.  So I take the time to click thinking I might get a glimpse at what they can do in front of a movie camera. Instead I get cheesy selfies being used as promotional material. To someone who doesn’t know this person it doesn’t say hire me, it says waster of time. And it frames the person in a poor light – literally.

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That’s my little insight and I hope a few of you use it to better your year. One solid project is better than 5 weak projects in terms of exposure. OK. Let’s look at a few CDI film updates.

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THE CHRIST SLAYER is DONE! This film is not the largest budget project I’ve supervised but in scope it was a beast. We had VFX happening in Canada which included digital matte’s and model building. Sound design in period pieces is always harder since you have to shrub any sounds that don’t belong. The same goes for visuals. This film was delivered last week and it will play theatrical events in April. It will be available on the lead up to Easter both on DVD March 4th and streaming after that. If it plays in a city near you please treat yourself to seeing this on the big screen. I will let you know when theatrical show dates appear.

https://www.amazon.com/gp/product/B07MG14J9H?pf_rd_p=c2945051-950f-485c-b4df-15aac5223b10&pf_rd_r=RR5B558MHVKGDDJ2GE4H

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In March WILD FAITH will also be hitting theaters across the USA before releasing to home video. I also think we’ll be getting the new artwork very soon.

With both of these films finished we’ll be turning our attention to MBF. The Animal Planet promo was viewed over 420,000 times and I do hope they run the show next season where Duncan visited the set in Corunna, MI. We’re close to our first edit. From there a few tweaks and onto music and sound design. We’ll be delivering the film June 30th to the distributor. It looks like a theatrical followed by the home video run.

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DEVELOPMENT of the new CDI films is underway. We’ll be launching the IMDB and putting our summary packages together. LOST HEART is next up so stay tune.

Okay. I’ve got a pork roast in the crock pot. I’m going to go check on that and do a few other things to get ready for the week ahead.

Have a great Sunday and we’ll chat next week.

DJ

 


Finishing and Beginning – A Cycle of Creating

Good morning from chilly Michigan. We have new readers from Canada and the Netherlands, welcome. This morning I spent an hour organizing and cleaning through emails and I still did not get through it all. I’ve enjoyed my little dude Finn this morning. He has brought major joy back into our household in 2019 and for that I’m thankful.

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Let’s go with a bullet point update

  • MBF: Man’s Best Friend – In two days 415k views of our promo piece with Animal Planet – of course a puking squirrel can get millions of views so…but we’re just happy so many of you are being exposed to this amazing film coming in 2019 from Collective Development Inc. and Bridgestone Multimedia Group. WATCH IT HERE: https://www.facebook.com/AnimalPlanet/videos/366247313928139/UzpfSTE5MTM1MDI2MzU1ODk3NDE6MjIyMTExMTY4ODE2MjE2Ng/ and we just might have a special surprise for you in the months ahead. What else happened with Duncan on his trip to Corunna/Owosso, Michigan to film? It would make a good show;) Editing on the 1st cut is almost done.

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  • Wild Faith – last month of western film was delivered with our celebrity narrator (preparing for a TV series) and a remastered picture. Keep an eye out for the various time versions of theatrical teasers for social media. Why? Wild faith will be riding back into theaters  across the country in March. I think millions could benefit from this powerful film. I had a close friend of many decades tell me that Wild faith was their favorite film of ours to date. I have seen first hand the effects of this film on people’s hearts and minds. So I’ll hope that the number of screens is on the numerous end of the spectrum. I’ll have lists of when’s and where’s in the coming weeks. Be sure to follow our social media FB site for Wild faith and all our films. JOIN US HERE: https://www.facebook.com/WildFaithMovie/

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  • So you’d think that the above news would be enough to make one feel beyond humble and grateful but the good news continues. The Christ Slayer is complete and is being rendered all together for delivery. It was the biggest scope film in The Quest Trilogy consisting of Forty Nights, Chasing the Star and now The Christ Slayer. It feels great to have finished the film itself but finishing the three films is the realization of a longtime goal. They can be enjoyed as stand alone films but have a greater storyline embedded into the three films. I think Chasing the Star has a clearer conclusion if you’ve seen Forty Nights. And you could enjoy The Christ Slayer stand alone, but it will feel much more full if the other two films have been seen. There are some reoccurring characters in the stories that become richer if you’ve watched all three. So they’ve already cut theatrical social media promos and the movie will be on the big screen in April. FOLLOW US HERE “The Quest Trilogy” – https://www.facebook.com/The-QUEST-Trilogy-933210800141426/

