‘Wild Faith’ Feedback & More…
I’m sitting in my big leather chair by my electric fire – The Candleberry Candle and sipping the hazelnut coffee. I’ve got sleeping dogs around me happy to have me back into the fold of the pack.
Shane Hagedorn rolling with the Collective Development OG’s:)
I’ve just returned from running with another pack of artists filmmakers creating an 1800’s action drama. I can honestly say it was some of the best fun I’ve had in many years. It reunited me with many friends and artists some that worked together last in this genre a decade ago.
Production Designer Jen Raine & Art Director Austin Two Feathers
It introduced me to a slew of new artists who I think appreciate the Collective Development Inc. approach and take to filmmaking. We use to do this as children for free – the make-believe. And now to pay people to create that same fun but with bigger toys and doing it day after day until we get our puzzle pieces. I got to observe seasoned film warriors work side by side with what will be the next generation of film warriors. I saw people realize that within a powerful problem solving group strong art can be born. I saw people forget past dealings with others and give us a chance to be a positive experience. I’m developing key crews and key to me starts with a 100% positive attitude. You can make several mistakes giving your best effort and from me you will get mentoring and compassion. That positive attitude is hard for many to keep in this industry – you don’t have to dig far to hear the horror stories. I’m a person who dislikes having my time wasted, who does? I’ve got several ways I can waste my own time and still enjoy it – I don’t need waste imposed upon me. I do shun people who purposely waste my time with unreasonable. Do I have any examples to help illustrate? Perhaps…
A mix of acting talent on set #wildfaith
THE BAD
One acting role in our recent film underwent several discussions before falling to a very talented, 200% positive (through the roof) ready for success gent. The first major look came by association – one of our producers had worked with this person. A read that was strong and a direction was set – but full disclosure of a change in residence lost this person the role.
Another option – a young hopeful gives a good read but ultimately has no vehicle. I’m not judging, but as an actor I can say that a phone and car are the two things you need to thrive in our smaller regional market.
Opportunity knocks again – As a talent when you get a call from a company that based on your previous work wants to hire you again – slam dunk? Not quite – instead of an easy transaction of business someone suggests a string of silly actions – not anything a production in pre-production can or will handle. It also speaks poorly of this persons maturity, character and true dedication to do what you need to do until your craft is accepted.
THE GOOD
This casting string really created a well needed lightness to the pre-production talks. CDI is ran primarily by actor/producers and individually we’ve all had and some continue to have the struggles that come with acting. To see three actors shoot themselves in the foot was offset by the enthusiasm of the one who got to call BINGO!
Be prepared actors. (Take 2) Be prepared actors. Not just in your craft but in your professionalism. Not fixing that car because it is a pain in the butt. Not getting a job with flexibility of schedule. Don’t help yourself fail in an industry that is already difficult. By taking care of your business you can be ready for when opportunity knocks. Organized. Prepared. Ready to succeed.
MORE GOOD:)
We had a key position whereas because of a change in our shoot locations we had to make a change. One person visiting Michigan on another endeavor got a call and within two hours was onboard. They started the next day. Opportunity knocked and it will likely result in another hiring in the spring.
I’ve seen people I’ve hired before return with new battle hardness that made me smile. I saw the few situations we had handled with calm professionalism. Now some may have experienced their first feature run and decide short format is more their pace. Feature shooting is harder, longer and requires a different mental and physical endurance. With our larger budgets we often had additional on location pre production and additional shoot weeks. So to all my crew that traveled with us – I’m tipping my hat. To the ones there all the way through – be proud that is a true benchmark.
One additional planned day of battle footage and a few powerful moments with our films lead Shane Hagedorn. It was a really cool experience to see Shane ride this story out. He made it his and brought such a cool edge to the role. Our Lisa Smith who plays opposite him was such a find. Many of the actresses had a great take on the lead role. This actresses brought it out in Shane, it showed. The children, the outlaws, townsfolk, circus folks all cast with care and it shows.
My humblest respect to my fellow producing team – 1st AD Nate Robertson who TCB (Takes care of Business) on set and the staff who handles everything behind the scenes from accounting to PR and everything in between, we are ONE TRIBE. Jesse squared (Jesse Low & Jesse “Smooth” Aragon) what an honor to story tell with you both again.
Jesse squared (Jesse Low & Jesse “Smooth” Aragon)
Check us out on Facebook
http://www.wildfaiththemovie.com
“Wild Faith” coming 2017
I had a chance to see the first rough trailer for “Chasing the Star” and it exceeded my expectations greatly. I think because we’re dealing with a topic that people have such a limited insight to – how do we present that? And I think it was done in a beautiful fashion. Music is complete and dialog clean up is underway with sound design. VFX work is also underway. Bret Miller and CDI have a great follow-up with part 2 of THE QUEST TRILOGY.
Which brings me to part 3 – This week I will be starting to put the business together on “The Christ Slayer” to shoot in the spring. More intense talks on this film in the coming weeks.
“40 Nights” is flowing in the positive direction and this week we’ll be discussing marketing efforts with Lightworx about “40 Nights” and the trilogy moving forward.
I’m going to go finish unpacking my vehicle that was packed up “Beverly Hillbilly’s” style – just needed a rocking chair on top:) Have a great fall morning and keep moving forward. Dare to dream. Create don’t hate.
DJ
First ’40 Night’ Theatrical & Points to Ponder
I have been trying to circle back to the blog all morning. We did step out for a few into the bitter cold that could freeze a polar bear. Okay, maybe not – but it is COLD. That said, in a few weeks we will be filming in AZ and that will be a good stretch of warm. I like that dry heat versus humid heat. Everything is on schedule and this week we will be finalizing a slew of agreements with cast and crew. PR will start rolling announcing our powerful new cast in “Chasing the Star” – 2nd film in the QUEST TRILOGY.
DJ Perry as Jesus in “40 Nights”
The 1st film “40 Nights” is drawing great response from decision makers. The soundtrack is coming along with other speciality items. Our first theatrical set ups are underway. It looks like Lansing, MI and Grand Rapids, MI will be getting 1st play starting Feb. 26th. Info will start going up here. “It truly is a MUST EXPERIENCE on the BIG SCREEN film!” You can track the Michigan showings here –
https://celebrationcinema.com/movie/40+Nights/2-26-2016
Also our previous inspirational crime drama “ASHES OF EDEN” will play Parables TV and can be pre-ordered here for DVD
http://www.familychristian.com/catalog/product/view/id/349087/
DJ Perry as author Mark Franklin
“Bestseller” will be doing some PR announcing its new promotional poster art. This film releases nationally in May 2016.
I was trying to think if we had any teachable moments this week that young filmmakers could take from. These are just some random tidbits of advice in no order.
- Don’t inflate your resumes or try to oversell to someone who researches, which is most credible filmmakers.
- As my dad would say, don’t do something half ass – do it or do not. Hey my dad is Yoda:)
- Be careful who you use as endorsements – if I see endorsements by unqualified people and they are being used – that casts the light of association.
- When location scouting don’t just look with your eyes but your imagination.
- Too much communication is always better than not enough.
- We all must adapt but do so carefully, do not be brash
- Have patience as we bridge the gaps between us all
- A cart has never pulled a horse so do NOT let others try to waste time testing this.
- Do not empower anxiety or give away energy to things that you cannot control
- On smaller budgets do NOT schedule around actors – you need dedicated talent
- When reporting up the chain do not leave out or embellish information – facts only
- Most success in this business is by getting in on the ground level and stay loyal
- Play the long term game not the short game – short sighted vision will derail most
That’s enough thought provoking points. I hope you all have a great weekend. Stay warm if you are in cold country.
DJ
Climb to the Sun – Remember to Have FUN:)
in Costa Rica for “Supermodel Showdown”
Much of the country got hit by a major winter storm. I thought this pic would remind us of a warmer place. In Michigan we only got a dusting thanks again to the protection of the Great Lakes. It has been a busy week for sure wrapping up old business and beginning new business. To look back upon the previous week’s news of death, it reminds me to live. Do what you’re suppose to do. Use your gifts. Be happy. I’ve been entering new areas of business as we climb higher on the ladder. It’s always an adjustment to climb higher, to believe and in our case, put forth your art to a wider and wider – world audience. I talked prior about my refusal to complain but adapt to our new growth. I know a few filmmakers with talent but they don’t really grow. They spread along the ground – ground cover but they don’t grow UP! You have to compete with other trees for sun to do this. So while some will play if safe and spread – making more or less the same material. It’s about taking bold moves but having the right business in place. Sunshine can equal shelf space, theatrical time slots or just the attention of an audience pulled in a thousand directions.
I’m thrilled that younger people are again gaining patience and a new appreciation of character development that is coming through mini series and TV shows. I think that Starz or HBO may be one of our future destinations for production. I place “Game of Thrones” and “Black Sails” as two of my favorite shows. I like that different time and place – world creating. We’ve done it on several films and it takes artists who are 100% committed. I’m so happy with our latest and greatest period film. It takes place in biblical times, “40 Nights” the first of a three part trilogy. The three films explore the quests of some amazing individuals. Early test showings have way exceeded expectations. Now I would rather pull expectations down and not light a match to fire up the haters, but I think many audiences will sincerely enjoy this story. I think within the story is something for everyone. We’re now done with the film. From here, we’re looking at theatrical and event showings. Our distributor may do a month push on domestic release to give us a little more time. It’s a film that truly should be seen on a large screen if possible.
DJ Perry as author Mark Franklin
I’ve finally circled around back to the business of the soundtrack deal. The agreements are being put together. “40 Nights,””Donors,” “Ashes of Eden,” and “Bestseller” will be the first ones to roll out.
Original KNIGHT CHILLS poster – “Scream” style.
A lot of prepping and energy spent on these new films releasing to the world market. We have an entire group of the older CDI films in the library heading for a new release. At least in one case “Knight Chills” – it comes shortly before a sequel moves into production. Essentially, instead of going to film school for 4 years we made 4 test features in various genres – crossing all the T’s and dotting the I’s so they could keep selling like they do today. I like to call them the CLASSIC CDI FILMS. They can also be defined as the pre-HD generation of CDI films. I was working in film in the early years before it became video with poorly attempted film looks, hopeful multi-chip improvements and frame rate adjustments. CDI moved aggressively into HD using some of the first cameras used by George Lucas in “Phantom Menace”… Lastly the journey has brought us to the age of RED and a slew of great HD cameras in the digital uprising.