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  • We’ll be forming the LLC for our next endeavor LOST HEART. We’ve got our first investor/EP excited to move forward so I have to play catch up. Our LOI to distribute from our distributor is now in place. This includes a full first look theatrical evaluation due to the partnership. We’ve got some returning stars from past CDI films and a few new faces too. We’ll finalize casting once everything is in place. I’m really excited about this next project and it will be fun, powerful and thought-provoking. Our PR on this will start rolling on this in a few short weeks.

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  • From the CDI vaults, a much-anticipated sequel has been getting some real attention. We’ve had a few exploratory development talks with a few parties but this is starting to gel. It would give a new director an opportunity to do his first feature that already has an awaiting audience. A director, a pair of new fresh-faced co-stars, a few nostalgic faces and the game could be afoot.

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Josh “The Ponceman” Perry and DJ Perry – The Christ Slayer this Easter!

Additionally I’m happy to report receiving the first paycheck of 2019. Freelance or the art of creating a paycheck each and every year is not for everyone. As one year ends we all wonder if another year of income will materialize. So that first one is always nice. I’m happy to report this one is from a new client, a major book publisher. This book runner, which I assume is much like a show runner, went to see Wild Faith. From there she watched a few other films I had written and reached out. I was asked to be a contributor in a book of horse stories. Having done a good number of westerns, I have a few good stories. From those two stories I contributed I was asked about contributing to two other books. I’m enjoying all the writing. I’ve been having some discussions on literary representation. I’ve done past deals just off personal relationships and attorneys but having someone actively seek/bid work-for-hire or sell off scripts I have, but don’t plan to produce, would be perfect.

I saw a cool little saying burnt into a wood plank the other day- something like,

“If the winds won’t agree with you, pick up the oars”

2019 my friends. I hope the winds will be at your back taking you closer to your dreams and goals. But if the air is still and stagnant and your boat sits idle, pick up them oars and get rowing. Life is short so don’t be afraid to fail. But do give your BEST EFFORT, always.

Talk at you next week.

DJ

 

 

 


Getting Rolling in 2019!

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Good morning. It is 2019 and we’ve started a new turning of the wheel. The holiday season was enjoyable spending time with family and friends. I want to welcome our new readers from Israel and France, we’re so happy to having you join us. Like everyone else I’ve been planning ahead to the new year and also working hard to finish our two films THE CHRIST SLAYER and WILD FAITH for their theatrical 2019 release with our new partners. Once these get off the desk so to speak we’ll focus on getting our locked cut of MBF and increase development work.

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I hope to get theatrical locations and dates here soon but know that people are just getting back to work. The remastered WILD FAITH is having distributor poster art done and promotional trailers for social media. Same with THE CHRIST SLAYER with the promotional pieces and the poster art is already completed. This is an exciting time of what and see – but I can say, as we do final review on THE CHRIST SLAYER for credits, what an awesome job by all our CDI artists. Nathaniel Nose and Dennis Therrian really pulled it all together. I’m so very proud of our artists on all three films. As the last one readies to roll out, I only hope audiences are able to take something away from it. It is a beautiful story and everyone should be proud to have this one on their resume for a lifetime.

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Outside of film direct, I spent a good part of three days prepping for the moving of a storage shed onto our property. As a company we’ve started to gather items that make production a lot easier. I’m going to use it for storage of items from 5 gal water containers to 100 cup coffee makers. A CDI trailer will likely be the next step to be used during productions. Maybe a craft service food truck, whoa…settle down there DJ:)

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I’ve been working to help prep a friend for their first feature film directorial and of course LOST HEART development will start to pick up speed. Several discussions have taken place with this film and we have some good attachments.  “Strong drama, good humor with a dash of suspense and action – just like a good trip up North in Michigan!” We’ll start making some PR announcements in a few weeks concerning this movie.

I’m going to finish this up and get on with a few things today. I’ve got a busy week ahead and hope the same for all of you.

Be good to one another in 2019!

DJ


Wrapping up the 2018 Year – Looking Ahead to 2019

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New readers from Samoa and China joined us last week. I know that the filmmaking experience (resources, distribution, audiences) changes slightly from culture to culture. But at the heart of it we are passionate beings who love engaging in the storytelling experience either as listener/watcher or teller. I love being a creator and being an audience member. So yesterday basically two years to the day we finished the final elements to THE CHRIST SLAYER. Our director Nathaniel Nose came in and we polished the final mix/design with our incredible Dennis Therrian. His musical score is absolutely one of his best. The complexities and grandiose arrangements take you back to the classic days of Hollywood. We worked with Mr. Sundberg on our color correction, conforming and final composition. Last night at the office we shared a few beers and looked at the wide-screen, color corrected final master. A few of the final VFX shots have to be rendered into the timeline but I was blown away. Jesse Aragon, our DP did a wonderful job. This was the final film in The Quest Trilogy and is likely the largest scale production to date. CHASING THE STAR had more animals but the VFX in THE CHRIST SLAYER makes it the largest scope to date. Both the director and I liked the epic inspiration of Lawrence of Arabia and that soundtrack was with me in Yuma, AZ when we filmed.

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The previous day we tweaked a few Mother Mary lines. This film has some powerful female characters in it. Especially the roles played by Melissa Anschutz and Christine Marie, who appear as they’ll be co-starring in a CDI film this spring. Brittney Risner and Carl Weyant give a classic Hollywood love relationship. And Josh Perry, will simply steal hearts. Amazing supporting performances across the board by Dean Teaster, David Gries, Bob Shepherd and more.  Taymour Ghazi, Shane Hagedorn and my departed mentor Rance Howard brought the power one last time. Rance’s performance might be his last feature film role he ever performed. The final scene we share together in the film was our swan song to working together. I’m very proud of it. We talked for hours about that final scene. He made notes and adjustments – just two costars working out our motivations. I recall being so proud of Rance and feeling how special it was, never guessing it would be our last story together. Now all the elements will start to be pulled together for an upcoming delivery to our distributor. We’ll soon get to see how audiences enjoy this film as it travels to theaters and to home video. Stay tuned for CDI’s most epic adventure yet this Easter season.

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I’m excited for everyone to get back to the office in 2019. I will be ready for a slight rest from the intensity of final post. You work end credits so hard knowing that by Murphy’s Law some misspelling or missed ‘thank you’ or name will take place. If your ever on the receiving end of that – know the filmmakers likely did not intend that. I had one situation that was suspect only because the misspelling came after working on a project whereas one producer on that project was NOT brought back on a film CDI was hired to reshoot. Either way, it showed a disregard for my brand ability to draw my audience to that film. No business reason why, so perhaps it was a true mistake or maybe it was personal. I don’t hold a grudge, but it makes me less likely to work with that company again. I passed the second time I was invited but it was partially timing, pay rate and the role also.

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Integrity matters.

When in post this week, I was sent a news story that a Detroit-based – I struggle for the right word. I will use filmmaker, because he has made films. But in a promotional news story for FOX he claimed to be a producer on our CDI Ghost Town movie, our 2006 Lionsgate film. SMALL ISSUE  – he wasn’t. He did not exist in pre, prod, or post production and was caught trying to do some head shaking actions in conjunction with this film. I didn’t really like, nor trust this person from day 1 and tolerated him out of respect for one of my producers until that head-shaking point. After that, I was done with him. Easy enough. These people burn themselves out as their true nature is revealed. But I would never go on a TV interview and openly lie and use it to promote myself. I was questioned if I should have legal bring it down. I might. But the justice in all this is I get calls on people about their character, integrity and true place in the film community as I see it. Yes. My opinions and sometimes my direct knowledge of someone’s actions. I’m always honest. I warn or endorse people simply by saying if I would work with this person or not. I’ve been contacted often. It’s a small film community and I do know many people who trust me to shoot them the straight skinny. And I have.