One of the locations for the upcoming CDI feature “40 Nights”
We’ve got so much going on with prepping for the roll-outs on these films. We’re looking at a few projects we were approached on for feature film production. (They have their $) A few script reads teasing future acting roles. But we’re excited as “Chasing the Star” is gearing up to enter official pre-production. Some good news is that 4 days will be shot in Michigan which will allow some of our great talent to be showcased. Right now we’re finalizing our business. Almost done. From there we get ready for the first part of the shoot in Yuma, AZ.
I’m happy to announce I’m done with the 1st polished draft of “Knight Chills 2” and almost done with the polish on the third script of the QUEST TRILOGY. (“The Christ Slayer”)
Stay safe. Stay warm. Stay the course with your dreams. Have fun:)
DJ
CONAN: Crush Your Enemies & CDI Updates
So one of those inspiring movies to me growing up was the original CONAN the barbarian. I also would love to do a fantasy movie – sword and sorcery at some point. But first, Arnold, I read his bio from his soccer playing teen years into body building – to America…pretty inspiring. Also the film had edge and lessons seemed to be buried in there. (The Riddle of Steel) Add one of my favorite musical scores of all time by Basil, and you have a classic film.
As young filmmakers we loved the barbaric wisdom spewed – CRUSH YOUR ENEMY, SEE THEM DRIVEN BEFORE YOU, HEAR THE LAMENTATIONS OF DA WOMAN.
Who was the enemy? Hollywood? The Man? Corporate Studio? The struggle is fun when you’re climbing. Many get stuck in the mud and frustration builds. As the middle age filmmaker to the young filmmakers out there – look within. See your enemy – YOU, your lack of confidence, your insecurities, your jealously, your frustration – DRIVE IT BEFORE YOU – do not let it rule you, blind you, corrupt you and bring out your worst traits. Now I’m not sure how the last part fits in:) If you rid yourself of your worst character flaws I don’t think anyone will lament that.
This week was full and I felt a touch behind all week despite paddling as hard as I could. Sometimes you have to let the current take you. Let me see if I can hit upon some of the weekly highlights.
KNIGHT CHILLS book/film deal is done. Also they are on board with the idea to participate in the sequel film. It is very close to having a first draft I’ve just been pulled in various directions.
Terence Knox in AN ORDINARY KILLER
AN ORDINARY KILLER – We’re about to do a high quality run of this film that has been newly remastered. I was prepping it for 2016 VOD release and likely BluRay. New ART WORK is done.
WICKED SPRING is also heading the same direction. I picked a different direction for the film which delayed our new release a bit.
FIGURE IN THE FOREST will be the Dec. 17th film showing at our artist mixer at Sanctuary Spirits in Grand Ledge, MI. We have an event page just opened today. We have a good time watching some of the older films and talking about the challenges we faced at that time.
https://www.facebook.com/events/663579793745041/
Release dates nationally
DONORS (Feb 2nd)
ASHES OF EDEN (April 1st UplifTV, Parables TV) April 5th national)
BESTSELLER (May 3rd)
DJ Perry as author Mark Franklin
This week I’ve had a couple scripts to get through and another is on the way. I often have to use my writing time to read so my writing progress slows slightly.
DJ Perry as Jesus in “40 Nights”
40 NIGHTS – The film should have the VFX and intro in this week. We watched the entire film with the dialog and sound design work done. It was moving and I love how nature plays so strongly into the film. The music is underway and soon we’ll start color correction.
CHASING THE STAR – We’re organizing the business entity. We’ve got our first official script that will start to be sent around this week. Our revised schedule is done and this will help me finish what I need to do. Casting has been in full swing. We announced Logan and Anthony (Tony) as part of our cast this week. I’m excited to bring together this group of artists.
WASTELAND – Gray Day Films and CDI
WASTELAND released Part 1 for FREE! WASTELAND: Tales from the Desert, Pt. 1 is now online and we’re giving away five official WASTELAND posters in honor of it! Just share this post and you’re automatically entered to win! https://vimeo.com/146707702
This work while only taking up a few lines of text has been a boatload. But when I see a finished project it always makes the climb worth it. We’ve got a final Thanksgiving like dinner with family up North. After that the early Christmas gatherings start. So in between the family gatherings it is work, work, work but soon…we will be toasting another finished film. It is time to get into some hot soup and prepare to watch MSU win their big game tonight. Go GREEN! Go WHITE! Spartans to WAR!
DJ
My alumni school
HAPPY HALLOWEEN! Balance, Bestseller and Being Busy
Happy Halloween! This day reminds me of early days plodding around in our neighborhood usually in the damp drizzle bravely approaching dimly lit houses. We transformed with our costumes, one that my mom or grandma (If major sewing was required) helped construct. Mom made sure we had our share of classroom Halloween treats and Halloween parties at the house. Later years brought howling at the moon and we were drawn more to the attractive outfits of the ladies versus the haul of candy. Yes. Priorities had shifted. I love Oct. 31st because it’s the portal into those longer, darker, self-introspective days of winter. The harvest has mostly been collected (we still have beets in the ground) and our dwelling and self are both being prepped for the much colder days ahead. Often in my later years the movie sets have taken me away at this time. The beautiful change of season is highly sought after by filmmakers. I’ve been in the Smoky Mountains, India, and various locations on this day This year our timeline is full with multiple screenings and the final month of post-production on our film “40 Nights”. These films we’re doing have distributors and retailers waiting and so this timeline is VERY important. I had a good couple of weeks of the actor-self feeling like a beast in a cage. Add in the time off from soccer (my body thanks me) whereas I’m not getting my weekly BATTLE lust and well…it left me seeking my balance. This day is one of great re-balancing. It prepares one for the months ahead. We have much to do!
DJ Perry as Jesus in the biblical drama “40 Nights”
One thing we’ve been seriously doing in preparation of our next feature, “Chasing the Star” is seeking the right director. This is an important task just like casting and crewing. Every artist is an important part of the whole. This is also an interesting process because this is #2 of a trilogy. The right person has to align with the script and also be producer friendly. Business does trump in the non-hobby filmmaking world and so you need someone who understands that. In no way does that mean that business is a hindering factor – just is a factor. Often it never even becomes an issue. Just when it does you want a director who is on board PRE-filming. Each director is looked at for their experience and connection to story. Lastly, they must possess qualities that are of a respectful, grateful and appreciative nature. One film can change everyone’s life path.
Many first time filmmakers never make that second one because it is truly a task not for the weak. Those that continue to grow are the ones that learn collaboration and compromise within a business structure. I’m happy to say we’ve found our director on “Chasing the Star” and will be announcing in the days ahead. Congrats! The CDI tribe welcomes you.
From the motion picture “BESTSELLER”
“Bestseller” is having a Nov. 1st showing in Owosso, MI and I will be attending. It is at the Wrought Iron Grill and shows at 6:00 pm – I hope to see some of you there!
The detectives and their snitch confront some dealers in the park about the death.
Our next CDI art mixer at Sanctuary Spirits with Red, White and Blue Project is Nov. 19th in Grand Ledge, MI. The film will be “An Ordinary Killer” filmed entirely in Michigan.
This concludes a great week of meetings that included book and comic book deals, soundtrack/VOD talks, touring discussions and several other interesting developments happening with our CDI library.
I’m waiting on a new “C.U.J.O.” draft along with an action script that the studio wants me to look at. I had a great talk with a producer who is doing westerns and we’re looking at collaborating. Also had a surprise phone call from a NYC area director who is sending me his book/script for a film they are prepping to shoot in 2016. So not sure which and when yet but I will be back in front of the camera at some point here soon. So with that I’m enjoying being home in the fall.
I’m sure I missed a few updates but I’m updated out:)
Be safe on whatever path you’re on tonight.
DJ
Showings, Cycles and Selecting Ones Path
It is a beautiful afternoon here in Michigan. I had a good week overall despite going to two memorials for friends that had lost parents. Conversely, I just found out that a buddy of mine (Casey Sweaten) had a baby boy – well, not him…you understand. So the circle of life is in full motion this week with life and death. I guess this leads me into a few other thoughts I’ve had this week.
Directors/Storytellers
I know many directors out there. Many are doing short format to develop their style and learn how to communicate with crews and talent. Many of those aspiring will never make a full feature film. WHY? It’s hard work. Anyone who has made a feature film can attest to this truth. To work with any real budget you must be a producer’s director. By this I mean able to work within the business limits set by the producer. This ability requires a responsibility by the director to stay on schedule and budget. It requires a self starter who is very motivated throughout the process. A film that has pre-signed distribution must be completed in a pre-determined timeframe. We work towards being tighter and tighter as a production unit because as we continue to enter a distributor/studio relationship we must maintain and improve that reputation of being a reliable source of content.
SUMMARY – Directors must be reliable and time motivated
I have director friends outside CDI whom I’ve done on-camera work with that still hasn’t seen the light of day. (Some almost 15 years) Other’s have been grinding at post-production for years upon years. That’s their accountability to live with to their people. I feel an accountability to my cast and crew along with my investors. Those that do not see that accountability factor makes me sad. Sad because they likely will not work in a true business structure. Others will not thrive because they can’t see beyond personal ambition.
This is hard to grasp but is a secret to at least some of my success.
Let’s see if I can explain – actors tend to think that after years of struggling – once cast – the one film released will make them an instant star – that all the suffering is over. It DOES and CAN happen like that but someone also wins the daily double – daily. It is possible but not good enough odds to build a career from. Actors may not connect with audiences until they get several films down the road. I’ve never had what I would call a home run. Oh, you’re the guy from THAT MOVIE (Home run) but I’ve been a steady base hitter. My market penetration has gotten greater and greater internationally with each film. People have connected/embraced certain roles and so thanks to all of them- I get paid to bring my version of a character to the screen. A major humbling reality from a dreaming kid with a VHS camera who was constantly told he had to grow up someday.
Say when;) That’s for you Tony.
Now directors don’t have as many opportunities as actors. Why? Just numbers. Many cast members and only one director’s chair. From there – quality opportunities are even more scarce. Funding even a quality opportunity is hard. Look at any film school – a room full of directors. Not always true but many do have this desire. How many feature directors in that room? A few perhaps.
Facts I’ve often found to be true with directors
First – Only a few directors will ever actually direct a feature length film. Some may start one but for countless reasons – many don’t finish.
Those that have finished a feature film – they’re in a special club.
Now only a few of these directors who finished had a team behind them that created the quality worthy of distribution. What is that? If X distribution company values your film above and beyond the time and cost required to exploit revenue streams.
One Example for rejected films:
Actor Appreciation – If you view actors as just props and try to replace seasoned talent with volunteers – it will almost always show. If you spend it on cameras spend it on talent. Bad talent shot with a RED EPIC is anything but EPIC. I had to use that camera for the joke. Someone out there is correcting my joke that this or that camera is better…next.
Distributor likes it but do you have the business organization/releases to deliver a film. It can be a bitch – especially to a major studio.
Now pending the performance of their film in the distribution market – many directors will never direct a second feature film.
Why?
It can take a few years to put any clout behind a directors name. It will likely take a half dozen films realistically.
The director may just be unwilling to create product that distributors actually want. I do know of several directors that are just working on things they deeply enjoy. Like painting, drawing or any number of creative releases IF it’s just a hobby that’s cool. But you can’t complain about the system. The system is largely set by audiences. Business is catering to their tastes in order to sell them stories.
What happens often when it’s just starting to work –
Like a band – some production outfits start to get rolling and they change too much, too soon. Someone wants to explore their inner blues and Tommy really wanted to try drums. Two lead singers. Before they can establish themselves as a pattern of success – the band breaks up.
Why all this director talk?
We’ve been looking at directors with this slate of CDI films before us. In summary a director must prove himself to a producer’s director and execute product that we’ve identified as something the distributor wants. I like to use the example of a well established film director I know. Most of his films have been with 20th Century Fox. He initially had a film get accepted into Sundance. He got a behind-the-scenes directing gig for a big Hollywood name. Soon an opportunity to direct a studio film came up. He stayed on budget, schedule and people liked the film. He’s often given a choice between two or three projects that the studio has approved. He’s done a few smaller personal films and his clout has allowed that. I see directors who want to grow too fast or get stuck -and can’t take the self-inflicted frustration. They don’t ask themselves the hard questions and accept the real situations. Directors like actors must earn the right to creative freedom in the non-hobby world. It’s not an entitlement that comes with the name tag. It’s a business. You want total freedom? 48 hour film challenges are all over the country. Giddy up:)
SUPPLY AND DEMAND or is that SUPPLY and COMMAND:)
Here at CDI we’re really getting into the business of working with distributors and cutting out the shopping aspect. That’s great for investors because the revenue stream starts sooner and we have financial guarantees from distributors to help protect our investors. This exists because of what I was writing about earlier. Professional dependability and quality of our product is what creates the relationships we enjoy.
Collaborations
If you are exclusively into your scripts – you must bring the money at risk with your story. If you accept this situation and want to turn out quality on schedule and budget maybe a collaboration with CDI is a worthy discussion. Raising the $ an undertaking is only the first big battle. Don’t go inexperienced into important endeavors. Be honest in your accessment of your team.
In-House
We’re making films that distributors want and that is the way it will remain. I’m getting too old for spec films/shopping and at higher budget that’s not a responsible action. (Filming without distribution) So I’ve been sitting down with lots of filmmaker/directors. I was happy to sit down with another on Friday. A young man who is paying equal attention to SHOW and BIZ. He has completed his first feature and it has landed initial distribution. It was scary for him being out there facing the rejection. They had enough quality onscreen to pull it above the other films struggling for attention – and because of that, got a good starter deal.
We’ve got both types in CDI – directors with pet projects – that if they bring the bank we’ll make that film on schedule and on budget. Additionally CDI is picking/creating projects based on distribution/marketing meetings.
It is a tough game. We debate these things with ourselves where art and business meet. I enjoy bringing to life other people’s characters/stories. As a writer I love to see my own story brought forth but only if the product is in demand. We make collective art for the collective masses. I know several directors that only get excited by what they pen. If that becomes the routine you better keep writing and get it into development. I think this is on my mind because I was asked twice about directing this week. I don’t “desire” to direct. I don’t want to take an experience and building opportunity from someone really trying to get ahead and would appreciate it beyond words. If you want to see my directing go to indieflix and watch the first three shows of “Supermodel Showdown” – enjoy:) I have enough hats and I’m not looking to direct.
Film Updates
DJ Perry as Donnie in ASHES OF EDEN
ASHES OF EDEN is holding on our domestic home video street date. We’re in negotiations on a TV deal and so we’re open to adjusting our release pattern. Additionally I’m told it is playing Oct. 17th and 18th at the Sun Theater in Grand Ledge, MI. Check online this week for times.
Funny thing – Also in Grand Ledge, MI – on Oct 15th we’re kicking off a monthly art mixer at Sanctuary Spirits distillery. It’s $5 at the door- starts at 6:00 and at 8:00 (sundown) we will be playing our smoky mountain western that was released by Lionsgate. Come watch “Dean Teaster’s Ghost Town” and mingle- see some of you there!
On November 1st at THE WROUGHT IRON GRILL in Owosso, MI we will be showing BESTSELLER. Author Chris Wright/Johnathan Rand will attend. It will be a nice event at another cool venue brought to you with our friends at RED WHITE and BLUE Project. I’m trying to close on a run at the Alamo theaters in K-Zoo and we are working towards a Detroit area showing.
Sequels
I’ve been reviewing the KNIGHT CHILLS book that will release with a reissued film. All this is to prep for KNIGHT CHILLS 2 in development. The script is being actively worked on and casting talks have started.
We have kicked up development on CHASING THE STAR which is set to film in Feb 2016. Our talent initially approached thus far have loved the script. This is a follow up to “40 Nights” that is chugging down the post production line. We will be starting music on “40 Nights” soon. VFX work should be finalizing in a few short weeks and color correction can begin. It’s all very exciting. The 3rd film in this trilogy is about half way done. We will have a 1st draft by the end of the month.
I’m enjoying the fall immensely. Next week I will be making a batch of wine I will call RETURN OF THE GREEN GOBLIN. If you’ve been lucky enough to try the GREEN GOBLIN wine you’ll be excited by this news. I also have a new beer brew batch to mix up. I’m healing up nicely from a brutal soccer season. Acting – If the right acting project comes along great – but right now I’m just focusing on our end-of-the-year business and prep for 2016.
I’m going to wind this down but have a great weekend.
DJ
CDI’s Smoky Mountain Western released domestically by Lionsgate
Film in Michigan, Financing and the SECRETS
What a great week. We had some good rain here at week’s end which has been great for the garden. We ended up with tomatoes, beans, peas and beets planted. I also had to fortify a wood tee-pee structure that has veggies planted within. I had to make sure our dogs could not get in and dig as they so love to do. I also have been doing some work on the two-tier pond. All these things play into the overall as it provides a great atmosphere to sit and take biz calls. This week I had some meaningful talks with my management, new filmmakers and also a few distributors. Let’s look at a few project updates…
BESTSELLER
We also just concluded our BESTSELLER theatrical run in Grand Rapids, MI to some great response. The film is about to move to additional cities and I’m glad that so many want to see it. I had several great communications from audience members and I’m happy that we as artists did our job. People are being thrilled by this Michigan based thriller and we are all…thrilled.
ASHES OF EDEN
The distributor has announced the official release date in October and showcasing the new DVD art. It’s starting to appear as a pre-order in select retailers now. We will promote these rental/retail sites as we get closer.
40 NIGHTS
This coming week we’re preparing to sit down with our FX supervisor and plan out the required shots. We will also tweak the final film edit as we plan to move into post sound in July. We’ve been pulling promotional stills and have started working the 1st trailer. I’m excited to watch this one move down the production line. Stay tuned!
DJ Perry as JESUS in 40 Nights
FILM IN MICHIGAN (My Opinions)
There has been a lot of news and anger flying around about the state of the filmmaking in Michigan. Now dear vendor friends such as David Lowing, lumber yards, hotels and many more such suppliers will certainly suffer some loss with the incentives gone. I see many people seriously upset about the tax incentives getting nixed. My initial hope was that the incentives would focus on the development of FILMMAKERS.
Education?
Previously I had helped construct a program whereas the arts (filmmaking) could be put on par with sports at the university level. Our program was well received by everyone from president down until it got to professors. Too many wanna-be chiefs with too little actual experience. TRUTH.
Maybe Government could be the answer?
The hope with the ideal government program would have been to assist business-minded (Read that part again) filmmakers to get to the next level. Controlled grants or matching funds programs for film corporations operating in Michigan for 5-7 years. Again I have many ideas on how we could have developed our creative force here. But importing was the agenda set with our incentives. Some of our best people on both sides of the camera would only find use as back ground extras, van drivers and production assistants. Good if you have zero experience and want a peek within – but these people I’m speaking of are highly experienced and working in non-challenging studio positions.
Filmmaking Added to The Vocabulary
All that the film incentive did in my world was make the word filmmaker legit in our state. When I started out we only had a handful of narrative filmmakers. People who didn’t recognize the industry in Michigan now saw enough headlines to put the word FILMMAKER out there.
New Growth
I think every young person unclear about what they wanted to do with their life loved the idea of filmmaking. To play with technology and create stuff to impress other people is enticing. But the business of it is not nearly as fun for most and that kills most careers. They don’t teach the business like they should.
Advice
SUPPORT THOSE THAT LOVE THEIR STATE. These people will plant and nurture seeds.
SUPPORT THOSE WILLING TO SUFFER THE HARDSHIPS OF LEARNING THE BUSINESS OF FILMMAKING. (Sorry social funding/hand-outs don’t count) ACCOUNTABILITY IS SOMETHING THAT MUST BE LEARNED! Mentors from the business community please help these people.
Interconnected
EVERY failed film project in our state that wasn’t self funded (By the artist) HURTS the whole state industry. Those that have disposable income to invest (Note they made their $ not begged for it via fundraising) will recognize a solid business plan. They see some of themselves in this young upstart. NOTE TO MANY – They also can see through BS. Many failed artists think they were/are smarter (in biz) than everyone else – they are not. The person who is being invested in is just as important as what is being invested in.
Character, integrity and responsibility. (People invest in this)
Peer Accountability
Artists need to hold one another accountable. But unfortunately for many in the local scene the worst offenders are also some of the best networkers. (Kind of) This often creates a fear of being blacklisted by the local networkers. But in my experience these people are rarely associated with the best projects. Why? Experienced people explore before hiring. The projects that do end up with these people are often not something to be missed – chances are strong for a disaster. I like to call it dodging the bullet. I’ve almost signed onto a few projects that I would have regretted.
Investors
Now – when an arts supporter/investor takes a burn on a venture they will surely communicate that to a wide circle. It may be it on the 19th hole of a golf course or some charity function. Often an industry/community can get defined by some of the worst participating in it. I have seen official statements made by individuals that I know – they don’t speak for me.