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I recently had a great discussion about what another peer filmmaker is developing. All of it was heavily tainted in my mind all because one of his close partners. I’ve had first hand experience with that person and actually let them go. Not a bad person at all. I just would not risk any further capital on his efforts. Would you re-enter a situation with negative elements/variables? This fellow filmmaker lamented the often true statement of how every set he’s worked on has had the cancer of negativity. I’ve had a few “negative” situations like this over the years but those elements were isolated and corrected or dismissed.

Bottom line. This is not some vanity game for me but a noble tradition of storytelling. I’ve been blessed to have several great crews working with us but that all starts at the top. That means conducting good business, constantly streamlining your communication and having a solid battle plan. I believe in our artists and I’ve grown as an artist with many of them. We don’t participate in these popular film challenges, although they teach new crews excellent finishing skills. One friend, had his possible award-winning short disqualified because run time ran over by seconds. He could have either A) Organized a social media gripe that his team was treated unfairly for petty seconds of overrun or B) Accept responsibility that as team leader it was a costly mistake made by their team or him. In football they say it’s a game of inches. So start taking accountability as a new year’s resolution and watch the new growth happen.

I’m in hopes to discover a few good projects, properly funded to come act on this year. I also have to connect with the script/role as you always should. Aside from that, I plan to produce 2-3 features with CDI this year. I’ve had many new folks reach out about financial involvement and we’ll entertain those interested parties once I’ve addressed my current backers with opportunities. Beware of any investors that also bring too many strings attached. Sometimes those strings can be the downfall of a project. I’ve seen it happen.

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We’re around the 1.3 hour mark on MBF and should have first cut in a few weeks. I would love to lock a cut by the end of Jan. we will see where we sit very soon. I think many of you enjoyed the behind the scenes MBF short we released on Christmas Eve.

WILD FAITH new art, theatrical dates and more should be announced soon. It’s heading back to big screens in March across the country. Home Video dates follow close behind. Those dates can be found on the FB, official Wild Faith or IMDB sites.

I’ve been in the trenches hard-working on these new films to bring them out of post. Once I get a few days rest here while our tech guru’s assemble and deliver – development will continue full ahead. I also plan to set my goals in writing for the new year and see how close I came to last year’s goals. Have a great wrap up to your year. Be safe and plan your 2019 approach. If you would be so kind you can take a watch on our past and forthcoming films. Handcrafted from our family to yours.

Have a great Sunday!

DJ


Merry Christmas – Holiday Updates

Today is the 23rd of December – the final days of 2018 are coming to a close. I’ve been bouncing between the sound studio where the final touches are being done to THE CHRIST SLAYER. Our director will be coming in to work the final mix after Christmas. Speaking of – we’ve had one of three family Christmas gatherings. Yesterday we enjoyed a good meal and opened presents with my brother’s young ones. We had a good time and from there I went to a yearly holiday dinner at The English Inn, a cool turn of the century manor house turned into a restaurant. Prime rib was my choice as I only eat red meat a handful of times a year. I felt a little sluggish this morning likely due to the Guinness beer added on top, but it was a nice holiday treat with old friends.

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Today will be spent getting things around for the other two Christmas gatherings. I will be stoking on the fire in the office stove, trying out my new boiling vessel to make mulled spice wine. I do love that we got a powder of snow which makes it all so much more pretty.

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Some journeys will be finishing up, such as The Christ Slayer and new journeys lie ahead. I’ll start talking to our investors about our new film projects. LOST HEART which has distribution lined up will be setting up for a spring shoot. We’ve been looking at cast and directors.

Also some moves are being made on the much-anticipated sequel to CDI’s 1st film KNIGHT CHILLS. We’ve been reading new possible leads and discussing the script. Lots to set up before we would shoot this one but good development taking place. More on this soon.

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Also this year I want to package the original 4 CDI films into a DVD collection (Knight Chills, From Venus, Heaven’s Neighbors, Figure in the Forest) – the early years. Put BTS and interview material on there. Maybe do a few educational retrospectives. Because they were filmed in standard def many of these are having a hard time finding new distribution. We’ll see.