Respect earns Respect
When someone refuses to RESPECT and take the challenge of producing serious thus creating a mess – the insecure masses are still there to smile, hug and handshake at their next mixer. These fiascos mean that Michigan filmmaking has once again been defined and not in a good way. That’s why Michigan cast and crew are mostly not respected – I know that as truth as someone who does a fair amount of west coast business. I’ve fought the “Backwoods Michigan” view held by others my whole career. It was easier back than to defend the lack of work versus incompetence of work.
How can we improve this?
DON’T BE AFRAID TO SAY – NO! If the biz doesn’t add up say – NO.
Too big of a script, too little $, too few days – SAY NO PRODUCERS! You can’t remake the laws of the universe. People accept impossible tasks and I have to think it is for the paycheck. It’s like if you knew the ship the Titanic was going to sink how much would someone have to pay you to go for a ride? How much to charge a live firing squad?
EXAMPLE:
I have one project I co-starred in and finished all my scenes several years ago. It’s stuck in that in-between HELL. The result of a fight between the management entities of the film project. It’s hard because of all the hard work that many artists put into that project/film. I feel bad for all the artists but even more for the investors. They are victims of bad business. As just talent I just have to let things be. As a producer I wish they would have found me. If I had said, yes – they would have a film on schedule and on budget.
More Advice
If you can’t manage a group effectively – DON’T PRODUCE. I could not be a DIT on a film. So I don’t accept a job as one. Same with producers but it is a flashy title and so many are drawn to it – moth to flame.
If long set hours are not for you on a non-union crew job – SAY NO.
I’ve just allowed my thoughts to roll out but I think in summary I see the death of the film incentives and perhaps office as a new beginning. A new chapter could rise from the ashes. Let the fly-by-night people seek scraps from another table. Once the grumbling stops creative circles will start to look ahead.
CDI
With the exception of when a script requires a certain location – we always consider Michigan. FACT: Collective Development Inc. will be making films in Michigan and incentives and/or film office is not required for us to do so.
As you form your circle of filmmakers – dedicate the time to learning to do it right. I heard a story this week that a film group didn’t want to learn SAG union paperwork because it was too much red tape. I’m not a union cheerleader but what is “too much” to advance your career and learn? Learn the process!
HOLD your people accountable! Producers hold your cast and crew accountable. Cast & Crew hold your Producers accountable. We all make mistakes and set life is NOT a vacation or PERFECT but stand accountable. A full cast and crew should not have to lodge in one room – Poor planning. Tents are not acceptable crew quarters – Poor planning. Late. Unprepared. Lack of pre-production – failure is worn by all. Failure is a step towards success ONLY if you don’t keep making the same mistakes.
The Secret
I hear people asking about my SECRETS – The SECRET is if the business doesn’t add up – pass.
Inexperience in key areas + unreasonable schedule/script = PASS
Someone with a track record of bad producing = PASS
Dodgy answers or avoidance of answering questions directly = PASS
No plan of action after film is done “Get into some high-profile film fest” = PASS
If nobody would say YES to a poorly planned project they would be forced to re-evaluate a project and make modifications. Respect. Accountability.
Wrap Up
The incentives can come – go – come again and I truly won’t miss a beat. I’m a filmmaker who works with talented artists. I always strive to make things better. We make mistakes and try to always correct and learn from them. I hold EVERYONE of our artists on a project accountable and hire problem solvers not complainers. Your time working with us can be one and done or decades pending what YOU do. (Or don’t do) I may not be everyones friend but those artists that I work shoulder to shoulder with – who respect their contributions and take pride in their final work – we all share something greater than friendship. Craftsmenship. A tradition of storytelling. We share that film as our collective work at that point in our lives/careers.
I had a lot of words and I tried to put an order to them. We have a family event this afternoon so I’m going to bounce off here. These are but my OPINIONS for those that wish to read them. You can apply these principles despite what state or country you live in. Artists are an insecure lot and that gets exploited so often. But work hard and believe that your artistry will find the proper outlet. Just remember you are more often defined by what you say NO to versus what you say YES to.
Have a great weekend!
DJ
Private & Public BESTSELLER Showings & More…
BESTSELLER Premiere info
The heat arrived in Michigan this week and I actually had the first mowing of the yard for the season. Also friend/associate Dean Teaster has been working his chain saw art so I have a nice pair of benches next to the outside fireplace and a tiki totem pole in one of the garden beds. The hops from last year have started growing and this week coming I need to prep the garden to plant. I had many great phone calls this past week including director friends like Larry Simmons (Locked in a Room), Jon Osman (The Terrorist), Shane Hagedorn (Ashes of Eden) to name a few. It’s exciting as everyone is starting to talk new film ventures. Planting seeds of creativity and growing new stories. I had many other business discussions and as many of you know we are in for many exciting updates in the weeks ahead.
Before we get into these exciting updates let’s take a moment to put something out there for thought, discussion, change?
I had an actor friend contact me and he has had some great work moving out into the market. As it is for many – he could still be ready for more and sooner vs later. This passion has to be controlled and not allowed to become desperation. It is sad because agency’s locally are not vetting projects hard enough. These crowd funded dreams are moving people into action well before they are possible. Casting calls, table reads and making people drive, spend gas and take time out of their life only to find they have a crowd fund with $25 bucks in it. That might buy pizza for a small table read. But why do agencies roll with these? To appear busy? To give their talent something to do? If you got a call once a month or every two months but it was real that seems better than a dozen BS auditions for pipe dreams. And I see self-proclaiming official film organizations promoting these social funding efforts. Why? It seems they should be hosting business workshops to educate filmmakers. Not promoting hobby handouts that almost never come to be. I know these are harsh words and only those engaging in this behavior will be angry with me BUT others of you know it to be true. I can scroll right past or unfollow something (true) but the content brands your organization. Your agency. I see people using a cause to try to get money from social funding but still no business accountability. You want to help? Do the work. Start a non-profit. So I had no answers for this friend – just “it is what it is…” I would have them contact your agent with a script and offer when fully funded. Stay home and eat pizza.
Onto business…
TODAY is a special invite showing for a few dozen people associated with the film BESTSELLER. The film is DONE:) That almost sounds odd to say. The project had a lot of issues prior to CDI getting involved but now that seems to melt away as the project is ready to show the public in two weeks (May 23rd). These two showings are being done in Christopher Knight aka Jonathan Rand’s home town and at a beautiful historic theater. We will be announcing some other play dates on the 23rd but also DVD’s will be for sale from Misery Bay starting on the 23rd of May. I’m happy that this film got the professional finish it deserved. We have long-term plans with Misery Bay and that is built on solid business. That is something I talk about here often. When good business is done it creates job opportunity for a lot of people. When bad business is done – just the opposite. Poison too many wells and you cannot support an industry. I will say it again here – We make errors in our business BUT we are sincerely trying 110% to do things the right way. And I see others that don’t even make the attempt – hard work will win the day over and over again. That is TRUTH. So a great heartfelt thank you to all the hard-working cast and crew of BESTSELLER. It is time to share your artistry with the world.
THE TERRORIST is a NYC based thriller that I co-starred in and helped produce. I got to watch the final film this week and it was great. It also has had quite the journey and is now ready to be seen by audiences worldwide. We are starting to show distributors who have been waiting – this month.
I actually have to turn quite a bit of attention back over to distributors – I’ve been focused on BESTSELLER in these final weeks. I also got a some feedback from a TV licensor and it looks like finally next week we will start to close on a few new TV deals.
“40 Nights” is creating lots of buzz. I released the 1st interview for the film here
http://www.examiner.com/article/michigan-s-own-dj-perry-talks-about-biblical-40-nights
the film is in editing and moving right along. I’ve also started releasing some stills as pencil drawings on the “40 Nights” Facebook site. I think it introduces several elements from the movie without giving you the full on epic look…YET:) I’ve also started my research on my next biblical that we have to do for Lightworx Entertainment and so that has been fun. I’ve also been finishing up a couple other scripts and in talks with some production groups on others. By this I mean, they work in association with CDI to produce a script from our vaults that has distribution.
I’m going to cut this short as I have to prepare to go up North today and share BESTSELLER. I just ask that the technology gremlins stay far away:) I’m looking forward to seeing some old friends and enjoying the show as an audience member. I hope to see some of you on the 23rd for the first public showing!
Have a great weekend and Happy Mother’s Day! (On Sunday)
DJ
Spaceship is on the Launchpad & Select Updates
I know I should have a coffee sponsor out there for as much as I talk about it. Many know my love of hazelnut but I’ve also been adding cinnamon on the top for some time. It’s supposed to be good for digestion but also is just GOOD tasting. It has been a busy week of prepping for this role in Nevada playing a space pirate in what I can describe best as a Sci Fi western. WASTELAND Tales From the Desert Part 1. I’m looking forward to a return trip to Las Vegas which as far as cities go I do enjoy. I’m looking forward to seeing a few movie friends inside my hectic film schedule. I’m looking forward to trekking about the location of our filming which will be the Valley of Fire State Park. I’ve noted before that I’ve gone there as a child but I can’t really recall much. I know from what I’ve seen that the place will look great on camera.
I’ve been working on two scripts that are looking to shoot in 2015 – one is a long-awaited sequel to our original 1st CDI feature “Knight Chills”” and it’s fun and exciting to be creating here. We were very green when we did that 1st film and despite the great exposure here in the US/Canada and in several countries it was a major chore to complete. Now with all that we know and the better equipment for filmmakers this movie will be great and a smooth ride. It has a few appearances from original cast but will star two newcomers in the soon-to-be franchise. It will feature our famous villain and I look forward to having him on the big screen. A novel based on the 1st film script is in the works and will join a new re-release of that film to prep audiences for the sequel. Also we are looking at TV and other foreign sales for the old/new films. I’m excited by this and it will be fun.
I’ve also been working a powerful drama that has strong military and animal rights themes. It has been fun to bounce between these two scripts based on my mood for the day. I do enjoy writing and take great enjoyment in the process. I might have yet another script job after these two and again just a great pleasure to change gears from business and just swim in the imagination and create.
I’ve been working with graphic artists and distributors in getting new marketing materials around on “In the Woods,” “Donors,” “Ashes of Eden,” and “Wicked Spring” all coming out 1st half of 2015. On the re-releases it’s fun to go back into these great projects. On the new projects releasing – even more fun as you prepare the 1st looks for audiences out there. 2015 will be a busy year with releases and I will keep my promises to my foreign friends to get these films out there further so they can be enjoyed in your countries.