Merchandise is another 2019 goal – I want to see more of this. We might be pulling together the backers for this endeavor.

Representation – I have had several regional agents in the beginning. I’ve had CA/LA agents both large and small. In the recent years I’ve just rolled with legal and handled my own business. I cannot help but think that more could be done with the right representation. I will explore this more in the new year. I’m excited to get back in front of the cameras. This year wide audiences will get to enjoy Jesus (again) in THE CHRIST SLAYER, Ben Lily in WILD FAITH and Paul Landings in MBF.

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Speaking on MBF – we’re looking to release a BTS piece created by David Gries, directed by Mel Anschutz and shot my Graham Turner during our shoot. We’ll release either Christmas Eve or Day, maybe sooner:) The film’s first edit should be close to being complete. We’ll do a fine edit in the new year.

I’ve said it before but in advance on part 3 of The Quest Trilogy (The Christ Slayer) releasing, I would ask you all to watch Forty Nights and Chasing the Star. They are an excellent watch for the holiday season.

I’m going to fire up the creative engines and get to making new art. I do hope to be approached for participation in new creative acting endeavors. This might be the year RACHEL, RIFLE, FAMINE and a few other films launch. I also plan to produce 2-3 films this year with CDI.  What I’m meant to do, I will. Work hard and have faith in your path.

I’m going to get back to finishing up things here. My new furry boy Finn helped me rack the new GRAPE APE wine this past week. We had a little early sampling on our Viking Day this week. It’s our day of friendship and wood chopping. SKOL. I hope each and every one of you has a wonderful Christmas. Let the spirit fill you and be good to one another. Keep some of this holiday cheer and carry it through the year with you. Allow others to have their opinions. Listen as much as you speak. Look for unity with your fellow citizens.

Peace to you all.

DJ


Discussions on Compensation and Advanced Release Dates

Good morning and welcome including our new readers from Bahrain. It is a peaceful morning with hazelnut coffee and a sleeping puppy. Michigan is foggy but without snow currently. I’ve been balancing all my post work, development work and family activities. First I will comment on a request for insight on a work question in-state (Michigan) in regards to compensation.

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The symbol of the KNIGHT CHILLS franchise.

The first film CDI did KNIGHT CHILLS was unpaid cast and crew with us spending money on gear, food, props, FX (we crashed and blew up a car). Everyone was in the same boat. We were not even sure if we could shoot a feature film but intended to give our best effort. In the beginning a group of people with little or no resume experience may group together to take that first step.

On our second film we started paying cast and crew. Not extras and not PA’s but everyone else was paid what the budget could support. I will tell you that paying artists cast and crew is one of my favorite things to do. I remember an actor crying in a van when I handed out the first week paychecks. For this person and many it was the first paycheck these people had every received for their art. The act of paying was more important than the numbers scribbled on it. It was giving artists hope, pride and dignity after countless rejections in our business. In 1999 the film scene (Ha!) was much different. The opportunities many have now just did not exist. The only benefit I saw from the tax incentives was the acceptance of the “Film Business” in Michigan as a legit careeer path.

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To this day we pay all our cast and crew but not PA’s and Extras. We feed and take great care with the extras and that’s where we meet many future cast mates. We create tiers for keys and department crew. We also have a two tier pay for union and non-union talent. Our feature rates are lower versus commercial rates. As I noted last week I believe one is an investment and one is a service. We’ve had a few outspoken crew people spoiled on a few good commercial payouts complain about rates. To these people – just pass. Don’t torpedo your ship because you can’t make a rate work for you. These people might have debt, high cost of living (beyond your means) or any other reason why they need to say no. But that’s not everyone. Also the positions on feature film sets are earned early on and crews often grow with the company. Those people who say “I’ll catch up later when you have larger budgets” often won’t. Because loyalty does mean something. If you’ve been the Director of Photography when they had nothing they will likely want to keep that DP as they move into larger budgets. Often if a crew gets out of line there are hundreds that would jump at the opportunity. But you have to be a company that finishes and releases films. People grow tired of putting blood, sweat and tears into a project that never finishes. I’ve got a couple of films I’ve been paid for but they never finished. A waste.