BESTSELLER – WOW! The FX work I’ve been seeing out of DNA Design has been wonderful. Soon we will be laying the FX plates into our time line along with the music beds being composed by Dennis Therrian. This film will be great to see all together. Those who have seen the early clips are raving about the suspense and intense nature of this film.
We have also been working development as noted by some of the script work. Additionally we have more than half the funds committed on another soon-to-be announced feature. Actually come Jan. we should be fully funded and we will make some announcements. It is a powerful script and role and we are working out our deal with distribution now. I plan to perhaps announce this film on or around Christmas.
Outside of all this I’ve been in talks with management on over a dozen projects where some TV series I’m looking at guest starring and some perhaps a regular role. We are targeting some of the casting on these studio films and at least one I’m already slated to be part of the cast. These are tens of millions of dollars and so they move at their own pace so I get to keep on doing my thing until they role into pre-production.
I got most of my Christmas shopping done and everything is wrapped and under the tree. I am not a “wait to the last minute” person – must be the producer in me. This weekend I will enjoy the family life here before I go do my movie thing for a week. I will come home to be thankful for the past year. Thankful for all of you who make this journey worthy. Thankful for family and friends who give love and support without care of what role I’m playing. I’m happy to be doing what that teenage boy was doing with his friends and camcorder so many years ago. It’s times like this that I just feel incredibly grateful.
I hope all of you have a wonderful weekend and productive week ahead preparing for the holidays. My next blog will come probably late on Saturday once I return home from Las Vegas.
Happy Holidays!
DJ
Sum-of-the-Parts, Craftsmanship and Updates (of course)
Hello friend, fans, peers and lovers of the artistic journey. It has been cold in Michigan with an early snow and now icy rain is joining the party. Thankfully the coffee is brewing and I’m cozy and ready to share some of the updates and stories from the week. My weeks are often filled with success and setbacks and I think we all have that. Patience is also another quality that takes time to master. I’ve often described it as the difference between a pulse and a ray. A ray requires a steady stream of focus and it drains from the source over time. In the simplified example, “The watched pot never boils”. Now the pulse is putting the focused energy into a focused action and letting it go. If you submit your script, resume, project or whatever to an opportunity – do so and let it go. If it consumes your every thought very little will get done on other fronts. If fate doesn’t make that opportunity happen you have to deal with the rejection or deal just not working out. (I like to adopt the mentality that I will do what I was meant to do) Also you have to rebuild some momentum from zero. But if you are always creating new opportunities you get a constant flow of pulses going. I adopted the idea of taking one positive action a day to further my goals. That has now grown into a day full of positive things done but the returns are real. The opportunities that don’t work out are always balanced out by several things to do work out. Each week it is hard to be disappointed about something that did not happen when so much good did happen. Once you get this flow going it is hard to stop. Honestly only health issues can halt this flow and that is why it is important to spend time to maintain yourself. If you adopt these ideas as your own you will notice major improvements.
I’ve had some great talks this week with motivated individuals doing some great things. Jon Osman, is the director of “The Terrorist” and he is a driven man. You have to be to create feature film. It is even more effort to create good content. It is all about your associations and collaborations. Now he has had his success and setbacks but in the end he will stand tall. That is just how he is and I’m interested to see what he creates beyond this. I’m excited that we will see our collaboration come out in 2015. Some will want to get ahead by taking the low road but I can tell you that while the high road may take longer, the journey will be better.
I’m disappointed often in people’s actions. People who lie in business. People who hoard credit. People who don’t take self accountability. People who are unprepared. People who oversell their abilities.
I often get treated respectfully because I give respect and if you are going to share my space I expect respect. But I do base a lot of my character judgement upon how people treat other people. How does that director speak to that product assistant? How does an actor treat the crew and vice versa? I’ve seen overblown egos in action. It often covers up weakness. I’ve seen the dudes wearing sunglasses inside at night. I’ve seen the girls who expect diva treatment. Weak. Weak. Excessive self E pic = weakness. I’m not sure people really look at why they do certain things. Compulsion? I know people who react the same way in every alike circumstance. They have to twist and make themselves inclusive to a discussion in some way. They wait for someone to stop talking so they can speak. It is like bad acting. They are waiting for a cue to start talking but they have listened and heard nothing. I’ve had weakness in my life and I’m sure I still do. But I live by KNOW THYSELF. I seek to know why I do certain things and if it’s healthy for me? Look at your actions and see if you can become stronger in character.
I had a situation I addressed whereas on a project (Not mine) a mistake was made. I actually saw lots of mistakes while participating but I always look at experiences as learning. I see things right or wrong and incorporate that into my own operations. I do admit I see more wrong than right but that is not always the case. It is a good case example of a project that will be the sum of its parts. All the artists involved will affect the final product. That is why I’m very picky. Now you will give opportunities to someone and they will rise or fall pending their passion and dedication. On this one project I noted how a few artists had been attributed to failure on another project. I was met with a somewhat defensive, even noble defending of their character. I wasn’t passing judgement on character but on empirical evidence. We can choose to not discuss previous actions as someone might rather not hear others shortcomings. That is fine. But they still exist. I use this info in making decisions to create better teams of artists. So this information was not shared and these elements/variables were highly praised and defended as vital in their creative process. Out of respect – I let this topic go but upon viewing the final results – I will stick with my original assessment. In a totally unrelated conversation I told someone – if you keep using the same variables in your equation don’t be surprised when you keep getting the same results. If you’re happy with that equation and results – great. But if you’re not – you need to look at changing variables to get different results. None of it for me is personal. It is my work. It’s no different from when I was coaching a team. Setting goals and having individuals strive to achieve them is no different from when I taught martial arts. Filmmaking is a team dynamic whereas individual artistic ability is blended with others to achieve a goal in storytelling. A film will always be as good as a sum of all its parts.
As we discussed – if you are going to DO you might as well try to do the very best you can. Pride in craftsmanship is something we should all strive for. As we know much of art is subjective but side by side quality often becomes clear. We all have had those moments of frustration – I recall more than one time on ASHES OF EDEN a computer may have warranted an Elvis treatment. He was rumored to have gotten mad and shot out a TV. I guess he could easily afford a new one:) In those moments where you are tempted to say, GOOD ENOUGH. It is those people who suck it up and say, NO. LET’S DO THIS RIGHT. That is what will define character and elevate others to a new level. Get a team full of people like that and you’re end quality will soar. These lessons seem more common sense versus some mystic wisdom but it is funny who it often eludes people. Note that most of the talk here is about the SHOW vs the BIZ. I often talk on the BIZ as many lack that but the SHOW is often the fun part. It is those trying times where it is NOT fun. Example – Ugg! Those lights are in the truck parked down the road and it is snowing. Do you A) Try to bounce some natural light and get an acceptable shot. B) Walk your ass and get those lights. I have people who will often say, “I GOT IT” and they are off. But many will just wing it and when the shot comes out uninspired – well? This can be said about Art Direction, Camera moves and about every position. It might be a pain in the ass to get a small genny up so coffee can be made but how much more productive is a crew with hot coffee in the cold? It might be the thing that makes that person run and go get the light from the truck versus just shoot it as is. It is why passion is so important to our crews. If it is just a job go work elsewhere and make better money and easier work for sure. People who think filmmaking isn’t hard work they just don’t know.
OK onto some UPDATES!
ASHES OF EDEN – This is prepping for our early 2015 release. Very excited to share this film. I’m proud of the craftsmanship.
WICKED SPRING is getting a 2015 Special Edition release. More official PR soon!
DONORS just signed a domestic deal for 2015! More official PR soon!
KNIGHT CHILLS novel for 2015 to go with a new release. A sequel? Maybe:)
IN THE WOODS – 15th anniversary release starting with the UK
THE TERRORIST – Final post work for a 2015 release!
BESTSELLER – Post work is moving good. We expect an early 2015 premiere and theatrical run. Some good early interest!
WASTELAND: Tales of the Desert – This film is in Pre-Production and will shoot the 1st part of this collection of Sci Fi/Western stories in December.
Foreign sales talks are underway and I’m excited to get many of our films to new audiences.
Development on several films are in full swing. We’re excited to be announcing some of these as they move into pre-production but you all will just have to wait:) One reason is because the in boxes get slammed with submissions as soon as word gets out on a new film.
OK. I’m going to get some things done before watching MSU play some snow football this afternoon.
Have a great weekend and even better week!
DJ
Crowd Funding Space Stations & Clowns Killing Our Industry
I’m sitting here sipping my hazelnut coffee before starting my day. I will be up North without my computer tomorrow and so I thought I would write my weekly blog update in advance. I want to thank all those who follow the blog on here from 13 countries. I enjoy using this as a way to praise, inform, vent and offer insights to our entertainment industry. The lessons discussed can be used in various industries but I speak about what I know best. Let see where to begin…
MEDIA
Let’s talk about our local entertainment media, not all, but some of them. I find it absolutely crazy that some projects get immense spot light when they have no chance of launching. You don’t see someone wanting to open a new steak house begging for donations so they can first buy the building (For 175k) and after that beg for an additional million plus dollars to put the… (business?) (venture?) I’m not even sure what to call it so let’s call it a pipe dream, in motion. This approach is so unreasonable. Since when is a begging venture worthy of being spotlighted in the media? Sadly that defines what is happening in our area. With so many newsworthy projects due attention someone deemed a begging project, that won’t even achieve the 1st goal, worthy. Thankfully I saw that this project doesn’t take any money if it can’t raise all of it. It only has a few days left and is not even close. But why was this even attempted? Did these people honestly think that they would be successful? No accountability to perform. Unreasonable budget. No real track record. I had a better chance of digging up Templar buried treasure in my back yard. Despite that some media got behind it as did various industry people. It must have been on the off-chance it succeeded those people might get considered for work. It makes those people look as film uneducated as those trying to do something way beyond their reach. Are all these folks just playing ass kiss – being too afraid to just speak it plain? If you’re factoring business logic into it all – it’s no different from community theater. As I’ve said, there is a time and place for that but these people are in hopes that someone will plop down hundreds of thousands of dollars on a whim. When was the last time someone wanted to do Shakespeare at the local theater raised a hundred thousand dollars plus for their show? Exactly.