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I like to say we will be defined by what we say NO to. I say NO a lot but politely as some people are just not where I would like them to be creatively. I know other companies and producers who do things very differently. Attacking them isn’t going to help and until you’ve raised funds and been responsible for millions of dollars – your opinion is pretty weak. That said, if you want to make your projects better, paying experience up front will keep you from paying for mistakes. Experienced actor means more options in editing versus that’s our one good take. Out of focus camera. Things left on set because art department last looks didn’t see something. Lack of hair or clothes continuity – all lack of experience.

My goals aside from making our days and getting our puzzle pieces (scenes) – I want every artists to 1) Have a lifetime experience that they will fondly recall like going to Summer Camp. 2) Become more effective in their craft and/or communication 3) Have pride in the final art

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I’m not following anyone else’s business model but what we’ve developed over two decades seems to work well. I do think that audition notices should discuss compensation up front. Artists should not waste valuable time reading scripts, memorizing lines and putting down reads for something they will not participate in because of no pay. I will not work for free. I have a few times in the beginning because I wanted to get the experience and I wasn’t bringing the experience. But now I bring experience and distribution opportunities for any film I’m in. Like many of us I have life bills so I no longer work without compensation. I also like when a project is compensating everyone because the quality is almost always higher. I don’t really want to act with someone’s Uncle Phil that they threw in because he had the day off.

Like many in today’s society it’s easier to cast stones. I often see condescending messages back and forth that really is just strutting for an audience. If you don’t like the way things are done be the change. Raise the funds and do it right. Lead by example not by running your social media mouth. Bad producers will quickly get a bad reputation and when nobody wants to work with them, they disappear. I know many in this state that if they disappeared from the scene things might be better. Some bad eggs have already left the state because they burnt all their bridges and need new grounds to BS. If your experience is beyond a production not paying, just give a PASS. This allows a new talent/crew an opportunity to step up and learn. But people do pay dues. No certificate from a film school or program is going to automatically get you in a key position. Doing a great job will certificate or not. Now they have many great programs so the students come out with experience. But they too might have to work free or discounted to get the experience needed to move forward. OK. Enough on that subject.

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BULLET POINT UPDATES AT COLLECTIVE DEVELOPMENT INC.

  • Visit us at http://www.cdiproductions.com
  • MBF: Man’s Best Friend is closing in on a 1st rough cut of the film. The first trailer was well received and the distributor is already talking theatrical.
  • We are planning to release a BTS for MBF on Christmas Eve or Christmas Day as a thank you to our cast and crew.
  • WILD FAITH will have a PR announcement later this week. We will be announcing a new wider theatrical release – they’ve been working on creating the short marketing trailers. The film will release into theater’s starting March 1st I’m told. More info here soon.
  • WILD FAITH poster art is being worked on by the distributor. TV/Broadcast release will start 4/1/19
  • WILD FAITH digital purchase 5/6/19 on Amazon and other platforms
  • WILD FAITH DVD sales will be 5/27/19
  • WILD FAITH digital rental with be 6/24/19 * day after my bday:)
  • Streaming Networks SVOD (Netflix) and AVOD (Hulu) in early 2020

Part 3 of The Quest Trilogy – THE CHRIST SLAYER was announced with release dates. Here is the PR release from this past week. Read about it here.

https://www.prlog.org/12744411-the-christ-slayer-poster-and-release-dates-announced.html

Our distributor also released the poster art.

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The film is looking and sounding amazing. It is one of the largest production value films we’ve tackled. The music honestly is some of the very best I’ve heard in our projects. But Dennis Therrian our long time composer is growing like all of us at CDI. We’ve just about got all the dialog and sound design completed. Here is me in the studio fixing a few lines.

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This past week has also been development. We’ve got a few 2019 projects coming together. LOST HEART is being prepped for a Spring shoot. Talks on finally shooting KNIGHT CHILLS 2 have advanced. Also a few other exciting scripts that are being polished to possibly be put in the production line. Some exciting news about all this in the new year.

I’m going to go make some breakfast and go explore a bit with the new furry son Finn. Luke would have been very proud of this little gremlin:)

Have a great Sunday and a productive week ahead.

DJ