I’m so thankful that a handful of filmmakers in the area are doing good business! Real honest to goodness film business. I hope these filmmakers help define us as a film community. Because anyone in the business who reads an article like I read will just shake their head with disbelief – “Ah silly little Michigan wanna be filmmakers.” This is what others do say about us when they read that nonsense. I’ve fought almost two decades against the backwoods mentality people assign to Michigan filmmakers. I feel proud when I see “Gods Not Dead” or any of the distributed films from a small handful of filmmakers. But as for the media – I ask you to embrace these projects that celebrate good art within a business framework. These projects with good management & business plans have earned the right to be recognized. But don’t support silliness.
I swear I am going to start a social funding campaign to do something crazy like build a space station or beg for someone to support me financially so I can try to earn a place on the Olympic soccer team at forty plus years old. I mean if I posted campaign people would say, “Come on DJ” or “That’s unreasonable” – BUT raising a million plus dollars by begging – sure SUPPORT. LIKE. SHARE. Please…if you can do that UNICEF, The Red Cross or any number of legit organizations would love to have you as a fundraiser. Now nothing personal as I don’t know most of these people and they likely would not appreciate my honesty BUT I would be the one person truly giving them helpful information. Or I could just LIKE something and once the time expires and the campaign fails I’m still just fine. Just a small waste of my time and credibility supporting something that was never going to happen. But when this happens we as a community are not fine. We are just that much more a joke to certain professional circles who are really working in the career field. And people ask why my production circles consist mostly of business-art doers from all over the world and not just from my local area. There is your answer.
LEADERSHIP
I got a good response a few days ago because of a posting about clowns needing to get out of our business. Now many the people I mentioned above are NOT clowns but just misguided artists but we also do have our fair share of clowns. One popped up for a second this week on a project only to spout some nonsense in a voice mail and unfortunately remind us that you are still around. Investors must VET out your management staff. Let’s say that you actually have a business plan. You get investors to back your film plan. You seek out experience to help assure your project is successful but instead you hire a fast talking joker. The blame goes both ways with BUYER BEWARE. I always say, 2 weeks of vetting can save two years of litigation. Now this person doesn’t deserve any communication save from the legal department. This clown is just lucky he wasn’t sued for major damages. In my opinion he should stay under his rock and hope nobody comes after him.
Why DJ are you so unhappy about this? Good question –
If you actually have a person or group that would like to see a film made (maybe the first of many) and they get burned…what happens? Right. That well dries up and furthermore at every gathering of those with income to invest – IF film investment comes up – likely the response will be A) Stay away from film investment B) Hire someone outside the state because locals are not experienced. So you can see how one film screw up can have a run down effect on your (You aspiring filmmakers) projects. Still those hindered by these screw ups in our area will still endorse, LIKE and accept every move some of these folks make. It reminds me of a saying about SHI#@%# where you sleep. So when there is a lack of work in your region you can partially thank those who helped ruin it. You can’t blame everything on film incentives. Being positive, professional, passionate, hard-working people who turn out good product is what will bring more work to the area.
BACK ON TRACK
Let’s get back to talking about actual business. “Ashes of Eden” finished its 1st theatrical run and we will soon be announcing more theatrical play dates. We also are entering into domestic (US/Canada) talks and I can say we are targeting 1st quarter 2015. Look for additional theatrical and TV play prior to that national release.
“Bestseller” is about to enter medium GRIT editing. If you’ve ever polished rocks you know you have ROUGH, MEDIUM, FINE and POLISH. That pretty much sums up editing work. We’ve captured our required puzzle pieces and now the Medium edit begins. Test audience after that followed by a fine edit. Lastly, we polish up with color correction/CGI and such. It is going to be a very suspenseful film. This film rose above the initial issues and will be the first of a series of great films.
Music work on “The Terrorist” is underway and sounding great from my talks with director Jon Osman.
In talks with a few foreign territories on “Donors” so stay tuned…
Our recent development talks have gone great on at least one project that could have us filming at year’s end. I’ve also been in talks to possible play the bad guy in a Mad Max like film. We will see. Overall I’m just really enjoying working around here on post work, wine making, office organizing and such. I don’t work to just work – it has to be the right project and with the right people. Speaking of such – the yard/garden is looking good and I’ve got to prepare for my short trip North. An old-school soccer buddy will be getting hitched next month and the posse of amigos will be off to a cabin for a few. I do have another soccer match on Sunday so I will be back to do battle.
Have a great weekend and week ahead.
DJ
When Work Reflects Your Efforts – Updates
What a week, what a day… where to begin? We had a blitz of media leading up to the Lansing, MI release of “ASHES of EDEN” that kicked off last night. It will keep playing in theaters for another week and starts the Grand Rapids, MI run on Monday. We’ve received new national distribution offers this week to consider and will keep hitting the theatrical cicles. I think Detroit area is next for this film. We also have a nice support of directors DVD, posters and T-Shirts. Our first night was a great kick off and we had a handful of the stars show to do some signings.
I was with my CDI associate/close friend Dean Teaster who tied the knot last night. It was a great dinner and social and I had one of the best steaks I’ve had in a long time. I tried a bevy of drinks last night and was reminded of my age with a small ache this morning. I was able to meet up with our “Ashes of Eden” keys and enjoy the exciting stories from the nights first showings. So if you have not had a chance to see the film please do. (Look at the CELEBRATION CINEMA websites)
On deck is our final pick up shots for the dark thriller “Bestseller” and we have all those details just about worked out. It will be fun to return and capture these last few pieces. It will included a little bit of in-water work but at least I won’t be bumping my head on ice:)
An exciting drop that I will give you here first is that “Supermodel Showdown, Costa Rican Adventure” will look to launch on Indieflix’s AFTERDARK programming this forthcoming Friday. It is funny with a little sexy mixed into it all. The 1st three shows will be available on there and I think audiences will enjoy this adventure.
We are also about to start shopping “DONORS” which is another thriller starring Niki Saletta best known for “7th Heaven” and also co-stars in our upcoming “The Terrorist”. She does a wonderful job in both films and we are happy to have her artistry.
My parents both had birthdays this past week and we are have a party for my dad today and likely hosting a dinner with my mom first of the week. We’ve been using the smoker and grilling a lot and soon fresh garden veggies will be in abundance. Besides yard work that I need to get done this weekend we are going to put a cleaning on a new purchase. It is an old late 1800’s hutch that Doc Holiday would have been right at home with. It needs a little work but will be a great piece in the office.
My only advice this week for filmmakers or anyone working in art as business – don’t allow yourself to be dragged into peoples drama. Don’t associate with people that will tarnish your good name and work. Let those people isolate themselves and they will burn themselves out. It is funny how when I hear of projects that are disorganized cluster%##@@’s – I’m never surprised to discover that one of those handful of known screw ups is somehow involved. VET people out! If you are going to invest (I didn’t say donate like these social hand out sites) invest – talk to people. I would be happy if anyone were to talk with our past E.P’s because you would hear that we stayed on schedule, budget and handled ourselves professionally. Now, I’m not the only one that runs a tight ship in this area but there are only a few. There are many BS’ers out there trying to tell you what they think you want to hear and others still that will laugh and tell you how disorganized they are as if that is truly funny. No. Funny is when your work reflects your effort.
I need another coffee before going to see how we are going to clean up this old timey hutch.
Have a wonderful weekend and I’ll talk with you all next week. If you go see “Ashes of Eden” feel free to send me your comments here.
Be safe.
DJ
Show Me & I’ll Show You – Plus Distribution Updates
I’m sipping the hazelnut coffee and the sounds of geese and morning birds are singing. Yesterday I got the back yard all mowed up and today we are working on the flooring of the office/fort. The pond, the garden (which has its first bean sprouts) – all these natural wonders that I try to surround myself with as I go through my day-to-day. Yesterday also included a meeting over ASHES OF EDEN distribution on a patio with sushi. I’m happy to say we have our first distribution offers on national domestic on the table. Now comes a process of looking at pros and cons and looking at our entire battle plan. We also have some foreign interest that could turn into solid offers very soon. One of the things I felt really good about was the comments that they gave on the production value that they stated was extremely high. They deal with a 100 films a week in submissions and it was a great nod to all our artists. You have to find folks with the talent and inspire them to give their absolute best. Every time I hear ACTION! I give nothing but my very best. It doesn’t matter if I’m being paid $1,000 or $10,000 you still give it all. When a group of artists all do the same thing the results can be well…
“BESTSELLER” is a great example of REPEAT! Not a crime drama but a dark thriller but same breed of passionate artists who again are inspired to turn out quality. The 1st trailer has gotten lots of exposure and the 1st distribution interest. We now have our shot list of pick ups and that will be budgeted and we will schedule this one day pick up. I’ve been getting myself back into my previous role and I’m excited to play Mr. Franklin one more time. It will be nice to be up North and see friends again while completing our art. Our music and sound design deal is in place and we are ready to bring this one home by years end. Look for a fall premiere!
Advice taken from my dealings – If you’ve made a deal on something in writing don’t try to re-visit in the 11th hour. Also live by what the final deal is. Example – I knew a writer/director/filmmaker who was submitting around a business summary. In it was a bio whereas the filmmaker had himself credited as a Co-Producer on some large projects. So I had people vetting (background check) this person and nowhere could these credits be found. As I sincerely liked this person I confronted them about this. His response was about ghost writing and a verbal on a co-producer credit…blah, blah… I told him that nobody knows all that drama and if that was the deal it should have been put in writing and done deal. When someone cross checks and they don’t see a credit on a film, movie/poster billing block they just see a liar. Don’t be that person. Many won’t care about you enough to even bring it up but if you are trying to get someone involved and they find false info – look to be rejected. This also applies to name dropping. If I had a dollar for every time someone name dropped and I know the person – I mean can call them – I would have a nice handful of cash. Just be real. I’ve read websites whereas they encourage people to try underhanded tactics. Actor wants footage – get to know the editor. HINT: An editor that releases footage without production permission is open to being fired, sued and black-balled. Nice advice website – and the actor could get the same treatment. I’ve never worked with an editor that foolish but I guess they exist. Actors desperate enough to try it – ah many…but don’t. Patience. You are not part of a hobby 48 hour film short contest. These are business ventures with marketing and distribution plans and lots of money on the line. You want your footage while the film is still being edited go do a student film. That is what they are for but I’m just saying actors – be wise.
I had a nice talk with a director over a comedy film. We talked schedule and such and it may work out. But you want to sincerely connect. Initially I was talked to about two roles. The script was sent after I did a sketch read – meaning a few choice lines NOT 14 pages. They will not invest giving me a script until they like my reels or a sketch read. If they like that I ask for a full script. Why? Because if I don’t like the full script or think it will turn out poorly I would rather work in the garden instead. Ask to see a directors reel – they want to see yours. It’s a two-way street. Now if you like the script make sure you connect with a character. Back to that example – after reading the script one role didn’t feel right to me. The other I really felt I could bring something to the role. I’ve often chosen a supporting role after being offered the lead because it fit better. So I’m not sure if it was a surprise but when I said I would not play the one lead role even if offered I think it strengthened my given interest in the second role. It wasn’t a game I was dead serious. I want them to make a good film. I want to perform a great role. It all has to fit together. Some people will take anything just to belong and I’m just not about that. When I sign on I bring all my energy with it. I don’t take that lightly.
These are all elements I try to use in my own productions I supervise and I think that is what helps direct these projects towards quality. Throwing a name actor in a wrong role makes others stand up and notice the mess of a film you created. Make a strong film and use that name actor wisely where they are proud of the work and they will always be there for you.
OK. Refill on my coffee and I’m going to get ready for food and fort/office work. We have a soccer match tomorrow and the sun will be shining. Have a great weekend with family and friends.
DJ
Casting, Collaborations and Coming of Spring
I think I actually felt spring in the air if you can imagine that. Once the snow goes we have some tree cleaning to finish, fence fix and our gazebo took a hit under the snow and ice. I’m excited to do a few cosmetic things to the new office this year, which is looking great. It is truly the dream office and a great place to oversee the creation and on-going enterprises here at http://www.cdiproductions.com which has been kicking it strong since 1996. If you haven’t poked around the website do so as we’ve put several new updates on there. I also want to thank all our new blog fan adds from Australia. We are even now in talks to get more of our films released there and elsewhere. I’ve been asked to keep adding little tidbits of advice for aspiring filmmakers, actors and writers etc… I think people like the advice because it is brutally honest. No agendas here I just call it like I see it.
Let me see, filmmaker advice – best told by a story.
FILMMAKER CONFIDENCE – I had a good talk this week with a very talented artists on both sides of the camera. He was/is frustrated because of lack of progress and lack of control on moving a project forward. I like something he said – “I have confidence in the project but I lack confidence in myself.” That is a truthful statement but comes from a lack of experience. Imagine yourself a youngin’ standing on the edge of a swimming pool looking at the other side. Now we are talking width of the pool but you’ve never swam from one side to the other. Maybe you have your water wings on or maybe you don’t but you stare at that other side and you muster all the confidence you can. If you stand your ground and never dive in you will not reach your short-term goals. So finally with the right amount of encouragement – you DIVE in!
You swim, swim, swim and behold you make it to the other side. You turn around and you do it again. And again. Pretty soon you are looking at the length of the pool believing that you just might be able to swim the length.
You have to BUILD that confidence with small realistic goals. You build it by DOING. I will find out this coming week if this person jumped into the pool or is still standing on the edge. The point is that even in failure with an earnest attempt – that is success. So you took on some water and maybe you had to swim to the side before you reached the end goal- maybe next time. And next time you will have more confidence.
ACTORS – IF you are at that point where you want to be accepted as a professional – DON’T WORK FOR FREE! Let’s say that all together now. DON’T WORK FOR FREE! Work at a discount if you believe in developing these people but just say no. I see in our own state all these actors working the student films and free projects. That is where new upcoming actors get their experience and build their resume. So if you have experience and a resume that can compete professionally – GET OUT! Now if you are a hobbyist – sure do your community filmmaking deal, but don’t be surprised when professionals don’t take you serious. If you are in demand and you hold out – you force filmmakers to grow. It’s the whole, why buy the cow when you can get the milk for free? Every time a professional actor does a free project – GO TO JAIL (Loss of name value) DO NOT PASS GO, DO NOT COLLECT $200. An experienced actor beating out a bunch of newbie’s trying to get their first projects under their belt impresses absolutely nobody. Dive into that larger pool.
Now onto some updates! You know I like to give Blog readers advanced updates. So here we go!
DONORS, the thriller I did with Niki Saletta (7th Heaven) is complete. They will screen the film for investors this Sunday and plans will be made to get this ready for presentation to distributors. It is a cool little film that has some serious tension to it.
BESTSELLER released a new teaser poster this week and the rough cut is under review. Our director is making notes for a second round of editing as we speak. I’ve had the pleasure of seeing some great performances caught by a hard-working crew. We’ve got early interest on the film by distributors and I’m relatively happy with our work flow. The overall film will likely be done in August and premiere in Sept or Oct.
ASHES OF EDEN will also be releasing some new poster art. I’ve been bouncing some ideas with our director on a new opening of the film. We should be done with everything this month save maybe the final mix. It’s exciting because even as strong and enthusiastic as the test audiences were – the final product is so much better. We’re planning a premiere for cast/crew followed by a theatrical test run and that may lead to a wider release via one of our several distributors bidding for a first look. This will be one of the films to watch and it will help put Michigan once again on the map with international releasing.
And speaking of international releases – following last month’s release of the Michigan-Made “Locked in a Room” to Germany, Austria and Switzerland those same territories will be getting the Philippine darkness unleashed upon them. Yes. On March 28th, “Darkest Night” will release there. That makes three new films released in those territories in the last six months. So congrats to the CDI Sales Team for that. More territories are in the works and we will announce as it happens.
The CDI Associated doc film “Outside the Wire, Forgotten Children of Afghanistan” is also getting a VOD release soon thanks again to CDI Distribution. This is a powerful film by Anthony Hornus. It was filmed while embedded with the US military in Afghanistan. I encourage everyone to check out this powerful film when it releases.
MISC. NEWS
Other random news of events still developing include – a new casting for a CDI film on IMDB which you can search out under “40 Nights”. We will be doing a full PR release on this film in the weeks ahead. It’s a very exciting pet project and I’m happy to see this developing so fast. Actually we have development work underway on a handful of projects including an “Anthony Hornus” feature “Race to Judgment,” the “Soul Eater” film, and a possible new association with Detroit’s AT RISK ENTERTAINMENT. There also might be a theatrical showcase of CDI films coming to the Detroit area so stay tuned for big updates in the weeks ahead. Additional studio talks, new rep from India joining CDI and the list goes on. Enough of all this – get out there and enjoy your weekend!
DJ
Advice, Ashes, Apples, Adventures and Ales
I’m sitting on the couch with the pack (dogs) and sipping the morning java. I have soccer on the TV as I send around the morning emails locking down some casting on our upcoming thriller “Bestseller”. Advice for young filmmakers and for actors. First working a schedule around an actor on lower budget is a kiss of death. When working with limited funds you MUST work the schedule that is best for your production. Only a very experienced crew can make a few adjustments to schedule and it better be for a good reason. Talent that sells you in a certain territory is a good reason but you still have to be so careful. OK. Other end of the spectrum is talent. Now if you are trying to make a career in film and are not yet established giving hard limits on your schedule availability is a fast way to being replaced. I do understand that some people have BIG life events and those things should come first and so accept the consequences. I’ve had aspiring actors miss out on roles because they couldn’t miss a day of class (film). That is funny because I know as someone who went to college (MSU) that class could be skipped for any number of reasons and seldom had any real redeeming reason save friends, beer, girls. Another actor may have a conflict with a play and again nothing against that but you have to know where your career path lies. So don’t expect a production to move all around your best schedule because what is best for you might not be best for a film. The film’s needs must come first.
I had a great chat this morning with an actor friend who has had quite the career and that is Mr. Terence Knox. Terry and I have done a couple of films together, “An Ordinary Killer,” “Ghost Town,” and “Deadly Renovations” and we may add another to that mix. I know I’ve spoken about mentors before but they really are so important to have. I’ve been blessed to have many starting with my own father who was and still is my first mentor. As I get older I use more and more of his lessons. I had another great talk with Rance Howard this week who is another mentor and dear friend of mine. He is always the N. star of good movie business advice. I’m happy to give an advanced announcement that it looks like he and I will be working together again here soon. I’ve been asked to saddle up and star in another western. Rance will be playing my grandfather in the film and together we are supposed to go shoot some camera tests and promotional shots in New Mexico this December. I’m looking forward to a return to the genre and to working with old friends.
For those loving the season of fall like myself I did a promotional push on a “Triple Dose of Terror” highlighting “Locked in a Room,” “Deadly Renovations” and “Darkest Night”. I want to thank Robert Gwinn for the promotional artwork I truly appreciate it. I know that “Donors” is almost complete and I saw a great new cut of “The Terrorist” formerly “Benjamin”. I’m excited about both of these projects. Speaking of the horror films feel free to check out some of the older ones like “GPS,” “The 8th Plague,” or “Blood Ties”. If you are braver still you can go back even further to our micro-budget “Knight Chills” and “From Venus”. Everyone starts somewhere and these were some of the building stones upon my path.
“Ashes of Eden” has been undergoing sound design and composing while Shane and I look at numerous drop songs for the soundtrack. The premiere has been put into hold until we know when the film will be finished. Everything is a negotiation and I will not show some “work in progress”. We all want to show the finished film at its BEST! The trailer is exciting folks and we might have some exciting news once we do get to a premiere.
A handful of years after filming in Costa Rica the TV show “Supermodel Showdown, Costa Rican Adventure” has some real legs. The first three shows are done and being looked at by several interested distribution parties. I don’t want to jinx anything but I do think you will see this zany adventure on the small screen sometime in 2014. Staying with the TV theme I’ve been getting my feet wet with development on another TV series. It is funny how lots of talk on development is leaning in that direction. I think with cable making better and better film properties and the continued rise of reality TV – CDI will continue to develop some TV properties.
Yesterday between some prepping and packing we made a stop at the local zoo which was a nice side trip. Today we are having the mom’s over and some family to enjoy some pork loin roast in the smoker with apple glaze and apple chips. Tomorrow a breakfast with my father and after that I’m ready to go tell this next story. What a great team of artists being brought together to participate in storytelling. I’m blessed to be able to do what I love for a living and give thanks every day. It wasn’t always so and I know the struggles many of you have out there following dreams. You might as well keep chipping away at it until you reveal what was meant to be within.
Let me see – the people who have tried the new AUTUMN AMBER beer have really enjoyed it. Nice complex flavors and has a nice little kick to it. More of the wine has been shared and some great comments from people. I wanted to do another batch of hard cider but we will see. Maybe something upon my return in a few weeks. Some time was spent freezing some tomatoes and last night some wonderful venison steak fajitas. It will soon be time to perhaps restock the venison. Today we will be enjoying pork from our 4H purchase. Okay, I’m off to get some stuff done around the house and I hope you all have a great Saturday.
DJ
“Be True”
A quiet morning of sipping coffee and reflecting on the past week. On the domestic front this week saw Lions and MSU football kick off to victory. The garden is giving tomatoes, peppers and some beans in abundance. I bottled up the fall brew beer that I’ve named AUTUMN AMBER and is tastes good and with some age it will get even better. We used the smoker on some chicken and it came out great! So on the personal level I’ve been enjoying the slow transition from summer to fall. Let’s discuss some business shall we.
Evolution
First I’ve noticed that some of the things happening in the our local film community will evolve on their own. My personal “community” is composed of doers from every state and other country’s creating art and telling stories to enlighten and educate the masses. We’ve discussed many of the issues that our state faces and I’m sure that is represented in every film community in every state. There are some that are chasing fame and working cons to try to grab a foothold. As I’m about to shoot a thriller this Oct. that is a complete re-shoot due to mismanagement I see that some of the individuals responsible are just moving to the next “mark”. Some are following their same game of deceit and bamboozling. I did step in to give warning to one young man who seems bent on getting ahead by any means. I just saw his attempted involvement with two other filmmakers that I call a friend. So I had to bring that to light because I don’t want to see others have their passion films damaged. Be real and build a real career on real effort and work. Not claiming “uncredited” work on studio projects or falsely adding or promoting yourself as being part of something you are not. I gave my warning but for you out there hiring or collaborating – you must also beware. Talk to people who have worked with these people prior. Remember like a job interview they are looking to say what they think you want to hear. A good speaker can bullshit a lot of people and you often won’t realize until it is too late. I’ve learned this lesson the hard way earlier in my career as well. I’ve got a finely tuned bullshit meter but we all can be a victim.
We are about to start signing deal memos on “Bestseller” in the coming weeks. We’ve been in talks with vendors and I’m excited about what this group of artists will create. I’ve been spending some time with my character role and looking forward to bringing this to life. Some of my contacts in Hollywood are now becoming aware of what we are shooting and we will be bringing a few actors in to work with our mid-west talent. They have had some great feedback on our revamped script and we are doing our production breakdowns. This should be a very smooth shoot and a great way to end the year. So prepare for a new website and PR on some of our great talent attached.
ASHES OF EDEN! The film is in final sound design and scoring and we are on course for a November Michigan premiere. Before that audiences will get a strong look at our film via a theatrical trailer which will release tomorrow! I’m excited about showing people a peek of this powerful film. I’m going off survey responses from our test audiences. We also have submitted and may have a few known music artists joining our talented local music acts. I’m excited to again show our interested distributors our new marketing piece. I also excited to show all of you!
BENJAMIN has been re-cut with distributor feedback and retitled THE TERRORIST. All the talk from over there in that camp is that we also have something very special. So this is another film that I’m excited to get out to audiences. Another riveting drama.
SUPERMODEL SHOWDOWN. The question of if this TV series is going to strike a fancy has been answered. We did a promo piece and that was shown to 3 different parties all of which responded positive. One responded so positive that it was a board room showing in London and we have an offer coming in next week. The negotiation process starts but we do have a fun, entertaining show and this might be a great start for CDI TV. Will I end up producing a few reality shows? Maybe. We will see.
I also have a TV series in development with a major studio that could be great fun. This is my first time working within this TV studios development process but I will learn from it I’m sure. If it happens it would have me co-starring in my first TV series. I know I’ve avoided that prior but this would have me on the writing/producing team so I re-considered. It still could fall apart or get shelved but so far so good.
Many of our scripts are in development pipelines being evaluated by money sources. I think 2014 will surely see a handful of these get made. I’m enjoying this time of productivity. Some is from work previously done finally coming to and some are new growth. EVOLUTION is the word I’ve been in meditation on. I can roll with whatever the universe brings because I know that it is all just evolving energy. I see great storytelling ahead.
So as you can see I can be concerned about issues in our local circles but I cannot get overly invested. Those overselling themselves to the inexperienced will continue to do so. Those chasing that 15 minutes of fame by the “fake it to make it” technique will continue for some. Others will continue to not see true opportunities presented to them and do things half-ass so they can move quickly to the next venture out of desperation. I was inspired watching a PBS doc yesterday on the torch passing between film and digital. The passion of storytelling by storytellers is the underlying golden thread. That is where I belong. That is who I am. The same child like artist who first picked up a camcorder to start telling little stories. I’ve matured in business from good mentors and experience good and bad. My wanting to bring our art to the wider world that only happens with distribution and dependent upon good business has pushed me forward. So I do care a lot about those around me. But I can only be a compass by example alone. I cannot and will not take part in a bunch of drama that I read about daily on all these social media outlets. While others talk I’ve always been one taking action and I have to stay that course. The artists that work with me will always get my best. I don’t understand and can’t try to understand those others. So I will keep tending my garden, loving and laughing with true friends and family and telling stories. That is all I can do. So I implore those out there to always give more than someone paid you for. Always give your best and use the passion inside you. Don’t sell yourself out for shells and beads or lures of fame. That is all fleeting but the stories you tell. The art – that can live on and on.
Be true.
DJ
“Ashes” Test Audience, German Acquisitions and Self Accountability
Last week I did some writing about overcoming chaos in your personal life or career. If you have a well build ship of “self” and a calm center you can brave the storm and get back to your calm waters. But you have to ask yourself “Did I sail into that storm”? “Did I think the PROS outweighed the CONS and change my course?” I guess part of the lesson is that if your own actions bring you into chaos you can’t go without blame. I’m happy to say that the waters here are calming and we are back to some smooth sailing. Are you saying enough with the damn boat analogies? Okay let’s look at this in a filmmakers view whereas it can apply in many other situations.
You should just like a navigator look at each proposed journey. Damn I’m doing it again:) Okay… you should look at every opportunity presented and VET it out. Many actors/crew are so excited about the idea of a creative outlet and a paycheck that they fail to ask the questions that really matter. I think some don’t want to know the truth but when things go to hell in a handbag they are the 1st to be most vocal. OK. You trusted a liar and they lied. WOW! That is like trying to tap a cobra on the head and acting surprised when you get bitten. Also you have to look at the talent behind the camera – the director, DP, Art Director – the quality of equipment and the other actors involved. I’ve heard of starting filmmakers getting mad or defensive if talent asks to see THEIR reel. It is a collaboration and the door swings both ways. Just because someone can crowd fund raise a small budget doesn’t put them above vetting out. If they are experienced they will proudly point to a few examples of their work. If those people were riding on false ego – anger and defensive attitudes are usually what you get. I don’t really deal with that too much these days because I can usually smell inexperience and a chaos storm coming. You need to check your excitement and make sure you want to work with them. I will never do a project without reading a full script. Bad format and such in a script is a huge flag as that is the blueprint to an entire film. In the studio world a badly formated script heads right for the trash can. Maybe you should adopt a similar detection process. Why give blood, sweat and tears for something poorly captured that will take years if ever to finish and will likely only be seen by friends, family and a few local film festival goers if you are lucky. IF you are doing this as a fun hobby this doesn’t really apply to you. In summary be your own agent/management and keep that person apart from the artist. Make sure the boat you get on won’t sink once out to sea. Sorry I must have nautical theme on the brain.
This week had many small moves on the chess board but I did lock a “Soul Eater” pre-distribution deal with Germany that includes a nice cash advance once the film is delivered. I think since most of the film is interiors I will shoot in the winter and the outside scenes will have that FARGO like feel. I’m also working the licensing on 3 feature films also going to Germany for release. We have enough business under us now that we are also talking development on other projects including a WW2 film. Note that one film “7 Stones” fell out of this line up after they realized it was a short. They loved it but the run time killed it. It is a 47 min TV length and all the other deals are feature-length. Shorts are good director/writer business cards but not a good investment. They can help train a crew to get them ready for long format and showcase actors but will not bring the higher returns of a feature. Just a good lesson which I had pointed out even on this film but consultation is just that – advice to be taken or rejected. Sometimes it doesn’t feel good to be right. It is a strong film and it will find its own outlets.
“Darkest Night” is on the runway for launch in July on VOD, DVD, TV. I’m excited to showcase the hard work of the cast and crew to the USA/Canadian audiences. Germany is also one of the buyers of this film so be ready German fans. We will get the film around the world as horror fans everywhere have been taking a great interest in this film. If you like intelligent horror (not just masked killer stalks kids) and like “Found Footage” format I think this could win a place in your heart. I like traditional filmmaking but I enjoy watching some of these “Found Footage” sub-genre films and was happy to make one. I will take audiences to the Philippine countryside and that in itself adds a great element. So PRE-ORDER now and let’s show these Philippine artists that we appreciate their work.
“Supermodel Showdown” TV series is moving steady along and I think by next week we will have show 2 edited and be into show 3. It is FUN. I know a handful of distributors already waiting to pounce on this so eventually you will see a small crew struggling in the jungle to film a show about beautiful girls learning about themselves on TV.
I might be producing and acting in another drama here soon in August. They are on a fast track to hit a window with one of the stars that needs to work within their current TV schedule. Another associated CDI deal is in talks and may come to light. That would film almost right after the drama ends in Sept. Also once “Ashes of Eden” is off to sound/music the next CDI/New House Ent/Aphtic film will move into more serious development. I’m very excited about that project!
I will end this blog how I ended my week – “Ashes of Eden” had a test audience screening on Friday with studio style survey. I will say that I always remain cautiously optimistic these days having had good films under-perform but I’m sincerely excited about this film. We did a major adjustment to the ending to enhance pacing and what I watched was one powerful scene after another that flowed to a powerful conclusion. I watched people in the audience weep. I’m not talking about watery eyes I’m talking about weeping. The surveys reflected ALL high marks and rated the performances and newly adjusted ending as the most powerful elements. I know this film will get a strong distribution push. I know it will connect with audiences. I will be curious to see this time next year what this film has actually done. I can make some powerful predictions but I would rather let actions speak over words. I’m proud of Shane Hagedorn our writer/director who also produced with our team. The journey has been ORDER throughout the process devoid of chaos. The respectful communication has resulted in a film that makes us all proud. I’m excited for fans to see this movie. It is easily some of my personal best work on both sides of the camera. This film will create new stars and make others shine that much brighter. I also think it will be a proud mark for Michigan and even our little town of Lansing. Soon my friends. Time to mow the yard before screening MAN OF STEEL and getting some good eats. Have a great weekend!
DJ
DJ Perry's Official Blog 'Clawing My Way to the Middle' 